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The entry-level Canon RF 75-300mm F4-5.6 Lens was announced in Europe and Japan, with the USA announcement TBD.
Learn more: Canon RF 75-300mm F4-5.6 Lens
From Canon UK:
Bring life even closer with the new RF 75-300mm F4-5.6 telephoto zoom lens
London, UK, 29 April 2025 – Today, Canon announces the RF 75-300mm F4-5.6, a lightweight, easy-to-use telephoto zoom lens that’s ideal for users starting out in nature and sports photography with an EOS R System camera.
With its amazing reach and flexible zoom range, the RF 75-300mm F4-5.6 provides creative freedom when shooting photos and video of subjects you can’t physically get close to. Users can keep their distance to avoid disturbing wild animals and birds or zoom right into the action when photographing a sports event from the sidelines. The streamlined design lets users react quickly, with a large zoom ring requiring little more than a quarter of a turn to run through the entire zoom range.
At 300mm it’s possible to get as close as 1.5m to fill the frame with detail, making this lens a practical solution for portraits of animals and people. The long zoom and wide, seven-blade aperture ensure superb separation between a sharp subject and blurred background for a refined look.
This classic entry-level, full-frame 75-300mm lens can be used on any camera equipped with Canon’s advanced RF mount. Paired with an APS-C body such as the EOS R100, it delivers a more powerful 120-480mm effective reach to bring distant subjects even closer. Despite its extensive telephoto coverage, the lens weighs just 507g and is a compact 146.1mm in length when retracted. It’s one of the lightest lenses in its class and ready to go anywhere, from local sport matches to remote nature reserves.
The versatile range of focal lengths, affordable pricing and outstanding portability of the RF 75-300mm F4-5.6 ensure that everyone is able to extend their reach and take their passion further.
Key features of the RF 75-300mm F4-5.6:
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The RF mount version is expected to be available on Jun 2nd.
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Just posted: Sigma 300-600mm F4 DG OS Sports Lens Review.
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Highlighting some just-arriving gear in the B&H Used Department:
Category | In Stock at the Moment |
---|---|
Canon EOS Cameras | R3, R5, R6, R7, R8, R10, R, RP |
Canon RF Lenses | 10-18, 10-20, 28-70 F2, 100-400, 100-500, 16, 35 F1.8, 85 F2, 135 F1.8, 800 F5.6 |
Sony Alpha Cameras | a1, a7R V, a9 II, a7C R, a7R IVA, a7 IV kit, ZV-E1, a6700 |
Sony FE Lenses | 12-24 F2.8, 16-35 F2.8 II, 24-70 F2.8 II, 28-70 F2, 70-200 F2.8 II, 100-400, 200-600, 400-800, 50 F1.2, 85 F1.4 II, 135 F1.8, 300 F2.8, 400 F2.8, 600 F4 |
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Preorder starts at 10:00am ET, Wed Apr 23. Support this site by ordering the Sony FE 50-150mm F2 GM Lens from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada
From Sony Electronics:
Sony Electronics Launches FE 50-150MM F2 GM
The World’s Firsti Telephoto Zoom Lens with a Maximum Focal Length of 150 mm and Constant F2 Aperture Designed for Wedding, Portrait, Indoor Sports, Photo, and Video Professionals
April 22, 2025
SAN DIEGO, April 22, 2025 - Sony Electronics Inc. introduces the FE 50-150mm F2 GM (SEL50150GM), the world’s firsti telephoto zoom lens with a maximum focal length of 150 mm and F2 aperture. This lens features a standard focal length of 50mm at the wide-angle end and combines a constant aperture of F2 with high resolution comparable to that of a prime lens. This allows for a wide range of scenarios with just one lens for various situations and subjects. As part of Sony’s renowned G Master™ series, the FE 50-150MM F2 GM offers an exceptional combination of high resolution and stunning bokeh, enhancing the imaging results for professionals using the Sony Alpha camera system.
“The FE 50-150MM F2 GM G Master marks a pivotal milestone in Sony's commitment to pushing creative possibilities,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “By delivering a constant F2 aperture across its zoom range, this lens offers Sony Alpha users with an all-in-one solution that is comparable to multiple prime lenses, like a 50mm, 85mm, and 135mm. This innovation expands the versatility professionals need to capture remarkable imagery in both photography and video.”
Exceptional Image Quality and Smooth F2 Bokeh
The G Master's internal optical design plays a crucial role in producing its exceptional image quality. By integrating two XA (extreme aspherical) elements, two Super ED (extra-low dispersion) glass elements, and three ED elements, the lens effectively suppresses aberrations, ensuring sharp, high-contrast imagery across the entire zoom range. Additionally, the floating focusing system enables a minimum focusing distance of 0.4m at the wide end and a maximum magnification of 0.20 for detailed shooting.
The FE 50-150MM F2 GM's constant F2 aperture creates beautifully smooth bokeh, making it an ideal choice for portrait, wedding, and event photographers aiming to isolate subjects with a shallow depth of field. A newly developed 11-blade circular aperture further enhances the signature G Master bokeh. When shooting videos, the lens delivers stunning cinematic results and exceptional clarity.
In addition, Sony's proprietary "Nano AR Coating II," applied uniformly across the entire lens surface, significantly reduces ghosting and flare even in backlit conditions, delivering clear and crisp imagery.
Internal Zoom and Compact Design
Measuring at approximately 7-7/8 inches (200 mm) in length and weighing approximately 47.3 ounces (1,340g)ii, the FE 50-150MM F2 GM offers remarkable portability considering its impressive combination of wide zoom range and bright aperture. This lens is ideal for both handheld and gimbal use with its featured internal zoom design that maintains the lens’s length and weight balance despite focal length changes. With its practical design, this lens serves as a versatile, all-in-one solution for those seeking a standard 50mm through 150mm telephoto range.
Fast and Precise Autofocus Performance
Equipped with four XD (extreme dynamic) linear motors and Sony’s advanced control algorithms, the FE 50-150MM F2 GM delivers fast, accurate, and quiet autofocus (AF). This high-performance AF system is compatible with Sony's Alpha 9 III, supporting continuous shooting at up to 120 frames per second with full AF/AE trackingiii. With a fast AF system and a versatile 50-150 mm zoom range, the lens excels at capturing fast-paced indoor sports, portraits, and events.
Cinematic Video Production
Designed with filmmakers in mind, the FE 50-150MM F2 GM minimizes focus breathing and is compatible with Sony's Breathing Compensationiv feature on select Alpha cameras. Linear Response MF ensures intuitive manual focus control, while the lens’s internal zoom design maintains stability even while zooming mounted on gimbals. Additionally, the XD linear motors operate quietly to prevent unwanted noise from being captured during recording.
Built for durability, the FE 50-150MM F2 GM features a robust dust- and moisture-resistant designv. A fluorine coating on the front element repels contaminants, making it easy to clean and ensuring the lens remains in top condition even in challenging environments.
Pricing and Availability
The FE 50-150MM F2 GM will be available in May 2025 for approximately $3,899 USD and $5,499 CAD. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.
Notes
i As of the April 2025 product announcement according to research by a Sony survey of lenses for interchangeable lens cameras.
ii Excluding tripod mount.
iii Sony test conditions. Maximum continuous shooting speed may be lower in some conditions. Continuous shooting speed may vary in the AF-C focus mode.
iv See camera compatibility info at: https://www.sony.net/dics/breathing/
Angle of view and image quality may change slightly when this function is [ON]. Effective compensation may not be achieved in all situations.
v Not guaranteed to be 100% dust and moisture proof.
From Tamron:
TAMRON Announces Development of All-In-One Zoom Lens For Nikon Z Mount and CANON RF Mount
18-300mm F/3.5-6.3 Di III-A VC VXD (Model B061)
One Lens That Covers Wide-Angle To Ultra-Telephoto-and Everything In Between!
April 22, 2025, Commack, NY – Tamron announces the development of all-in-one zoom lens, 18-300mm F/3.5-6.3 Di III-A1 VC VXD (Model B061), for Nikon Z mount and CANON RF mount APS-C mirrorless cameras. Release date and pricing will be announced at a later date.
The 18-300mm F/3.5-6.3 Di III-A VC VXD (Model B061) is an all-in-one zoom lens for APS-C mirrorless cameras. It was the world's first2 lens to achieve a zoom ratio of 16.6x when it was released in 2021 for Sony E mount and FUJIFILM X mount. And now, it is being released for Nikon Z and CANON RF mounts.
1 Di III-A: For APS-C format mirrorless interchangeable-lens cameras
2 Among interchangeable zoom lenses for APS-C mirrorless cameras (As of July 2021: TAMRON)
The 16.6X zoom range lets you enjoy taking photos from wide-angle to ultra-telephoto without having to change lenses. With its 18mm wide to 300mm ultra-telephoto reach (450mm plus full-frame equivalent on crop sensor cameras)3, it’s ideal for a wide range of scenes, including landscapes, snapshots, portraits, animals, and sports. What's more, thanks to its compact design, you can easily take it with you on vacation, backpacking, and hikes. The MOD (Minimum Object Distance) is 5.9" (0.15m) at its wide-angle end, and the maximum magnification ratio is 1:2, making it possible to capture impressive images that bring out the power and detail of the subject. In addition, it is equipped with the high-speed, high-precision linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive) and TAMRON's original VC (Vibration Compensation) image stabilization mechanism, supporting comfortable and stable shooting. This all-in-one zoom lens makes photography more fun because you can use it in an unlimited number of situations. It’s so versatile, it will inspire you to push your creativity further and further.
Product Features
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured, and sold under the license agreement with Nikon Corporation.
This product is developed, manufactured, and sold under license from Canon Inc.
3 Full-frame equivalent of 27-450mm for Nikon Z mount, and 28.8-480mm for CANON RF mount
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Great deal: the Seagate 28TB Expansion Desktop USB 3.0 External Hard Drive is on sale for only $329.99 at B&H.
I was due in Las Vegas late Saturday morning. That meant a Friday arrival to avoid a crazy-early AM flight time. Friday flight costs were unfriendly, but Wednesday and Thursday flights were more favorably priced. Valley of Fire State Park, not too far from Las Vegas, was on my to-photograph list, and two extra days would enable that add-on. The Wednesday flight was selected.
The Fire Wave was my priority target, and two morning and evening shoots were dedicated to killing that location. While there may be opportunities remaining there, and changing sky conditions always provide differentiation, I have so many liked images that selecting one to share became a dilemma.
The Fire Wave is awesome, but it does not immediately offer all of its best perspectives, and time spent exploring the possibilities was rewarded. Patience is also required, as many people flow through this feature (despite it being a 3/4-mile hike from the parking lot). The strategy that worked best was to set up for a shot, wait until there were no people in it, and then work fast.
What is the best lens to take to the Fire Wave in Valley of Fire State Park? The Canon RF 15-35mm F2.8 L IS USM Lens on an EOS R5 Mark II was my easy first choice, and I also used the Canon RF 24-105mm F4 L IS USM Lens on a second R5 II at times.
This composition extended slightly out of the reach of the f/11 depth of field, but focus stacking enabled a completely tack-sharp image.
A larger version of this image is available here.
Image quality, vignetting, and distortion test results are now available on the Sigma 16-300mm F3.5-6.7 DC OS Contemporary Lens page.
This lens is all about convenience.
Compared to the Sigma 18-50mm F2.8 DC DN Contemporary Lens
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Image quality, vignetting, and distortion test results are now available on the Sigma 300-600mm F4 DG OS Sports Lens page.
Especially because of its low price, I was anxious to see the performance of this lens.
Compared to the Sony FE 600mm F4 GM OSS Lens
Compared to the Canon RF 600mm F4 L IS USM Lens
Compared to the Sigma 500mm F5.6 DG DN OS Sports Lens
Compared to the Sony FE 400mm F2.8 GM OSS Lens
Compared to the Sony FE 300mm F2.8 GM OSS Lens
There are many slower-than-f/4 zoom lenses to compare with.
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Extended through today, Thursday, 4/10 at 11:59 PM EST: use promo code OS25 to save 10% on overstock gear at KEH.
"We added more gear."
This is your last chance to take advantage of the NAB Show Specials at B&H.
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