When you get a good but fleeting photo opportunity, you shoot continuously, capturing as many images as possible in the time allotted. When your gear (and you) are performing well, even a small window of shooting time can create a challenging selection project later. Probably no one wants to see 100 images of the same scenario, so at some point, you have to pick one (or a few) to call the best.
That was the case in the results from this morning shoot, thanks to a lone bull meandering to the top of a grassy ridge as the sun rose behind a solitary tree. I think lone trees with character are interesting subjects. So often, a significant portion of a composition is background, and the sky often makes a great background, especially for lone trees and especially at sunrise or sunset.
Having a bull elk to go along with the sunrise silhouetted tree took the point score up a few levels. The problem (a good problem) was that selecting an individual image from this encounter was a challenge.
Why did I select this one?
Overall, it seemed that the composition had a good balance. The dark ground creates a nice base for the image, and the bright clouds appear to arch over the tree at this moment. The elk is in a readily identifiable position, with all four legs clearly delineated.
When you see a faunascape, take advantage of it. Sure, I love tightly framed wildlife portraits, but a pleasing landscape background with an animal in it is another, often greater, challenge.
A great feature of the Canon RF 100-500mm F4.5-7.1 L IS USM Lens is the vast range of focal lengths it places at your fingertips. In this case, the RF 100-500 enabled a rapid selection of wide to tight compositions. Awesome lens.