Before we dig into the details, I strongly advise preordering these cameras immediately if you have even a remote interest in them. They are in extremely high demand, and I expect preorders to long consume supply. Orders are easy to cancel, but lines are not easy to get to the front of.
Important: Using the links on this site, including below, to place your order provides important support. Thanks in advance for that!
Extensive Hands-On Information: Canon EOS R5 Mark II Canon EOS R1
If you are short on time, browse the feature summaries near the top of each page. Note the comparisons between the R5 II and the R5, R6 II, R3, and R1 included on the Canon EOS R5 Mark II page.
Preorders
Canon EOS R5 Mark II: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada
Canon EOS R1: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada
Get extra Canon LP-E6P Batteries: B&H | Adorama | Canon USA | WEX
Canon BG-R20 Battery Grip: B&H | Adorama | Canon USA | WEX | Camera Canada
Canon BG-R20EP LAN Port Grip: B&H | Adorama | Canon USA | WEX | Camera Canada
Canon CF-R20EP Cooling Fan Grip: B&H | Adorama | Canon USA | WEX | Camera Canada
If you have not already done so, preorder these cameras immediately if you have even remote interest in them.
From Canon USA:
CANON OFFICIALLY LAUNCHES THE NEW EOS R1 AND EOS R5 MARK II FULL-FRAME MIRRORLESS CAMERAS
MELVILLE, N.Y., - July 17, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, today launched two new professional full-frame mirrorless cameras, the EOS R1 and EOS R5 Mark II. The EOS R1 camera is designed for both professional still photographers and video creators in a wide range of fields including sports, news reporting and high-end video production. The EOS R5 Mark II camera features improved video focused features for the advanced creators and real-time multi recognition tracking system for those who focus on still photography.
Canon EOS R1 Camera is “Ahead of the Game”
Canon’s EOS 1-series legacy continues with the unveiling of the flagship EOS R1 camera. This high-performance, reliable, and weather-resistance camera is designed for professionals in the photojournalism, sports and wildlife fields. Key features of the EOS R1 camera include:
Canon EOS R5 Mark II Camera helps users “Master the Moment”
For the professional who demands high-quality still and video output, the EOS R5 Mark II camera is ready to deliver. Designed with performance and image quality at its core, the EOS R5 Mark II camera offers the fundamental elements in one package for sports/wildlife photographers, journalists/producers, video producers and visual creators. Key features of the EOS R5 Mark II camera include:
Accessories for the EOS R5 Mark II camera were designed thoughtfully with the end-user in mind. There is a new, more powerful battery. The LP-E6P battery, when compared to previous battery versions, features higher continuous power and two-times the amperage. Optional battery grips were also thoughtfully designed, and there are three options:
Both cameras feature the new DIGIC Accelerator, which is an addition to the DIGIC X processor. The DIGIC Accelerator assists with deep learning processing which helps to quickly analyze large volumes of data and supports the next-gen AF system, Dual Pixel Intelligent AF. Dual Pixel Intelligent AF is based on Accelerated Capture and deep learning, allowing end-users to experience tracking advancements, such as body, joint and head area estimation and focus on people other than the main subject.
Price and Availability
The Canon EOS R1 camera is expected to be available in the Fall of 2024, for an estimated retail price of $6,299.00*. The Canon EOS R5 Mark II camera is expected to be available in August 2024, for an estimated retail price of $4,299.00* for the camera body only. The EOS R5 Mark II camera kit, which will include the RF24-105mm F4 L IS USM lens, will have an estimated retail price of $5,399.00*.
Pricing for the battery grips: BG-R20 – $349.99; BG-R20EP - $499.99; CF-R20EP - $399.99
Much More Information
Order your cameras here.
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*Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.
Just posted: Canon RF 35mm F1.4 L VCM Lens Review.
Find out how the new lighter, smaller, and more affordable 35 L lens performs. Additional sample photos are coming.
Support this site by ordering the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada
From Sony Electronics:
Sony Electronics Announces the Next-Generation ZV-E10 II and E PZ 16-50mm F3.5-5.6 OSS II Lens Kit
The Newest APS-C Camera in Sony’s ZV Series Brings Highly Requested Features and Updates to the Top-Selling Mirrorless Camera
July 10, 2024
SAN DIEGO, July 10, 2024. Sony Electronics launches the ZV-E10 II, the second generation of the top-selling mirrorless ZV-E10 camerai. The original ZV-E10 is a staple APS-C camera in Sony’s ZV content creation camera series, designed to provide an easy, compact, and versatile tool for content creators of any level. The new ZV-E10 II maintains all the features creators love about the original, such as Creative Looks, Product Showcase Setting, Background Defocus function, and the vari-angle flip screen – and builds on it to increase sophistication and ease of use.
The ZV-E10 II’s internal hardware has been improved from its predecessor with an upgraded 26-megapixel (MP) (approx. effective) Exmor R™ CMOS sensor and adoption of Sony’s latest BIONZ XR™ image processing engine. A few additional updates to this model include improved autofocus and video capturing capabilities: Cinematic Vlog Settingii, a new vertical format user interface (UI), an upgraded large-capacity Sony Z battery for improved stamina and improved connectivity for easy live streaming and data transfer. Staying true to the ethos of the ZV Series, this camera has been redesigned to streamline the content creation process even further, enabling creators to focus less on camera settings and more on their art and creativity. It is compact and lightweight and fits into a creator’s hand with ease, weighing in at approximately 377 gramsiii.
In addition, the E PZ 16-50mm F3.5-5.6 OSS II (SEL1650/2) is announced, a compact APS-C power zoom lens which will be available separately or as part of the ZV-E10 II’s camera kit. The upgraded kit lens is lightweight and offers improved autofocus (AF) and video performance compared to the first-generation model.
“From the beginning, the goal of the Sony ZV line was to create cameras that produced high-quality results while being extremely easy to use. Today, the ZV line continues to uphold that standard, but we’re taking it a step further,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Our aim with the advancements of the ZV-E10 II is to inspire creators to develop or recreate their own unique style through features like personalized Creative Looks and Cinematic Vlog Setting. We are continually evolving our technology to help creators of all skill levels bring their visions to life.”
Create Your Own Photo and Video Aesthetic
The ZV-E10 II features two key functions designed to produce premium-looking content straight from the camera, Creative Looks and Cinematic Vlog Setting. When shooting both stills and videos, users can instantly enhance their images by selecting any of the ten Creative Look options: Standard (ST), Portrait (PT), Neutral (NT), Vivid (VV), Vivid 2 (VV2), Film (FL), Instant (IN), Soft Highkey (SH), Black & White (BW), and Sepia (SE). Each of these looks are further customizable and can be edited through eight different parameters, allowing creators to fine-tune their content. Once customized, creators can save up to six custom styles directly in the camera for easy access and reuse.
The ZV-E10 II allows creators to produce premium, cinematic video content with a single touch using the Cinematic Vlog Setting. This feature automatically adjusts the aspect ratio, frame rate, and AF transition speed to optimal settings for cinematic video capture. Additionally, creators can enhance their footage by selecting from five “Looks”, such as S-Cinetone™ that enhances skin tones, and applying one of four “Moods”iv, that emphasize specific colors, offering extensive options to maximize creative expression.
Key Camera Specifications
Additional Features to Streamline Content Creation
The ZV-E10 II camera body is made from recycled materials, including SORPLAS™ xvi, reducing environmental impact without sacrificing functionality. The individual packaging is made from Sony's unique recycled paper "Original Blended Material" that uses materials such as bamboo, sugar cane fiber, and recycled paper collected from the market. Over the past 11 years, Sony has replaced approximately 395 tonsxvii of virgin plastic with recycled plastic in digital cameras and digital video cameras.
Main Features of the Versatile E PZ 16-50mm F3.5-5.6 OSS II
The E PZ 16-50mm F3.5-5.6 OSS II is Sony’s 75th E-mount lens and an ideal kit lens solution for the new ZV-E10 II due to its compact size and versatile range (35 mm full-frame equivalent focal length: 24-75 mm). High-resolution performance is achieved by four aspherical elements and one ED (Extra low Dispersion) element in an effective optical design. With a minimum focusing distance of 9.8 inch (0.25 m) (wide)/ 11.8 inch (0.30 m) (tele) and maximum magnification of 0.215x, the E PZ 16-50mm F3.5-5.6 OSS II offers versatile close-up performance to capture details. It retracts to a total length of approximately 1.25 inches (31.3 mm) when camera power is turned off. Due to its diminutive size and low weight of approximately 3.8 oz. (107 grams) it is a portable lens that can support day-to-day shooting.
Smooth, useful power zoom is ideal for movie shooting, and AF is available even while zooming. Built-in optical stabilization works with in-body stabilizationxviii, including Active Mode, to minimize blur in movies. The E PZ 16-50mm F3.5-5.6 OSS II supports in-body breathing compensationxix to minimize shifts in angle of view while focusing for smooth, stable footage.
Pricing and Availability
The ZV-E10 II will be available at the end of July 2024 for a suggested retail price of $999 USD ($1,399 CAD) for the camera body only, and $1,099 USD ($1,499 CAD) for the kit. The E PZ 16-50mm F3.5-5.6 OSS II in black will be available in August 2024 for a suggested retail price of $299 USD ($399 CAD). They will be sold directly through Sony.com and other Sony authorized dealers throughout North America.
Orders
Preorders will be accepted starting Thu, Jul 11, 2024 at 10:00am ET.
Order the Sony ZV-E10 II and Sony E PZ 16-50mm f/3.5-5.6 OSS II Lens at B&H.
Order the Sony ZV-E10 II and E PZ 16-50mm F3.5-5.6 OSS II Lens direct from Sony.
Order the Sony ZV-E10 II and Sony E PZ 16-50mm f/3.5-5.6 OSS II Lens at Wex.
Notes:
i Sony’s Alpha ZV-E10 is #1 in Mirrorless Cameras. Source: Circana, Retail Tracking Service, 12 months ending December 2023, U.S. unit sales
ii Available in the movie and S&Q modes. Not available for XAVC S-l 4K recording in S&Q mode.
iii Weight included with battery and SD card.
iv Mood is not available when the [Mono] Look is selected.
v When shooting stills. The number of AF points depends on the shooting mode.
vi Expandable to ISO 50 - 102400 when shooting stills. ISO range is 100 - 6400 when SteadyShot is set to Active.
vii Recording frame rates are listed as integer values, but the actual frame rates are as follows: 24p = 23.98 fps, 30p = 29.97 fps, 60p = 59.94 fps, and 120p = 119.88 fps.
viii Slight image crop in Active Mode. Active Mode is not available when recording at frame rates of 120 fps/100 fps or higher, including S&Q. ISO range is 100 - 6400 when SteadyShot is set to Active in movie mode.
ix When the battery is fully charged, using the E PZ 16-50mm F3.5-5.6 OSS II and recording in XAVC S HD 60p 50M 4:2:0 8-bit. Actual performance varies based on settings, environmental conditions, storage, and usage. ? Batteries are consumable products and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.
x Audio recording is not available in the S&Q mode.
xi The Creators' App is required for transfer to a smartphone. Visit https://www.sony.net/cca/ for information on regional availability. The server info and stream key for the streaming service to be used must be registered before use. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
xii Shooting time will vary according to conditions. Use the [Interval Timer] function to shoot time-lapse sequences at long intervals (e.g. 10 minutes or more).
xiii Maximum shooting interval is 6 seconds when shooting 4K.
xiv 5 GHz communication may be restricted in some countries and regions.
xv Supported languages differ depending on the sales region.
xvi Depending on the time of production, SORPLAS™ may not be used for some parts.
xvii ? According to Sony. Recycled materials used for product bodies and accessories from April 2012 to March 2023.
xviii See camera compatibility (Image stabilization with body-lens coordinated control) info at: https://www.sony.net/dics/fnc1002/
xix Please refer to support page; https://support.d-imaging.sony.co.jp/www/cscs/function/compatibility.php?area=jp&lang=en&cs_ref=slct_lang&fnc=1001
One power adapter to replace them all. The Xcellon PDG-4200B 4-Port 200W GaN USB Charger is on sale for half price today ($59.99) at B&H.
We have an ever increasing number of USB charged and powered devices, and often, each has its own power adapter, often vying for receptical space in the same location. Taking all those chargers traveling is another complication.
What if a single charger could cover of all your needs? And, what if that charger had more power than all your other chargers combined? This might be that one.
B&H recently sent me the high-quality, ultra-useful, Xcellon PDG-4200B GaN (Gallium Nitride, remains cooler than silicon) charger, featuring 4 ports with up to 200W total power output. Increasing our productivity (and feeding our impatience) is this charger's support of PD 3.0, PPS (Programmable Power Supply), QC4+, and Samsung Super Fast fast charging. Short circuit, overcurrent, overvoltage, and overtemperature preventions are provided.
The individual port ratings add up to more than the 200w this charger is capable of, and thus, limits are imposed. Here are the possible power distribution combinations:
USB-C (Port 1 or 2): 100W
USB-C (Port 3): 65W
USB-A: 60W
USB-C (Port 1 and 2): 100W + 100W
USB-C (Port 1 or 2 and 3): 100W + 65W
USB-C (Port 1 or 2) and USB-A: 100W + 60W
USB-C (Port 3) and USB-A: 12W + 12W
USB-C (Port 1 & 2) and USB-C (Port 3) or USB-A: 100W + 65W + 30W
USB-C (Port 1 or 2), USB-C (Port 3), and USB-A: 100W + 12W + 12W
USB-C (All 3 Ports) and USB-A: 100W + 65W + 12W + 12W
The 3' (0.9m) power cable moves the snarl and space competition away from recepticals.
The simple charger is compact, measuring only 3.5 x 2.5 x 1.4" (89.2 x 64.7 x 36.3 mm), with the 11.7 oz (331 g) weight being its primary con. The weight feels substantial compared to the small size, but it aids in the solid feel.
With various devices connected to the same charger, it seems that hub capabilities would have been an easy feature to include, but this device is dedicated to providing power.
Consider pairing this charger with Pearstone USB4 Type-C 240W Power Delivery Cables (up to 40 Gb/s, 48V/5A, Thunderbolt 3 & 4) to power laptops, cameras, etc.
Get the Xcellon PDG-4200B 4-Port 200W GaN USB Charger for half price today at B&H.
On June 5th, Canon promised firmware updates delivering enhanced features for Cinema EOS cameras and pro camcorders. Those updates are now available.
EOS C500 Mark II/ EOS C300 Mark III Cameras
EOS C70/EOS R5 C Cameras
XA75/70, XA65/60 and VIXIA HF G70 Camcorders
Download the firmware updates from the Canon USA Support page.
Image quality, vignetting, and distortion test results are now available on the Canon RF 35mm F1.4 L VCM Lens page.
Here are some comparisons to get you started:
Compared to the Canon EF 35mm f/1.4L II USM Lens
Compared to the Sony FE 35mm F1.4 GM Lens
Compared to the Sigma 35mm f/1.4 DG DN Art Lens
Compared to the Tamron 35mm f/1.4 Di USD Lens
Please share!
Support the site by ordering the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada
Rent the Canon RF 35mm F1.4 L VCM Lens from Lensrentals.