Canon News (Page 9)
Canon RF 70-200mm F2.8 L IS USM Z Lens firmware update version 1.0.6 is available for download.
Firmware Version 1.0.6 incorporates the following fixes and enhancements:
- Canon Virtual Production System functions are supported. Lens metadata suitable for virtual production is output to a camera compatible with the Canon Virtual Production System.1
1 Canon Virtual Production System compatible cameras (As of February 20. 2025):EOS C400/EOS C80 Please refer to the camera's user manual for detail.
Get the awesome Canon RF 70-200mm F2.8 L IS USM Z Lens at B&H.
Canon Global has announced the PowerShot V1. However, the announcement is regionally targeted, including only Japan, Korea, China, Hong Kong, and Taiwan. While the limited region for this announcement is disappointing (likely for the CP+ show), this camera is expected to reach the rest of the world at a date yet to be determined or announced.
Canon PowerShot V1 Features
- 22.3 megapixel 1.4" (18.4 x 12.3mm) CMOS imaging sensor for high image quality (not stacked, 18 megapixel for video)
- 8.2-25.6mm (16-50mm full-frame equivalent) F2.8-4.5 integrated wide-angle zoom lens with 5-stop optical IS
- Dual Pixel AF II for PowerShot with speed and tracking inherited from the EOS R6 Mark II (outstanding)
- DIGIC X processor
- Up to ISO 32000 (expandable to 51200) for stills, up to ISO 12800 (expandable to 25600) for video
- Up to 30 fps high-speed continuous shooting
- Up to 1/16000 with electronic shutter, 1/2000 with mechanical
- 4K 60P video (1.4x crop), 4K 30P (uncropped, 5.7k oversampled), FHD 60P, Canon LOG 3
- Cooling fan for extended video recording (greater than 2 hours record time with Auto Power Off set to High)
- Smartphone integration via USB cable, Wi-Fi (2.4GHz 802.11b/g/n), or Bluetooth 4.2 via Canon Camera Connect app.
- Video calls and live streaming support
- Internal 3-stop ND filter, tally lamp
- Movie shooting moods, including "Smooth skin movie", "Movie for close-up demos" (tracks the product instead of eyes when the item is held forward), "Movie IS mode"
- Multi-function shoe, X sync to 1/2000 sec
- Mic and headphone jacks, stereo mic and mono speaker
- Dead cat windscreen is provided
- Subject tracking IS, with crop position determined by camera shake and subject position (not available with 4k 60P)
- 3" vari-angle 1,040,000 dot LCD
- UHS-II SD card slot
- Canon LP-E17 Battery Pack
- Stills/video switch
- Compact 4.65 x 2.68 x 2.09" (118 x 68 x 53mm) size
From Canon Japan (translated)
Release of the flagship model of the "PowerShot V Series," the "PowerShot V1"
Full-fledged video and still image functions meet the wide range of needs of creators
Canon will release the PowerShot V1, a compact digital camera that enables easy, professional video and still image shooting, in late April 2025.
The PowerShot V1 is the second compact digital camera in the PowerShot V series, which allows users to enjoy full-scale video shooting, following the Vlog camera PowerShot V10 (released in June 2023). Compared to the 1.0-type sensor installed in a normal compact digital camera, the 1.4-type CMOS sensor is about twice the area, achieving high image quality and high sensitivity. In 35mm equivalent, it covers a zoom range equivalent to a focal length of about 16mm to 50mm1, and is compatible with a wide range of scenes such as selfies with multiple people, snapshots, and Vlogs. In addition, it combines the functions required by creators, such as high-performance AF and a variety of shooting modes, with a compact body, making it easy to shoot full-scale videos and still images. Canon will continue to expand its models that can both shoot full-scale videos and still images to meet the needs of a variety of users.
Main features
An integrated lens camera that combines professional photography performance with a compact body
The combination of a 1.4-inch CMOS sensor with a maximum effective pixel count of approximately 22.3 million pixels2, the first Canon compact digital camera to be equipped with the DIGIC X image engine, achieves a maximum standard ISO sensitivity of 32,000 (when shooting still images). Canon's proprietary AF system, Dual Pixel CMOS AF II for PowerShot3, also achieves high-speed, high-precision AF. Furthermore, the inclusion of the Eye Detection4 function makes it possible to detect the eyes of animals, whose movements are difficult to predict, in addition to people, making it easy to focus when shooting. With full-fledged shooting performance packed into a compact body, you can carry it around with you on trips and enjoy shooting.
Video recording functions that allow for greater freedom in video expression, including the incorporation of a cooling fan
The camera is equipped with a cooling fan inside, which efficiently releases heat, reducing the impact of temperature rise on video recording time. In addition to realizing 4K crop/60P video recording, it supports "Canon Log 3", allowing recording with rich 10-bit gradation and excellent color reproduction. Furthermore, shooting modes such as "Review Video", which is suitable for product reviews, and "Image Stabilization Video", which is effective for handheld shooting5, make video recording comfortable.
High-speed continuous shooting at up to 30 frames per second ensures you never miss a subject, and still image shooting functions enable a wide range of creative expression
When using the electronic shutter, continuous shooting at up to 30 frames per second is possible, making it possible to capture fast-moving subjects. In addition, the camera automatically recognizes the scene and supports difficult scenes such as night scenes and backlit scenes with the "Advanced A+" mode, and "Creative Filters" allow for impressive shots such as diorama and toy camera style shots, and many other functions that enable rich photographic expression.
1 When shooting video, the focal length is equivalent to approximately 17mm to 52mm in 35mm format.
2 When shooting still images. When shooting video: Maximum effective pixel count approx. 18.7 million pixels. The number of effective pixels may decrease due to image processing.
3 The maximum measurable area is approximately 90% horizontal x 90% vertical.
4 The subject that can be detected is the eyes of people and animals (dogs and cats). Birds and horses cannot be detected.
5 When "Auto Horizon Correction: On" is set, the "Image Stabilization Video" setting cannot be set.
As I mentioned before, I was blessed to photograph an all-out over-8-minute battle between two whitetail bucks in Shenandoah National Park. I'm sharing another moment from that fight.
As shared in the last battle shot, the Canon EOS R5 Mark II and RF 400mm F2.8 L IS USM Lens get credit for the photos.
A larger version of this image is available here.
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I can't think of anything that saturates the landscape like rain, which, in this case, exaggerated the fall foliage color. Fall foliage arrives during the summer in Denali National Park, but I suppose the meaning supersedes that technicality.
The big ram alone makes a great subject, but the background takes the image to the next level, making it stand out for selection over a vast number of alternative choices.
As often happens these days, the Canon EOS R5 Mark II and RF 100-500mm F4.5-7.1 L IS USM Lens made it in the pack, and this combination left no regrets.
A larger version of this image is available here.
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In case you were watching the game and not the sidelines. From Canon USA:
Canon Lenses and Professional Digital Imaging Solutions Support Live Broadcast at the Big Game in New Orleans
Majority* of credentialed photographers utilized Canon equipment, including the EOS R1 mirrorless camera
MELVILLE, N.Y., February 13, 2025 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce that the vast majority* of lenses utilized on the FOX live broadcast for the Big Game between Philadelphia and Kansas City on Sunday were on Canon.
More than 95 percent of the lenses used by FOX during the championship tilt in New Orleans were Canon, including 62 broadcast lenses for the live game broadcast and 29 of the 30 total lenses deployed for the pre and postgame shows.
Canon was also a ubiquitous presence for many of the credentialed photographers at the event, increasing its overall estimated market share of lenses used from 2024, including the extensive utilization of the EOS R1 mirrorless camera.
Canon’s footprint in the Big Easy for the title game included the Canon Professional Services (CPS) team on site to offer photographers technical support, equipment loan opportunities and clean-and-check services. As in years past, the CPS team brought in loaner gear to supplement cameras and lenses owned by Canon professionals, and Canon broadcast lens technicians were also in attendance to provide cleaning and maintenance services for Canon broadcast lenses to help ensure optimal image quality.
For the live broadcast, a total of 16 Canon UJ122x8.2 lenses were deployed in the stadium.* Three of those lenses featured new, on-demand optical units that helped extend the focus range with a fast aperture that provided a shallow depth of field at a distance requiring a BCTV telephoto field lens.
The CJ20ex5B IASE S, a versatile broadcast electronic news-gathering (ENG) camera, was used in the high SkyCam position, capitalizing on its telephoto reach without sacrificing wide-angle capability. Additionally, the C300 Mark III provided high 50-yard line shots.
“We are very proud that Canon’s equipment and service support could contribute to the Big Game, which remains one of the world’s most prestigious sporting events,” said Kiyoshi Oka, executive vice president and general manager for Canon U.S.A., Inc. “Helping to provide the tools for photographers and broadcasters to document such an important moment for the culture is a privilege that means so much to us at Canon, and contributing to the enjoyment that millions of people derive from watching the game is a source of pride for our company.”
For still photographers, the EOS R1 camera – geared toward professionals that brings together Canon’s cutting-edge technology and combines top-class performance with the strong durability and high reliability sought in a flagship model – again played a major role for a signature sporting event.
“With more than 30 years of experience using Canon cameras, I couldn't be more pleased with the quality and reliability of their products, especially the new EOS R1,” said Steve Sanders, Kansas City’s team photographer. “As a professional who relies on all types of Canon gear every day, the versatility and outstanding quality of their equipment make Canon the clear choice for my team.
“Whenever we need assistance, the team at Canon Professional Services is always there for us, whether it’s for a cleaning, a loaner, or a repair,” he added. “The turnaround is so fast that we barely notice the gear is gone. As a professional, I can’t imagine working with any other brand. With Canon’s support, I always feel confident that I can take any project to the next level.”
Added Jamie Squire, Getty Images’ Chief Sports Photographer: “This was the first time using the new Canon R1’s during the Big Game and they performed beautifully. Even in lower lighting, shooting wide open at 2.8, the autofocus was fast and the images were crisp and razor sharp. The built-in ethernet port and transmission technology allowed me to send images to our team of editors and out into the world within moments of the capturing the action. Additionally, the customization of the buttons and controls allowed for a seamless experience while working, especially during a big event like this when there is no time to be messing around. The Canon system and the knowledge of how to use it provided me with the confidence to perform at my best.”
For more information about Canon’s extensive lineup of professional imaging products, please visit www.usa.canon.com/pro.
Get your Canon gear at B&H.
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* Based on Canon U.S.A., Inc., survey and data, as of February 10, 2025.
Zeiss posted a teaser on their Instagram page, hinting at a new Otus lens.
"Get ready for owlsome news! ZEISS Otus 1.4/85"
Get your Zeiss lenses at B&H.
In the recently shared Bull Elk Among the Pines image, I suggested that thinking like a landscape photographer should be a top priority, seeing and capturing the environmental wildlife photo option when the right scenario unfolds. Still, I can't resist the in-your-face shot when it is availed.
The Canon EOS R5 Mark II and RF 100-500mm F4.5-7.1 L IS USM Lens teamed for this image. The compact size and light weight of this combination made it ideal for the long hike required to get to this enormous bull, the focal length range enabled fast adjustment to quickly capture a wide range of compositions, and the delivered image quality is outstanding.
A larger version of this image is available here.
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Image quality test results from a second lens are now available in the Canon RF 14-35mm F4 L IS USM Lens Review.
The first lens was tested on the EOS R5, and the second lens was tested on the EOS R5 Mark II, but the camera difference does not influence these results.
Here is the comparison between the two lenses.
Primarily at question were the first lens's 35mm results. The second lens delivered sharper center of the frame results at 35mm, but the periphery results are not quite as good. The first lens was sharper in the periphery at 20, 24, and 28mm.
Please share!
Support this site by ordering the Canon RF 14-35mm F4 L IS USM Lens (or anything else) from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada
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Tamron shared the Full Year 2024 Financial Results.
The report shows strong numbers and a positive outlook. However, the "Photographics Products (Own-Brand)" increases are not coming from America or Europe.
Just posted: Kondor Blue 501 Arca-Type Pivot Camera Plate Review.
John Reilly shares the solution to his fluid head mounting problem.
Support this site by ordering the Kondor Blue 501 Arca-Type Pivot Camera Plate (or anything else) from B&H | Adorama | Amazon (all available countries)
"Your Ultimate Camera Companion" [Lowepro]
Learn more about the Lowepro ProTactic Lite SLX 120 AW III Sling Bag (Black, 5L) at B&H (in stock, used model available at huge savings).
Entire careers are made around photographing vehicles, so most of us will not go beyond dabbling in this genre. Still, dabbling is great fun (and could generate a profit if you get good at it).
To get started, you need a vehicle subject. Fortunately, these are plentiful and available nearly everywhere. Find something old, new, special (such as because you own it), or just for sale. The car can be yours, a friend's, a client's, or someone willing to trade car time for pictures.
Next, you need a place to put the car, and the background matters. Even with the car filling the width of the image (with some breathing room on both sides and the bottom), the background (and some foreground) is often a huge percentage of the image. A supportive background will minimally be nondistracting, especially void of strongly contrasting lines intersecting the perimeter of the vehicle that compete for attention. Even if blurred, the background should be void of clashing colors. Mow the grass and remove leaves and other distractions/detractions.
Even small cars are large, so a large space is optimal, and that option is often outdoors, including in yards, parking lots, etc. For inside shoots, find a large garage (including a commercial parking garage), warehouse, airplane hanger, etc.
Clean the car. Of course, one of Bryan's Laws of Photography is that if you wash the car, it will rain. Still, give it a go.
Show love to the wheels and tires as they are the car's soul and have a primary role to play. Tire shine will give the tires a deep, rich, better-than-new look, but understand the penalty. The tire shine I've used holds dirt and makes the tires virtually uncleanable, creating an always-dirty look. The easiest way to get them clean is to replace them.
In some locations and times of the year, insects landing on the vehicle can be problematic, and they seem to be attracted to a clean vehicle. Usually, they are easy to remove in post-processing, but when they start accumulating in greater numbers or land on features that are not easily replaced by the healing or cloning brush tools, chasing them away is a better idea.
Cars (most, at least) are reflective, so consider what is reflecting in the body and windows. A large open space often works well, leaving primarily the sky to reflect. Also, consider using a circular polarizer filter.
Lighting a large subject is challenging. The easiest high-quality lighting is a broad sky immediately after the sun sets or, for those preferring to get started early, before the sun rises. A cloudy day and a low sun at your back also work well. Light painting the exterior at night provides a different look and, potentially, a different look to every image.
Especially if shooting at dawn or dusk, turn on the car lights to add life to the vehicle. Adding a touch of interior light can work well.
Camera selection is easy. Unless the car is in motion, even entry-level cameras can perform this job well.
Lens selection is more critical, but there are many good options depending on the desired look.
The basics always apply, and perspective plays an especially big role for big subjects that are easy to get close to. 2x farther from the camera means 2x smaller in appearance. If the camera is close to the front of the car, the back of the car will be rendered considerably smaller. That size difference is OK if that is the look you want.
Shooting from a high position, such as from a ladder, enables a top view with reduced perspective distortion (and a different looks at the vehicle's shape). Shooting at car level from the front, back, or side and not too close can reduce visible perspective distortion, and moving back is always certain to reduce perspective distortion.
Select the focal length or focal length range that supports the desired perspective and composition within the working space. Select the aperture for thedesired depth of field and background blur.
This BMW image was captured just after sunset on a clear day, with the car strategically positioned to show only sky reflection in the windows. The 85mm f/1.2 combination yielded a strong background blur despite the relatively distant subject. The slightly forward of straight on camera position meant that most of the visible portion of the car was within the plane of sharp focus.
A larger version of this image is available here.
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8192 x 5464px
Just posted: Canon RF 16-28mm F2.8 IS STM Lens Review.
This lens is a great addition to the RF lineup.
Support this site by ordering the Canon RF 16-28mm F2.8 IS STM Lens (or anything else) from B&H | Adorama | Canon USA | WEX | Camera Canada
Rent the Canon RF 16-28mm F2.8 IS STM Lens from Lensrentals.
What Canon USA announced:
The Data Is In: Canon Claims #1 Spot in Multiple Camera and Lens Categories
MELVILLE, NY, January 30, 2025 – Canon U.S.A., Inc., a leader in digital imaging solutions is proud to announce that the EOS R6 Mark II was the top selling full-frame camera in the U.S. in 2024* and Canon has solidified the number one spot in multiple categories for cameras and lenses in the U.S. This includes:
#1 in Interchangeable Lens Cameras*
#1 in Mirrorless Cameras*
#1 in Full-Frame Mirrorless Cameras*
In addition to the above, Canon is also number one in full-frame cameras, lenses and mirrorless lenses*. Since the introduction of the EOS R system, Canon has continued its development of innovative products with cameras such as the EOS R1 and EOS R5 Mark II and lenses including the RF24mm F1.4 L VCM and RF50mm F1.4 L VCM. For the professional photographer on the sidelines of world-class sporting events, to portrait or wedding photographers looking to capture a moment of a lifetime and the family photographer who is documenting the hustle and bustle of everyday life - Canon cameras and lenses are a strong addition to the gear bags of any visual storyteller looking for high-quality images and video.
“Customers are Canon’s greatest strength, and we strive to exceed their expectations – with hard work, quality products and innovation front and center, we’ve reached number one within the industry in the U.S.,” said Hiroto Kato, vice president, Business Planning & Strategy. “At the core of Canon is our employees who have helped to achieve this great success while empowering our visual storytellers.”
To learn more about Canon’s EOS R system visit: www.usa.canon.com/cameras/eos-r-system and to explore the world of Canon RF lenses, visit: www.usa.canon.com/pro/rf-lens-world
*Source: Circana, LLC, Retail Tracking Service, US, Detachable Lens and Lenses, Filters, Adaptors, and Caps Subcategories, Digital Lens Type(s): Digital SLR, Mirrorless Detachable Lens, Sensor Size: Full Frame, Lens Mount Type: Any, Imaging Accessory Type(s): Prime Lens, Zoom Lens, and Mirrorless Detachable Lens, Unit Sales by Brand, 12 Months Ending December 2024.
From Canon USA:
Canon Launches imagePROGRAF PRO-310 Inkjet Printer
MELVILLE, N.Y., January 30, 2025 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the launch of the imagePROGRAF PRO-310 Professional Inkjet Printer, a 13-inch device for professional and prosumer photographers, students, and others looking for a home printer that can generate excellent color reproduction while possessing longevity and durability.
The imagePROGRAF PRO-310, designed to provide superior light resistance for long-term preservation of high-quality printed works, adopts the newly developed pigment ink, "LUCIA PRO II"1 – featuring 10 colors – to help meet the needs of professional photographers who want to print high-quality photos while preserving the appeal of their work for the future.
“The PRO-310 is designed to assist our customers achieve vivid colors while offering easy and efficient output, and we are excited to deliver the ability for users to make professional-looking prints and layouts to help meet their dynamic needs and continue to deliver exceptional results.” said Shuji “Steve” Suda, vice president of Canon U.S.A., Inc.
Designed for excellent color reproduction
The Canon imagePROGRAF PRO-310 adopts a newly developed LUCIA PRO II1 pigment ink system designed to help improve the image quality from previous models while also enhancing resistance to light. Improved black density on art paper was achieved by changing the formulation and material of matte black ink. The reformulated Chroma Optimizer is designed to give the surface a clear coat of transparent ink that helps suppress bronze phenomena and helps reduce uneven glossiness.
Improved longevity and durability
The pigment ink, "LUCIA PRO II," adds wax to ink to help provide scratch resistance, designed to make it easier to handle in framing, packaging, transportation, display, and other situations where the print could be easily damaged, while allowing for long-term appreciation and preservation.
For efficiency, a nozzle recovery system works to help ensure that is a clog is detected in one nozzle, other will automatically compensate, contributing to the reduction in the frequency of head cleanings while working to prevent print waste due to banding.
A built-in skew correction mechanism straightens paper fed diagonally from the top tray or manual feed tray, working to reducing printing errors by stabilizing output for thick paper and other paper types.
Canon is proud to announce the imagePROGRAF PRO-310 has registered for EPEAT Gold designation as a product, which, if awarded, would show that it has met EPEAT’s most demanding set of criteria for sustainability leadership in electronics1. The new model contributes to Canon’s commitment to sustainability by eliminating the use of polystyrene foam in product packing in favor of recyclable corrugated cardboard.
Availability and Pricing
The Canon imagePROGRAF PRO-310 is scheduled to be available February 2025 for a Manufacturer's Suggested Retail Price (MSRP) of $899.99
Orders
The Canon imagePROGRAF PRO-310 Inkjet Printer is in stock at B&H.
# # #
*Actual prices set by dealer and may vary. Specifications and availability are subject to change without notice.
1 Newly developed ink (released in January 2024) is used for 10 colors. Matte Black uses the same ink as imagePROGRAF GP-4000/2000 (released in September 2021).
2 Electronic Product Environmental Assessment Tool. An environmental assessment system established by GEC (the Green Electronics Council), American NPO, for the purpose of developing and promoting the market for environmentally friendly products.
Canon has added full year 2024 financial results to the Investor Relations page.
Presentation Material
Results
Presentation Material and Speech Summary
Q&A Session Summary
Quotes and Information From the Presentation Material.
"4Q sales of cameras and laser printers up more than 10%"
"Full-year net sales up 7.9%, exceeded record high sales of 2007, achieved 4.5 trillion yen sales target for 2025, one year ahead of schedule"
Net camera sales were +6.5% vs. 2023, and imaging operating profit was +3.9%.
Forecasted net camera sales for 2025 are +8.2%, and forecasted net imaging profits are +11.8%.
Buy your Canon cameras, lens, and accessories at B&H.
Nextorage has announced 6 new CFexpress 4.0 Type B memory cards, 3 in the Advanced Edition series, and 3 in the Standard Edition series.
"Both series utilize TLC NAND Flash Memory and support the CFexpress 4.0 standard, offering backward compatibility with CFexpress 2.0 host devices. The NX-B3AE Series complies with VPG400 standards for stable video recording, while the NX-B3SE Series is ideal for still images especially for portraits, landscapes, and product shots." [Nextorage]
Check out the fast new Nextorage NX-B3AE Series CFexpress 4.0 Type A Memory Cards at B&H.
Check out the also fast Nextorage NX-B3SE Series CFexpress 4.0 Type A Memory Cards at Amazon.
Image quality test results are now available on the Canon RF 16-28mm F2.8 IS STM Lens page.
The expected step-above image quality is seen in these results.
Compared to the Canon RF 15-30mm F4.5-6.3 IS STM Lens
Compared to the Canon RF 14-35mm F4 L IS USM Lens
Compared to the Canon RF 15-35mm F2.8 L IS USM Lens
There are many additional relevant comparisons available.
Please share!
Support this site by ordering the Canon RF 16-28mm F2.8 IS STM Lens (or anything else) from B&H | Adorama | Canon USA | WEX | Camera Canada
Rent the Canon RF 16-28mm F2.8 IS STM Lens from Lensrentals.
Canon EOS R5 C firmware update version 1.1.0.1 is available for download.
Firmware Version 1.1.0.1 incorporates the following fixes and enhancements:
- Enables functions to be used without limitation in conjunction with the new Battery Pack LP-E6P. This makes it possible to shoot 59.94P with RAW LT.
- Enables the display of the digital tele-converter icon on [Main Recording Displays] of [DISP Level 2].
- Adds the ability to apply Full-Screen display to an external display according to OSD Output setting when using [Peripheral Border Display].
- Adds function [Tracking by Touch priority] for starting tracking by touching the LCD.
- Enables the AF Frame and Focus Guide to be moved by dragging.
- Adds [Protect Images] and [Rating] during FTP Transfer. (Photo Mode)
- Adds the [Motion Vector For Digital IS] menu option. Default [Disable]*
[Disable]: Prevents a phenomenon that may cause the image to shake along with the subject when recording a subject (such as a person or an animal) with a large amount movement. - Changes the menu option name of [PTP Connection/GP-E2] in [USB Mode] in [System Setup] to [Canon App(s)/GP-E2]. For Android devices, please select [Canon App(s)/GP-E2].
- Adds support for the RF-Mount Cinema Lens: CN7x17 KAS T/R1
- Support for Magnification chromatic aberration correction
- Support for Peripheral Illumination Correction.
- Support for Distortion aberration correction
- Displaying T number.
- Enables the remote operation from the camera and RC-V100 (Focus/Zoom/Iris)
- Enables the remote operation from Browser Remote (Focus/Zoom/Iris)
- Enables the zoom operation by joystick on camera body.
- Support for Dual Pixel CMOS AF autofocus
- Support for [Dual Pixel Focus Guide].
- Support for [Push Auto Iris] and [Auto Iris]
- Fixes minor issues.
- The accuracy of the timecode when the camera is turned off and the [Time Code Run] setting is set to [Free Run] has been improved.
#1 to #10 were added in Version 1.0.9.1. #11 was added in Version 1.1.0.1. For details, please refer to the user manual (latest version) for this product.
Caution:
- Please use an SD/SDHC/SDXC memory card that is 512MB or greater to perform the firmware update.
- Firmware version 1.1.0.1 is for updating EOS R5 C cameras running firmware version 1.0.0.1 - 1.0.9.1. If your camera's firmware is already version 1.1.0.1, it is not necessary to update the firmware. Once the camera is updated to the latest version, it cannot be restored to a previous version.
- Please refrain from loading menu settings generated using the most recent firmware version to a product running an old firmware version, as doing so may affect camera operations.
- Firmware update must be performed in VIDEO mode.
Get the Canon EOS R5 C at B&H.
Canon EOS C80 firmware update version 1.0.2.1 is available for download.
Firmware Version 1.0.2.1 incorporates the following fixes and enhancements:
- Adds support for Frame.io Camera to Cloud.
Available in regions served by Frame.io. - Enables the display of the digital tele-converter icon on [Main Recording Displays] of [DISP Level 2].
- Adds the ability to apply Full-Screen display to an external display according to OSD Output setting when using [Peripheral Border Display].
- Adds [1920x1080P] to [SDI Output Signal] option.
- Adds [CAMERA<=>MEDIA] to assignable button menus [CAMERA] and [REMOTE A].
- Fixes minor issues.
- The accuracy of the timecode when the camera is turned off and the [Time Code Run] setting is set to [Free Run] has been improved.
#1 to #6 were added in Version 1.0.1.1. #7 was added in Version 1.0.2.1. For details, please refer to the user manual (latest version) for this product.
Caution:
- Please use an SD/SDHC/SDXC memory card that is 512MB or greater to perform the firmware update.
- Firmware version 1.0.2.1 is for updating cameras running firmware version 1.0.0.1 - 1.0.1.1. If your camera's firmware is already version 1.0.2.1, it is not necessary to update the firmware. Once the camera is updated to the latest version, it cannot be restored to a previous version.
- Please refrain from loading menu settings generated using the most recent firmware version to a product running an old firmware version, as doing so may affect camera operations.
Get the Canon EOS C80 at B&H.
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