Canon and Sony News for Feb 2019 (Page 2)

 Wednesday, February 20, 2019

February 20, 2019, Saitama, Japan - Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the development of two new lenses for full-frame DSLR cameras—the 35-150mm F/2.8-4 Di VC OSD (Model A043) zoom lens and the SP 35mm F/1.4 Di USD (Model F045) fixed focal lens; and a new high-speed ultra wide-angle zoom lens for Sony E-mount full-frame mirrorless cameras—the 17-28mm F/2.8 Di III RXD (Model A046).

Tamron will display these new lenses at CP+ 2019, the World Premiere show for camera and photo imaging, beginning February 28 through March 3, 2019 at Pacifico Yokohama.

Product Names

  • 35-150mm F/2.8-4 Di VC OSD (Model A043) For Canon and Nikon mount
  • SP 35mm F/1.4 Di USD (Model F045) For Canon and Nikon mount
  • 17-28mm F/2.8 Di III RXD (Model A046) For Sony E-mount (full-frame)

Fast compact Portrait Zoom breaks new ground: 35-150mm F/2.8-4 Di VC OSD (Model A043)

The new compact Model A043 is designed for fast handling and easy transport, and features a zoom that extends from 35mm to 150mm, incorporating the 85mm focal length (often regarded as optimum for portrait shooting). It offers a fast F/2.8 aperture at the wide-angle end while maintaining a bright F/4 at the telephoto end. For close-focusing, the MOD (Minimum Object Distance) is 0.45m (17.7 in) across the entire zoom range. Delivering superb image quality, precisely placed LD (Low Dispersion) glass elements and aspherical lenses quash degrading optical aberrations. Furthermore, the Model A043 incorporates the Dual MPU (Micro-Processing Unit) system, which assures optimal AF performance and effective vibration compensation.

Note: All DSLR camera functions are possible when the Model A043 is attached to a mirrorless camera via the manufacture’s adapter.

Fast fixed focal lens boldly demonstrates Tamron’s lens-making expertise: SP 35mm F/1.4 Di USD (Model F045)

Tamron’s SP lens series was born in 1979, based on the concept of delivering lenses for taking the perfect picture for those who love photography. This year marks the 40th anniversary of the series. In celebration, Tamron has developed the Model F045, the distillation of Tamron’s accumulated lens-making expertise and craftsmanship. This orthodox fixed focal lens, which some consider the most basic of all interchangeable lenses, is the embodiment of all optical technology and manufacturing knowhow Tamron has developed to date.

The Model F045’s unprecedented high-resolution image quality and beautiful, appealing background bokeh lets photographers capture any scene down to the finest details. The external lens barrel was developed through tireless pursuit of operability and durability, focusing constantly on the needs of photographers. This lens is equipped with a fast F/1.4 aperture and high-speed, high-precision AF functionality offering exceptional reliability, plus various other features for increased convenience, making it the perfect everyday lens for your creative pursuits. It is ideally suited for nearly every photographic genre, including photojournalism, landscape, sports, street life, wedding groups and family snapshots.

Note: All DSLR camera functions are possible when the Model F045 is attached to a mirrorless camera via the manufacture’s adapter.

High-speed ultra wide-angle zoom lens for Sony E-mount cameras is extremely compact and lightweight: 17-28mm F/2.8 Di III RXD (Model A046)

The Model A046 achieves an astonishingly small diameter for a high-speed ultra wide-angle zoom lens, as witnessed by its modest 67mm filter size. Its unprecedented light weight and compact size provide excellent balance when used with a full-frame mirrorless camera, making it easy to carry, and enabling it to cater to a wide range of scenes and shooting conditions. The Model A046 offers a fast F/2.8 aperture throughout the entire zoom range, and delivers high-resolution and contrast edge to edge. The combination of ultra wide-angle focal length, fast constant F/2.8 aperture and an MOD (Minimum Object Distance) of 0.19m (7.5 in) at the wide-angle end encourages richly expressive and creative photography in a multitude of scenarios. The Model A046’s AF drive system is powered by the RXD (Rapid eXtra-silent stepping Drive) stepping motor unit, enabling it to deliver high-speed, high-precision and superbly quiet operation suitable for shooting video as well as still photographs.

Specifications, appearance, functionality, etc. of the above-mentioned three products are subject to change without prior notice.

Posted to: Canon News, Nikon News, Sony News   Category: Tamron News
Post Date: 2/20/2019 6:42:54 AM CT   Posted By: Sean

From Tamron:

Firmware v.3 for 100-400mm F/4.5-6.3 Di VC USD (Model A035) for Canon*

  • Enable general operations on Canon EOS R by the firmware updating.

NOTE: Canon Mount Adapter EF-EOS R is required to attach the lens to Canon EOS R.

* A separately sold TAP-in Console is needed for an update.

Posted to: Canon News   Category: Tamron Firmware Updates
Post Date: 2/20/2019 6:28:00 AM CT   Posted By: Sean
 Tuesday, February 19, 2019

From the LensRentals Blog:

You guys have watched us gut a lot of lenses and cameras over the years. So I thought it would be fun for you to see us put one together from scratch. Compared to many of the lenses we’ve taken apart, this is all mechanical lens is rather simple: no focus motors, image stabilizers, etc. But even a simple lens is a very complex structure. This post will probably give you a good idea of how much mechanical design is required to make even a very basic lens.

The lens is also unique; it’s a prototype C-4 Optics 4.9mm f/3.5 circular fisheye. It’s a massive lens giving a 270-degree field of view, meant for immersive video and specialty shots. To give you an idea of what 270 degrees means, the lens sees behind itself. An ultra-wide 15mm fisheye lens gives a 180-degree field of view while an 11mm rectilinear lens is less than 120 degrees.

The closest thing that’s existed to this is the 1970s classic Nikkor 6mm f/2.8 fisheye, which gave a 220-degree field of view, weighed 5 kg, and can be rarely found for $100,000 and up these days. The C-4 optics lens weighs every bit as much as the Nikkor, but should be far sharper, have less distortion and vignetting, and cost somewhat less than those do today. (‘Somewhat’ being defined as ‘less than half’.)

So let’s put stuff together!

See the entire illustrated assembly at the LensRentals Blog.

Post Date: 2/19/2019 11:42:22 AM CT   Posted By: Sean

The EOS 6D Mark II is the smallest, lightest and least expensive latest-model Canon full frame DSLR and the EOS RP enters the market as the smallest, lightest and least expensive Canon full frame mirrorless interchangeable lens camera (MILC). With the EOS RP using a slightly-modified EOS 6D Mark II sensor, these two cameras produce nearly identical image quality. However, the difference between DSLRs and MILCs is rather big with the difference between electronic viewfinders and optical viewfinders being a primary difference. That page discusses the advantages and disadvantages of each design and I'll forgo most additional discussion in that regard in this comparison. Let's dive into the advantages of each camera model:

Canon EOS RP Advantages

  • DIGIC 8 vs. 7
  • More AF points (via viewfinder): 4,779 vs. 45
  • Eye AF vs. no
  • 100% viewfinder coverage vs. 98%
  • Lower light AF working range: EV -5 vs. EV -3
  • Lower light exposure metering: EV -3 vs. EV 1
  • .CR3 RAW file type with C-RAW vs .CR2 with M-RAW, S-RAW
  • 4k video
  • Headphone jack vs. no
  • Supports SD/SDHC/SDXC UHS-II vs. UHS-I
  • Smaller size: 5.22 x 3.35 x 2.76" vs. 5.67 x 4.35 x 2.94"
    (132.5 x 85.0 x 70.0mm vs. 144.0 x 110.5 x 74.8mm)
  • Lighter weight: 17.1 oz vs. 26.98 oz (485 vs. 765g)
  • Lower price
  • Can utilize RF lenses

Canon EOS 6D Mark II Advantages

  • Cross-type AF points vs. single-line-sensitive
  • Has greater auto exposure compensation range: +/-5 EV vs. +/-3 EV
  • Faster continuous shooting rate: 6.5 fps vs. 5 fps (4 fps with Servo AF)
  • Shorter viewfinder blackout during continuous shooting
  • Has built-in GPS vs. optional accessory
  • Has much longer battery life: Approx. 1200 vs. 250
  • Uses N3 type remote controls vs. E3
  • Has top LCD and more buttons

Canon EOS RP Size Comparison with 6D Mark II


With these two cameras having the same heart, the imaging sensor, producing similar image quality, it is especially interesting to compare these two models. If photographing action is on your to-do list, the 6D Mark II is probably better-suited for your needs and some of the other 6D II advantages are important for certain uses. The travel-friendly smaller size and lighter weight along with the wallet-friendly lower cost are going to win the RP a lot of hearts as will some of its other features including the larger, full-coverage viewfinder and 4k video. The purchase of either of these models over the other can be justified, but I expect the RP to quickly become the more popular option.

More Information: Canon EOS RP | Canon EOS 6D Mark II

Specifications: Canon EOS RP compared to the Canon EOS 6D Mark II

Get your EOS RP or 6D Mark II Here:

Canon EOS RP: B&H | Amazon | Adorama | WEX

Canon EOS 6D Mark II: B&H | Amazon | Adorama | WEX

Post Date: 2/19/2019 10:15:18 AM CT   Posted By: Bryan

by Sean Setters

Holidays offer great opportunities for gift giving and flowers, although possibly a bit cliché, are still very often appreciated, which is why a bouquet of flowers has been sitting on our living room hutch since Valentine's Day. But while flowers are intended to be enjoyed by the recipient, there's no reason why we as photographers can't take advantage of the beautiful subjects at hand to add some colorful floral images to our portfolios.

A few evenings ago after my wife had retired for the evening, I took her bouquet into the studio to try one of my favorite techniques for photographing flowers – focus stacking. After perusing the options available in the bouquet, I settled on a type of flower that I've photographed before, a type of Peruvian lily. The colorful, elongated spots found on the leaves as well as the easily visible inner structures of these flowers make them ideal candidates for photographing.

I set up my Canon EOS 5D Mark III and Canon EF 100mm f/2.8 Macro USM + 36mm extension tube on a sturdy tripod and Arca-Swiss Z1 ball head set to f/9, 1/160 sec, ISO 100 and tried several compositions with the Peruvian lily that caught my eye. A studio flash on each side of the bouquet provided the light required for a proper exposure at those settings, and Magic Lantern's Focus Stacking feature was used to increment focus for the focus bracketed images. After capturing all of the variations, I brought the images into Canon's Digital Photo Professional to see which one (or ones) might work well for further processing. Finding a series that I really liked, I opened the relevant RAW files in Helicon Focus (my preferred focus stacking software), compiled the images and output the result as a DNG.

Looking closer at the result in Photoshop CC, I realized that I hadn't captured enough depth-of-field in my focus bracket to fully cover the parts of the plant I wanted in focus. As such, instead of having crisp lines in places where I wanted to emphasize details, I had soft transitions that didn't seem to meld with the rest of the focus stacked image.

From a photographic standpoint, my attempt at a pleasing focus stack image was a failure. But then I had a moment of inspiration.

My wife is a huge fan of impressionist paintings. In fact, not more than a couple of weeks ago she insisted we see (aka, dragged me to) the impressionist art exhibit that was showing at the Jepson Center for the Arts ("Monet to Matisse: Masterworks of French Impressionism"). The nice thing about impressionism is that crisp details are not a notable quality of the creative movement; in the case of my image, I could use impressionism to hide the major flaw in my image. Keep in mind, rarely is an image made visually palatable if you have to "save it in post." But in this case, it seemed to work just fine.

After searching for several years for a Photoshop plug-in that could convincingly turn an image into a painting, I finally found Topaz Impression and never looked back. It's been an excellent find and has opened up a new door for monetizing my images. Or in this case, just saving one.

Post Date: 2/19/2019 9:16:33 AM CT   Posted By: Sean

From Tamron:

Products to be sent to and updated by Tamron

For details about the service, please contact your nearest Tamron dealer. For the list of Tamron dealers, please click here.

Service for compatibility with Canon EOS R

New firmware version makes the model compatible with Canon "EOS R" and Canon "Mount Adapter EF-EOS R" for general operations(*).

Camera Models
A011SP 150-600mm F/5-6.3 Di VC USDCanonEOS RFirmware released on Feb. 19, 2019

(*) Functions used on DSLR cameras

Posted to: Canon News   Category: Tamron Firmware Updates
Post Date: 2/19/2019 5:27:14 AM CT   Posted By: Sean
 Monday, February 18, 2019

As the long-awaited Canon full frame mirrorless camera line is beginning to fill out, the first two models are worth comparing. The Canon EOS R vs. Canon EOS RP comparison using the site's specifications tool shows most of the differences between these cameras. Those and a handful of others are included below.

EOS R Advantages

  • Higher resolution: 30.4 MP vs. 26.2 (6720 x 4480 vs. 6240 x 4160 px)
  • Dual Pixel RAW file format vs. no
  • More dynamic range
  • More AF points: 5,655 vs. 4,779
  • Lower AF working range: EV -6 vs. EV -5
  • Faster shutter speed available: 1/8000 vs. 1/4000
  • Faster X-Sync shutter speed: 1/200 vs. 1/180
  • Larger, higher resolution EVF: 0.5" (1.27cm) OLED color EVF, 3.69M dots (with more nose relief) vs. 0.39" (1.0cm) OLED color EVF, 2.36M dots
  • Larger, higher resolution LCD: 3.15" (8.01cm), approx. 2.10M dots vs. 2.95" (7.50cm) approx. 1.04 million dots
  • Better LCD Coatings: Anti-reflection and anti-smudge vs. anti-smudge only
  • Faster continuous frame rate: 8 fps vs. 5 fps, with AF tracking: 5 fps vs. 4 fps
  • Has a programmable Multi-Function Bar vs. no
  • Has a top LCD vs. dedicated mode dial
  • Better video capabilities including higher frame rate video and more compression options: Up to 10-bit Canon Log vs. 8-bit no log
  • USB 3.0 vs. 2.0
  • Longer battery life rating: approx. 370 shots vs. 250
  • Higher shutter durability rating: 200,000 vs. 100,000
  • Closes shutter on power-off vs. no
  • Has access to a PC Terminal via Battery Grip BG-E22 vs. no
  • Has a battery grip available vs. extension grip

EOS RP Advantages

  • Significantly lower price
  • Smaller size: 5.22 x 3.35 x 2.76" vs. 5.35 x 3.87 x 3.32" (132.5 x 85.0 x 70.0mm vs. 135.8 x 98.3 x 84.4mm)
  • Lighter weight: 17.1 vs. 23.3 oz (485 vs. 660g)
  • Has focus bracketing vs. no
  • Has Eye-tracking Servo AF vs. not until later in 2019
  • More Diopter Correction: -4 to +2 m-1 vs. -4 to +1 m-1


The EOS R is a higher-end model and that shows very strongly in its list of advantages. However, the first three RP advantages are very significant ones. Those on a tight budget are going to be favoring the RP. While the EOS R is itself a relatively small and light camera, the RP easily bests it in these categories and those traveling, hiking, etc. may be willing to forgo the R's benefits to also give up some size and weight.

More Information: Canon EOS R | Canon EOS RP

Get Your EOS R or RP Here:

Canon EOS R: B&H | Amazon | Adorama | WEX

Canon EOS RP: B&H | Amazon | Adorama | WEX

Post Date: 2/18/2019 10:28:20 AM CT   Posted By: Bryan

In this episode of Lightroom Coffee Break, Benjamin Warde demonstrates how to create custom photo templates (a relatively new feature) in Lightroom Classic CC.

B&H carries Adobe Photography Plan subscriptions.

Post Date: 2/18/2019 9:19:54 AM CT   Posted By: Sean

From the Gerald Undone YouTube Channel:

Comparing the 4:2:0 chroma subsampling captured internally on the Sony a7 III vs the 4:2:2 captured via HDMI on external recorders like the Atomos Ninja V.

B&H carries the Sony a7 III.

Post Date: 2/18/2019 6:44:38 AM CT   Posted By: Sean
 Friday, February 15, 2019

Will there be a professional Canon EOS R-series mirrorless full frame camera introduced? Especially based on the grade of RF-mount lenses being introduced, few of us will be surprised to know that answer is "Yes!" The Canon, Inc. quote is: "Have no doubt that a professional model is coming", shown here on a slide presented by Canon USA Senior Tech Specialist Drew MacCallum during the EOS RP introduction in New Orleans in February.

The next question: When is the professional R-series camera model coming? Canon (USA and Inc) will not say. However, conjecturing ... the 2020 Olympics are being held in Tokyo and Canon is a major sponsor. Fitting would be for an incredible new pro camera model to be released in time for professionals to get acquainted with prior to photographing these games.

Canon representatives were quick to say that there are multiple new RF-mount cameras coming. Not said is whether or not there would be multiple professional models coming though it would be logical for Canon to cover all segments as this line fills out.

Also noted by Canon during the New Orleans presentation was that in-body image stabilization is coming to the EOS R family.

These are exciting times and it is great to see the gear we use being enhanced.

Posted to: Canon News   Category: Camera Gear Review News
Post Date: 2/15/2019 8:56:14 AM CT   Posted By: Bryan

A brand new and very useful Canon EOS RP feature is Focus Bracketing. This feature has a lot of details to be understood and the Canon Focus Bracketing page delves into this topic.

Posted to: Canon News   Category: Camera Gear Review News
Post Date: 2/15/2019 8:32:44 AM CT   Posted By: Bryan

Canon USA now has the Canon EOS RP User's Manual available for download.


Canon EOS RP – B&H | Adorama | Amazon US | Henry's | Wex

Canon EOS RP + EF 24-105 IS STM – B&H | Adorama

Canon EOS RP + RF 24-105 IS USM – B&H | Adorama | Amazon US | Henry's | Wex

Posted to: Canon News   Category: Canon Owners Manuals
Post Date: 2/15/2019 8:26:56 AM CT   Posted By: Sean

In this video, Gavin demonstrates how to create candlelit nighttime images during the daytime and provides some tips for furthering the illusion in Photoshop. In addition to Gavin's tips, I'll add just one more – you may want to lower your flash's position and point it slightly upward to simulate the candle's (or fireplace's) direction of light. As you can see in the video, Gavin has his flash placed a little too high to match the candle's position relative to the subject's face in most of the displayed images, making the shots a little less believable.

Post Date: 2/15/2019 8:06:07 AM CT   Posted By: Sean

Canon Japan has announced that it will be producing 5,000 limited edition Canon EOS RP Gold cameras in mid-March to celebrate Tokyo hosting the 2020 Summer Olympic Games. The Canon EOS RP Gold camera will come in a body-only and with-lens (RF35 mm F1.8 MACRO IS STM) kit and will be bundled with a Control Ring Mount Adapter EF - EOS R and an Extension grip EG - E1.

Canon EOS RP Gold Promo Poster

Those who purchase the Canon EOS RP Gold will also receive a free Canon Tokyo 2020 Memorial Leather Camera Bag (with Name Tag) and a Leather Strap as well as qualify for a drawing to receive free tickets to see an Olympic Games event.

Canon EOS RP Gold Free Gifts

Canon EOS RP Gold Olympic Tickets Contest

B&H has the Canon EOS RP available for preorder (standard color only).

Posted to: Canon News   Category: Canon Japan News
Post Date: 2/15/2019 7:19:23 AM CT   Posted By: Sean

B&H has the newly released 3 Legged Thing Dedicated L-Bracket for Nikon Z 6 and Z 7 Cameras in stock with free expedited shipping.

Product Highlights

  • Single-Piece Magnesium-Alloy L-Bracket
  • Arca-Type Compatible Dovetail Mount
  • Metallic Slate Gray Anodized Surface
  • Vertical and Horizontal Orientations

Note: Also in stock – Really Right Stuff Ultralight L-Bracket for Nikon Z 7 and Z 6. Expected in 7-10 days – ProMediaGear L-Bracket and Kirk BL-Z L-Bracket.

Posted to: Nikon News   Categories: 3 Legged Thing News, In Stock Notices
Post Date: 2/15/2019 5:41:50 AM CT   Posted By: Sean

From Nikon:

Continuing to Adapt to Changing User Needs with the Addition of New Functions and Improvements of Capabilities

MELVILLE, NY – Nikon Inc. is pleased to announce additional details regarding the development of new firmware for its full-frame mirrorless cameras, the Nikon Z 7 and Nikon Z 6. The firmware in development includes new functions for the Z 7 and Z 6, such as Eye-Detection AF, RAW video output, and support for CFexpress memory cards. In addition, the cameras’ AF/AE functions will be further improved.

The Z series will continue to flexibly respond to changing user needs and offer next-generation features that give users new creative opportunities.

Functions and capabilities to be added and improved with new firmware:

1. Support for Eye-Detection AF for still image shooting (scheduled for release in May 2019)
Eye-Detection AF is convenient for portrait photography. The Eye-Detection AF in development will work not only with the AF-S (Single AF) focus mode that is convenient when photographing still human subjects, but also with the AF-C (Continuous AF) focus mode, which is effective when photographing human subjects that frequently adjust or change their pose. What's more, the function is capable of detecting multiple eyes, from which the user can select the eye upon which the camera should focus, allowing the photographer greater flexibility when photographing multiple people to suit their intent.

2. Increased AF/AE performance (scheduled for release in May 2019)
AE (auto exposure) tracking will be newly possible in continuous high-speed (extended) mode, in addition to the AF tracking that existed previously. In addition, low-light AF performance will be improved, enabling faster autofocusing in dark or dimly lit surroundings with both still-image shooting and movie recording.

3. Support for RAW video output
Output of 4K UHD and Full HD RAW data stream from the camera will be supported. The output RAW data stream can then be recorded in the compatible RAW format using an external recorder. This will allow users to utilize rich 12-bit colors to achieve flexible color grading. Release timing for this feature will be announced at a later date.

4. Support for CFexpress memory cards
The new firmware will provide support for CFexpress, a new standard for memory cards. Having passed durability tests in which they were inserted and removed from a camera 12,000 times, these memory cards offer users a greater sense of security. They also offer high-speed performance that will provide users with a more efficient workflow. After upgrading, users will be able to use both CFexpress as well as XQD cards in their camera interchangeably. In addition to the Z 7 and Z 6, in the future, CFexpress memory card support will be added to the Nikon D5 (XQD-Type), Nikon D850, and Nikon D500 digital SLR cameras as well. Release timing for this feature will be announced at a later date.

B&H carries the Nikon Z 7 and Z 6 mirrorless cameras.

Post Date: 2/15/2019 5:08:28 AM CT   Posted By: Sean
 Thursday, February 14, 2019

From Canon:

Changes for Digital Photo Professional 4.10.0 for Windows:

  • Supports EOS RP.
  • Adds Depth Compositing function for images captured on EOS 5D Mark IV, EOS R, and EOS RP (64-bit version only).

Download: Digital Photo Professional 4.10.0

Post Date: 2/14/2019 3:48:10 PM CT   Posted By: Sean

As you might have expected, the newly announced Canon EOS RP (review) is now available for preorder at the usual authorized retailers. However, what you may not have expected is that Canon USA is offering a free Mount Adapter EF-EOS R and Extension Grip EG-E1 if you order your EOS RP by March 30, 2019.

But that's not all. If you purchase an EOS RP + lens kit before March 30, you'll get to take advantage of up to $300.00 in instant savings in addition to the free gear mentioned above.

Canon EOS RP Promotion Poster Feb Mar 2019


Canon EOS RP – B&H | Adorama | Amazon US | Henry's | Wex

Canon EOS RP + EF 24-105 IS STM – B&H | Adorama

Canon EOS RP + RF 24-105 IS USM – B&H | Adorama | Amazon US | Henry's | Wex

Posted to: Canon News   Category: Preorders
Post Date: 2/14/2019 6:23:24 AM CT   Posted By: Sean

From Nikon:

The NIKKOR Z 24-70mm f/2.8 S Implements the Latest Nikon Optical Technologies to Reinvent One of Nikon’s Most Coveted Zoom Lenses for the Full-Frame Mirrorless Z System

MELVILLE, NY – Today, Nikon Inc. announced the NIKKOR Z 24-70mm f/2.8 S: a much-anticipated, fast-aperture zoom lens that’s ideal for professional and advanced photographers who capture portraits, landscapes, weddings and events, as well as content creators who shoot video using Nikon’s revolutionary new Z Mount System. Designed to take full advantage of the wider, brighter and faster Z Mount, this new S-Line lens delivers stunning sharpness all the way to the corners of the frame, even when used at its maximum aperture. The NIKKOR Z 24-70mm f/2.8 S is the first NIKKOR lens to use the all new Nikon-designed ARNEO coat, which is used in conjunction with Nikon’s Nano Crystal Coat to significantly minimize flare and ghosting. The lens also includes Nikon’s new Multi-Focus System to help ensure fast and accurate autofocus even when shooting close-up subjects. Additionally, the 24-70mm f/2.8 S is the first NIKKOR Z lens to feature a dedicated manual focus ring independent of the customizable control ring, a Function (L-Fn) button, and an Organic EL Lens Information Panel for quick reference of key settings such as focus distance, depth-of-field, aperture and focal length.

“The NIKKOR Z 24-70mm f/2.8 S is the lens that Z Series users have been waiting for, a lens that many photographers and videographers would never leave home without,” said Jay Vannatter, Executive Vice President, Nikon Inc. “Lightweight and tack sharp, the 24-70mm f/2.8 S is a great example of the outstanding performance and portability that is possible with our next-generation Z Mount System.”

NIKKOR Z 24-70mm f/2.8 S – Performance, Precision and Optical Superiority

The NIKKOR Z 24-70mm f/2.8 S builds on a century of Nikon optical heritage by harnessing the technical advantages of the Z Mount. This type of lens is known as a photographer favorite due to its versatility, useful zoom range, fast aperture and sharpness. Nikon was able to redesign this all-around zoom lens to achieve a new standard of performance, while making it both smaller and lighter—approximately 24.7% lighter and 18.4% shorter than the popular AF-S NIKKOR 24-70mm f/2.8E ED VR lens.

The NIKKOR Z 24-70mm f/2.8 S takes advantage of the latest optical technologies to ensure exceptional control of aberration, ghosting and flare. Featuring an optical construction of 17 elements in 15 groups—including two ED glass elements and four aspherical elements—the lens delivers sharp, virtually vignette-free performance from edge-to-edge across its entire zoom range, even at maximum aperture.

Additionally, the NIKKOR Z 24-70mm f/2.8 S is the first NIKKOR lens to feature Nikon’s all-new ARNEO coating: a multi-layer coating that is used in conjunction with Nano Crystal Coating for superior anti-reflective performance. While Nano Crystal Coat suppresses ghosting and flare coming from backlight at diagonal angles, the ARNEO coat compensates for light entering the lens from vertical angles. This expanded field enables the lens to capture exceptional contrast and sharpness even when the light source is visible inside the frame.

To help ensure fast, accurate and silent autofocus, the NIKKOR Z 24-70mm f/2.8 S combines a powerful stepping motor (STM) with Nikon’s new Multi-Focus System. This system uses two actuators to move two focus groups at once, enabling the lens to achieve critical focus rapidly from nearly any distance, including close-up shooting.

The 24-70mm f/2.8 S is the most customizable NIKKOR Z lens yet. The lens features an Organic EL Lens Information Panel that allows for quick confirmation of aperture and focal length or focus distance and depth-of-field without looking at the viewfinder. For enhanced versatility, the addition of a L-Fn button allows you to set over 20 custom functions when shooting stills. The lens is also the first to feature an independent focus ring in addition to the customizable control ring found on all S-Line lenses, giving professional photographers and videographers more comfortable and convenient control over their shooting experience.

Finally, the NIKKOR Z 24-70mm f/2.8 S was designed to excel at video in addition to stills capture, taking full advantage of the industry-leading video features found in the Nikon Z 6 and Z 7. Its design minimizes focus breathing, preventing the angle of view from changing when the focus is adjusted; the stepping motor and Multi-Focus System ensure fast, accurate and quiet focusing; full compatibility with the built-in 5-axis VR of the Nikon Z System ensures users can capture super-smooth video hand-held; and the customizable control ring, independent focus ring and Organic EL panel give filmmakers even more control over this exceptional lens on-set.

The NIKKOR Z 24-70mm f/2.8 S is destined to be an instant classic—a must-own lens for Nikon Z Series creators of all types.

Key Features:

An indispensable standard zoom lens for professionals, advanced photographers and video creators—ideal for environmental portraits, landscapes, weddings, events, studio and street photography.

Constant f/2.8 aperture throughout the zoom range delivers the subject separation, speed and gorgeous bokeh professionals demand.

Exceptional optical performance achieves edge-to-edge sharpness and minimal aberration in an incredibly lightweight and portable package, thanks to the revolutionary new Z mount.

All-new ARNEO coating works in conjunction with Nikon’s Nano Crystal Coat to minimize ghosting and flare when the light source is within the frame.

Fast, accurate and quiet autofocus throughout the zoom range, thanks to Nikon-designed Multi-Focus System and Stepping Motor.

Built-in Function (L-Fn) button, Organic EL Lens Information Panel and independent focus ring give creators more control over their shooting experience.

Fully compatible with in-camera 5-axis VR found in the Nikon Z 6 and Z 7, providing up to 5 stops of image stabilization without adding to the size or weight of the lens.

Optimized for video, with reduced focus breathing, a quiet stepping motor, customizable control ring, and the ability to take advantage of the in-camera 5-axis VR + eVR of the Nikon Z 6 and Z 7.

Designed with consideration to dust and drip resistance, and featuring a fluorine coat that effectively repels dust, water droplets, grease and dirt.

Price and Availability

The NIKKOR Z 24-70mm f/2.8 S will be available in spring 2019 at a suggested retail price (SRP) of $2,299.95.

Preorders: B&H | Adorama | Amazon US | Wex

Posted to: Nikon News   Category: Nikon Announcements
Post Date: 2/14/2019 6:17:21 AM CT   Posted By: Sean
 Wednesday, February 13, 2019

Just posted: Canon EOS RP Camera Review.

This is an ultra-low-cost, tiny and light full frame mirrorless interchangeable lens camera that will make a great step-up or even first camera. The review awaits some lab testing, but a significant amount of the information is already included.

The short Canon EG-E1 Extension Grip Review is also available. It's a nice little accessory for the RP.

The Canon EOS RP is available for preorder at B&H, Adorama and Amazon US.

For a full list of preorders (including kits with awesome savings and free accessories), click here.

Posted to: Canon News   Category: Camera Gear Review News
Post Date: 2/13/2019 10:15:00 AM CT   Posted By: Bryan

From Canon USA:

New Super-Compact and Ultra-Lightweight EOS RP is Ideal for Users Looking to Graduate to Full-Frame Mirrorless Camera at an Affordable Price

MELVILLE, N.Y., February 13, 2019 – Responding to the demand from amateur and advanced amateur photographers for an entry-level, full-frame mirrorless camera, Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the second camera in the EOS R lineup, the EOS RP. The EOS RP is designed for photographers looking to step up from Canon’s APS-C cameras: the EOS Rebel, EOS M and the EOS 80D, into the world of full-frame mirrorless photography. Weighing in at just 17.29 ounces, the EOS RP camera is lighter than a 500ml bottle of water and smaller than Canon’s popular APS-C DSLR camera, the Canon EOS Rebel T7i, coming in at approximately 5.0in (w) x 3.77in (h) x 2.36in (d). With optics at its core, the EOS RP takes full advantage of the complete line up of RF lenses and is compatible with the existing collection of Canon’s EF and EF-S lenses with the use of one of three optional RF EOS-R Mount Adapters.

“As Canon continues to evolve its full-frame mirrorless cameras, our goal is that one day the EOS R line becomes as widely popular as our celebrated lineup of EOS DSLR cameras,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “As a company, we believe that in order for us to accomplish that goal, Canon needs to develop full-frame mirrorless cameras for every skill level of photographers and that starts with amateurs and advanced amateurs. This makes the EOS RP the perfect addition to the existing lineup.”

The new Canon EOS RP full-frame mirrorless camera features a 26.2 megapixel CMOS sensor that is powered by the company’s DIGIC 8 image processor, providing users with high-image quality, outstanding operation and functionality. The new Canon EOS RP features Dual Pixel CMOS Auto Focus (AF) with 4,779 manually selectable AF points and a wide AF coverage area of 88 percent horizontal and 100 percent vertical. With f/1.2 lenses, the camera astonishingly boasts AF sensitivity in low light in as little as Exposure Value (EV) -5. When using the RF 24-105mm F4 L IS USM lens with the EOS RP, the camera can focus in as little as 0.05 seconds with Dual Pixel CMOS AF . When using eye detection AF, the camera can automatically detect faces and focus on the eye of the subject. This feature is supported when the camera is set in either servo AF mode during continuous shooting and movie servo AF, as well as one-shot AF.

Like the EOS R full-frame mirrorless camera that was announced in September 2018, the EOS RP is built around the same 54mm mount diameter and short-back focus. This allows for the use of one of three optional mount adapters for full compatibility with all existing EF, EF-S, TS-E and MP-E lenses. Through the use of the optional Drop-In Filter Mount Adapter or Control Ring Mount Adapter, these lenses, in fact, gain functionality.

For photographers looking to further expand their abilities and capture a wide variety of both still and video images, the EOS RP features Visual Guide mode. First introduced with the EOS Rebel T7i and EOS 77D, this mode allows users to see on screen how switching modes on the mode dial or tweaking settings can alter the image they are about to capture. This mode helps to guide photographers to capture more compelling images, such as ones with a shallow depth-of-field or being able to give moving subjects a frozen or flowing look. For those looking to expand their imaginative options, the camera also features Creative Assist mode that allows photographers to use new and unique visual effects and adjustments when shooting, such as brightness, contrast, saturation, color tone, monochrome and background blur. In addition, the design, ergonomics, layout and ease-of-use of the camera are very similar to that of other Canon cameras consumers might already be familiar with.

Additional noteworthy features of the EOS RP camera include:

  • Built-in 0.39 inch, 2.36 million dot Electronic Viewfinder with Touch-and-Drag AF
  • Vari-Angle LCD touchscreen
  • 4K UHD 24P/Full HD 60p video recording with 4K time-lapse shooting and the ability to extract still images from 4K video recordings
  • ISO range of 100-25,600 that is expandable up to ISO of 102,400
  • Built-in Wi-Fi and Bluetooth technology
  • Mobile RAW workflow supported paired with Digital Photo Professional Express App

Availability and Pricing

The Canon EOS RP full-frame mirrorless camera is scheduled to be available in March 2019 for an estimated retail price of $1,299.00 for the body only. It will also be sold as a body-and-lens kit with the RF 24-105mm F4 L IS USM lens for $2,399.00.


Canon EOS RP – B&H | Adorama | Amazon US

Canon EOS RP + EF 24-105 IS STM ($300.00 off) – B&H | Adorama

Canon EOS RP + RF 24-105 IS USM ($200.00 off) – B&H | Adorama | Amazon US

Posted to: Canon News   Category: Canon Announcements
Post Date: 2/13/2019 9:57:30 PM CT   Posted By: Sean

From Canon USA:

MELVILLE, N.Y., February 13, 2019 – Continuing with the message of “optics at its core,” Canon U.S.A. Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc, is developing six new RF-series lenses, further displaying the company’s commitment to the EOS R full-frame mirrorless camera system. Canon’s new RF mount allows for fast, light, and high-performing optics with a large opening diameter and short back focus distance. Each new lens in development will help fulfill the needs of amateur and advanced amateurs to professional photographers and videographers, covering critical focal lengths. In 2019, Canon’s already well-established optical lens heritage will celebrate a production milestone of 140 million EF and RF lenses and the celebration starts with the development announcement of these six lenses.

The six new RF lenses under development include:

  • RF 85mm F1.2 L USM
  • RF 85mm F1.2 L USM DS
  • RF 24-70mm F2.8 L IS USM
  • RF 15-35mm F2.8 L IS USM
  • RF 70-200mm F2.8 L IS USM
  • RF 24-240mm F4-6.3 IS USM

“Optics are the critical piece of the visual puzzle that bend light and capture an image as the artist envisioned,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “That is why it is so important for us to strengthen our family of RF lenses for the EOS R camera system. With this collection of new lenses, customers will have more of the tools they need, for the images they desire to create.”

All six RF lenses under development are built around Canon’s new RF mount, which features a large 54mm diameter and shorter back focus distance than on current EOS DSLR cameras. In addition, the RF mount enhances communication and power transmission between the lens and camera body, which has helped Canon to achieve the world’s fastest autofocus speed for a full-frame mirrorless camera system.

The details of the new Canon RF lenses under development are as follows:

The RF 85mm F1.2 L USM is a large aperture mid-telephoto prime lens. It offers excellent performance for advanced and professional portrait photographers and is a widely popular focal length and aperture speed combination for users.

The RF 85mm F1.2 L USM DS, with Defocus Smoothing lens technology, is a uniquely designed lens that offers a combination of beautifully smooth defocused bokeh. Featuring a super-fast F1.2 aperture, the lens will help produce breathtaking portraits that will surely stand out from the crowd.

The RF 24-70mm F2.8 L IS USM is a high-performance, standard zoom lens for professionals and photo enthusiasts alike – ideal for shooting portraits, landscapes, documentaries or weddings.

The RF 15-35mm F2.8 L IS USM, offering a wide angle and fast aperture in a single package, is ideal for a variety of shooting applications including architecture, interiors or landscapes.

The RF 70-200mm F2.8 L IS USM is a must-have for any professional photographer, especially for those shooting weddings, sports or wildlife. This lens is a great all-around, high-speed, medium telephoto zoom lens and does well to round out any camera bag.

The RF 24-240mm F4-6.3 IS USM is the ideal lens for amateurs and advanced amateurs who love to travel, no matter the destination. The versatile, all-purpose lens offers a range of focal lengths for capturing extraordinary shots in a form factor that is both compact and lightweight.


All six of the new Canon RF lenses under development are expected to be available later in 2019*.

*Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

Posted to: Canon News   Category: Canon Announcements
Post Date: 2/13/2019 9:55:07 PM CT   Posted By: Sean

In this video, Adobe Digital Imaging Evangelist Julieanne Kost demonstrates several tips for using vector masks in Photoshop CC.

B&H carries Adobe Photography Plan subscriptions.

Post Date: 2/13/2019 8:33:46 AM CT   Posted By: Sean

From Nikon:

Changes for Z 6 Firmware v.1.01 & Z 7 Firmware v.1.03:

  • When On is selected for HDMI > Advanced > N-Log setting in the SETUP MENU, Maximum sensitivity now takes effect during movie recording if:
    • The camera is in mode P (programmed auto), S (shutter-priority auto), or A (aperture-priority auto), or
    • The camera is in mode M (manual) and On is selected for ISO sensitivity settings > Auto ISO control (mode M) in the MOVIE SHOOTING MENU.

  • Fixed an issue that resulted in third-party software showing an incorrect value for the Exif 35 mm format equivalent focal length field for photographs taken with a non-CPU lens connected via an FTZ mount adapter with the focal length specified using the Non-CPU lens data item in the SETUP MENU.
  • Fixed an issue that resulted in photographs taken using radio-controlled Advanced Wireless Lighting being overexposed if a face was detected with Auto-area AF selected for AF-area mode.

Additional changes for Z 6 Firmware v.1.01:

  • Fixed an issue that resulted in an incorrect aperture being selected in mode P (programmed auto) with a flash mounted on the camera under conditions in which f/32 would normally be selected.
  • Fixed an issue which prevented flash units controlled via radio Advanced Wireless Lighting syncing with shutter speeds of 1/100 s or faster with:
    • On selected for Flicker reduction shooting in the PHOTO SHOOTING MENU and
    • Enable selected for Custom Setting d5 (Electronic front-curtain shutter) in the CUSTOM SETTING MENU.


Nikon Z 6 Firmware v.1.01
Nikon Z 7 Firmware v.1.03

Posted to: Nikon News   Category: Nikon Firmware Updates
Post Date: 2/13/2019 5:23:36 AM CT   Posted By: Sean
 Tuesday, February 12, 2019

From Adobe:

Today we’re releasing updates to the entire Adobe photography ecosystem, including Camera Raw, Lightroom Classic CC, and Lightroom CC for Mac, Windows, Android, ChromeOS, and iOS.

In this release, we’re introducing an all-new Sensei-powered feature, Enhance Details. Harnessing the power of machine learning and computational photography, Enhance Details can now be found in Adobe Camera Raw, Lightroom Classic CC, and Lightroom CC for Mac and Windows, and takes a brand new approach to demosaicing raw photos. Demosaicing is an integral process to raw processing and works at the pixel level, converting the information captured by a camera into something that looks like the photos we all expect to see.

The new Enhance Details algorithm enables you to increase the resolution of both Bayer and X-Trans based photos by up to 30%. Enhance Details works on any raw file apart from files converted to a linear raw file, HDR or Panorama merged files (though you can apply Enhance Details to the ingredient files first and then merge), smart proxies, lossy compressed DNGs, or DNGs saved with 1.1 compatibility. Applying Enhance Details to your photos can greatly improve fine detail rendering, improve the reproduction of fine colors, and resolve issues that some customers reported with their Fujifilm X-Trans based cameras.

If you would like to know more about Enhance Details, a white paper can be found here and if you’d like to try Enhance Details on a Fujifilm X-Trans based file, you can download one here.

All of the apps have also been updated to support new cameras and lenses.

Newly Supported Cameras

  • Nikon COOLPIX A1000
  • Olympus OM-D E-M1X
  • Sony A6400 (ILCE-6400)*

* Preliminary support

Newly Supported Lenses

  • Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR Nikon
  • Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR + 1.4x
  • Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR + 1.7x
  • Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR + 2.0x

Lightroom CC for Mac and Windows

In addition to Enhance Details, we’ve also added HDR, Pano, and HDR Pano merge tools, the Target Adjustment Tool, and histogram clipping indicators.

HDR, Pano, and HDR Pano merge

High dynamic range (HDR) and panoramas are two types of photos that combine multiple frames to create visually stunning results that would otherwise be impossible to create from a single photo. Lightroom CC can merge either raw or non-raw photos together into HDR and panorama photos, and when merging raw files, the resulting DNG maintains all of the benefits of a raw file, with the ability to change white balance and recover highlights, giving you the best possible results.

Capturing a panorama can be done either handheld or with a tripod. When shooting handheld, Lightroom’s powerful alignment technology will align each photo and correct for any distortion. Using a tripod can yield even higher quality results and provides more flexibility for difficult shots, such as super-wide panoramas.

When capturing a series of photos for HDR, including both HDR and HDR Panos, it’s often recommended to use your camera’s auto exposure bracketing mode, which results in a series of photos being captured in a row, varying the exposure for each shot. Consult your camera’s manual for how to enable its auto exposure bracketing mode. When capturing an HDR Pano, capture each series of exposures before moving the camera. This is where having a tripod and a remote trigger can be quite handy.

Once you’ve imported the photos into Lightroom, select the photos that you want to merge, and then navigate to Photos > Photo Merge > and select the appropriate merge option.

Target Adjustment Tool

The Target Adjustment Tool (TAT) gives you precise control over color and tonality and is available in both the Tone Curve, Color Mixer, and B&W Mixer tools.

To access the TAT, open either the Tone Curve, Color Mixer, or B&W Mixer and click on the target icon. A new control will show up at the bottom of the screen that provides control over what the TAT will affect while interacting with your photo. Clicking and dragging on your photo will then directly adjust the Tone Curve, Color Mixer, or B&W Mixer (depending on which is currently active) for the color or tonality under the mouse cursor, enabling you to quickly modify different parts of your image directly and effectively. For example, clicking and dragging on the sky in a photo with the TAT focusing on the Color Mixer tool in Saturation mode enables you to increase or decrease the saturation of the colors in the sky.

Histogram clipping indicators

The term clipping refers to areas that have become either too bright or too dark to have any details in them, such as an area of pure white (highlights) or pure black (shadows). An image may either be captured with clipped highlights or shadows due to the scene having too high of a dynamic range such as a very bright and sunny day or clipped areas may be introduced while editing the photo. You can use the histogram clipping indicators to ink the areas of your photo with clipped highlights in red or clipped shadows in blue.

To enable the histogram clipping indicators, first ensure that the histogram is visible by navigating to View > Edit Panels > Show Histogram, which will show the histogram at the top of your edit panels. You can then selectively turn on the clipping indicators individually by clicking on the either the left (shadows clipping) or right (highlight clipping) triangles.

Lightroom CC for iOS

This release makes it possible to create ad-hoc photo shares and continues to focus primarily on behind-the-scenes updates and preparation for exciting features that will be coming soon. For a full list of improvements and bug fixes found in this release, please visit the What's New page.

Ad-hoc photo shares

You can now create an online share of photos with an arbitrary assortment of photos. Instead of creating an album and sharing that album, you can now select any number of photos that you want to share, tap the 3-dot menu at the top-right of the screen, and then select Share to Web. Like any other web share, you can control whether people that you share that link with can download or see the photos’ metadata.

Lightroom CC for Android and ChromeOS

This release primarily focuses on foundational improvements and bug fixes, making way for new features coming soon. For a full list of improvements and bug fixes found in this release, please visit the What's New page.

Lightroom Classic updates

In this release, we further improved tether performance and stability with Nikon cameras. Nikon cameras now have the same speed and stability as Canon cameras after the October 2018 release. Tethered image transfer at the time of capture should now be a faster experience overall in Lightroom Classic. You also now have the convenience of controlling basic camera features, like ISO, shutter speed, aperture, and white balance within the tether bar itself. Additional details on this enhancement can be found here. For a full list of the improvements and bug fixes, please visit the What's New page.

B&H carries Adobe Photography Plan subscriptions.

Post Date: 2/12/2019 9:40:57 AM CT   Posted By: Sean
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