This is an ultra-low-cost, tiny and light full frame mirrorless interchangeable lens camera that will make a great step-up or even first camera.
The review awaits some lab testing, but a significant amount of the information is already included.
New Super-Compact and Ultra-Lightweight EOS RP is Ideal for Users Looking to Graduate to Full-Frame Mirrorless Camera at an Affordable Price
MELVILLE, N.Y., February 13, 2019 – Responding to the demand from amateur and advanced amateur photographers for an entry-level, full-frame mirrorless camera, Canon U.S.A.
Inc., a leader in digital imaging solutions, today announced the second camera in the EOS R lineup, the EOS RP.
The EOS RP is designed for photographers looking to step up from Canon’s APS-C cameras: the EOS Rebel, EOS M and the EOS 80D, into the world of full-frame mirrorless photography.
Weighing in at just 17.29 ounces, the EOS RP camera is lighter than a 500ml bottle of water and smaller than Canon’s popular APS-C DSLR camera, the Canon EOS Rebel T7i, coming in at approximately 5.0in (w) x 3.77in (h) x 2.36in (d).
With optics at its core, the EOS RP takes full advantage of the complete line up of RF lenses and is compatible with the existing collection of Canon’s EF and EF-S lenses with the use of one of three optional RF EOS-R Mount Adapters.
“As Canon continues to evolve its full-frame mirrorless cameras, our goal is that one day the EOS R line becomes as widely popular as our celebrated lineup of EOS DSLR cameras,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc.
“As a company, we believe that in order for us to accomplish that goal, Canon needs to develop full-frame mirrorless cameras for every skill level of photographers and that starts with amateurs and advanced amateurs.
This makes the EOS RP the perfect addition to the existing lineup.”
The new Canon EOS RP full-frame mirrorless camera features a 26.2 megapixel CMOS sensor that is powered by the company’s DIGIC 8 image processor, providing users with high-image quality, outstanding operation and functionality.
The new Canon EOS RP features Dual Pixel CMOS Auto Focus (AF) with 4,779 manually selectable AF points and a wide AF coverage area of 88 percent horizontal and 100 percent vertical.
With f/1.2 lenses, the camera astonishingly boasts AF sensitivity in low light in as little as Exposure Value (EV) -5.
When using the RF 24-105mm F4 L IS USM lens with the EOS RP, the camera can focus in as little as 0.05 seconds with Dual Pixel CMOS AF .
When using eye detection AF, the camera can automatically detect faces and focus on the eye of the subject.
This feature is supported when the camera is set in either servo AF mode during continuous shooting and movie servo AF, as well as one-shot AF.
Like the EOS R full-frame mirrorless camera that was announced in September 2018, the EOS RP is built around the same 54mm mount diameter and short-back focus.
This allows for the use of one of three optional mount adapters for full compatibility with all existing EF, EF-S, TS-E and MP-E lenses.
Through the use of the optional Drop-In Filter Mount Adapter or Control Ring Mount Adapter, these lenses, in fact, gain functionality.
For photographers looking to further expand their abilities and capture a wide variety of both still and video images, the EOS RP features Visual Guide mode.
First introduced with the EOS Rebel T7i and EOS 77D, this mode allows users to see on screen how switching modes on the mode dial or tweaking settings can alter the image they are about to capture.
This mode helps to guide photographers to capture more compelling images, such as ones with a shallow depth-of-field or being able to give moving subjects a frozen or flowing look.
For those looking to expand their imaginative options, the camera also features Creative Assist mode that allows photographers to use new and unique visual effects and adjustments when shooting, such as brightness, contrast, saturation, color tone, monochrome and background blur.
In addition, the design, ergonomics, layout and ease-of-use of the camera are very similar to that of other Canon cameras consumers might already be familiar with.
Additional noteworthy features of the EOS RP camera include:
Built-in 0.39 inch, 2.36 million dot Electronic Viewfinder with Touch-and-Drag AF
Vari-Angle LCD touchscreen
4K UHD 24P/Full HD 60p video recording with 4K time-lapse shooting and the ability to extract still images from 4K video recordings
ISO range of 100-25,600 that is expandable up to ISO of 102,400
Built-in Wi-Fi and Bluetooth technology
Mobile RAW workflow supported paired with Digital Photo Professional Express App
Availability and Pricing
The Canon EOS RP full-frame mirrorless camera is scheduled to be available in March 2019 for an estimated retail price of $1,299.00 for the body only.
It will also be sold as a body-and-lens kit with the RF 24-105mm F4 L IS USM lens for $2,399.00.
MELVILLE, N.Y., February 13, 2019 – Continuing with the message of “optics at its core,” Canon U.S.A.
Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc, is developing six new RF-series lenses, further displaying the company’s commitment to the EOS R full-frame mirrorless camera system.
Canon’s new RF mount allows for fast, light, and high-performing optics with a large opening diameter and short back focus distance.
Each new lens in development will help fulfill the needs of amateur and advanced amateurs to professional photographers and videographers, covering critical focal lengths.
In 2019, Canon’s already well-established optical lens heritage will celebrate a production milestone of 140 million EF and RF lenses and the celebration starts with the development announcement of these six lenses.
The six new RF lenses under development include:
RF 85mm F1.2 L USM
RF 85mm F1.2 L USM DS
RF 24-70mm F2.8 L IS USM
RF 15-35mm F2.8 L IS USM
RF 70-200mm F2.8 L IS USM
RF 24-240mm F4-6.3 IS USM
“Optics are the critical piece of the visual puzzle that bend light and capture an image as the artist envisioned,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc.
“That is why it is so important for us to strengthen our family of RF lenses for the EOS R camera system.
With this collection of new lenses, customers will have more of the tools they need, for the images they desire to create.”
All six RF lenses under development are built around Canon’s new RF mount, which features a large 54mm diameter and shorter back focus distance than on current EOS DSLR cameras.
In addition, the RF mount enhances communication and power transmission between the lens and camera body, which has helped Canon to achieve the world’s fastest autofocus speed for a full-frame mirrorless camera system.
The details of the new Canon RF lenses under development are as follows:
The RF 85mm F1.2 L USM is a large aperture mid-telephoto prime lens.
It offers excellent performance for advanced and professional portrait photographers and is a widely popular focal length and aperture speed combination for users.
The RF 85mm F1.2 L USM DS, with Defocus Smoothing lens technology, is a uniquely designed lens that offers a combination of beautifully smooth defocused bokeh.
Featuring a super-fast F1.2 aperture, the lens will help produce breathtaking portraits that will surely stand out from the crowd.
The RF 24-70mm F2.8 L IS USM is a high-performance, standard zoom lens for professionals and photo enthusiasts alike – ideal for shooting portraits, landscapes, documentaries or weddings.
The RF 15-35mm F2.8 L IS USM, offering a wide angle and fast aperture in a single package, is ideal for a variety of shooting applications including architecture, interiors or landscapes.
The RF 70-200mm F2.8 L IS USM is a must-have for any professional photographer, especially for those shooting weddings, sports or wildlife.
This lens is a great all-around, high-speed, medium telephoto zoom lens and does well to round out any camera bag.
The RF 24-240mm F4-6.3 IS USM is the ideal lens for amateurs and advanced amateurs who love to travel, no matter the destination. The versatile, all-purpose lens offers a range of focal lengths for capturing extraordinary shots in a form factor that is both compact and lightweight.
All six of the new Canon RF lenses under development are expected to be available later in 2019*.
*Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.
We're unsure how long these will last, but this is the first time we've seen any of Canon's new RF lenses available with an instant savings discount. Note that the $200.00 discount for the RF 24-105L also extends to the Canon EOS R + RF 24-105L Kit.
Changes for Z 6 Firmware v.1.01 & Z 7 Firmware v.1.03:
When On is selected for HDMI > Advanced > N-Log setting in the SETUP MENU, Maximum sensitivity now takes effect during movie recording if:
The camera is in mode P (programmed auto), S (shutter-priority auto), or A (aperture-priority auto), or
The camera is in mode M (manual) and On is selected for ISO sensitivity settings > Auto ISO control (mode M) in the MOVIE SHOOTING MENU.
Fixed an issue that resulted in third-party software showing an incorrect value for the Exif 35 mm format equivalent focal length field for photographs taken with a non-CPU lens connected via an FTZ mount adapter with the focal length specified using the Non-CPU lens data item in the SETUP MENU.
Fixed an issue that resulted in photographs taken using radio-controlled Advanced Wireless Lighting being overexposed if a face was detected with Auto-area AF selected for AF-area mode.
Additional changes for Z 6 Firmware v.1.01:
Fixed an issue that resulted in an incorrect aperture being selected in mode P (programmed auto) with a flash mounted on the camera under conditions in which f/32 would normally be selected.
Fixed an issue which prevented flash units controlled via radio Advanced Wireless Lighting syncing with shutter speeds of 1/100 s or faster with:
On selected for Flicker reduction shooting in the PHOTO SHOOTING MENU and
Enable selected for Custom Setting d5 (Electronic front-curtain shutter) in the CUSTOM SETTING MENU.
Today we’re releasing updates to the entire Adobe photography ecosystem, including Camera Raw, Lightroom Classic CC, and Lightroom CC for Mac, Windows, Android, ChromeOS, and iOS.
In this release, we’re introducing an all-new Sensei-powered feature, Enhance Details.
Harnessing the power of machine learning and computational photography, Enhance Details can now be found in Adobe Camera Raw, Lightroom Classic CC, and Lightroom CC for Mac and Windows, and takes a brand new approach to demosaicing raw photos.
Demosaicing is an integral process to raw processing and works at the pixel level, converting the information captured by a camera into something that looks like the photos we all expect to see.
The new Enhance Details algorithm enables you to increase the resolution of both Bayer and X-Trans based photos by up to 30%.
Enhance Details works on any raw file apart from files converted to a linear raw file, HDR or Panorama merged files (though you can apply Enhance Details to the ingredient files first and then merge), smart proxies, lossy compressed DNGs, or DNGs saved with 1.1 compatibility.
Applying Enhance Details to your photos can greatly improve fine detail rendering, improve the reproduction of fine colors, and resolve issues that some customers reported with their Fujifilm X-Trans based cameras.
If you would like to know more about Enhance Details, a white paper can be found here and if you’d like to try Enhance Details on a Fujifilm X-Trans based file, you can download one here.
All of the apps have also been updated to support new cameras and lenses.
Newly Supported Cameras
Nikon COOLPIX A1000
Olympus OM-D E-M1X
Sony A6400 (ILCE-6400)*
* Preliminary support
Newly Supported Lenses
Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR Nikon
Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR + 1.4x
Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR + 1.7x
Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR + 2.0x
Lightroom CC for Mac and Windows
In addition to Enhance Details, we’ve also added HDR, Pano, and HDR Pano merge tools, the Target Adjustment Tool, and histogram clipping indicators.
HDR, Pano, and HDR Pano merge
High dynamic range (HDR) and panoramas are two types of photos that combine multiple frames to create visually stunning results that would otherwise be impossible to create from a single photo.
Lightroom CC can merge either raw or non-raw photos together into HDR and panorama photos, and when merging raw files, the resulting DNG maintains all of the benefits of a raw file, with the ability to change white balance and recover highlights, giving you the best possible results.
Capturing a panorama can be done either handheld or with a tripod.
When shooting handheld, Lightroom’s powerful alignment technology will align each photo and correct for any distortion.
Using a tripod can yield even higher quality results and provides more flexibility for difficult shots, such as super-wide panoramas.
When capturing a series of photos for HDR, including both HDR and HDR Panos, it’s often recommended to use your camera’s auto exposure bracketing mode, which results in a series of photos being captured in a row, varying the exposure for each shot.
Consult your camera’s manual for how to enable its auto exposure bracketing mode.
When capturing an HDR Pano, capture each series of exposures before moving the camera.
This is where having a tripod and a remote trigger can be quite handy.
Once you’ve imported the photos into Lightroom, select the photos that you want to merge, and then navigate to Photos > Photo Merge > and select the appropriate merge option.
Target Adjustment Tool
The Target Adjustment Tool (TAT) gives you precise control over color and tonality and is available in both the Tone Curve, Color Mixer, and B&W Mixer tools.
To access the TAT, open either the Tone Curve, Color Mixer, or B&W Mixer and click on the target icon.
A new control will show up at the bottom of the screen that provides control over what the TAT will affect while interacting with your photo.
Clicking and dragging on your photo will then directly adjust the Tone Curve, Color Mixer, or B&W Mixer (depending on which is currently active) for the color or tonality under the mouse cursor, enabling you to quickly modify different parts of your image directly and effectively.
For example, clicking and dragging on the sky in a photo with the TAT focusing on the Color Mixer tool in Saturation mode enables you to increase or decrease the saturation of the colors in the sky.
Histogram clipping indicators
The term clipping refers to areas that have become either too bright or too dark to have any details in them, such as an area of pure white (highlights) or pure black (shadows).
An image may either be captured with clipped highlights or shadows due to the scene having too high of a dynamic range such as a very bright and sunny day or clipped areas may be introduced while editing the photo.
You can use the histogram clipping indicators to ink the areas of your photo with clipped highlights in red or clipped shadows in blue.
To enable the histogram clipping indicators, first ensure that the histogram is visible by navigating to View > Edit Panels > Show Histogram, which will show the histogram at the top of your edit panels.
You can then selectively turn on the clipping indicators individually by clicking on the either the left (shadows clipping) or right (highlight clipping) triangles.
Lightroom CC for iOS
This release makes it possible to create ad-hoc photo shares and continues to focus primarily on behind-the-scenes updates and preparation for exciting features that will be coming soon.
For a full list of improvements and bug fixes found in this release, please visit the What's New page.
Ad-hoc photo shares
You can now create an online share of photos with an arbitrary assortment of photos.
Instead of creating an album and sharing that album, you can now select any number of photos that you want to share, tap the 3-dot menu at the top-right of the screen, and then select Share to Web.
Like any other web share, you can control whether people that you share that link with can download or see the photos’ metadata.
Lightroom CC for Android and ChromeOS
This release primarily focuses on foundational improvements and bug fixes, making way for new features coming soon.
For a full list of improvements and bug fixes found in this release, please visit the What's New page.
Lightroom Classic updates
In this release, we further improved tether performance and stability with Nikon cameras.
Nikon cameras now have the same speed and stability as Canon cameras after the October 2018 release.
Tethered image transfer at the time of capture should now be a faster experience overall in Lightroom Classic.
You also now have the convenience of controlling basic camera features, like ISO, shutter speed, aperture, and white balance within the tether bar itself.
Additional details on this enhancement can be found here.
For a full list of the improvements and bug fixes, please visit the What's New page.
Mike Olbinski presents his inspirational story about taking a passion for storms and turning it into a photography business. He then follows that with some great, basic guidelines about photographing storms, lightning, and even some time-lapse tips thrown in the mix.