Canon and Sony News for Aug 2018 (Page 2)

At noon today Eastern Time, B&H will be conducting a Nikon Z Live Stream Event where host David Flores will join a group of photographers to discuss Nikon's foray into full-frame mirrorless cameras.

Submit your question using #BHPhotoLive for the chance to win a $500 B&H Gift Card!

Preorder the Nikon Z 7 / Z 6 and Z-mount lenses here.

From DJI:

Mavic 2 Series Features Two Industry First Camera Options With New Intelligent Features And Optimized Flight Performance

August 23, 2018 – DJI, the world’s leader in civilian drones and aerial imaging technology, today introduced a new era for camera drones with two additions to its iconic Mavic series: Mavic 2 Pro, the world’s first drone with an integrated Hasselblad camera, and Mavic 2 Zoom, the world’s first foldable consumer drone with optical zoom capability.

The Mavic 2 is the most advanced DJI camera drone ever built, designed for professionals, aerial photographers and content creators. Incorporating the iconic folding design of the world’s most popular Mavic Pro, the Mavic 2 is a powerful platform with new gimbal-stabilized cameras and advanced intelligent features like Hyperlapse and ActiveTrack for easier and more dynamic storytelling. With an impressive flight time of up to 31 minutes and a more stable video transmission system, Mavic 2 delivers the optimal flight experience for capturing epic shots.

“When the Mavic Pro was launched two years ago, it redefined the way people looked at a drone and expanded possibilities for creators around the world,” said Roger Luo, President at DJI. “Today, we enter a new era of aerial photography with the introduction of DJI’s new flagship product, the Mavic 2 series. The Mavic 2 Pro and Mavic 2 Zoom will enable photographers and videographers to take their inspirations to the air quickly and elevate their creative ideas to new heights.”

Mavic 2 Pro: Superior Image Quality with Hasselblad

Co-engineered in partnership with Hasselblad, the leading manufacturer in medium format photography, the Mavic 2 Pro is the world’s first drone with an integrated Hasselblad camera for outstanding image quality with superior light and color performance. Housing a 1-inch CMOS sensor with a 10-bit Dlog-M color profile, the camera captures four times as many levels of color per channel compared to Mavic Pro to provide maximum flexibility for photo and video editing. The Mavic 2 Pro can capture 20-megapixel aerial shots with utmost color accuracy using Hasselblad’s unique Hasselblad Natural Color Solution (HNCS) technology, while an adjustable aperture from f/2.8-f/11 provides more control across a wide variety of lighting conditions. With 4K 10-bit HDR support, the Mavic 2 Pro can be plugged into a 4K TV with HLG and will play back footage with the right color tones.

Mavic 2 Zoom: A Dynamic Perspective with Optical and Digital Zoom

Powered by a 1/2.3-inch CMOS sensor, the Mavic 2 Zoom is DJI’s first foldable consumer drone with zoom, providing a dynamic perspective that ushers in a new era of creative storytelling. With the Mavic 2 Zoom, you can get closer to your subject at a moment’s notice by combining two-times optical zoom (24-48mm) with two-times digital zoom to simulate a 96mm telephoto lens that captures lossless video in full HD resolution. Hybrid auto-focus on the Mavic 2 Zoom combines phase and contrast detection for higher focus accuracy with an increased focus speed of up to 40% faster than before. Shoot vivid 12-megapixel photos or take advantage of the new Super Resolution feature that uses optical zoom to automatically capture and stitch nine photos together for a highly detailed 48-megapixel image, making it an ideal option for landscape photography.

Exclusive to the Mavic 2 Zoom, the new Dolly Zoom QuickShot mode opens a new visual language for storytelling that was previously reserved for professional cinematographers. It creates an otherworldly warped perspective by automatically zooming in as it flies away from its subject, keeping the subject the same size while the full background of the scene is revealed.

Mavic 2 Series: DJI’s New Flagship Consumer Drone with Powerful Camera Options

Both cameras capture vivid 4K ultra-high definition video with extreme detail, recording at a maximum bitrate of 100 megabits per second using the H.265 compression codec to give you an exceptional degree of latitude in post-production workflows. For photographers, new Enhanced High Dynamic Range capabilities blend a sequence of photos for ghost-free high dynamic range, giving the Mavic 2 Pro an impressive 14 stops of dynamic range and Mavic 2 Zoom up to 13 stops.

New Intelligent Tools For Epic, Cinematic Shots

The Mavic 2 is the ultimate tool for aerial content creation with new intelligent flight modes that make capturing professional-quality results almost effortless. A new Hyperlapse feature produces establishing shots that show the passing of time, which you can share to social media immediately. JPEG and RAW photos can be simultaneously saved on a Micro SD card or the internal storage, leaving more room for post editing. Choose between Circle, Course Lock, Waypoint or Free mode to create timelapses with a simple tap of a button in the DJI GO 4 Mobile App:

• Free - pilots the drone manually while shooting a Hyperlapse video.
• Circle - automatically flies the drone in a circular pattern around a subject you select to create a timelapse video that captures the action.
• Course Lock - keeps the camera fixed on shooting subject while the drone flies in a straight direction to create a unique perspective.
• Waypoint - plans a complex flight path based on both altitude and GPS coordinates to capture complex shots.

Keeping a moving subject in the frame is now easier than ever with ActiveTrack 2.0. This enhanced auto-track feature delivers a powerful combination of autonomous tracking and obstacle sensing capabilities never before seen in a DJI drone. Using the main camera and the front dual vision cameras, the Mavic 2 creates a three-dimensional map of the area in front of it, and uses new trajectory algorithms to analyze motion and predict the subject’s path up to three seconds in the future. When tracking a target, the Mavic 2 can recognize and avoid obstacles while shooting your target without interruption. It can stay on target, even if your subject momentarily goes behind an obstacle, and can track the subject at higher speeds of up to 44 mph (72 km/h).

Safer, Smarter and Stable Flight

The Mavic 2 delivers autonomous flight capabilities that help you capture shots with even more confidence in complex environments. A fully upgraded FlightAutonomy system transmits data to a more powerful central processor for more accurate obstacle sensing and safer flight. For the first time ever in a DJI drone, Mavic 2 has 10 sensors on all sides of the aircraft to automatically detect obstacles in its path and help prevent collisions, allowing you to focus on capturing the perfect shot.

An improved Advanced Pilot Assistance System (APAS) allows the aircraft to analyze its surrounding environment and automatically fly around obstacles without stopping. In addition, the Mavic 2 has a Bottom Auxiliary Light that turns on automatically to ensure safe and precise landings in low-light situations.

A newly designed OcuSync 2.0 video transmission system enables a more stable connection between the drone and its remote controller. The system features stronger interference resistance and auto-switching capabilities that support both 2.4 GHz and 5.8 GHz frequency bands with the capability to use different frequencies for uplink and downlink data streams. It delivers 1080p video transmission feeds at a distance of up to 8 km, allowing you to instantly edit and upload Full HD footage directly from the video cache in the DJI app in a wider variety of situations. Original resolution photos in JPEG can be saved directly to your mobile device, so you can immediately share what you create without the need to transfer files from the drone.

Aerodynamic Design and Extended Flight Time

The Mavic 2’s redesigned, more aerodynamic airframe reduces body drag by up to 19% compared to the Mavic Pro, allowing the Mavic 2 to fly at speeds of up to 44 mph (72 km/h) in Sport mode. Combined with a more efficient, quieter propulsion system and noise reducing propellers, the Mavic 2 has a maximum flight time of up to 31 minutes.

To ensure crisp photos and smooth, shake-free footage, the Mavic 2 houses an ultra-precise three-axis mechanical gimbal to stabilize its camera even during high-speed motion. Photos and videos can be saved directly to the drone using its 8 GB onboard storage. All DJI users have control over how their data is stored and managed, as part of DJI’s commitment to protecting its customers' data.

A redesigned remote controller features detachable control sticks for ease of storage and portability. The Mavic 2 is compatible with DJI Goggles with the gimbal (yaw) control range up to -75°– +75° in Head Tracking mode, offering users a more immersive FPV flight experience.

Price and Availability

The US retail price of a Mavic 2 Pro, including the drone, battery, remote controller, charger, and four pairs of propellers, is $1,449 USD. The US retail price of a Mavic 2 Zoom, including the drone, battery, charger, remote controller and four pairs of propellers, is $1,249 USD. A Fly More Kit, including two additional batteries, a multi-battery charging hub, a car charger, a battery to power bank adapter, two pairs of propellers and a carrying bag, retails at $319 USD. A gimbal replacement service exclusively for Mavic 2 will be available soon.

Starting today, the Mavic 2 is available for preorder at DJI authorized retailers.

B&H has the DJI Mavic 2 Pro and DJI Mavic 2 Zoom available for preorder.

Preorders for the new Nikon mirrorless gear & the AF-S NIKKOR 500mm f/5.6E PF ED VR Lens are now live:

Nikon Z7 Mirrorless Camera - B&H | Adorama | Amazon | Wex

Nikon Z6 Mirrorless Camera - B&H | Adorama | Amazon | Wex

Nikon NIKKOR Z 24-70mm f/4 S Lens - B&H | Adorama | Amazon | Wex

Nikon NIKKOR Z 35mm f/1.8 S Lens - B&H | Adorama | Amazon | Wex

Nikon NIKKOR Z 50mm f/1.8 S Lens - B&H | Adorama | Amazon | Wex

Nikon Mount Adapter FTZ - B&H | Adorama | Wex

Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR Lens - B&H | Adorama | Wex

From Nikon:

MELVILLE, NY – Nikon Inc. is pleased to announce the release of the full-frame (Nikon FX–format) Nikon Z 7 and Nikon Z 6 mirrorless cameras, as well as NIKKOR Z lenses, featuring a new, larger-diameter mount to enable the next generation of ultimate optical performance.

Mirrorless Reinvented

The new Nikon Z mount system is comprised of mirrorless cameras and compatible NIKKOR Z lenses and accessories. This system has been realized through the pursuit of a new dimension in optical performance. It has inherited Nikon’s tradition of quality, superior imaging technology, intuitive operability and high reliability, all innovated from its digital SLR cameras.

At the heart of the Z mount system is the new, larger-diameter mount, which unlocks further possibilities of lens design. The Z mount system will offer a variety of high-performance lenses, including the fastest lens in Nikon history, with f/0.95¹. Additionally, the new mount adapter will enable compatibility with NIKKOR F mount lenses, adding to the range of choices for photographers.

The letter “Z” represents the culmination of Nikon’s relentless pursuit of ultimate optical performance, and a bridge to a new chapter. It is about redefining possibilities to provide image makers with tools to pursue greater creativity.

Nikon will expand the value of mirrorless cameras through the pursuit of a new dimension in optical performance, and by upholding Nikon’s tradition of quality while responding to the evolution of imaging technology. By providing image makers with stimulating new products, Nikon will continue to lead imaging culture.

Z 7, Z 6 Product Overview

The Z 7 and Z 6 are equipped with a new backside illumination Nikon FX-format CMOS sensor with built-in focal-plane phase-detection AF pixels, and the latest image-processing engine, EXPEED 6.

The high-resolution Z 7 has 45.7 effective megapixels, and supports a standard sensitivity range of ISO 64–25600. In combination with NIKKOR Z lenses, the camera achieves an outstanding level of sharpness and detail, all the way to the edges of the image.

The versatile Z 6 is an all-purpose FX-format camera with 24.5 effective megapixels, and supports the wide sensitivity range of ISO 100–51200. With superior performance at high ISO sensitivities and full-frame 4K UHD video capture with full pixel readout, the Z 6 responds to a variety of needs, such as shooting in dimly lit environments and high-quality movie recording.

These two models combine legendary Nikon reliability and a familiar interface with the benefits of a mirrorless, including rapid FPS, hybrid AF, silent shooting and advanced multimedia capabilities.

Primary Features of the Z 7 and Z 6

• Equipped with a new backside illumination Nikon FX-format CMOS sensor with focal-plane phase-detection AF pixels
  The Z 7 and Z 6 are equipped with a new backside illumination, Nikon FX-format CMOS sensor with focal-plane phase-detection AF pixels, and the latest image-processing engine, EXPEED 6. The Z 7 has 45.7 effective megapixels and supports ISO 64–25600 range of standard sensitivities (reduction to the equivalent of ISO 32 and expansion to the equivalent of ISO 102400 is also possible). The Z 6 has an effective pixel count of 24.5 megapixels, and supports a broad range of standard sensitivities, from ISO 100–51200 (additional reduction to the equivalent of ISO 50 and expansion to the equivalent of ISO 204800).
• A fast and accurate hybrid AF system with focus points covering approximately 90% of the imaging area
  The Z 7 has 493 focus points² and the Z 6 has 273 focus points², enabling broad coverage of approximately 90% of the imaging area both horizontally and vertically. This hybrid AF system uses an algorithm optimized for the FX-format sensor, to automatically switches between focal-plane phase-detection AF and contrast-detect AF when focusing to achieve focus. Newly-designed NIKKOR Z lenses take full advantage of this system, providing faster, quieter and with increased AF accuracy than previously possible for both still images and videos.
• The new EXPEED 6 image-processing engine for sharp and clear imaging, and new functions that support creativity
  The Z 7 and Z 6 are equipped with the new EXPEED 6 image-processing engine. Employing the superior resolving power of NIKKOR Z and NIKKOR F mount lenses, subjects are rendered more sharply than ever before. Noise is also effectively reduced. Additionally, a mid-range sharpening option has been added to Picture Control sharpness parameters. This option, along with existing sharpening and clarity parameters, allows users to make various textures within the screen sharper or softer, for both still images and video³. The cameras also offer 20 options of Creative Picture Control, supporting creative imaging expression. The effect level is adjustable from 0 to 100.
• An electronic viewfinder that utilizes Nikon's superior optical and image-processing technologies to offer a clear and natural view
  The electronic viewfinder adopted for the Z 7 and Z 6 is comfortable and easy to use, comparable to optical viewfinders. Both cameras are equipped with an electronic viewfinder for which an approximately 3690k-dot OLED panel has been adopted. The electronic viewfinder has frame coverage and magnification of approximately 100% and 0.8x, respectively, as well as an approximately 37.0° diagonal viewing angle. It draws on Nikon's superior optical technologies and image-processing technologies, ensuring a clear and comfortable view, with reduced aberration and minimum eyestrain, even during extended shoots. Furthermore, a fluorine coat that effectively repels dirt has been applied to the eyepiece protection window. In addition, the menu can be displayed in the electronic viewfinder, allowing users to quickly view and adjust a variety of shooting settings, including ISO sensitivity, AF-area mode, and Picture Control, all while looking through the viewfinder.
• An ergonomic design unique to Nikon that enables intuitive and familiar operation
  The Z 7 and Z 6 have inherited the superior operability that Nikon has cultivated over the years through its development of cameras. The bodies are compact, while boasting a firm grip that is easy to hold, and the sub-selector and buttons such as AF-ON, ISO, and exposure compensation are all placed so that they can be operated swiftly and easily. Additionally, a display panel has been placed on the top plate of the camera, where information about settings can be displayed, similar to high-end digital SLR camera models.
• Video functions such as 10-bit N-Log that enables wide dynamic range, and timecoding that respond to professional needs
  The Z 7 and Z 6 support recording of not only full-frame 4K UHD (3840 x 2160)/30p movies using the FX-based video format, but also Full-HD/120p movies. Sharper 4K UHD movies are made possible, using the full-pixel readout⁴. Additionally, Active D-Lighting, electronic vibration reduction, and focus peaking can be used with 4K UHD and Full-HD movie recording. Nikon’s original N-Log color profile can also be used with 10-bit⁵ HDMI output. The N-Log setting utilizes extensive color depth and twelve-stop, 1,300% dynamic range to record a wealth of tone information from highlights and shadows for more effective color grading. Timecode support makes synchronizing video and sound from multiple devices easier. Additionally, the control ring built into NIKKOR Z lenses can be used to quietly and smoothly adjust settings such as aperture and exposure compensation.
• Nikon's first⁶ in-camera vibration reduction with approx. 5.0-stop⁷ effectiveness
  The Z 7 and Z 6 are equipped with in-camera vibration reduction (VR). The VR unit provides compensation for movement along five axes. The effects of vibration reduction are equivalent to a shutter speed up to approximately 5.0 stops⁷. This function can also be used effectively with NIKKOR F lenses, including those not equipped with a VR function, with the Mount Adapter FTZ (sold separately)⁸.
• Other features
• Same level of strength and durability, as well as dust- and drip- resistance, as the Nikon D850, offered in a compact body
• A 3.2-in., approximately 2100k-dot touch-sensitive LCD monitor, with a tilting mechanism
• Silent photography function eliminates shake and noise caused by shutter release
• Peaking stack image function⁹ enables confirmation of the area in focus after shooting using focus shift, which is convenient for focus stacking¹⁰
• High-speed continuous shooting (extended)¹¹ at approximately 9 fps (Z 7) and 12 fps (Z 6) captures fast motion
• Interval timer photography that makes 8K (Z 7) time-lapse movie creation¹⁰ possible
• An extended low-light metering range¹² allows users to easily capture scenes such as the transition from sunset to starry night sky, using aperture-priority auto exposure
• Built-in Wi-Fi for direct connection to a smart device using SnapBridge
• Built-in Wi-Fi makes the transfer of images and movies to a computer possible
• Support for existing digital SLR camera accessories such as the EN-EL15/a/b batteries, WT-7/A/B/C Wireless Transmitter (available separately) for transferring images and movies at high speed over a wired or wireless LAN, and radio-controlled/optical controlled Advanced Wireless Lighting, which makes flexible multi-flash photography possible

Development of the MB-N10 Multi-Power Battery Pack

The MB-N10 Multi-Power Battery Pack that is currently in development will hold two EN-EL15b, effectively increasing the number of shots possible and/or movie recording time by approximately 1.8x. It will provide the same level of dust and drip resistance as the Z 7 and Z 6, and will support USB charging using the EH-7P Charging AC Adapter. Information regarding the release of this product will be announced at a later date.

Price and Availability

The Nikon Z 7 will be available September 27 for a suggested retail price (SRP) of $3399.95* for the body-only configuration, or for $3999.95 SRP as a kit with the new NIKKOR Z 24-70 f/4 S lens. The Nikon Z 6 will be available in late November for the $1995.95 SRP for the body only configuration, or for the $2,599.95 SRP with the NIKKOR Z 24-70mm f/4 S lens kit.

Footnotes:

¹ Within interchangeable lenses for Nikon SLR cameras and Advanced Cameras with Interchangeable Lens.
² With FX (36x24) image area and single-point AF enabled.
³ Mid-range sharpness adjustment is only possible at “High quality” movie setting.
⁴ DX-based movie format with the Z 7.
⁵ Simultaneous recording of 4K UHD movies with 10-bit output to the camera's memory card is not possible.
⁶ Among interchangeable-lens cameras.
⁷ Measured in accordance with CIPA standards (using the NIKKOR Z 24-70mm f/4 S, with zoom set at the maximum telephoto position)
⁸ The level of compensation achieved when a NIKKOR F mount lens is used is not as high as that of a NIKKOR Z lens
⁹ Can only be confirmed using the camera with which focus shift was performed.
¹⁰ Third-party software is required.
¹¹ Continuous H (extended) in 12-bit RAW, JPEG, or TIFF format.
¹² With interval timer shooting or time-lapse movie recording with silent photography and exposure smoothing enabled.

Preorders:

Nikon Z7 Mirrorless Camera - B&H | Adorama | Amazon | Wex

Nikon Z6 Mirrorless Camera - B&H | Adorama | Amazon | Wex

From Nikon:

Designed Exclusively for the Nikon Z Mount System, Featuring a New, Larger-Diameter Mount

MELVILLE, NY – Nikon Inc. is pleased to announce the release of three new lenses designed for the next-generation Nikon Z mount system's full-frame (Nikon FX format) mirrorless cameras, for which a new larger-diameter mount has been adopted. The three new lenses are the standard zoom NIKKOR Z 24-70mm f/4 S, the wide-angle prime NIKKOR Z 35mm f/1.8 S, and the standard prime NIKKOR Z 50mm f/1.8 S. Nikon has also announced the Mount Adapter FTZ for Z System compatibility with existing NIKKOR F mount lenses and development of the NIKKOR Z 58mm f/0.95 S Noct lens1.

NIKKOR Z lenses pursue a new dimension in optical performance, by taking advantage of the superior design flexibility made possible by the combination of the larger Z mount with its inner diameter of 55mm, and a short flange focal distance of 16mm. The lenses offer sharp resolution with both still-image and video recording, and are equipped with functions that include: compensation for focus breathing (the shifting of the angle of view when focus is adjusted), quiet operation, smooth exposure control, a control ring and performance that is well suited for video capture.

The NIKKOR Z 24-70mm f/4 S, NIKKOR Z 35mm f/1.8 S, and NIKKOR Z 50mm f/1.8 S are S-Line interchangeable lenses. The S-Line is a newly designated grade of NIKKOR Z lenses that adhere to a new benchmark in optical performance, realizing rendering performance that surpasses that of conventional f/4 standard zoom lenses and f/1.8 wide-angle or standard prime lenses. From maximum aperture, clear and sharp resolution can be achieved as well as beautiful bokeh characteristics.

Additionally, the Mount Adapter FTZ has been designed to allow users of Nikon SLR cameras to utilize their existing NIKKOR F mount lenses with the Z mount system and enjoy taking advantage of an even wider variety of lens characteristics with their photography.

Development of the NIKKOR Z 58mm f/0.95 S Noct

Nikon is currently developing the NIKKOR Z 58mm f/0.95 S Noct, a standard prime manual focus lens and the fastest lens in Nikon’s history. The design of the Noct lens exemplifies Nikon’s mission to pursue the ultimate optical performance in the mirrorless category. As the result, the Noct is positioned at the top of the S-Line. In addition, Nikon is planning on releasing a variety of new lenses that will continue to expand its line of attractive, high-performance NIKKOR Z lenses that further extend photographers' creative expressions.

NIKKOR Z 24-70mm f/4 S Primary Features

• Standard focal-length range from wide-angle 24mm to medium-telephoto 70mm can effectively cover a wide variety of scenes and subjects with rendering performance that will change the perception of what is possible with zoom lenses with a maximum aperture of f/4
• Optical design that suppresses variations in aberrations from shooting distances of close-up to infinity, demonstrating sharp resolution even in the peripheral areas of the frame from the maximum aperture, as well as fine point-image reproduction
• Achieved a minimum focus distance of just 0.3 m across the zoom range
• Adoption of an ED glass element, an aspherical ED lens element, and three aspherical lens elements
• Nano Crystal Coat adopted to suppress ghosting and flare
• Has the size needed to deliver an extremely high standard of optical performance, yet provides outstanding portability; employs a retracting mechanism that can be set on/off without pressing a button and reduces total length for a compact lens that can easily be taken anywhere
• In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed
• Fluorine coat applied to front lens surface

NIKKOR Z 50mm f/1.8 S Primary Features

• Superior rendering ignites creativity, and redefines perceptions of what a 50mm f/1.8 lens can do
• Thorough suppression of axial chromatic aberration ensures superior resolution with faithful reproduction of the fine textures in subjects, even from maximum aperture
• Sharp and clear rendering of details from the center of the frame to the peripheral edges, regardless of the shooting distance
• The soft and beautiful bokeh characteristics at any shooting distance possible only with a fast (bright) lens
• Adoption of two ED glass, and two aspherical lens elements
• Nano Crystal Coat adopted to suppress ghosting and flare
• Adoption of a new, powerful stepping motor (STM) enables quiet and accurate AF control during both still-image capture and video recording
• In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed

Mount Adapter FTZ Primary Features

• Full compatibility with more than 90 lenses and functionality with approximately 360 existing NIKKOR F lenses from AI type onwards2
• The unique characteristics of NIKKOR F mount lenses can be applied to Z mount system image quality
• In-camera VR (Vibration Reduction) with three-axis VR is available when attaching a NIKKOR F lens without built-in VR; in-camera VR also performs well with stills and video recording
• When attaching a NIKKOR F lens with built-in VR, lens VR and in-camera VR effectively work together to compensate for camera shake by enabling three-axis VR.
• Various sections of the adapter are effectively sealed to ensure dust- and drip-resistant performance equivalent to that of NIKKOR F lenses
• Designed to be lightweight yet tough with consideration for superior operability as a part of a complete system

Development of the New NIKKOR Z 58mm f/0.95 S Noct Lens that Pursues Ultimate Optical Performance

The NIKKOR Z 58mm f/0.95 S Noct that Nikon is currently developing will be a large aperture, standard 58mm prime focal-length, the fastest lens in Nikon’s history3, manual-focus lens positioned at the very top of the S-Line. It will stand to symbolize the Nikon Z mount system's new dimension in optical performance.

It has inherited the design concept behind the original AI Noct-NIKKOR 58mm f/1.2, a standard prime lens released in 1977, named for “Nocturne” (a musical composition inspired by or evocative of the night), and was popular for its ability to finely reproduce point light sources as point images. This new Noct lens that is currently in development will take advantage of the advanced design flexibility afforded by the Z mount, pursuing ultimate optical performance. Development continues with the goals of achieving an extremely fast maximum aperture of f/0.95, offering the ultimate in NIKKOR rendering performance with superior detail and sharpness. Additionally, the goal is to achieve beautiful blur characteristics, or bokeh, with good continuity, and ensure outstanding point-image reproduction capabilities for more compelling, three-dimensional imaging.

The NIKKOR Z Lens Roadmap

Price and Availability

The NIKKOR Z 24-70mm f/4 S and NIKKOR Z 35mm f/1.8 S will be available September 27 for the suggested retail prices (SRP) of $999.95* and $849.95*, respectively. The NIKKOR Z 50mm f/1.8 S lens will be available in late October for the SRP of $599.95*. The Mount Adapter FTZ will be available September 27 for $249.95* SRP (Additional $100 savings when purchased together with a Z 7 or Z 6, through 12/31/2018).

Preorders:

Nikon NIKKOR Z 24-70mm f/4 S Lens - B&H | Adorama | Amazon | Wex

Nikon NIKKOR Z 35mm f/1.8 S Lens - B&H | Adorama | Amazon | Wex

Nikon NIKKOR Z 50mm f/1.8 S Lens - B&H | Adorama | Amazon | Wex

Nikon Mount Adapter FTZ - B&H | Adorama | Wex

From Nikon:

MELVILLE, NY – Nikon Inc. is pleased to announce the release of the AF-S NIKKOR 500mm f/5.6E PF ED VR, a fixed focal length super-telephoto lens compatible with Nikon FX-format digital SLR cameras.

The AF-S NIKKOR 500mm f/5.6E PF ED VR is a high-performance, FX-format, super-telephoto lens that supports 500 mm focal length. The adoption of a Phase Fresnel (PF) lens element has significantly reduced the size and weight of the lens, making hand-held super-telephoto photography easier and more enjoyable.

With a maximum diameter of 106 mm and length of 237 mm, the AF-S NIKKOR 500mm f/5.6E PF ED VR, which weighs 1,460g (roughly the same weight as the AF-S NIKKOR 70-200mm f/2.8E FL ED VR) is significantly lighter than previous 500mm lenses which can typically weigh up to more than 3,000g. The AF-S NIKKOR 500mm f/5.6E PF ED VR is designed with consideration to dust- and drip- resistance, which in addition to the fluorine coat applied to the front lens surface, allows greater agility when shooting.

The use of one PF lens element and three ED glass elements enables extremely sharp and detailed rendering that is compatible with high pixel-count digital cameras. In addition, the materials used in the new PF lens element have been developed effectively to reduce PF (diffraction) flare, allowing light sources to be reproduced in near-original colors. In combination with Nikon's coating technologies, such as the Nano Crystal Coat, effective in controlling ghost and flare, extremely clear images are achieved.

AF speed has been increased by making lens elements in the focusing group lighter. The AF-S NIKKOR 500mm f/5.6E PF ED VR is equipped with a VR mechanism that offers camera shake compensation equivalent to a 4.01-stop increase in shutter speed. The SPORT VR mode that has been adopted is especially effective when photographing fast-moving and unpredictable subjects such as wild birds, or in scenes such as sporting events. The stabilization of the image displayed in the viewfinder is also an effective feature for recording movies.

Additionally, the use of the Mount Adapter FTZ will allow the lens to be used with mirrorless cameras Nikon Z 7 and Nikon Z 6, also announced today. Users will be able to enjoy super-telephoto shooting at the 500 mm focal length with a system that is even more compact than ever before.

We are also planning to release the Dot Sight DF-M1, an accessory that is highly effective with super-telephoto photography. With super-telephoto shooting, a narrow field of view in the viewfinder tends to be made visible – making it easy to lose track of the subject. The Dot Sight DF-M1 makes it easy to keep track of the intended subject within the frame, even if the subject exhibits sudden movement.

PF (Phase Fresnel) Lens Elements

The PF (Phase Fresnel) lens, developed by Nikon, effectively compensates chromatic aberration, utilizing the photo diffraction phenomenon2. It provides superior chromatic aberration compensation performance when combined with a normal glass lens. Compared to many general camera lenses that employ an optical system using the photorefractive phenomenon, a remarkably compact and lightweight body can be attained with fewer lens elements.

Primary Features

• Significantly smaller and lighter with the adoption of a Phase Fresnel (PF) lens element, making 500 mm hand-held super-telephoto photography easier and more enjoyable
• Designed with consideration to dust- and drip-resistance; fluorine coat applied to front lens surface, effectively repelling water droplets, grease, and dirt
• Adoption of one PF lens element and three ED glass elements for extremely sharp and detailed rendering, compatible with high pixel-count digital cameras
• Optical performance that is not compromised with the use of the TC-14E III AF-S teleconverter
• Materials used in the new PF lens element effectively control PF (diffraction) flare
• Ghost and flare effectively suppressed with the adoption of the Nano Crystal Coat, enabling clear images
• AF speed increased by making lens elements in the focusing group lighter
• Equipped with a VR mechanism that offers camera shake compensation equivalent to a 4.01-stop increase in shutter speed, in two modes: NORMAL and SPORT
• Electromagnetic diaphragm mechanism adopted for extremely precise aperture control

Optional Accessories

We will release the Dot Sight DF-M1 (available separately), an accessory that is highly effective with super-telephoto photography. This accessory makes it easy to keep track of the intended subject, even if the subject exhibits sudden movement.

Price and Availability

The AF-S NIKKOR 500mm f/5.6E PF ED VR will be available September 13 for the suggested retail prices (SRP) of $3,599.95. The Dot Sight DF-M1 will be available for $174.95 SRP.

Preorders:

Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR Lens - B&H | Adorama | Wex

I am very much looking forward to spending some time photographing whitetail buck during the rut in beautiful Shenandoah National Park this fall and would love to have you join me! The Wed-Sat spaces have been filled, but space for two people remains available during the Sun-Wed dates. Interested in taking your wildlife photography skills to the next level? join me!

Get the details here: Whitetail Buck in Rut and More

A 70-200mm telephoto zoom lens is an extremely versatile tool. So veratile, in fact, it's often a pro photographer's most-used lens (or maybe just behind their general purpose zoom). Engagements, weddings, parties, events, theater, stage performances, high school senior, fashion, documentary, lifestyle, zoo, product and landscape photography are all great uses for this focal length range.

If you're looking to add a 70-200(ish) mm zoom lens to your kit, and don't need an f/2.8 max aperture and/or don't want the size/weight/cost penalties tied to the wider aperture, then the Canon EF 70-200mm f/4L IS II USM and Tamron 70-210mm f/4 Di VC USD Lens are likely at the top of your considerations list. Both lenses feature an f/4 max aperture that can be stopped down to f/32, nine rounded aperture blades and built-in stabilization. Where the two lenses differ, of course, will determine which one is the better candidate for your kit.

Canon EF 70-200mm f/4L IS II USM and Tamron 70-210mm f/4 Di VC USD Shared Features

• 70-200mm-class focal length range
• Constant f/4 max aperture; can be stopped down to f/32
• 9 rounded aperture blades
• Built-in stabilization
• High grade build quality with weather sealing
• Optional tripod ring

Primary Advantages of the Canon EF 70-200mm f/4L IS II USM Lens

• Better image stabilization: 5-stops vs. 4
• Slightly lighter weight: 28.2 oz (800g) vs. 30.3 oz (859g)
• Autofocus range limiter vs. none
• Better AF performance, especially when using the outer AF points
• Better balance: rearward positioned zoom ring vs. forward positioned

Primary Advantages of the Tamron 70-210mm f/4 Di VC USD Lens

• Slightly smaller size: 2.99 x 6.9” (76 x 175.3mm) vs. 3.15 x 6.93” (80 x 176mm)
• Higher maximum magnification: 0.32x vs. 0.27
• Focus calibration can be adjusted by focal length range and subject distance in the lens via optional TAP-in Console accessory vs. adjusted by focal length range only in camera via camera bodies with Autofocus Microadjustment feature
• Extra 10mm of focal length range on the long end
• Lower cost

Other things to consider:

• Filter size: 72mm (Canon) vs. 67mm (Tamron)
• Large magnification change while zooming (Tamron)
• Rings rotate in the Nikon-standard direction (Tamron)
• The Canon is noticeably sharper at f/4 (especially at 200mm) and shows less flare
• The Tamron shows less vignetting and geometric distortion

Who should opt for the Canon EF 70-200mm f/4L IS II USM Lens?

From an image quality perspective, most photographers will appreciate the sharpness of the Canon EF 70-200mm f/4L IS II USM's images compared to the better distortion and vignetting performance of the Tamron. If you're shooting in situations where you can't afford to miss focus, the Canon's better autofocus performance (both in accuracy and consistency) will more than offset the lens' higher acquisition cost, especially in low light situations. And in regards to low light situations, the Canon's 1-stop higher rated stabilization system will help you get sharper images of non-moving subjects under the same shooting conditions. For those that will typically utilize the lens at its longest focal length, the Canon's better image quality at 200mm will certainly be appreciated. If intending on having your 70-200mm lens mounted for long periods of time, the Canon's rearward positioned zoom ring will certainly be more comfortable to use. And finally, if you currently only have Canon-made zoom lenses in your kit, acclimating to Tamron's reversed rotating zoom and focus rings can be maddening, especially when a fleeting shot opportunity requires a fast reaction speed.

Who should opt for the Tamron 70-210mm f/4 Di VC USD Lens?

If your budget does not extend to the Canon equivalent, the Tamron 70-210mm f/4 Di VC USD Lens offers many of the same benefits at at less than two-thirds the cost (without rebates). For those who plan on using their medium telephoto zoom primarily for static portraiture, especially when a focus-and-recompose technique can be employed while using the enter AF point, the Tamron's AF performance should be more than sufficient for the task. Do you own an EOS Rebel-series camera body without the ability to fine-tune AF parameters via Autofocus Microadjustment? The Tamron may prove to be the safest choice as you can compensate for autofocus miscalibration issues via the optional TAP-in Console; if you experienced a similar issue with the Canon lens, you'd need to send your camera and lens to Canon's Service Department for calibration, a much less convenient solution to the problem.

Note about focal length range difference: The extra 10mm of focal length range provided by the Tamron will not be terribly significant from a practical standpoint. For instance, the difference in framing the an identical target at 200mm with the Canon and 210mm with the Tamron amounted to slightly more than 1' (305mm), meaning you could get the same basic framing with the Canon lens by leaning forward.

Summary

As you can see, from a specifications standpoint, these lenses are very similar. If your budget extends to the Canon EF 70-200mm f/4L IS II USM, and you'll be using it with a body that features Autofocus Microadjustment, we highly recommend adding the L-series lens to your kit because of its sharpness, IS/AF and balance advantages over the Tamron. However, if your budget is more limited, the Tamron 70-210mm f/4 Di VC USD is an excellent value when its versatility and overall performance are considered.

Relevant Info

• Canon EF 70-200mm f/4L IS II USM Lens Review
• Tamron 70-210mm f/4 Di VC USD Lens Review

From Adobe:

This release of Lightroom Classic CC rolls out new features and enhancements such as Book module update, customizing pages, uploading Presets and Profiles in bulk, support for new cameras and lenses, and bug fixes.

Book module enhancements

New Blurb Book styles and Paper type

In this release of Lightroom Classic CC, two new book types (Blurb Magazine and Blurb Trade Book) and a new paper type (Standard Layflat) have been introduced in the Book module.

New Blurb Book styles

To access the new Blurb book styles, do the following:

1. Navigate to the Book module.
2. In the Book Settings panel on the right, click the Book drop-down list.
3. In the drop-down list, you can choose from Blurb Photo Book, PDF, JPEG, and the newly introduced Blurb Magazine and Blurb Trade Book.

1. In the Book Settings panel, select Book as Blurb Photo Book.
2. In the Paper Type drop-down list, you can choose from Premium Lustre, Premium Matte, ProLine Uncoated, ProLine Pearl Photo, Standard, and the newly introduced Standard Layflat. When using Standard Layflat, the minimum page count is 33 due to the binding requirements. The minimum page count for all other paper types is 20.

You can now select where page numbers are printed on a book, including on only left or right pages, or all pages. To adjust the location and display of page numbers in a book, do the following:

1. Navigate to the Book module.
2. In the Page panel on the right, select the Page Numbers check box to enable the following options:
1. Location: Choose where you want to print the page number on page - Top Corner, Bottom Corner, Top, Side, or Bottom.
2. Display: Choose which pages in the book you want to print the page numbers on - Left and Right, Left Only, or Right Only.

You can now add your own custom-sized cells within a page that are not restricted by the standard padding. Add multiple cells on a page, move specific cells to the front or back and drag the cell exactly where you want it. Then, save the look as a custom page to use the look again for another photo book. To add a new cell to a page:

1. Select the page in the preview area.
2. Right-click (Win) / Control-click (Mac) anywhere on the page and choose Add Cell > Photo or a Photo Description from the context-menu.

1. Select a cell. A bounding box appears around the cell.
2. To move the selected cell to a specific location on the page, drag the square icon at the center of the bounding box. Alternatively, use Alt (Win)/Option (Mac) + Arrow keys to move the selected cell.
3. To adjust the size of the selected cell, drag one of the corner handles of the bounding box.

1. Select a cell.
2. Right-click (Win) / Control-click (Mac) and choose one of the Send to Back or Bring To Front options from the context-menu.

1. Select a page in the preview area.
2. Right-click (Win) / Control-click (Mac) anywhere on the page and choose Save As Custom Page from the context-menu. You can access the saved custom page in the Page panel on the right.

In the Activity and Status area at the upper-left corner of the window (next to the Lightroom icon), you can now also pause and resume the upload of the pages to Blurb in the expanded progress bar.

Upload Presets and Profiles in bulk

Starting with this release, you can now import multiple presets or profiles in a zip file into Lightroom Classic.

1. Navigate to the Develop module.
2. Do any one of the following:
• From the menu bar, choose File > Import Develop Profiles and Presets.
• In the Presets panel, click the plus (+) icon at the upper-right corner and choose Import Presets from the menu.
• In the Basic panel, click the Show Profile Browser icon in the Profile area. In Profile Browser, click the plus (+) icon at the upper-left corner and choose Import Profiles from the menu.
3. In the import dialog that appears, select the .zip containing profiles and presets that you want to import. You can import XMP presets and profiles, DCP profiles, and LCP profiles as part of a zip file. However, .lrtemplate presets can't be imported as part of a zip file.

Beginning with this release, Lightroom Classic CC now supports Apple's HEIC image file format on Windows 10.

Support for new cameras and lenses

• Parrot Anafi
• Sony RX100 VA (DSC-RX100M5A)
• Sony RX100 VI (DSC-RX100M6)

Fixed customer issues

Issues fixed in Lightroom Classic CC 7.5 (August 2018 release)

• Touch workspace appears broken (thumbnails missing)
• Preset incorrectly disables Lens Correction
• Preset works all the time with raw files but only some of the time with a JPG file
• Export using percentage results in wrong dimensions
• Crop/Transform overlays are hard to see on lighter images
• Imported movie file is saved to a different folder from capture date and time
• In Book module, the sample text in the layout caption prints as 'Page Text' when exported to a PDF or a Blurb Book
• Turning off Black & White Mix panel changes profile from Adobe Monochrome to Adobe Standard B&W
• Dehaze tool causes lag in develop sliders
• Unable to read multiple metadata fields in CR3 files
• GPU rendering will not complete in Develop mode at Fit/Fill zoom levels
• Replacing an existing preset doesn't work
• Right-click to create new collection will default to the wrong collection set
• Toggling Camera Calibration panel on/off after selecting Camera Matching Profile shows visual difference in Loupe
• Incorrect date-time applied to filename when renaming video files

B&H carries Adobe Photography Plan subscriptions.

From the Adobe Photoshop YouTube Channel:

Learn how to change the Canvas Size of a document in Photoshop. For more in-depth tutorials, training, techniques, and shortcuts for working with Adobe Photoshop and Lightroom, check out Julieanne’s blog at https://blogs.adobe.com/jkost.

B&H carries Adobe Photography Plan subscriptions.

I have refreshed the list of gear that I'm moving out, funding some changes we've made (and providing a glimpse at those):

Bryan's Used Gear for Sale

Let me know if you have any questions!

From Delkin:

POWAY, CA, AUGUST 21, 2018 - Delkin Devices, a manufacturer of flash storage solutions and camera accessories, announced today the newest addition to their ever-growing line of memory-based products: Premium 2933X XQD memory cards. Version 2.0 compliant with speeds suitable for professional photographers and videographers, Delkin XQD cards are specifically designed to excel in the latest generation of cinematic hosts from both Sony & Nikon. As not all memory manufacturers are authorized to produce and sell XQD, Delkin is grateful for the opportunity to provide consumers another choice.

Utilizing a 2nd generation PCI Express interface and delivering blazing-fast write speeds up to 400MB/s (up to 440MB/s read speeds), Delkin Premium XQD memory cards are capable of capturing flawless cinema-quality footage, including DCI 4K & Full HD video at 180 fps, as well as RAW photos in burst mode. Each card has undergone extensive testing to ensure compatibility in today's high-end XQD hosts, including the Nikon D5, D500 & D850, as well as several of Sony's XDCAM Super 35 broadcast camcorders (PXW-FS7 & PXW-FS7M2). It is important to note though that XQD cards are not backwards compatible with either CompactFlash or CFast 2.0 hosts.

As proof that Delkin's XQD cards are built to the highest standard and full compatibility, each card is serialized, like your camera. This allows Delkin to offer the ultimate level of customer support, while providing customers additional protection and insurance for their purchase. Owners can register their Delkin Premium XQD cards at www.delkindevices.com/xqd/.

In addition to their "Lifetime Warranty" policy, Delkin also offers a unique built-in insurance policy for their XQD memory cards, called their "48 Hour, No-Questions-Asked Replacement Guarantee". Not offered anywhere else in the world, Delkin will replace any non-working XQD card within 48 hours or less (not including weekends), prior to receiving your non-working card. Cards can also be replaced over-the-counter at any authorized Delkin XQD reseller.

"This covers the unthinkable, from salt exposure to even pet and child inflicted damage" Jenn Sherry, Delkin's Marketing Manager explains, "Should anything happen, just give us a call and we'll send you a brand new replacement card that you'll receive in less than 48 hours, along with a pre-paid shipping envelope to get your damaged card back to us."

Delkin's "48HR Replacement Guarantee" is also offered on all Premium memory card lines, including BLACK (SD, microSD & CF), PRIME & POWER (SD & microSD), as well as CFast 2.0.

Delkin Premium XQD memory cards come in the following capacities and will start shipping mid/late October: 64GB, 120GB and 240GB.

B&H has the Delkin Premium XQD memory cards available for preorder.

Considering the significant price gap between them, it's reasonable for anyone interested in Sony's mirrorless camera system to wonder, "Should I get the a7R III or the a7 III?" With that mind, we're going to take a closer look at these two camera bodies to see which might be the best choice for your needs.

Sony a7R III & Sony a7 III Shared Features

• E-mount, compatible with full-frame and APS-C lenses
• BIONZ X image processor
• 5-axis Stabilization
• Contrast Detection AF Points: 425
• AF Working Range: EV-3 – EV 20
• Metering System: 1200-zone evaluative, -3 – EV 20
• Exposure Compensation: +/- 5.0EV in 1/3 EV steps
• Auto Exposure Bracketing: Up to 9 shots
• Max Shutter Speed: 1/8000 sec.
• Viewfinder Size: 1.3 cm (0.5-type) OLED
• LCD Size: 2.95 inch (3.0-type) tilting touchscreen
• Flash x-Sync: 1/250 sec.
• Continuous Shooting Speed: max approx. 10 fps
• Video Recording: Up to 4K 3840 x 2160 30p / FHD 1920 x 1080 120p
• Storage: Dual memory card slots (Memory Stick PRO Duo/PRO HG-Duo/Micro M2, SD/SDHC/SDXC)
• Wireless Features: Built-in Wi-Fi, NFC & Bluetooth
• Physical Connections: HDMI Type-D, USB 3.0 Type-C, USB 2.0 Micro-B, Microphone 3.5mm, Headphone 3.5mm
• Operating Range: 32–104°F / 0–40°C
• Size & Weight: 5.0 x 3.9 x 3.0" (126.9 x 95.6 x 73.7mm), approx. 23 oz (650g)
• Compatible Battery Grip: VG-C3EM

Primary Advantages of the Sony a7R III

• Higher Sensor Resolution: 42.4 MP vs. 24.2 MP
• Higher Viewfinder Resolution: 3,686K dots vs. 2,359K
• Higher LCD Resolution: 1,440K vs. 921K
• PC terminal vs. none
• Includes a battery charger vs. optional accessory

Primary Advantages of the Sony a7 III

• More Phase-Detect AF Points: 693 vs. 399
• Larger ISO Range: ISO 100-51200, exp. to ISO 50 and 204800 vs. ISO 100-32000, exp. to ISO 50-102400
• Larger Continuous Buffer (RAW, Uncompressed): 40 vs 28
• Longer Battery Life: 610 shots vs. 530 shots
• Lower price

Who should opt for the Sony a7R III?

With such a huge list of shared features between the two cameras, the a7R III advantages list is unsurprsingly short. While many will appreciate the a7R III's higher resolution viewfinder and LCD panel, undoubtedly the most important difference between the two cameras is sensor resolution. The difference between 42.4 and 24.2 MP is substantial. If you're shooting subjects where resolving small details is a primary concern, or otherwise want the ability to heavily crop photos for better framing (or to extend the reach of a not-long-enough telephoto lens), then Sony a7R III's higher resolution sensor will be worth the incremental investment over the a7 III.

Who should opt for the Sony a7 III?

If you've been on the fence about investing in a Sony mirrorless camera and you don't need the massive resolution of the a7R III or the blazingly fast frame rate of the a9, then the Sony a7 III has your name on it. It may be positioned in the lineup as Sony's entry-level full-frame camera, but the only indication of the a7 III's entry-level status is its price tag. The a7 III's comprehensive assortment of advanced features will make it right at home in many pro, advanced hobbyist or weekend warror kits as a primary or backup camera. For what you get, the Sony a7 III is a bargain.

Relevant Info

• Sony a7R III Review
• Sony a7 III Review

I know, your summer is busy and hopefully you are out capturing amazing images. But, I need to remind you that this site, a free resource that hopefully has value to you, needs your help. The costs, in both time and money, of maintaining and developing this site are substantial.

If everyone visiting TDP contributed $1 per year, we would easily be fully funded. Unfortunately, only a very tiny percentage of site visitors provide support. Thus, your help is greatly needed!

Basically, there are five ways you can help support us. The first is my favorite (and it costs you nothing additional), but hopefully you can use at least two or three of these options regularly:

1. Use the Retailer Links on the Site for Your Purchase of Anything
2. Direct Support
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5. Tell Others

We thank you for your support and look forward to serving you long into the future!

New York, New York – August 20, 2018 – Rokinon has announced its new AF 14mm F2.8 Full Frame Wide Angle Lens for Nikon. It is Rokinon’s 8th auto focus lens and its frst AF lens designed specifcally for Nikon F mount cameras. This new 14mm F2.8 AF lens is designed for high-resolution, well-corrected imagery with the most advanced Nikon Full Frame image sensor cameras. It can also be used on APS-C Nikon models where it will provide a 21mm equivalent focal length.

State of the art manufacturing techniques and an advanced optical design (15 Ultra Multi Coated elements in 10 groups including 2 Aspherical, 1 Extra-Low Dispersion, and 4 High Refractive Index) minimize aberrations, control distortion and provide excellent resolution. The new Rokinon 14mm Lens is also more affordable than others in its class and also provides a slightly wider angle of view of 116.6°.

The ergonomically designed aluminum alloy housing incorporates a M/AF switch that allows the choice of fast and quiet autofocusing or full manual focus control. In addition, when in AF mode, a manual focus override feature is available for fine tuning focus after the lens has autofocused. Additional features include weather sealing, a rounded seven blade aperture for pleasing bokeh and star effects, a built-in lens hood, and a padded lens pouch.

The new Rokinon AF 14mm F2.8 Full Frame Lens for Nikon F is Ideal for real estate interiors and exteriors, astrophotography, landscapes, and travel. It is expected to be available in September with a street price of only $799.00.

B&H carries Rokinon lenses.