This model obviously accepted Canon's request and she managed the assignment very professionally. Parachutes are designed to ease the landing, but in this case, the parachute was more likely to cause a liftoff (followed by a perilous landing). I would have been more comfortable if she had a crash pad beside her, but she stayed on her feet through even the strongest wind gusts.
A 50mm lens does not create the extreme background blur that long telephoto lenses can create, but the 50mm angle of view allows a closer camera position that provides a more intimate look while the f/1.2 aperture still provides a strong background blur that makes the subject stand out. The look is unique in a very positive way.
The extremely wide f/1.2 aperture allows handholding in very low light levels but with a white dress in the sun, even a 1/8000 shutter speed is not always fast enough to avoid blown highlights at f/1.2 and ISO 100. In direct sunlight, a neutral density filter or, as used in this example, a circular polarizer filter on the lens.
When water is on the horizon, I usually want the image framed with the horizon level. Electronic viewfinder levels have greatly improved my original captures in this regard, but with the wind and unstable footing, I still managed to get a small degree of tilt that needed to be corrected in this image.
An ultra-wide aperture lens is generally selected to make use of those ultra-wide apertures.
Often, especially with 50mm ultra-wide aperture lenses, the image quality at the widest apertures is not good and often describable as "dreamy".
While dreamy can be nice on occasion, it is not usually what I am going for.
With this lens, f/1.2 results are very sharp, showing good resolution and contrast.
I have not hesitated to use this lens wide open and ... haven't stopped it down very often.
The Canon RF 50mm f/1.2L USM Lens is a compelling reason to get a Canon EOS R camera.