Untimely was that Mount Evans and the other high peaks in the Colorado Rockies were the recipients of a summer snowstorm that dumped up-to-2' (that's right, feet, not inches — 0.6m) of snow the weekend just prior to my Monday afternoon arrival, closing the mountain for the first two days of my trip.
Weather is one of the many reasons for planning more time at a location than seems necessary and for this trip, 4 days was definitely not too long.
There is often a photographic upside to bad weather and in this case, that upside was snow available for inclusion in both the foreground and often the distant background of images.
Adorable baby mountain goats in snow works for me.
Bonus points are awarded for images having all of a wildlife subject's feet visible.
Very often subjects are in an environment that does not allow the feet to be completely visible (grass in a meadow for example).
This little kid (what a baby goat is called) was racing around and conveniently opted to run over this rock (it's what all kids do, right?).
I have a tendency to frame my wildlife images too tight and the base image used for this shot was vertically tighter than I liked.
Fortunately, I had another image in the burst sequence that permitted a vertical panorama to be created, giving my kid some breathing room.
While I would like the Canon EOS 5Ds R
to have a higher frame rate for wildlife photography, the images it creates are simply awesome,
especially when a lens like the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens
is in front of it.
I lugged a 600mm f/4 with me for the duration of this trip but used it very infrequently due to extremely high winds at the over-14,000' (4,267m) elevation making subject framing too difficult.
That issue along with 400mm being often sufficient at the top of this mountain meant the 600 spent most of the week in the SUV.
The 100-400 allowed capture of environmental wildlife portraits as desired and that technique was definitely desirable at the top of this mountain.