A few months ago, I noticed a large oak tree standing alone at the top of a field in the countryside not far from home. I made a mental note of the interesting tree, keeping that photo opportunity in the pocket for later application.
Right after a recent snowstorm and during the Canon RF 70-200mm F4 L IS USM Lens review seemed like the perfect timing to photograph this lone tree. The snow minimalized the scene's details, and the lens was a perfect choice to capture it. I pulled the SUV into a snowbank to get out of traffic (there was little on this country road), turned off the vehicle (eliminating the vibration), and photographed the tree until I couldn't think of any more compositions to try and adding any more insurance shots seemed complete overkill.
This scene was filled with bright subjects. At most, changes in lighting through the thick clouds happened slowly. Thus, a manual exposure that pushed the histogram graph to the right edge proved perfect. In this image, ISO 100 provides low noise, f/8 yielded adequate depth of field, and 1/160 with image stabilization activated made getting sharp elbow-rested photos easy.
The focal lengths in the 70-200mm range are among my most used for landscape photography. These focal lengths provide angles of view that make good compositions easy to find. While parked along this road, I used all of these focal lengths, with the tree filling various percentages of the frame, ranging from the 70mm result shared here to the tree nearly filling the frame. An example of the 70-200mm focal length range using this tree is shared in the Canon RF 70-200mm F4 L IS USM Lens review.
I shoot a lot of action and other images where timing is critical to get the perfect shot, with a stress-induced adrenaline rush typically accompanying the moment. A nice change for this image was that I had as much time as I cared to take. The tree was not moving, the snow was not melting, and the clouds were unchanging.
At the longer focal lengths, not much time was needed to get the good compositions. At the wider focal lengths, there was considerably more freedom to position the tree in the minimalistic scene within the frame. My favorite tree position at 70mm is shared here, but I also like the tree toward the upper left, and the tree centered at the bottom in a vertical orientation also looks great (at my wife's request, I ordered a metal print of that image this morning).