My favorite camera mode is manual mode. But, when lighting conditions are changing rapidly, it is often helpful to get the camera involved in the decision-making process via auto exposure. When using auto exposure, most often I'm still using manual mode, but with auto ISO being selected.
In auto exposure modes, the camera must be able to guess the proper exposure, or close enough that the result can be adjusted to perfection during post-processing without detriment to image quality (increased noise for example). When photographing deer, a subject rather neutral in relative brightness, in their natural environment, the camera often gets the auto exposure right. Wildlife photography is usually very challenging, involving unpredictable action and fast camera work, and having the camera take care of the exposure can make the difference between getting a great shot and getting nothing. With the exposure being determined by the camera, I can focus on getting the shot.
When the camera can guess the exposure with good accuracy and auto ISO in manual mode is being used, the shutter speed alone can be rapidly changed as needed to produce a sharp image. For example, if an animal that has been in fast motion (requiring a fast shutter speed) pauses and stares at something while motionless, a quick roll of the top dial can increase the exposure times to allow lower ISO settings be taken advantage of.
One thing I need to focus on is not getting too close to my wildlife subjects. While getting close enough to wildlife is a common challenge, being over-successful, getting too close, can sometimes be an issue. Wildlife subjects often need some space around them in the frame, some breathing room. Getting closer means a stronger background blur, but in this case, it meant not enough breathing room around the mule deer buck. Fortunately, Photoshop helped me increase the canvas size, adding some background to the perimeter of this image.
Another teaching point illustrated here is the catchlight in the buck's eye. In practically all images containing an eye, catchlights will add positively to the result, giving sparkle and life to the subject. Catchlights can be created with flash lighting, but when photographing wildlife, the sun, or at least the bright sky, is my favorite catchlight source as it usually provides the most natural appearance.
For catchlights to happen, something bright, often the sun/sky, must be able to reflect in the subject's eye. Think about the animal's rounded eye reflecting such and the camera angle needed for that to happen. The subject's head position can make a difference with a raised head increasing the chances for catchlight reflections. Your position can also make a difference. The lower your position relative to the subject, the more likely you are to get catchlights reflecting the light source. When the sun is the catchlight source, the lower the sun, the better the odds are that it will reflect in the eyes. The more exposed the sky is, the better the likelihood of a reflection.
In this example, I had a catchlight. However, with just a slight amount of the sky reflecting in the top of the deer's eye, it was a weak one. Using an exposure adjustment layer in Photoshop, I added a mask that was entirely black (not affecting the image) except for the little catchlight and then slid the exposure adjustment slider slightly to the right to increase the brightness, affecting only the catchlight. This tiny adjustment made a noticeable difference in the final result.
I'm always looking for an entertaining or at least unusual behavior to capture in wildlife images. This buck's large rack added points to the entertainment factor, but its behavior was rather boring — it was mostly feeding. While smelling the small plant is not dramatic behavior, it does speak to this animal's keen sense of smell and its ability to communicate in this way. The huge rock behind the buck provided an out-of-the-norm background for the image and the position of the antlers allowed all of the points to be seen. Thus, this image was my pick from this session.
A reminder: there is only one opening remaining for the September elk in rut photo tour in Rocky Mountain National Park. While elk are our primary subject, we'll be opportunistic, taking advantage of other wildlife that avails itself as illustrated here.
Consider joining a small group of passionate wildlife photographers pursuing these awesome animals. Photographers of all skill levels are invited to join!