Canon, Nikon and Sony News for Apr 2017 (Page 4) Report News & Deals  ►

 Wednesday, April 19, 2017
Use coupon code PSWBH17 at B&H to get a 5% discount on select DJI Quadcopters.
 
Eligible for Discount
 
  • DJI Mavic Pro
  • DJI Phantom 4
  • DJI Phantom 4 Pro
  • DJI Phantom 4 Pro+
  • DJI Inspire 2
Post Date: 4/19/2017 10:25:06 AM CT   Posted By: Sean
B&H has the Rokinon SP 14mm f/2.4 Lens for Canon available for $799.00 with free expedited shipping. Regularly $999.00.
 
Product Highlights
 
  • Canon EF Mount/Full-Frame Format
  • Aperture Range: f/2.4 to f/22
  • 2 Aspherical, 2 ED, 3 HR Elements
  • Hybrid Aspherical Element
  • Ultra Multi-Coating
  • Manual Focus Design
  • Aluminum Alloy Lens Housing
  • Nine-Blade Diaphragm
  • Built-In Petal-Shaped Lens Hood
Posted to: Canon News
Post Date: 4/19/2017 10:01:18 AM CT   Posted By: Sean
Through midnight tonight Eastern Time, B&H has the APC BE550G Back-UPS 550 8 Outlet Surge Protector and Battery Backup (120V) available for $42.95 with free shipping. Regularly $69.95.
 
Product Highlights
 
  • Output: 330W / 550VA
  • Input: 120V
  • 4 x Battery-Powered, 4 x Surge Protector
  • 50/60 Hz (+/-3 Hz) Output Frequency
  • Recharge Time 24 Hours
  • Audible Alarm
  • LED Status Display
  • Cold Start / Hot Swap Batteries
  • Delivers Battery-Powered AC
Among the categories that lenses can easily be grouped into, one of the least understood is the "tilt-shift" category. As such, we invite you to explore the latest installment in our Photography 101 series to find out what tilt-shift lens capabilities make them unique and alluring to photographers.
 
Photography 101: What is a Tilt-Shift Lens?
 
Check out our other posts in the Photography 101 series:
 
Post Date: 4/19/2017 7:50:33 AM CT   Posted By: Sean

 
From the Nikon Europe YouTube Channel:
 
Nikon's history in Space began with the Nikon Photomic FTN, a modified Nikon F camera that was used aboard the Apollo 15 in 1971 and Nikon cameras have been aboard every manned space flight since. This film, edited by SmugMug Films, is a compiled time-lapse video using thousands of still images. The bright flashes are lightning strikes hitting the earth, watch and enjoy.
 
This is the first of many remarkable moments, both big and small, which we will be sharing in the lead up to Nikon 100th Anniversary! Stay tuned for more.
 
B&H carries Nikon DSLRs and lenses.
Posted to: Nikon News
Post Date: 4/19/2017 5:54:54 AM CT   Posted By: Sean
From Canon:
 
TOKYO, April 19, 2017—Two Canon cameras and one Canon lens have been recognized with "Best Photo and Imaging Product" awards by the Technical Image Press Association (TIPA), representing 30 photo and imaging magazines from 15 countries across five continents. The three award winners are: the EOS 5D Mark IV digital SLR (DSLR) camera for advanced-amateur users, EF 24-105mm f/4L IS II USM standard zoom lens for advanced-amateur users and the XC15 professional 4K video camcorder. These Canon products were highly rated for meeting the diverse still shooting and video production needs of professional and advanced-amateur users.
 
Best Full-Frame DSLR Expert: Canon EOS 5D Mark IV
Selected for this year's "Best Full-Frame DSLR Expert" award, Canon's EOS 5D Mark IV DSLR offers impressive specifications. Equipped with an approximately 30.4 megapixel 35 mm full-frame Canon CMOS sensor and DIGIC 6+ image processor, the camera achieves a standard ISO sensitivity range of 100-32000 (expandable to ISO50-102400 equivalent), 7 frames-per-second (fps) continuous shooting of still images and 4K video capture at 30 fps, as well as full-HD video capture at 60 fps and HD 120 fps capture suitable for slow-motion video. Thanks to Dual Pixel CMOS AF, the camera achieves superlative high-speed AF tracking when shooting video and stills in live-view mode. The Canon EOS 5D Mark IV is equipped with 61 point high-density reticular AF II, achieving an expanded longitudinal focus area, with a maximum of 41 cross-type focus points of the total 61. Additionally, it features an approximately 150,000 pixel RGB+IR metering sensor. The camera also features a 4K frame capture function, which users can extract selected frames from recorded 4K video as approximately 8.8-megapixel JPEG still images, as well as built-in Wi-Fi, NFC and GPS functionality.
 
Best DSLR Standard Zoom Lens: Canon EF 24-105mm f/4L IS II USM
Named "Best DSLR Standard Zoom Lens," the EF 24-105 f/4L IS II USM employs a new optical design that incorporates 17 elements in 12 groups, including four glass-molded aspherical elements—one of which features two aspherical surfaces. This standard zoom lens achieves improved peripheral light intake to achieve high image quality across the entire image field. The lens features image stabilization to the effect of 4 shutter speed stops and a circular 10-blade aperture that produces exquisite circular bokeh. Equipped with such features as inner focusing, a Ring USM (Ultrasonic Motor) and a high-speed CPU, and sporting an optimized AF algorithm, the EF 24-105mm f/4L IS II USM achieves highly responsive autofocusing. The lens also employs a special Air Sphere Coating (ASC), which reduces the occurrences of flaring and ghosting.
 
Best Camcorder: Canon XC15
Crowned "Best Camcorder," the XC15 features a compact, lightweight body design and makes possible cost-effective 4K UHD and HD shooting, making it ideal for on-location journalism and video production. The camera facilitates shooting in confined spaces and environments that demand mobility and features the same selection of visual-expression "Look" modes as the EOS C300 Mark II, making it ideal for use as a sub-camera. The XC15 is equipped with a high-sensitivity 1-inch CMOS sensor with individual pixels that feature large light-capturing areas, a touch panel that enables intuitive controls, and a 10x optical zoom lens—27.3 mm at the wide end to 273 mm at the telephoto end when shooting video. The camera features faster autofocus through an orientation-determination algorithm, and enables excellent anti-shake performance afforded by an optical IS system and an electronic IS system with 3 modes to choose from. What's more, the camera's separate focus and zoom rings offer a high level operability.
 
B&H carries the Canon EOS 5D Mark IV, EF 24-105mm f/4L IS II USM & XC15.
Posted to: Canon News
Post Date: 4/19/2017 5:30:56 AM CT   Posted By: Sean
Through midnight tonight Eastern Time, B&H has the ExpoImaging Rogue Off-Camera Flash Shooter Kit available for $69.95 with free expedited shipping. Regularly $99.95.
 
Product Highlights
 
  • 20x40" Soft Silver/White Reflector
  • Reflector is Collapsible, Reversible
  • FlashBender Bounce Reflector
  • Attaches via Belt & Buckle
  • Indicator Battery Pouch
  • Reversible Green/Red Charge Indicators
Kit Includes
 
  • 2-In-1 Super Soft Collapsible Reflector (20x40", Silver/Natural White)
  • Soft Case
  • Limited 1-Year Warranty
  • Rogue FlashBender 2 Reflector (XL Pro, Silver)
  • Rogue Indicator Battery Pouch
Hot Deal: B&H has a 12-month subscription to the Adobe Creative Cloud Photography Plan for $89.88. Regularly $119.95.
 
Note: This deal is good for a new subscription or extending an existing subscription. In fact, I just added a 12-month subscription to my own account via this deal. [Sean]
 
Product Highlights
 
  • Subscription to Photoshop CC and Lightroom CC
  • Tools to Organize, Edit, Enhance & Share
  • Constant and Automatic Feature Updates
  • Up-to-Date Camera Support
  • Extensive Library of How-To Videos
  • Cloud-Based Storage for Multiple Devices
  • Sync to Photoshop Mix & Lightroom Mobile
  • For Mac and Windows Operating Systems
 Tuesday, April 18, 2017
With a brand new Canon EOS M6 (a great little camera) in my possession, it is time to set up the camera for use. Following are the 30 steps I took to make a fresh-out-of-the-box M6 ready for use.
 
  1. Open the box, find the battery, place it in the charger and plug it in.
  2. While the battery is charging, unpack the other items you want from the box. This is a good time to install the neck strap.
  3. Download and install the Canon Solution Disk software on your computer to get support for the latest camera(s). Canon Digital Photo Pro (DPP), EOS Utility, Photostitch and Lens Registration Utility are the options I manually include in the install.
  4. Insert the battery (after charging completes) and power the camera on.
  5. The date, time and time zone setup screen will show at the first startup. Use the Rear Control dial and Set button to update this information.
  6. Insert a memory card (don't forget to format the card via the tools menu option before taking pictures).
  7. Set the camera's mode to Av, Tv or M (some modes provide only a small subset of available menu options).
  8. Scroll through all of the menu tabs to configure the camera as follows:
  9. Shooting Menu, Tab 1: Image quality: Use top dial to set RAW to "RAW" and Rear Control dial to set JPEG to "-"
  10. Shooting Menu, Tab 1: Shooting information display: Screen info/toggle settings: Update #1 to select only Grid display and Electronic level (all options selected for #2), uncheck #3 and #4 (I may alter these settings later)
  11. Shooting Menu, Tab 1: Shooting information display: VF info/toggle settings: Uncheck #1, update #2 to select only Grid display and Electronic level, check all options for #3 (again, I may alter these settings later)
  12. Shooting Menu, Tab 1: Shooting information display: Histogram display: RGB
  13. Shooting Menu, Tab 2: Image review: Off (without a review display being shown and cleared, the viewfinder becomes ready-for-shooting faster)
  14. Shooting Menu, Tab 3: Continuous AF: Off (increases battery life)
  15. Shooting Menu, Tab 4: MF Peaking Settings: Peaking: On
  16. Shooting Menu, Tab 4: Lens aberration correction: disable all (I correct lens aberrations during post processing if warranted, though enabling CA correction is usually a good idea and if shooting in JPG mode, consider enabling other options as well.)
  17. Shooting Menu, Tab 5: Auto Lighting Optimizer: Off (again, those shooting in JPG mode might want to explore the results of this option)
  18. Shooting Menu, Tab 6: Picture Style: Neutral with Sharpness = 1 (Note: the low contrast "Neutral" picture style provides a histogram on the back of the camera that most-accurately shows me blown highlights and blocked shadows on the camera LCD. I usually change the Picture Style to "Standard" in DPP after capture. If shooting in JPG mode, selecting "Standard" is probably a better option.)
  19. Shooting Menu, Tab 6: Long exp. noise reduction: Auto
  20. Shooting Menu, Tab 6: High speed NR: Off (or Low) (Noise reduction is destructive to images details - I prefer to add NR sparingly in post. Select "Low" if shooting in JPG format).
  21. Tools Menu, Tab 3: Beep: Off
  22. Tools Menu, Tab 3: Hints & Tips: Off
  23. Tools Menu, Tab 4: Custom shooting mode (C1, C2): Auto update set: Enable (Custom shooting modes are great – see Configuring Custom Shooting Modes for more information)
  24. Custom Functions Menu, Tab 1: C.Fn II: Others: Set M.Fn button to ISO (I may make more changes here after acclimating to this camera)
  25. My Menu: Add the first tab; Register the following options for Tab 1: Long exposure noise reduction, Format, Date/Time/Zone (great for monitoring what time it is), AEB (found back up near the top of the list)
  26. To get to the Playback Menu, take a picture, playback the picture and while it is displayed, press the Menu button.
  27. Playback Menu, Tab 4: Highlight Alert: Enable
  28. Playback Menu, Tab 4: Auto Rotate: Off (always uses full LCD for display)
  29. Playback Menu, Tab 5: * resize: Enable
  30. Playback Menu, Tab 5: Magnify (approx.): Actual size (zooms to 100% pixel level, ideal for checking sharpness)
I of course make other menu and setting changes based on current shooting scenarios, but this list covers my initial camera setup process.
 
If you intend to mirror my RAW image capture workflow, this configuration would likely be ideal for you. While my setup is optimal for me, use your judgement to alter this list for your own needs and preferences.
 
If you can't remember your own menu setup parameters, keeping an up-to-date list such as this one is a good idea. Anytime your camera goes in for a service visit, the camera will be returned in a reset-to-factory state (unless you request otherwise). Your list will ensure that you do not miss an important setting when putting the camera back into service.
 
More Information
 
Canon EOS M6
 
The Canon EOS M6 is in stock at B&H | Amazon | Adorama.
Posted to: Canon News
Post Date: 4/18/2017 9:23:41 AM CT   Posted By: Bryan
From the Canon Digital Learning Center:
Choosing a lens to photograph the upcoming total solar eclipse in August takes a lot more consideration than the camera body to be used because the camera is simply a light-tight box that records the image produced by the lens.
...
Choosing a lens to photograph the sun or moon depends on how large of a sun or moon disk you want. The size of the disk is controlled by two things: your DSLR’s sensor size and the focal length of your lens.
Read the entire article on the Canon Digital Learning Center.
 
B&H carries the gear you'll need to photograph the solar eclipse safely (checkout will be available at 9:00 PM ET tonight).
Post Date: 4/18/2017 5:37:49 AM CT   Posted By: Sean
From Sigma:
 
Sigma 500mm f/4 DG OS HSM Sports Firmware v.1.01:
 
  • It has corrected the phenomenon that 3D-tracking does not work when it is attached with TELE CONVERTER TC-1401 on a Nikon DSLR.
* For this update, it requires the firmware of the SIGMA USB DOCK for NIKON to be Ver.1.01 or later.
* Before updating the firmware of the 500mm F4 DG OS HSM | Sports for NIKON, Please ensure SIGMA Optimization Pro has been updated to Ver1.4.1 or later for Windows, or Ver1.4.0 or later for Macintosh.

 


Sigma USB Dock Firmware v.1.03
 
  • Compatible with SIGMA 100-400mm F5-6.3 DG OS HSM C017.


SIGMA Optimization Pro Download
 
B&H carries the Sigma 500mm f/4 DG OS HSM Sports Lens and USB Dock and has the Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens available for preorder.
 Monday, April 17, 2017
Roger Cicala of LensRentals has created a "Random Photo Marketing Generator" to help camera gear manufacturers sell their products. The following are a couple of samples that were generated when I tried the tool:
 
Sample #1
Using space-age technology including multiple floating elements and the industry’s most accurate autofocus system, this lens can take your professional performance to new achievements. See the world with a dramatic perspective you never dreamed was possible. Capture life in a way you’ve always wished you could. Designed with the sports photographer in mind, our newest lens provides the edge-to-edge performance needed to take your photography to profitability. Like all of our products, this lens is in a class of its own.
Sample #2
We joyfully announce the world’s first lens combining all-metal construction with fully computerized assembly, creating a lens that will be treasured by cinematographers and collectors alike. Capture life in a way lesser beings have always wished they could. We have created a game-changing new standard in photography that will amazingly improve your images. We are pleased to offer the world’s finest wide-angle lens, featuring 4 really, really low dispersion elements, 2 aspheric elements, and our new anti-glare coatings providing unparalleled flare resistance while providing amazing resolution. See your surroundings with a remarkable perspective you never knew was possible.
We expect Canon, Nikon, Sony, Tamron, Sigma & Zeiss will be slimming down their marketing departments in the not-so-distant future in favor of the free online tool.
Post Date: 4/17/2017 2:16:26 PM CT   Posted By: Sean
Those looking to invest in a 400mm telephoto lens have a several options available for consideration. One such option available is the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens. And while the telephoto zoom is certainly a versatile option, opting for a 400mm prime lens over the zoom alternative will typically either a) give you a wider maximum aperture at that particular focal length or b) save you some cash (but unfortunately, those benefits seem to be mutually exclusive).
 
Before we get started, it's important to note that I wouldn't necessarily consider wide-open image quality to be a differentiating factor among the 400mm prime lenses in this comparison. While there are certainly differences, all perform very well. With that in mind, let's take a look at the notable benefits/drawbacks associated with each of the 400mm prime candidates.
 
Canon EF 400mm f 2.8 L IS II USM Lens

Canon EF 400mm f/2.8L IS II USM Lens
 
The Canon EF 400 f/2.8L IS II USM is the biggest, heaviest and priciest 400mm prime option. However, there's another "-est" descriptor that justifies this lens' price tag for many professional photographers – "widest." The 400L IS II's f/2.8 maximum aperture is 2-stops wider than most zoom lenses including the 400mm focal length, and 1-stop wider than the formidable EF 400mm DO IS II model. This lens is unparalleled when action stopping shutter speeds are necessary, especially in locations where the available light is less than abundant. Of course, the background blur at f/2.8 is noticeably stronger than it is at f/4 or f/5.6, with the benefit of stronger subject isolation. As you might expect, this lens is built for the needs of professionals with weather sealing and excellent AF performance.
 
Speaking of AF, a 3-position focus limiter switch allows focusing distances to be limited to a specific distance range - or to be unlimited: 8.85' - 23' (2.7m - 7m), 23' (7m) - ∞, 8.85' (2.7m) - ∞. Limiting the focus distance range can improve focus lock times and reduce focus hunting. Autofocus Stop buttons near the objective lens allow autofocus to be temporarily stopped. The Autofocus Stop feature makes it easy to obtain focus lock, turn off autofocus and recompose for a framing that places the active focus point(s) off of the subject.
 
The 400L IS II features a 4-stop IS (image stabilization) system with normal, panning and tracking modes available (Modes 1, 2 & 3 respectively). And while I mentioned image quality wasn't necessarily a differentiating factor in this comparison, the 400 f/2.8L IS II edges out the other two in most regards.
 
As noted, a high price isn't the only compromise one must accept to gain a wide, f/2.8 aperture at this focal length; consequently, this lens is neither small nor light. With the hood installed, the 400L IS II weighs in at 143.7 oz (4070g) with and is 7.68 x 13.8" (195.1 x 350.5mm) with the hood reversed for storage. While this lens can be used handheld, most will likely need a solid tripod or, at the very least, a monopod for comfortable medium-to-long-term use. Support/stabilizing gear necessary for long-term use will of course add to the size and weight storage/transport requirements when traveling with the lens.
 
If price is no object and small size and weight are not priorities, this is the ultimate 400mm option.
 
Canon EF 400mm f/4.0 DO IS II USM Lens

Canon EF 400mm f/4 DO IS II USM Lens
 
It's not often that a lens measuring 6.32 x 9.45” (160.45 x 240.13mm) and weighing in at 80 oz (2265g) (with hood) can be considered small and lightweight, but... everything is relative. Compared to its massive f/2.8 big brother, the Canon EF 400mm f/4 DO IS II USM Lens' size and weight are quite manageable considering its focal length and f/4 max. aperture, allowing for much longer periods of handheld use before fatigue takes its toll. This lens' diffractive optics elements allow for a very compact design that sports and wildlife photographers will especially appreciate.
 
The 400 DO IS II features a 3-position focus limiter switch with the following settings: 10.8' - 26.2' (3.3m - 8m), 26.2' - 8 (8m - ∞) and 10.8' - ∞ (3.3m - ∞). Autofocus Stop buttons are also included near the objective lens and allow autofocus to be temporarily stopped. Like the 400 f/2.8L IS II, the 400 DO IS II is weather sealed and features a 3-Mode, 4-stop IS system.
 
While an f/4 maximum aperture may not be considered "wide," the moderately-wide max. aperture combined with this lens' IS system makes for a very versatile tool that's reasonably sized for handheld shooting. Bird, wildlife and sports photographers will often forgo the f/2.8 maximum aperture to enjoy the smaller size, weight and price benefits associated with the f/4 DO IS II option.
 
Canon EF 400mm f 5.6L USM Lens

Canon EF 400mm f/5.6L USM Lens
 
Representing the lowest tier in Canon's 400mm primes in size, weight, max. aperture and price is the Canon EF 400mm f/5.6L USM. Note that I didn't list "image quality" in the preceding list as the 400 f/5.6L is no slouch from an image quality perspective. That a lens designed nearly 25 years ago can perform compete so well with the 400L IS II (released only 6 years ago) is impressive, to say the least.
 
The most alluring aspects of the 400 f/5.6L, aside from the focal length shared by the other lenses in this comparison, are its small size, light weight and comparatively low price. The 400 f/5.6L measures 3.54 x 10.44” (90.04 x 265.17mm) (with hood unextended) and weighs in at only 47.7 oz (1351g). While the 400 DO IS II is shorter with its hood reversed, the 400 f/5.6L's diameter is significantly smaller and it weighs 32.3 oz (915.7g) less than the DO II model, making it significantly easier to travel with and use handheld for long periods of time.
 
On the downside, image stabilization is not a feature of this lens and it is only partially weather sealed (a lens mount gasket is not present, but the switches and focusing ring have moderate dust and moisture resistance). The lack of IS means that notably higher shutter speeds (up to 4-stops greater) will need to be utilized to negate camera shake compared to the other lenses mentioned above.
 
And speaking of the sealed switches, this lens only has two: an autofocus/manual focus switch and a focus limiter switch with settings of 11.48' (3.5m) - ∞ and 27.89' (8.5m) - ∞.
 
Without IS and a wider maximum aperture, the f/5.6 model's high image quality combined with its low price will represent the primary reasons why photographers choose it over one of the other 400mm prime options as well as the EF 100-400 f/4.5-5.6L IS II USM (which features the same max. aperture at 400mm).
 
Size Comparison Images
 
While I mentioned the sizes of the lenses detailed above, the comparison images below will put those numbers into relative context. The first image (also displayed atop this post) shows the lenses in their ready-for-the-gear-bag form with hoods reversed (or not extended).
 
Canon 400mm Prime Lens Comparison Hoods Reversed

And here's a look at the lenses with their hoods extended.
 
Canon 400mm Prime Lens Comparison Hoods Extended

Summary
 
As I mentioned in the introductory paragraph, while there are certainly small differences in image quality (including sharpness, vignetting, flare and [less so] distortion), most will not consider IQ to be a differentiating factor between the 400mm prime candidates listed above. Instead, the significant differences in price found in the available choices directly correlates to the max. apertures available, the inclusion of image stabilization and (to some extent) the amount of weather sealing featured in the lens' design. Ultimately, your max. aperture needs, size/weight requirements and budget limitations will be the most important factors in determining which of these lenses is the ideal addition for your kit.
 
Purchase Links
 
Canon EF 400mm f/2.8L IS II USM Lens – B&H | Amazon | Adorama
Canon EF 400mm f/4 DO IS II USM Lens – B&H | Amazon | Adorama
Canon EF 400mm f/5.6L USM Lens – B&H | Amazon | Adorama
 
Rental Links
 
Canon EF 400mm f/2.8L IS II USM Lens – LensRentals | LensProToGo
Canon EF 400mm f/4 DO IS II USM Lens – LensRentals | LensProToGo
Canon EF 400mm f/5.6L USM Lens – LensRentals | LensProToGo
Posted to: Canon News
Post Date: 4/17/2017 8:59:46 AM CT   Posted By: Sean
 Sunday, April 16, 2017
B&H has the E-Image 2-Stage Aluminum Tripod with GH03 Head available for $169.00 with free shipping. Regularly $249.00.
 
Product Highlights
 
  • Supports Up to 11 Pounds
  • 75mm Ball/Bowl
  • GA752 2-Stage Legs with Mono-Lock Design
  • 26–61" Tripod Legs Height Range
  • Easy Lock Baseplate
  • Fixed Counterbalance
  • Variable Fluid Pan & Tilt Drag
  • 1/4"-20 Threaded Accessory Socket
  • Padded Bag with Shoulder Strap
Post Date: 4/16/2017 6:16:34 AM CT   Posted By: Sean
 Friday, April 14, 2017
From the Professional Photographers of America:
 
Time to Act: Contact Your Representative Today!
 
There's a bill in the House of Representatives that needs our attention now!
 
H.R. 1695 allows the position of Register of Copyrights to become a Presidential Appointee, picked from a list of recommendations from the Senate.* This is positive for all photographers, ensuring that someone with ample knowledge of I.P. and the Copyright world will lead the U.S. Copyright Office in an unbiased manner as it begins to undergo the modernization process. This bi-partisan bill will help guarantee that the Copyright Office will be able to serve all creative artists the way it was designed to.
 
Please take 30 seconds to ask your representative to support HR 1695.
 
Send a Letter to Congress
 
Additional Info
 
Note: And while you're at it, you may want to send a second letter to your representative expressing support for Net Neutrality. [Sean]
 
* In PPA's original publication, they mentioned that the list of recommendations would be provided by the "Judiciary." However, my understaning of the resolution is that the recommendation list would be provided by the Senate. [Sean]
Post Date: 4/14/2017 2:40:38 PM CT   Posted By: Sean
    1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |        Prev Month >>
Canon News, Nikon News Archives
2017   Jan   Feb   Mar   Apr
2016   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2015   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2014   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2013   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2012   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2011   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2010   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2009   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2008   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2007   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2006   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2005   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
Feedback
Help  |  © 2003-2017 The Digital Picture, LLC  |  Bryan CarnathanPowered By Christ!