Canon and Sony News for Apr 2016 (Page 2)

 Friday, April 22, 2016

According to the Egami Blog, Canon has patented an EF 50-300mm f/4.5-5.6 STM with diffractive optics and a similar EF-M version.

Description of Patent

  • Patent Publication No. 2016-57444
  • Published 2016.4.21
  • Filing date 2014.9.9
  • EF Version
    • Zoom ratio 5.59
    • Focal length 51.77 135.00 289.53
    • F-number 4.65 5.05 5.85
    • Half angle of view (degrees) 14.78 5.78 2.70
    • Image height 13.66 13.66 13.66
    • The total lens length 126.05 169.37 184.15
    • BF 35.50 35.50 35.50

  • EF-M Version
    • Zoom ratio 5.90
    • Focal length 49.13 135.00 290.00
    • F-number 4.65 4.95 5.85
    • Half angle of view (degrees) 15.54 5.78 2.70
    • Image height 13.66 13.66 13.66
    • The total lens length 108.00 152.12 168.00
    • BF 15.69 15.69 15.69

Posted to: Canon News   Category: Camera and Lens Patents
Post Date: 4/22/2016 12:08:31 PM CT   Posted By: Sean

Kids, especially young ones, can generate a large volume of artwork. Sources include school, home, church and other events. When this art happens, the question in parents' minds becomes: "What do I do with these treasures?" While these memories have tons of value, that value may not be high enough to justify a room addition to the house just for art storage. The solution? Implement an artwork workflow that first involves digitizing.
 
Photograph the artwork (scanning also works great for flat art sized within the scanner's capabilities). Once the artwork is in digital format, the uses for it are nearly endless. Load the images into a digital picture frame or other electronic device for playback in a slide show. Print a collage from large numbers of these art images. It might be fun to pull this print out for display at a graduation party or other life milestone event. Put the images into a scrapbook (paper or digital). Memorialize life.
 
The digital artwork files take up nearly no space and they can be available for a lifetime and beyond. A large benefit to digitalized art is that it can be backed up, providing resiliency to the original artwork and, if backed up to an off-site storage location, resiliency extends beyond the house should something terrible happen.
 
Once the art projects are digitized, implement a FIFO (First In, First Out) art posting workflow utilizing the refrigerator, a door or any surface that works well in your home. As the available space fills, the oldest work of art enjoys a quiet, parent-guilt-free trip to the trash can (when the creator is in bed or away). Keep a few of the most-treasured pieces and enjoy the photos of the rest.
 
Once the kids start creating long-term-display-worthy art, you may need to up your game also. A more advanced approach includes capturing high resolution images permit reproduction at a high quality level. But, more advanced, does not have to mean complicated.
 
My daughter (Brittany) has developed a drawing skill over the years and, when she puts a bigger effort into a project, I make sure that I get a photo of it. My light source is the first priority. I want the art to be very evenly-lit. Because of light fall-off, this means that I minimally need equal light from at least two sides or even better, a light source so far away that the light fall-off is no longer noticeable across the paper. The latter, in the form of sun, is uncomplicated, easy and what I usually use for flatwork.
 
Some considerations for using the sun as the light source include the angle and the color temperature of the light. Shooting too early or too late in the day may cause your art to take on an undesired color warmth. The camera angle (directly in line with the art) must be such that reflections of the sun are not a problem. The light angle on the art must not over-emphasize the texture of the material, and a cloudy day may be needed to photograph 3D works of art using this light source. The latter may work best outdoors, but I shoot flat art placed on the floor where the sun is shining directly through a window or door, often in the mid-late afternoon (depending on the time of the year).
 
With the artwork in place, setting up the tripod is the next task. Care must be taken to not cause any hint of shadows on the art. This means that the sun is shining between two of the tripod legs. The higher the tripod is raised, the less likely the legs are to influence the lighting. To avoid any perspective distortion (including keystoning of rectangular art), the camera must be positioned directly over the subject.
 
Note that a tripod with a center column that can be adjusted to horizontal orientation makes positioning a camera straight downward easier. Also note that a camera positioned on a horizontal column can easily become unbalanced – use this feature with care.
 
Selecting a lens is another important step. In addition to good sharpness across the entire frame (keeping the corners of the art sharp), lack of linear distortion is important as barrel or pincushion distortion will change how the art appears. The choice of focal length is also important, but since the tripod can be raised or lowered to achieve optimal framing, there is often a range of focal lengths that work well. A prime lens is often the best option. If using a zoom, select one that has low or no distortion at a focal length that can be used for ideal subject framing (use our lens distortion tool to find this). Note that gaffer taping the zoom ring in position may be necessary to prevent gravity zooming when the camera is facing straight down.
 
While a flat piece of paper photographed from directly above requires very little depth of field and permits a very wide aperture to be used, most lenses are at least modestly sharper when stopped down and most show some vignetting or peripheral shading when used at their widest apertures. Thus, using an aperture narrower than necessary for adequate depth of field may be beneficial (use our lens vignetting tool to find the ideal aperture). While narrower than max aperture is likely desired, using a too-narrow aperture may result in a less-sharp result. Try to use an aperture that is wider or not too much narrower than the diffraction-limited aperture (look for the DLA spec for your camera in the camera specifications tool). If unsure about aperture selection, use f/5.6 or f/8.
 
With the aperture selected, the proper shutter speed for a desired-brightness at ISO 100 should be determined. Note that a mostly white paper is going to need an exposure that is brighter than the camera calls for. Ideally, shoot in RAW format with the brightest RGB (Red, Green or Blue) color value captured being at the right side of the histogram. Then adjust the brightness as necessary during post processing.
 
To capture the image without any camera motion, select mirror lockup with a 2-second delay in One Shot drive mode, use the 2-second self-timer drive mode with mirror lockup enabled or use Live View with 2-second self-timer drive mode selected. A remote release can be used in place of the 2-second self-timer, but ... I don't usually bother getting this accessory out.
 
Focus and take the picture. Review the result, making any adjustments needed.
 
Once setup, many similar-sized works of art can be photographed in rapid succession. I will often setup for the larger piece of art and not change the tripod height for modestly smaller works unless they are deemed very important.
 
Modern DSLRs produce a very accurate color balance when photographing under direct sunlight, but capturing a photo of a custom white balance target at the same time as the art may be good idea. This is an especially good idea if under cloud or shade lighting or using alternate light sources. This CWB image can be used to properly adjust the color balance later if needed.
 
If you are documenting the work of more than one child, consider having them sign or initial their art prior to photographing it. Otherwise, you may find it hard to differentiate between artists' work in 20 years.
 
Start now. Make plans to photograph the artwork around your house and begin your own artwork workflow.


 
Camera and Lens Settings
28mm  f/5.6  1/10s
ISO 100
5565 x 6723px
Post Date: 4/22/2016 10:45:51 AM CT   Posted By: Bryan

From Canon:

TOKYO, April 22, 2016 — Canon Inc. announced today that 231 of the Company's offices and operating sites across 26 countries and regions participated in Earth Hour 2016, which was held in each locale from 8:30 to 9:30 p.m. (local time) on March 19.

Earth Hour is a global environmental initiative organized by the World Wide Fund for Nature (WWF) that began in 2007. The event encourages individuals, communities, households and businesses to turn off their non-essential lights for one hour as a statement to stop global warming and protect the global environment.

Across various locations, Canon Group companies turned off lights at offices and operating sites as well as neon signs. This year's event started in Oceania, which is closest to the International Date Line, and moved around the world through Asia, Europe, the Middle East and the Americas. In addition to Earth Hour, various regions carried out their own energy-saving activities. A dedicated page within the Canon Global website provides an overview of the Company's global Earth Hour 2016 activities.

Through technological innovation and improved management efficiency, Canon aims to realize its "Action for Green" environmental vision: a society that promotes both enriched lifestyles and the global environment. Canon strives to reduce the environmental burden throughout the entire product lifecycle — Produce, Use, Recycle — thereby creating environmental frontrunner products.

Posted to: Canon News   
Post Date: 4/22/2016 9:37:10 AM CT   Posted By: Sean

B&H has the Sigma 50-100mm f/1.8 DC HSM Art Lens in stock with free expedited shipping*.

* Any orders placed now at B&H will be processed after they reopen at 10am on Sun May 1.

Posted to: Canon News, Nikon News, Sony News   Category: Preorders
Post Date: 4/22/2016 8:19:53 AM CT   Posted By: Sean

From the Adobe Photoshop Lightroom YouTube Channel:

Lightroom tips and tricks in 60 seconds or less from longtime Lightroom team member Benjamin Warde.

The Creative Cloud Photography Plan (Photoshop CC & Lightroom CC) is an excellent value at only $9.99/month.

Post Date: 4/22/2016 6:55:28 AM CT   Posted By: Sean

From Canon Australia:

Sydney, Australia, 20 April 2016 – Canon Australia is today announcing its return as an official Supporter of Vivid Sydney for a third consecutive year. Encouraging Australians to “Be Light Curious” by interacting, capturing and sharing the unique experiences surrounding the immersive program of light, music and ideas, Canon is thrilled to support one of Sydney’s landmark events.

Canon is announcing a range of experiences designed to inspire thousands of visitors to capture what they see, provide opportunities to develop their skills and celebrate their unique stories of Vivid Sydney.

“We’re excited to return as a Vivid Sydney supporter for the third year,” said Jason McLean, Director – Canon Consumer Imaging, Canon Australia. “This year we will continue to build on what we have done in the last two years, with some old favourites and amazing new experiences.”

Visitors can immerse themselves in an atmosphere of imaging inspiration and celebration at Canon HQ. Canon will once again transform the Foundation Hall at the Museum of Contemporary Art Australia into the ultimate hub for anyone who is curious to explore new ways to capture and tell visual stories of their Vivid Sydney experience.

Families, individuals, beginner photographers and seasoned professionals alike will encounter a range of free and ticketed experiences designed to help visitors capture better photos and videos of the spectacular installations. Experiences range from Low-Light Studio Workshops hosted by Canon Master photographers to guided photo walking tours and Helicopter Night Flights with the Canon Collective photography ambassadors. To capture these experiences, Vivid Sydney attendees will have the opportunity to try or rent the latest Canon gear. This year Canon will extend into Vivid Ideas, showcasing Canon’s popular Lab series as a creative workshop.

Experiences at Canon HQ:

  • Studio 8 – Always wanted to learn how to shoot in low-light conditions? Studio 8, an extension of iconic SUNSTUDIOS, will feature studio workshops hosted by Canon Masters Ryan Schembri, Daniel Linnet and Graham Monro. Workshops will be created around a range of live performances designed to stretch your imagination as well as your photography skills. (free)
  • Try or rent the latest Canon gear – Attendees who fancy a new camera or simply want to test out new photography tech are in luck. Some of the latest Canon cameras and lenses will be available for hire and Canon staff will be on hand to answer any questions or work out which camera is the best for you.
  • Free Photo Printing at Canon HQ – Visit the Canon Memory Frame positioned opposite Bennelong Point at the end of the overseas passenger Terminal or have your picture taken at a roaming Canon Pop-up Light Portrait station and enjoy free photo printing back at Canon HQ. And for those who’ve taken some great photos of Vivid Sydney on their own camera, just bring along your SD card and get your photos printed up to A3 size. (free)

Make the most of all Vivid has to offer:

  • Canon Collective Walking Tours – While enjoying the use of the new Canon EOS 80D DSLR camera, visitors will discover some of the best Vivid Sydney photo opportunities. The Canon Collective will provide visitors with photography tips and advice as they walk through Circular Quay and The Rocks. Finishing at Canon HQ, attendees can select their best shots and receive a free A3-sized print. (ticketed)
  • The Canon Memory Frame will be positioned opposite Bennelong Point at the end of the overseas passenger Terminal, offering visitors a stunning portrait of their Vivid Sydney 2016 experience. The photo will be free to print at Canon HQ. (free)
  • Canon Collective Helicopter Tours – For those looking to capture Sydney from a unique perspective, the Canon Collective in collaboration with Sydney HeliTours, is offering Vivid Sydney helicopter photography tours. During the 20-minute helicopter ride, visitors will be armed with Canon’s new EOS 1D- X Mark II professional DSLR camera and high-performance lens, all pre-set to ensure that you capture incredible images of the Sydney Harbour and light festival. To recap your experience, you will also receive two A3-sized professional prints of your choice. (ticketed)
  • Pop-up Light portraits – Be a part of this year’s Vivid Sydney light instillation by choosing your own light portrait to project over your face, print the image or share it across your social media. Travelling on purpose-built bicycles, these amazing light portraits will pop-up all over Sydney CBD and other Vivid Sydney precincts. (free)
  • Vivid Ideas – Unfocussed: Looking Past Your Assumptions to Find New Creative Possibilities. Part of Canon’s popular content series The Lab, this is a special workshop featuring an expert panel of photographers and image makers. Join in the exploration and discuss what happens when we challenge the assumption that a 'good' image is pin sharp and perfect, and explore how we can find and face these unwritten rules in own creative lives. (ticketed)

Vivid Sydney runs from 27 May – 18 June and is owned and managed by Destination NSW.

More details regarding how you can be more Light Curious at Vivid Sydney 2016 are available here: https://www.canon.com.au/vivid/

Hashtags

Tag your images with #VividCanon and they could appear on the Canon Vivid website, Canon social channels or at Canon HQ.

Canon HQ

Canon HQ is located in the Foundation Hall, Museum of Contemporary Art Australia. Open every evening from 6pm - 11pm.

Posted to: Canon News   Category: Canon Australia News
Post Date: 4/22/2016 5:10:51 AM CT   Posted By: Sean
 Thursday, April 21, 2016

From Western Digital:

New Color Designated Line Features up to 8TB Capacity with Optimal Performance, High Capacity and Enhanced Reliability for Datacenter Applications

IRVINE, Calif. – Apr. 19, 2016 – Western Digital Corporation (NASDAQ: WDC), a world leader in storage solutions, today announced the expansion of its award-winning color portfolio with a new line; WD Gold datacenter hard drives. WD Gold datacenter hard drives are designed for a broad range of applications – including small- to medium-scale enterprise servers and storage, and rack-mount datacenter servers and storage enclosures. WD Gold drives are currently available at select U.S. distributors, resellers and through the WD Store.

With purpose-driven designs for the datacenter, WD Gold datacenter hard drives are launching with a new, high-capacity configuration of up to 8TB that offers HelioSeal helium-technology for performance, ideal capacity per square foot, power efficiency and low power consumption for datacenter environments. WD Gold datacenter hard drives feature an optimized design with an 8TB option that helps reduce the TCO (Total Cost of Ownership) of servers and storage systems, benefiting IT administrators challenged with growing storage capacity needs on limited budgets. WD Gold hard drives will also include a premium dedicated support line for customers worldwide.

"Western Digital has a proven history of providing award-winning purpose-driven products for unique requirements of each application environment, like WD Red, WD Purple and WD Blue drives," said Brendan Collins vice president of product marketing, Western Digital Corporation. "WD Gold is a pinnacle part of the color portfolio strategy and another step in creating optimized drives for the markets we serve. Our continued goal is to deliver the most competitive and reliable solutions on the market."

WD Gold datacenter hard drives include:

  • Improved power efficiency – New electronics enhance power efficiency up to 15 percent. HelioSeal technology enables up to 26 percent lower power consumption
  • Better performance – Up to 18 percent sequential performance improvement over previous generation WD Re 4TB datacenter drives, and up to 30 percent improvement in random write performance over previous generation WD Re 6TB datacenter drives through media-based cache, and up to 3x improvement over competitive offerings
  • High reliability – WD Gold incorporates best-of-breed design, manufacturing and test processes to achieve one of the highest reliability ratings in the industry – 2.5 million hours MTBF (8TB offering)
  • Dedicated Premium Support Line and WD Gold Model Numbers – Western Digital offers a 24/7 premium support line for WD Gold customers and can be reached at U.S.: (855) 559-3733; International: +80055593733. WD Gold model numbers:
    • 8TB: WD8002FRYZ
    • 6TB: WD6002FRYZ
    • 4TB: WD4002FYYZ

B&H has the WD Gold Series Hard Drives available for preorder.

Post Date: 4/21/2016 12:39:01 PM CT   Posted By: Sean

While the Canon EOS 5Ds R is not marketed as the ideal sports camera, it is what I've been using for my spring sports photography so far this year. The reason? I sold my Canon EOS-1D X to fund the purchase of a Canon EOS-1D X Mark II. At the time of the sale, the 1D X Mark II was " ... scheduled to begin shipping to authorized Canon USA dealers in April 2016." [Canon Press Release] My spring sports photography starts in mid-April, so I thought the odds were good that I would have a 1D X II in time or just into this season.
 
B&H currently lists the expected 1D X II availability as May 1st. While this is only 1 day past "April", it is also 1 day past worst case from the press release's expectation.
 
So, I have been using a 5Ds R with a BG-E11 Battery Grip for spring sports photography. For this purpose, the 5Ds R has only one limitation. As we know, this camera has a great AF system and it has no problem tracking fast action. The image quality this camera delivers is likewise excellent and, with extreme resolution, high resolution images remain even after heavy cropping. This means that a focal length or focal length range can effectively be used to cover a much greater percentage of the field than the 1D X II will be able to.
 
That one limitation I referred to is the frame rate. Capturing frames at 5 fps is not fast enough to catch the ideal moments happening during a play, including providing the ideal capture of stride position for a running athlete. The workaround is to time the shutter press with what is expected to be the ideal point of the play. Using this tactic, anything happening prior to the initial shutter press will of course be missed. The first shot timing takes more skill than simply holding the shutter release down, but can be effectively used and once practiced, can be used very effectively.
 
I still hold the 5Ds R shutter release down after the initially timed press as additional good shots are often captured subsequently, but capturing at 10, 12 or 14 fps makes a huge difference in getting the ideal shot while reducing the skill needed to do so. While the 5Ds R is delivering great sports images for me, I anxiously await the 1D X II.


 
Camera and Lens Settings
600mm  f/4.0  1/2000s
ISO 160
7568 x 5045px
Post Date: 4/21/2016 11:39:58 AM CT   Posted By: Bryan

Just posted: MindShift Gear FirstLight 40L Camera Backpack Review.

I've been looking for a great long lens backpack for a long time. This is the one I was waiting for. It works great for holding large amounts of smaller gear as well.

B&H has the MindShift Gear FirstLight 40L in stock. Or, buy directly from MindShift Gear.

Post Date: 4/21/2016 10:48:23 AM CT   Posted By: Bryan

From Lexar:

Reader Designed for Management of Video and Photo Content from Sports and Aerial Cameras to the Latest iOS Devices

Milpitas, CA – Lexar, a leading global brand of flash memory products, today announced the Lexar microSD Reader, allowing users to easily offload content from their sports camcorder or aerial camera to an iPhone or iPad. The small, portable reader features a Lightning connector for quick transfer of files on the go, allowing users to view and playback photos and videos on their Apple device*. It also works with an easy-to-use and free file management app on the App Store.**

“Users who are looking to capture more content in real time while on the move can find it challenging to manage that content, especially in an iOS device,” said Steffi Ho, product marketing manager, Lexar. “Shooters can now take advantage of the large screens and connectivity of their iOS devices by editing and uploading content captured on their action sports and aerial cameras wirelessly. Users no longer need to wait until they’re back in front of their main computer at home or in the office to upload content captured on-the-go.”

The new microSD Reader also allows users to offload files and store more on the card, creating more device space to capture content on the go. It also provides an easy way to move files from Android or other microSD-based device to an iPhone or iPad, and swap content between iOS devices. It has a small, portable design that makes it easy to take on the go, and its Lightning connector fits with most iOS cases, providing simple plug-and-play functionality. Furthermore, the microSD reader works with a free file management app on the App Store, allowing users to back up files when connected.

All Lexar product designs undergo extensive testing in the Lexar Quality Labs, facilities with more than 1,100 digital devices, to ensure performance, quality, compatibility, and reliability. The new microSD Reader is available for purchase in April 18, 2016 with an MSRP of $41.99, and includes a one-year limited warranty.

B&H carries the Lexar microSD Memory Card Reader with Lightning Connector.

Posted to: Canon News, Nikon News, Sony News   Category: Lexar News
Post Date: 4/21/2016 6:39:10 AM CT   Posted By: Sean

From Sigma:

Thank you for purchasing and using our products.

Today, we are pleased to announce the availability of “SIGMA Optimization Pro 1.3 for Windows” and “SIGMA Optimization Pro 1.3 for Macintosh”, the dedicated software for the SIGMA USB DOCK and SIGMA MOUNT CONVERTER MC-11.

This download service is for SIGMA USB DOCK users and/or SIGMA MOUNT CONVERTER MC-11 users who are using our interchangeable lenses from our Art, Contemporary and Sports product lines.Please be sure to download SIGMA Optimization Pro 1.3 to use the SIGMA USB DOCK and SIGMA MOUNT CONVERTER MC-11 effectively.

Benefit of SIGMA Optimization Pro 1.3:

SIGMA Optimization Pro 1.3 for Windows

  • It has enabled compatibility with SIGMA MOUNT CONVERTER MC-11.
  • It has enabled compatibility with Windows 10.
  • It has corrected the phenomenon where click-and-drag operation for the Focus Limiter adjustment slider is not possible when the check box to switch the primary mouse button from the left to the right is ticked in Mouse Preferences within the Windows Control Panel.

SIGMA Optimization Pro 1.3 for Macintosh

  • It has enabled compatibility with SIGMA MOUNT CONVERTER MC-11.
  • It has enabled compatibility with OS X El Capitan 10.11, and Condition of Operation has changed to Mac OS X 10.8, 10.9, 10.10 and 10.11.
  • When adjusting the timing of the MF switch function, it has corrected the icon which shows the amount of the focus ring rotation.

SIGMA Optimization Pro Download page
http://www.sigma-global.com/download/en/

Please ensure the SIGMA USB DOCK has the latest firmware installed.

B&H has the Sigma USB Dock in stock and the Mount Converter MC-11 available for preorder.

Posted to: Canon News, Nikon News, Sony News   Category: Sigma News
Post Date: 4/21/2016 5:05:13 AM CT   Posted By: Sean
 Wednesday, April 20, 2016

As close to vertically level as possible is often the ideal camera position for photographing a bird, especially one swimming. Of course, when a bird is swimming, perfectly level would mean a nearly or partially submerged camera. I don't recall seeing an underwater housing for a birding lens and I therefore prefer to be high enough above-water to keep the lens dry.
 
On this day, I was sitting on the ground at the edge of the creek with two tripod legs and one of my own legs in the water. Though I was bending over uncomfortably hard to get to a low-positioned camera, all was good with the setup. That is, good until I heard two Canada geese getting into a squabble. Two very loud geese were taking flight from mid-stream and headed directly toward me. While that shouldn't be a problem, they were watching each other instead of where they were going.
 
It didn't take long to realize that I was directly in their trajectory. I raised a foot to block the rapidly incoming fowl and held the camera and lens tightly with both hands. Minimally, the first goose crashed hard into my boot. I say minimally because I turned my head just prior to impact and I'm not sure if the second goose crashed also or was able to correct itself in time (wish I had video of that). There was lots of flapping and ... lots of water covering both me and the gear.
 
I quickly sacrificed the remaining dry areas of my shirt to dry the camera and lens. Fortunately, both were weather sealed and fine, but ... I still don't like to take chances and like to keep the gear clean – much more than I cared about my shirt.
 
Capturing interesting behavior is always a goal of photographing wildlife, but this behavior was a bit over the top and ... I was unprepared to capture it. The Canon EF 11-24mm f/4L Lens would have been ideal for this accident scene. The best I could do was photograph the rude goose after the incident.
 
While photography is often used to tell a story, very often photographing creates stories. This day gave me a story that I'll long remember. Go photograph frequently and you will likely have many interesting stories to tell.
 
Disclaimer: No geese were harmed in the making of this image.


A larger version of this image is available on Flickr, Google+, Facebook and 500px.

Post Date: 4/20/2016 10:32:31 AM CT   Posted By: Bryan

From the Canon Digital Learning Center:

If you’re an automotive enthusiast, chances are you’ve always wondered how photographers add a sense of motion to their images. There are many different ways to accomplish this, but today we will focus on what is often called a rolling shot or a roller.

Rolling shots are usually captured by photographers from the passenger seat of a moving car. Below I listed a few things that will help you capture better images before heading out to your shoot.

See the entire article on the Canon Digital Learning Center.

Post Date: 4/20/2016 10:25:54 AM CT   Posted By: Sean

From Nikon:

MELVILLE, NY – Nikon has released the Android version of the SnapBridge app, which enables constant connection of a compatible Nikon digital camera to a smart device*(1) using Bluetooth low energy technology.

SnapBridge Microsite: http://snapbridge.nikon.com/

SnapBridge is an app that offers users a number of convenient services by utilizing Bluetooth low energy technology to enable seamless connection of a Nikon digital camera to a smart device, all while consuming very little power.

SnapBridge can be downloaded free of charge from the App Store and Google Play. The iOS version of the app is scheduled to be available from the App Store later this summer.

Posted to: Nikon News   
Post Date: 4/20/2016 8:14:13 AM CT   Posted By: Sean

The Nikon D500 User's Manual is now available for download.

B&H has the Nikon D500 available for preorder.

Posted to: Nikon News   Category: Nikon Owners Manuals
Post Date: 4/20/2016 8:05:59 AM CT   Posted By: Sean

From Nikon:

TOKYO - Nikon Corporation is pleased to announce that two Nikon digital SLR cameras, the D5 and D500, have been awarded the Red Dot Award: Product Design 2016, sponsored by Germany's Design Zentrum Nordrhein Westfalen.

The Red Dot Award: Product Design is a world-class award presented to products released over the past two years that exhibit superiority in terms of a total of nine aspects, including innovation, functionality, ergonomics, ecology, and durability.

2016 is the 61st time the Red Dot Award: Product Design has been held. Winners selected from roughly 5,200 entries from 57 countries around the world will be on display at a special exhibition to be held from July 5 to July 31, 2016 at the Red Dot Design Museum in Essen Germany.

B&H has the Nikon D5 and D500 available for preorder.

Posted to: Nikon News   
Post Date: 4/20/2016 7:03:56 AM CT   Posted By: Sean
 Tuesday, April 19, 2016

From Apple:

CUPERTINO, California – April 19, 2016 – Apple today updated MacBook with the latest Intel processors, improved graphics performance, faster flash storage and an additional hour of battery life, making the thinnest and lightest Mac better than ever. Featuring an all-metal unibody enclosure, MacBook is now available in four aluminum finishes — gold, silver, space gray, and for the first time on a Mac, a gorgeous rose gold. With a stunning 12-inch Retina display, highly responsive full-size keyboard, Force Touch trackpad, versatile USB-C port and all-day battery life in a design that is just 2 pounds and 13.1 mm thin, MacBook is the future of the notebook.

“MacBook is the thinnest and lightest Mac we have ever made and it’s our vision for the future of the notebook,” said Philip Schiller, Apple’s senior vice president of Worldwide Marketing. “Customers are going to love this update to MacBook, with the latest processors, faster graphics, faster flash storage, longer battery life and a beautiful rose gold finish.”

The updated MacBook features sixth-generation dual-core Intel Core M processors up to 1.3 GHz, with Turbo Boost speeds up to 3.1 GHz, and faster 1866 MHz memory. New Intel HD Graphics 515 deliver up to 25 percent faster graphics performance, and faster PCIe-based flash storage makes everyday tasks feel snappier — from launching apps to opening files.* And now with up to 10 hours of wireless web browsing and up to 11 hours of iTunes movie playback, MacBook is the perfect notebook for all day, on-the-go computing.**

MacBook comes with the incredibly small and versatile USB-C port for charging, data transfer and video output in a single connector that is one-third the size of a traditional USB port. Following the introduction of USB-C on MacBook, the ecosystem of Apple and third-party USB-C accessories has continued to grow, giving users added flexibility and capability.

With no moving parts or vents, MacBook is entirely fanless for silent, efficient performance. Designed for the wireless world, MacBook is equipped with the latest wireless technologies, including built-in 802.11ac Wi-Fi and Bluetooth 4.0 for fast wireless connectivity. It is perfect for tasks like streaming content from your MacBook to your Apple TV using AirPlay, exchanging files quickly using AirDrop or using wireless headphones.

Apple also today made 8GB of memory standard across all configurations of the 13-inch MacBook Air.

Every new Mac comes with OS X El Capitan, the latest version of OS X that refines the Mac experience and improves system performance. El Capitan builds on the groundbreaking features and beautiful design of OS X Yosemite, with updates to window management, built-in apps and Spotlight search, and performance improvements to make everyday activities — like launching and switching apps, opening PDFs and accessing email — faster and more responsive.

iMovie, GarageBand and the suite of iWork apps come free with every new Mac. iMovie lets you easily create beautiful movies and you can use GarageBand to make music, or learn to play piano and guitar. The iWork suite of Pages, Numbers and Keynote makes it easy to create, edit and share stunning documents, spreadsheets and presentations. Pages, Numbers and Keynote for iCloud let you create a document on iPhone or iPad, edit it on your Mac and collaborate with friends, even if they are on a PC.

Pricing & Availability

MacBook is available in select Apple Authorized Resellers starting tomorrow. MacBook comes with a 1.1 GHz dual-core Intel Core m3 processor with Turbo Boost speeds up to 2.2 GHz, 8GB of memory and 256GB of flash storage for $1,299 (US), and with a 1.2 GHz dual-core Intel Core m5 processor with Turbo Boost speeds up to 2.7 GHz, 8GB of memory and 512GB of flash storage for $1,599 (US). Configure-to-order options include a 1.3 GHz dual-core Intel Core m7 processor with Turbo Boost speeds up to 3.1 GHz.

B&H has the new Apple Macbooks available for preorder.

Posted to: Canon News, Nikon News, Sony News   Category: Apple News
Post Date: 4/19/2016 3:17:16 PM CT   Posted By: Sean

From Canon USA:

MELVILLE, N.Y., April 19, 2016 – Canon U.S.A., a leader in digital imaging, announced today that its parent company, Canon Inc., will begin accepting entries for its New Cosmos of Photography photo competition on April 20. The New Cosmos of Photography is Canon’s cultural support project to discover, nurture, and support new photographers who pursue new possibilities in creative photographic expression. Aiming to incorporate diverse perspectives, the number of judges for this year’s competition will be increased to seven to allow for an even more open photo competition.

Entries for New Cosmos of Photography 2016 will be accepted between April 20 and June 15, while the Excellence Award selection committee will meet in July to choose seven Excellence Award winners and fourteen Honorable Mention Award winners. In November, the Grand Prize selection committee is scheduled to meet to select one Grand Prize winner from among the seven Excellence Award-winning entries.

The Grand Prize winner of this year’s competition will receive not only prize money (converted from ¥ 1,000,000 JPY) and a Canon product, but as an added bonus will be granted the right to hold a solo exhibit at the showcase of winning entries for next year’s New Cosmos of Photography. Additionally, to encourage the continued pursuit of their creative activities, 2016 Excellence Award and Honorable Mention Award winners will each receive prize money and the right to display their works at this year’s exhibition of winning entries.

For additional information about this year’s New Cosmos of Photography competition, visit the New Cosmos of Photography homepage at http://www.canon.com/scsa/newcosmos/

Posted to: Canon News   Category: Canon USA News
Post Date: 4/19/2016 2:28:29 PM CT   Posted By: Sean

This mother great horned owl may be the most popular and most photographed of its species in the Mid-Atlantic states at this time. Being able to photograph a primarily-nocturnal bird, very visibly sitting in its nest throughout the day, is an unusual situation and MANY photographers took advantage of this opportunity. I made this opportunity a priority and carved most of a day out of my schedule to get my great horned owl photo.
 
The viewing area of this nest is in a public park with a significant bank and stream separating viewers and the owl family (two owlets are deeper in the cavity). This meant as much focal length as possible was needed in front of a full frame camera (and a significant amount in front of an APS-C model). For me, this meant the Canon EF 600mm f/4L IS II USM Lens in front of an EF 2x III Extender along with the ultra-high resolution Canon EOS 5Ds R.
 
While this uncropped image indicates a clear view on the nest cavity, that was not completely the case. Getting the right position for a semi-clear view of this owl was challenging and I spent much of this day leaning to the side so that I could use a tripod position immediately next to another cooperative photographer for the best-available view. My primary concern was getting a clear view through the tree branches on my side of the creek as these branches became very defocused and lowered contrast over a significant portion of the image if in the frame. The branches on the nest tree were of a lower concern as the healing brush in Photoshop made branch removal a trivial task.
 
While the owl spent most of the day sitting nearly motionless, it occasionally changed positions. When a loud motorcycle came into the park, the mother great horned owl showed her personOWLity, making for one of my favorite shots of the day.


A larger version of this image is available on Flickr, Google+, Facebook and 500px. If reading from a news feed reader, click through to see the framed image.

Post Date: 4/19/2016 11:55:22 AM CT   Posted By: Bryan

From Sigma:

The Sigma 50-100mm F1.8 DC HSM Art Lens, 24-35mm F2 DG HSM Art Lens, and 20mm F1.4 DG HSM Art Lens were chosen as this year’s best DSLR telephoto zoom lens, best DSLR wide angle zoom lens, and best professional DSLR lens, respectively

RONKONKOMA, NY – April 19, 2016 – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessory manufacturer, today announced it has received three awards from the Technical Image Press Association (TIPA). Sigma was awarded with the honors of Best DSLR Telephoto Zoom Lens for the Sigma 50-100mm F1.8 DC HSM Art Lens, Best DSLR Wide Angle Zoom Lens for the Sigma 24-35mm F2 DG HSM Art Lens, and Best Professional DSLR Lens for the Sigma 20mm F1.4 DG HSM Art Lens.

The annual TIPA Awards honor the best photo and imaging products introduced during 2015 through 2016. Renowned in professional photo markets across the world, TIPA awards are among the highest accolades photo and imaging products can receive. The TIPA organization has a worldwide membership of 27 photo and imaging magazines from 16 countries across five continents.

“We are once again honored to have the Sigma 50-100mm F1.8 DC HSM Art Lens, the 24-35mm F2 DG HSM Art Lens and the 20mm F1.4 DG HSM Art Lens selected by TIPA for their outstanding quality and impact on the industry. The thorough judging criteria take into account not only the innovation, but also the use of leading-edge technology, design and ergonomics, ease of use as well as the price/performance ratio. We are incredibly proud to have Sigma lenses meet these high standards,” comments Mark Amir-Hamzeh, president of Sigma Corporation of America. “We pride ourselves on designing and manufacturing the very best lenses using today’s most cutting-edge optical technology. I want to thank the Sigma design and manufacturing team for their commitment to engineering excellence and look forward to seeing the inspiring images Sigma fans will create using our lenses.”

B&H carries the Sigma 50-100mm f/1.8 DC HSM Art, 24-35mm f/2 DG HSM Art and 20mm f/1.4 DG HSM Art lenses.

Posted to: Canon News, Nikon News, Sony News   Category: Sigma News
Post Date: 4/19/2016 11:15:17 AM CT   Posted By: Sean

Image quality results from the EOS 7D Mark II have been added to the Canon EF 70-200mm f/4L IS USM Lens Review.

This is a great lens to have in the kit. I use it quite frequently.

B&H has the Canon EF 70-200mm f/4L IS USM Lens in stock with a $100.00 instant rebate and 4% rewards.

Posted to: Canon News   Category: Camera Gear Review News
Post Date: 4/19/2016 8:52:04 AM CT   Posted By: Bryan

From LensRentals Blog:

If you’re like me you like to know what’s going on inside your camera or lens to some degree. They are tools, and if I want to get the best use out of my tool I need to know it’s strengths and weaknesses.

You may not have noticed, especially if you shoot just Canon or Nikon, but there’s been a quiet change in autofocus motors going on. Or you might have barely noticed marketing-fluff terms like ‘linear focusing’ or ‘electromagnetic focusing’ without really understanding what they meant. Even if you understood the general terms, you probably aren’t really certain how they work, or how they might be better or worse than what we’ve been using.

So I thought some of you might like taking a look into what might (or might not) be a big deal: the changes that are being made in autofocus motors. Today I’m going to discuss linear electromagnetic focusing motors. I may do another post about linear-piezo and ring-to-linear piezo motors later, but those are, so far, less common than the electromagnetic motors.

See the entire article on the LensRentals Blog.

Posted to: Canon News, Nikon News, Sony News   Category: LensRentals News
Post Date: 4/19/2016 6:43:56 AM CT   Posted By: Sean

From DJI:

DJI on Sunday introduced the Matrice 600, its next-generation aerial platform, marking a new era for professional aerial photography, filmmaking and industrial applications.

The M600 integrates DJI’s brand-new A3 flight controller onboard and features advanced Lightbridge 2 video-transmission technology that offers high frame rates and HD live-streaming capability at distances up to five kilometers.

“The M600 is the most-powerful and easiest-to-use professional platform DJI has ever produced,” said Senior Product Manager Paul Pan. “We’ve pre-programmed all M600 platform data and information into the A3 flight controller, remote and transmission system to minimize setup and get you flying as quickly as possible.”

The M600 is a six-rotor system with a maximum payload of 6.0 kilograms, making it ideal for the full range of DJI’s Zenmuse gimbals, including the Z15 series and the Zenmuse X series cameras, which are unmatched in providing stabilized aerial imagery. The M600’s carrying weight also allows it to fly the Ronin MX, DJI’s newest handheld and aerial three-axis gimbal. The M600’s propulsion system is dustproof to simplify maintenance and increase durability. It has actively cooled motors for more-reliable flight, and its landing gear is retractable for full 360-degree, unobstructed imaging.

The M600 is powered by six DJI Intelligent Batteries. The customized battery-management system and power distribution board allow all six batteries to be turned on and off with the push of one button and keep the system aloft, should a single battery fail. The M600 will fly up to 36 minutes with a Zenmuse X5 camera attached and up to 16 minutes with a larger camera, such as a RED EPIC. Flight time will vary for different cameras, gimbals and a number of other conditions.

Integrated A3 Flight Controller

Setting the M600 apart is its integrated A3 flight controller. It uses sine-wave-driven, intelligent electronic speed controllers to ensure the M600 performs accurately, safely and efficiently. Meanwhile, self-adaptive flight systems adjust parameters automatically, based on different payloads.

It’s upgradable to the A3 PRO system, which features advanced diagnostic algorithms that compare sensor data from three Global Navigation Satellite System (GNSS) units and three inertial measurement units.

The A3’s GNSS system can also be optionally upgraded to DJI Real-Time Kinematic technology, offering centimeter-accurate positioning to allow for complex maneuvers in an industrial setting and so that cinematic shots can be precisely replicated. The RTK technology can also withstand magnetic interference.

The M600 supports the DJI GO app, which includes a live video feed, battery and redundancy status, transmission strength and other data to keep the user informed of flight status at all times. The app also provides access to aperture, shutter speed, photo and video capture on any Zenmuse X-series camera, plus remote focus on the Zenmuse X5 and X5R cameras.

The M600 is a top-quality development platform, compatible with the DJI Onboard Software Development Kit and Mobile SDK to work with different industrial applications. It has dual parallel CAN and API ports for connecting DJI devices, including the Guidance sensor system, RTK GPS units or third-party components.

The M600’s retail price, including the integrated A3 flight controller with Lightbridge 2 and a full set of batteries, is $4,599.


Works Seamlessly with Ronin-MX

When paired with the new DJI Ronin-MX, the M600 offers best-in-class three-axis aerial video stabilization. The latest in the Ronin line is also the most-versatile, working both on the ground and in the air with minimal setup.

The Ronin-MX works perfectly with the M600, as a fully integrated system that includes the A3 flight controller, Lightbridge 2 transmission system and gimbal in the air. It’s the first universal aerial gimbal DJI has made that communicates with the onboard DJI flight controller.

It’s fully compatible with a rich selection of DJI accessories for long-distance focus and aperture control and features remote start/stop controls and video transmission. The Ronin-MX is built for convenient, handheld use, but it also has multiple operation modes, including underslung, upright and briefcase. Apart from the M600, it’s also compatible with video cranes.

“For film directors, the M600 is a game-changer. There are other options out there, but none that integrate a top-class flight controller, video-transmission system like Lightbridge 2 and support for a wide range of cameras and gimbals,” said DJI Executive Creative Director Sheldon Schwartz. “If you go with the new Ronin-MX on the M600, you’ll be surprised at how easy it is to get unparalleled stability and cinematic-quality shots.”

The Ronin-MX has a built-in, independent IMU module, a Bluetooth module and a 2.4GHz receiver. It operates through the DJI GO app and has settings for SmoothTrack and gimbal-tuning for various cameras, including some of the RED series, DSLRs and other professional camera. It also operates in multiple modes, including aerial and car mount.

Mounted on the M600, the Ronin-MX’s CANBUS port allows all flight controller data to pass through to the Ronin-MX, meaning the gimbal is positionally aware and able to keep the horizon level. The Ronin-MX can pan 360 degrees, tilt +45 to -135 degrees and has redundant slip rings, offering enhanced reliability for operators. With an optional accessory, the Ronin-MX can transmit video real-time from a mounted camera, making full use of the M600’s Lightbridge 2 capabilities. It will also be compatible with the DJI Focus, through a wireless adapter mounted to the Focus remote.

The Ronin-MX is powered by a 4S Ronin-M battery. Third-party cameras mounted on the Ronin MX can be powered by an optional onboard DJI battery.

The Ronin MX is compatible with a wide range of cameras from Arri, Black Magic, Canon, Panasonic, RED, Sony and Nikon. Its maximum load weight is around 4.5 kilograms.

The Ronin MX retails for $1,599. Bundled with the M600 and integrated A3 flight controller and Lightbridge 2, it will sell for $5,999.

B&H has the DJI Matrice 600 and Ronin-MX available for preorder.

Posted to: Canon News, Nikon News, Sony News   Category: DJI News
Post Date: 4/19/2016 5:30:33 AM CT   Posted By: Sean

From Tamron:

Tamron lenses awarded with two prestigious TIPA awards in 2016

April 18, 2016, Commack, New York - Tamron Co., Ltd., a leading manufacturer of precision optics, has announced that its SP 35mm F/1.8 Di VC USD (Model F012) and 18-200mm F/3.5-6.3 Di II VC (Model B018) have both been presented awards with the "TIPA Awards 2016" hosted by the TIPA (Technical Image Press Association).

BEST DSLR PRIME LENS: SP 35mm F/1.8 Di VC USD (Model F012)
Excerpt from the Award Citation of the TIPA Jury:
At approximately 80mm long and between 450 and 480g in weight (depending on camera system), the full-frame Tamron SP 35mm f/1.8 is constructed with 10 elements in 9 groups. It utilizes two molded glass aspherical elements with one LD (low dispersion) and one XLD (extra low dispersion) element, which greatly reduces chromatic aberration. The lens has excellent resolution from corner to corner, no vignetting even at full aperture, a minimum focusing distance of 0.2 meters and Tamron's VC (vibration compensation) system (except on the Sony mount version). Full time manual focus override is always available, a great aid when doing close-ups.

BEST ENTRY LEVEL DSLR LENS: 18-200mm F/3.5-6.3 Di II VC (Model B018)
Excerpt from the Award Citation of the TIPA Jury:
When entry-level photographers start to look beyond their kit lens, or purchase a lens with their camera body, they will be excited to own a lens that offers a wide range of focal length options, and the Tamron 18-200mm fits the bill. Constructed with 16 elements in 14 groups, this lens for APS-C format cameras yields a 35mm equivalent of 28-310mm. It is compact: an average of 95mm (3.8 inches) in its various mounts and is said to be the world's lightest (400g, 14.1 oz) in its class. Vibration reduction helps users get steady pictures, particularly at the longer focal length ranges.

B&H carries the Tamron SP 35mm f/1.8 Di VC USD and 18-200mm F/3.5-6.3 Di II VC.

Posted to: Canon News, Nikon News, Sony News   Category: Tamron News
Post Date: 4/19/2016 5:03:47 AM CT   Posted By: Sean

From Think Tank Photo:

SANTA ROSA, CALIFORNIA – For videographers seeking reduced weight, increased capacity, more features, and ease of use, Think Tank will release seven incredibly strong soft-sided video cases. In addition to being lighter weight and having more features than traditional hard cases, Think Tank’s new video cases let videographers to hit the ground running by allowing them to leave their cameras fully assembled between shoots. No longer will they need to build-out their cameras while the client impatiently waits or the shot disappears.

The new video bags range in size. The largest, the Video Rig 24 rolling case, holds a fully assembled 24” video rig and features inset channel aluminum tubing for added strength and durability. The mid-sized bag, the Video Transport 20, holds a video camera body, four to six lenses (detached), shotgun mic, small monitor, 4K recorder, audio recorder, additional accessories, and up to a 17” laptop in a padded sleeve. The smallest, the Video Workhorse 19 shoulder bag, holds a professional camcorder or video cameras up to 19” and features striated aluminum and arched twinwall reinforced struts to create a collapse-proof lid. Built tough, with the quality Think Tank is known for, these bags are the perfect blend of protection and functionality.

The seven new bags in Think Tank’s video series are, from biggest to smallest in capacity:

  • Video Rig 24 – Holds a fully or partially assembled video camera rig up to 24” (61cm), which could include camera body, lens, monitor, viewfinder, 4K recorder, audio recorder, rails, follow-focus, matte-box, shoulder mount, top handle, stabilizer handles, shotgun mic, and counter-weight. The case fits a Canon C-series, Sony FS700, FS5, FS7, F5 or F55, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini, Aja Cion, Arri Alexa, as well as many ENG cameras.
  • Video Rig 18 – Fits a fully or partially assembled video camera rig up to 18” (45.7cm), which could include camera body, lens, monitor, viewfinder, 4K recorder, audio recorder, rails, follow-focus, matte-box, shoulder mount, top handle, stabilizer handles, shotgun mic, and counter-weight. The case fits a Canon C-series, Sony FS700, FS5, FS7, F5 or F55, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini, Aja Cion, as well as many ENG cameras.
  • Video Transport 20 – Holds a video camera body, four to six lenses (detached), shotgun mic, small monitor, 4K recorder, audio recorder, additional accessories, and up to a 17” laptop in a padded sleeve. The roller bag fits a Canon C-series, Sony FS700, FS5, FS7, F55 or F56, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini.
  • Video Transport 18 – Fits a video camera body, three to five lenses (detached), shotgun mic, small monitor, 4K recorder, audio recorder, additional accessories, and up to a 15” laptop in a padded sleeve. The roller bag holds a Canon C-series, Sony FS700, FS5, FS7, F55 or F56, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini.
  • Video Workhorse 25 – Holds professional camcorders or video camera rigs up to 25” (63.5cm) long and 9.1” (23cm) tall, which could include a camera body, lens, monitor, viewfinder, 4K recorder, audio recorder, medium LED lightpanel, shotgun mic, lavaliere mics, rails, follow-focus, matte-box, shoulder mount, top handle, and cables. The shoulder bag holds a Canon C-series, Sony FS700, FS5, FS7, F5 or F55, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini, or a DSLR/Mirrorless rig such as the Sony a7sII, Panasonic GH4, or Canon 5DMIII.
  • Video Workhorse 21 – Fits a professional camcorder or video camera rig up to 21” (53.3cm) long and 8.7” (22cm) tall, which could include a camera body, lens, monitor, viewfinder, 4K recorder, audio recorder, medium LED lightpanel, shotgun mic, lavaliere mics, rails, follow-focus, matte-box, shoulder mount, top handle, and cables. The shoulder bag holds a Canon C-series, Sony FS700, FS5, FS7, F5 or F55, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini, or a DSLR/Mirrorless rig such as the Sony a7sII, Panasonic GH4, or Canon 5DMIII.
  • Video Workhorse 19 – Holds a professional camcorder or video camera rig up to 19” (48.3cm) long and 7.5” (19cm) tall and accessories, which could include a camera body, lens, monitor, viewfinder, 4K recorder, audio recorder, medium LED lightpanel, shotgun mic, lavaliere mics, rails, follow-focus, matte-box, shoulder mount, top handle, and cables. The shoulder bag fits a Panasonic PX270, X1000 or DVX-200, Canon C-series, Sony FS700, FS5, FS7, F5 or F55, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini, or a DSLR/Mirrorless rig such as the Sony a7sII, Panasonic GH4, or Canon 5DMIII.

Think Tank Photo will have the Video Bag Lineup available soon.

Post Date: 4/19/2016 5:02:23 AM CT   Posted By: Sean
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