One of my primary goals is to help you get great images and I'd love for you to join me for 3 or 6 days
of wildlife and outdoor photography in this great location.
I have again cleared space in the schedule and have the necessary Shenandoah National Park permit in hand.
When and Where: Sun, November 10 to Wed, November 13, 2019 and/or Wed, November 13 - Sat, November 16, 2019 in Shenandoah National Park
This trip is offered in a choice of 3 or 6 days (other options will be considered).
The plan is to meet at the lodge on Sunday and/or Wed mid-day and we will wrap up after a morning shoot on the last day.
Hopefully you, along with 3 others.
Large groups are far more profitable from a business perspective, but seriously photographing wildlife in the field is very challenging in large groups.
Keeping the group small means better opportunities and more personal attention.
It also means that we can travel together throughout the park in a single SUV.
The cost for this IPT is $995 per 3 days with a 50% deposit locking in your spot (balance is due 90 days prior to the IPT).
Email me at Bryan@Carnathan.com
to sign up or ask questions!
What are We Photographing?
Our primary photo subject will be wildlife.
Wildlife, by definition, is "wild" and that means it is unpredictable and there can be no guarantees.
That said, Shenandoah National Park is a very reliable location to photograph whitetail deer and the environment/scenery here is quite photogenic.
During much of the year, whitetail buck in SNP have their heads down feeding.
That changes during the rut and whitetail bucks exhibit great behavior at this time of the year.
Late fall colors provide our backdrop and very few park visitors are expected at this time of the year, just prior to the last lodge closing for the season.
Deer are not the only wildlife subject found here and black bears sometimes avail themselves as subjects along with a variety of birds and other smaller mammals.
We will be opportunistic and take advantage of any subjects that we encounter – and discovering those moments are part of the excitement.
In addition to the immersive wildlife photography experience, there will certainly be opportunity for some landscape photography.
My time in the field is limited and I look for locations with a high probability of good photo opportunities when I make the time investment.
Shenandoah National Park rarely lets me down in that regard.
Basically, we will work hard to improve your photography skills, including photo critiques if desired, along with capturing some great images.
And, we'll have fun along the way, hanging out with a group sharing the passion.
A Sense of Urgency for this Trip
As I mentioned in the previous trip invitation, CWD (Chronic Wasting Disease) has been detected within 11 miles of SNP (according to the SNP wildlife biologist I talked to in Mar 2018).
This awful disease is always fatal to deer and when it reaches within 5 miles of the park, implementation of an already-established plan will significantly reduce the deer population here.
That means this awesome experience is at high risk and that is one of the reasons I have made this park a priority.
While the implied definitions of these terms vary, I see "workshops" typically laid out with a planned schedule and "tours" typically designed to put you in front of subjects at the right time.
I'm calling this trip a "tour" because the primary goal is for you to get great images and we will be opportunistic in that regard, making a firm schedule difficult to implement.
That said, we will spend a lot of time together and I will teach (including as we are actively photographing), answer questions (please bring many), critique images, assist in editing, etc. throughout our time together.
Thus, the educational element will also be a primary part of our time together – an "Instructional Photo Tour".
In the field, we will photograph side-by-side.
You taking great images home will be a primary goal, but you capturing those images yourself is important and I can best describe what you should do if I am doing it myself at the same time.
This also provides the participant opportunity to watch how it is done.
Your constant feedback and questions during the IPT are important and will enable me to provide you with the best experience possible.
An "expedition" is another type of immersive photography experience and this event involves multiple daily mini-expeditions.
Certain is that we will have an adventure.
This will be a modestly strenuous trip, with much of the strain dependent on the size and weight of the gear you are carrying.
There will likely be some easy wildlife photography opportunities encountered, but we will be carrying our gear through the woods, tall grass and light brush over hilly terrain at times, often attempting to keep ahead of moving wildlife.
Thus, one needs to be in reasonable physical condition.
What is Included
Transportation during the experience along with everything described in the Tour/Workshop/Adventure/Expedition section above is included.
By not including the items listed below in the fee, individuals are able choose their level of spending.
What is Not Included
Transportation to/from Skyland Resort including the required National Park entrance fee.
If staying for the entire duration of the trip, I am happy to provide free transportation to and/or from the park from anywhere directly on my route from the north - primarily RT 81)
Lodging. We will be staying at the Skyland Resort, a national park lodge.
I usually get a basic room, but other options are available including cabins.
I am happy to connect you with other participants if a shared room is desired.
Food. Because of the remoteness of this location, our food will primarily consist of what is offered at the Skyland Resort (dining room, take out or tap room) along with any food brought along into the park.
We will typically begin photographing before food services are open so I usually pack breakfast to eat in my room prior to the morning shoots.
I take a cooler with jugs of ice and ice is available at the lodge (you need a bag/bucket to transport it from the ice machine).
I suggest packing granola bars and other snacks/food along to keep energy levels up while photographing as we often decide we don't want to leave the action to find lunch.
Sandwiches and other snacks are usually available for purchase at Skyland Resort.
Plan to have water or other drink available to take with you.
At this time of the year, the days are getting shorter and the nights are correspondingly getting longer.
Our best opportunities will be found early and late in the day and we will target these times, but it is usually worth staying out all day.
The sun is relatively low in the sky and the animals often remain active during the day.
The plans are all very flexible and we can target any specific interests the group has.
Travel insurance is strongly recommended.
If a cancellation notice is received between 90 and 179 days before the workshop start date, a 50% refund of any payments made will be provided.
If a cancellation notice is provided within less than 90 days of the workshop, no refund of payments made will be provided ...
regardless of the cancellation notice received date, any workshop openings that are re-filled will be refunded payment in full minus a $195 administrative fee.
Let's Do This! Sign Up Now!
Email me at Bryan@Carnathan.com
to sign up or ask questions!
Camera Gear Needed
Aside from a great attitude and a strong interest in learning wildlife photography, you are going to need some gear and while most cameras with a telephoto lens will work, mid-upper-grade gear should be considered for best results from this event.
When photographing bucks in rut, I am not as concerned about a fast frame rate as with some other subjects.
There will be times when the fast rate is beneficial, but rut posturing is often done at slower speeds and I usually opt for higher resolution cameras.
A DSLR camera or a late-model MILC (Mirrorless Interchangeable Lens Camera) should be in your bag.
A telephoto lens or lenses will be needed with a full-frame equivalent of at least 400mm (250mm on an APS-C) suggested and having longer focal lengths available will be appreciated at times.
Wildlife activity is greatest early and late, so wide apertures are often an advantage and the wide aperture's ability to blur the background can be useful.
Any telephoto lens can work, but there may be times when an f/4 or wider aperture is preferred.
This is a great event to break out your big lenses for and it is also a great time to try a new one, perhaps via renting
My current plan is to take a high resolution camera such as the Canon EOS 5Ds R
along with a 600mm lens such as the
Canon EF 600mm f/4L IS III USM Lens
and a telephoto zoom lens such as the
Canon EF 100-400mm f/4.5-5.6L IS II USM Lens
for my primary wildlife kit.
I'll bring a variety of other lenses and accessories including a Black Rapid shoulder strap
to carry the big lenses with.
I primarily use a monopod while photographing wildlife in this location.
It is not as stable as a tripod and requires more effort to use, but it is much faster to set up and adjust.
While neither are mandatory, one or both is preferred and I always take both.
We can potentially make use of a full range of landscape photography gear, including ultra-wide to wide angle lenses along with circular polarizer
neutral density filters
Bringing a laptop is highly recommended, enabling review of your images throughout the time we have together.
Bring an external hard drive for an additional level of backup.
Bring adequate memory card capacity, enough batteries to last at least a day and enough chargers to restore that capability overnight.
Consider what failure of any piece of gear means for your experience and consider bringing a backup for items identified as critical.
As always, feel free to ask us for gear advice.
Weather / Clothing
The weather in late November is typically very nice, though cool and sometimes even cold, in Shenandoah National Park.
However, the mountain can create its own weather and that can be at least somewhat unpredictable.
Rain gear may be very appreciated at times, including rain covers for camera gear while in the field.
Plan for walking in light brush (including mild briars) and woods.
The wildlife we are pursuing is acclimated to humans and does not seem to care what we are wearing (though you might get their attention if you dress in all black like a black bear, a primary deer predator).
Camo clothing is not necessary, but it is a good option.
I wear mostly camo and part of the reason is to be less obvious to other park visitors, though there are not many at this time of the year (aside from a wave of guests on Sunday before Veteran's day).
Insects are not typically bothersome in mid-November. Ticks are reportedly present, though I have yet to find one on me.
Sign Up or Ask Questions!
Contact me at Bryan@Carnathan.com
A 70-200mm telephoto zoom lens is often a pro photographer's most-used lens aside from a general purpose zoom.
Engagements, weddings, parties, events, theater, stage performances, high school senior, fashion, documentary, lifestyle, zoo, sports, product and landscape photography are all great uses for this focal length range.
Those wanting to add a 70-200mm lens to their Sony kits will likely be considering the Sony FE 70-200mm f/2.8 GM OSS and Sony FE 70-200mm f/4 G OSS lenses.
With that in mind, we're going to take a closer look at these lenses to see which might be the best investment option.
Sony FE 70-200mm f/2.8 GM OSS and FE 70-200mm f/4 G OSS Primary Shared Features
Primary Advantages of the Sony FE 70-200mm f/2.8 GM OSS Lens
- Sony E-mount, full-frame compatible
- 70-200mm focal length range
- A constant max aperture
- Does not extend with zoom/focus changes
- Built-in Optical SteadyShot with 2 modes
- Included tripod mount ring and lens hood
- Focus hold buttons
- Focus range limiter
Primary Advantages of the Sony FE 70-200mm f/4 G OSS Lens
- Wider Aperture: f/2.8 vs. f/4
- Better weather sealing
- More Aperture Blades: 11 vs. 9
- Higher Max Magnification: 0.25x vs. 0.13
Other Spec Differences: Sony FE 70-200mm f/2.8 GM OSS vs. FE 70-200mm f/4 G OSS
- Smaller Size: 3.1 x 6.9" (80.0 x 175.0mm) vs. 3.5 x 7.9" (88 x 200mm)
- Lighter Weight: 29.7 oz (840g) vs. 52.2 oz (1480g)
- Lower cost
Image Quality Differences: Sony FE 70-200mm f/2.8 GM OSS vs. FE 70-200mm f/4 G OSS
- Front Filter Size: 77mm vs. 72
- Elements/Groups: 23/18 vs. 21/15
- Filter adjustment window in hood vs. N/A
The FE 70-200mm f/2.8 GM OSS is sharper than the FE 70-200mm f/4 G OSS in most direct aperture comparisons and shows less lateral CA overall.
As can be expected from a wider aperture lens, the f/2.8 lens has less peripheral shading at f/4 than the f/4 lens has wide open.
That difference is mostly erased at f/5.6 and the f/4 lens has even slightly less vignetting in some f/8 comparisons.
The f/4 lens has slightly less distortion.
Who should opt for the Sony FE 70-200mm f/2.8 GM OSS Lens?
Wedding and event photographers, who need to freeze action in low-light situations, will greatly benefit from the Sony FE 70-200mm f/2.8 GM OSS's twice-as-wide aperture which allows them to freeze motion in half as much light compared to the FE 70-200mm f/4 G OSS.
Portrait photographers will also appreciate the increased background blur the f/2.8 lens is capable of, enabling even better/more desirable separation between the subject and background.
The mount gasket seal of the Sony FE 70-200mm f/2.8 GM OSS indicates that it is a better weather sealed lens compared to the f/4 lens.
That Sony proudly offers a gasketing illustration for the f/2.8 lens (shown below) but not the f/4 model bolsters this assertion.
Those planning on using their 70-200mm lenses in inclement weather, such as sports photographers, will likely want to spring for the f/2.8 model.
Who should opt for the Sony FE 70-200mm f/4 G OSS Lens?
Those who do not need an f/2.8 max aperture can enjoy many of the benefits found in the Sony FE 70-200mm f/2.8 GM OSS – including a highly useful focal length range, a constant max aperture, OSS and included accessories – in a lens that's smaller, lighter and
Photographers who intend on using their 70-200mm lenses in good light and in pleasant weather, those who prioritize smaller/lighter gear because of transportation limitations (hikers, backpackers, etc.) and/or those who are budget limited will likely find the Sony FE 70-200mm f/4 G OSS to be the perfect lens for their needs.