As promised in a blog post here
, we are proud to introduce the Aperture and iPhoto import plugin for Lightroom 5. The plugin allows Aperture and iPhoto customers to migrate their images and key metadata (such as keywords, events, project structure) into Lightroom catalogs in a seamless way.
The plugin is available for download here and please follow these instructions to install the plugin:
- Ensure that you’re using Lightroom 5.6. You can check your Lightroom version by going to Help->System Info inside Lightroom. If not using Lightroom 5.6, please update to the 5.6.
- Download the plugin zip file to a known location (such as your desktop)
- Double click on the downloaded zip file to extract it.
- Navigate to the Users//Library/Application Support/Adobe/Lightroom folder. Please note that the Library folder is hidden by default and that you will need to hold down the Option/Alt key to make it visible.
- Check to see if there is a Modules folder. If not, please create this folder.
- Copy the extracted aperture_iphoto_importer.lrplugin file to the Modules folder.
- Start Lightroom.
For Aperture Customers: click on File -> Plugin Extras -> Import from Aperture Library and follow the prompts.
For iPhoto Customers: Click on File -> Plugin Extras -> Import from iPhoto Library and follow the prompts.
Download link -> aperture_iphoto_importer
Watch as France's Airgonay club
sets up a drone race in the middle of a forest. The resulting video looks astonishingly similar to the speeder chase scene in Return of the Jedi
Now I want a drone even more... :-) [Sean]
From Canon UK: Canon introduces new 4K cine-servo, ultra-telephoto lens with world’s longest focal length
United Kingdom, Republic of Ireland, 16 October 2014 – Canon today bolsters its cine servo lens line-up with the new CN20x50 – a high performance, ultra-telephoto zoom lens for sport and nature TV production. Leveraging Canon’s long-standing and unparalleled expertise in lens design, the CN20x50 delivers superb image quality and exceptional creative control, and is the first lens of its type to combine a built-in 1.5x extender, class-leading 20x magnification and a removable servo drive, with a native 50-1000mm focal range that expands to a huge 75-1500mm.
Designed to be a portable solution for broadcast productions using super 35mm cameras – whether HD, UHD or 4K – the CN20x50 is a tool of unprecedented quality, versatility and usability. Featuring a completely removable updated servo drive unit that enables an agile shooting style that’s difficult to achieve with typical cine lenses, the new cine-servo lens helps to meet growing demands for Ultra High Definition (UHD) resolution sport and nature television production. Versatile and reliable
With productions today expected to shoot in demanding and unpredictable environments, a huge level of lens flexibility is required. For wildlife television, operators typically work in hostile and sensitive conditions which often necessitate shooting from extremely long distances, while sports productions typically require extremely high resolution for close-to-the-action stadium work. In both situations, operators require fast, reactive positional changes, shooting flexibility and nimble hardware that allow them to respond to changes in the scene.
Weighing just 6.6kg, the CN20x50 is conveniently portable and lightweight and offers an unrivalled focal length and zooming capabilities for its class. It enables sport and documentary crews to capture footage at a distance, while maintaining the highest quality throughout the zoom range. The lens’s huge zoom range also significantly reduces the volume of hardware that crews are required to carry, offering a superb solution for location shoots.
The latest in Canon’s cine-servo lens line-up, the CN20x50 is also user-friendly and robust. The design has been developed to ensure high levels of ruggedness and reliability, even in unforgiving broadcast environments – combining the finest quality optics with a weather-and-shock-proof construction that makes it suitable for use in the most hostile conditions when on location, to the same level as conventional Canon broadcast lenses. Flexible operability
Compatible with a wide range of cameras, the CN20x50 also supports communication between lens and camera and will be available in both EF-mount and PL-mount variants. The EF-mount version utilises Canon’s own system, while the PL-mount variant supports Cooke’s /i Technology standard. Both models feature a 12-pin serial connection for integration with typical broadcast equipment.
The focus ring rotation is 180 degrees, balancing the accuracy required for 4K imaging with the speed needed for broadcast use. In scenarios where every second counts – and operators only have one opportunity to capture a shot – high speed zoom, iris and simple focusing operation mean that even rapidly changing scenes can be captured with ease and accuracy.
The lens’ design supports a range of cinema and broadcast accessories including operational zoom and focus controls, matte boxes and 0.8- and 0.5-type gear module accessories such as follow focus units, to provide a truly versatile solution. CN20x50 key benefits:
- Ultra-telephoto lens with class-leading focal length
- Capture every detail in sports and nature TV broadcast
- Achieve stunning shots in outstanding 4K quality
- Enjoy a wide variety of shooting and expression
- Portable and durable with intuitive operation
Check out more information about the CN20x50 on the Canon Professional Network's dedicated page
From the Canon Professional Network
"Adobe now offers a Creative Cloud Photography bundle that includes Lightroom editing software and Photoshop CC for photographers who want to organise, edit, enhance and share their images via desktop or their mobile devices – this package currently comes bundled with the Canon EOS 5D Mark III and EOS 6D DSLRs, plus the PowerShot G1 X Mark II and G7 X compact cameras. In a four-part CPN series of articles and video tutorials Richard Curtis (a Principal Solutions Consultant in Digital Imaging for Adobe UK) will examine the workflow between Lightroom software and Photoshop CC to help you to understand the benefits of working with both in tandem. In Part 1 of this series Richard Curtis explains how to use Smart Objects within the Lightroom and Photoshop CC workflow and, in a special video, he reveals how Smart Objects ensure your image edits are non-destructive for longer. Please click on the play button in the window above to watch the video..."
Read the entire article and see the video on the Canon Professional Network
Adobe's Photoshop Photography Program
is only $9.99 per month (Photoshop CC + Lightroom).
From Nikon Europe:
In this video pro-photographer, film maker, & director of DEDICATED, Corey Rich highlights why the D4S allows him to focus only on content and not the technology; the three most meaningful improvements made on the D4S; & how its features helped capture scenes that were previously impossible to capture. 'Hollywood crews could do this but not guys like me.' - Corey Rich. Note from Sean:
Oh my goodness! Why didn't I ever think to use Auto ISO when shooting video to compensate for transitioning from very dim environments to very bright ones (or vice-versa)? The EOS 5D Mark III works in the same way; it changes ISO on the fly when set to Auto ISO. The Nikon D4s's algorithm may allow for smoother ISO changes, but otherwise, the 5D III does the exact same thing.
B&H carries the Nikon D4s
and the Canon EOS 5D Mark III