Canon and Sony News for Jun 2017 (Page 2)

 Friday, June 23, 2017

From the Adobe Photoshop Lightroom YouTube Channel:

Lightroom tips and tricks in 60 seconds or less from longtime Lightroom team member Benjamin Warde.

B&H carries Adobe Photography Plan subscriptions.

Post Date: 6/23/2017 9:10:58 AM CT   Posted By: Sean

From Tamron:

June 23, 2017, Commack, NY- Tamron, a leading manufacturer of optics for diverse applications, announces the launch of the new 18-400mm F/3.5-6.3 Di II VC HLD (Model B028), the world's first ultra-telephoto all-in-one zoom lens for APS-C DSLR cameras, which covers a focal length range of 18-400mm. Since the 1992 launch of its AF28-200mm F/3.8-5.6 Aspherical (Model 71D), Tamron has dominated the all-in-one zoom category and has produced many lenses that cover wide-angle to telephoto zoom ranges. Tamron has now developed an ultra-telephoto all-in-one zoom that extends to 400mm (35mm equivalent of 620mm) and provides a 22.2x zoom ratio. Packed in a light, compact body (4.8in./24.9oz.)[2] is Tamron's accumulated knowledge and experience for all-in-one zoom lenses, including the most advanced optical and mechanical designs, an HLD (High/Low torque modulated Drive) for the AF system and the Vibration Compensation system. Photographers can now enjoy wide-angle to ultra-telephoto photography using one lens, which is ideal for travel photography and eliminates the need to carry extra lenses. The new Model B028 lens enables photographing a wide variety of ultra-telephoto images including everyday casual scenes. The 18-400mm will be available in the U.S. at the end of July at $649.

Product Highlights

  • The world's first ultra-telephoto all-in-one zoom lens to achieve 400mm telephoto
    The new Model B028 is the world's first lens for APS-C DSLR cameras that covers a focal length range of 18-400mm and achieves a zoom ratio of 22.2x. The focal length of 400mm on the telephoto end enables the capturing of ultra-telephoto pictures with the 35mm equivalent of 620mm angle of view. Now, with just this one lens, a photographer can readily enjoy the power of ultra-telephoto to bring distant subjects closer as well as the perspective-flattening effects that only extreme telephoto settings can achieve. This all-in-one zoom lens is ideal for travel and everyday shooting. It allows a photographer to switch from wide-angle to ultra-telephoto without changing lenses, making it faster and easier to capture a much wider range of subjects including travel scenes, wildlife, action sports, landscapes, cityscapes, portraits and food.
  • Excellent image quality across the entire zoom range, from wide-angle to ultra-telephoto and macro
    The optical construction of the B028 consists of 16 lens elements in 11 groups. The use of specialized glass elements such as LD (Low Dispersion) and aspherical lens elements effectively minimizes wide-ranging aberrations, including chromatic aberrations and distortion, thereby assuring outstanding image quality. Optimum power distribution among the individual lens element groups achieves both the optical performance and the compact size necessary for an ultra-telephoto all-in-one zoom lens that boasts 400mm focal length. Also, it enables tele-macro photography with a maximum magnification ratio of 1:2.9.
  • Lightweight and compact design exhibits Tamron's basic philosophy for all-in-one zoom lenses
    Despite being an all-in-one zoom lens that achieves 400mm ultra-telephoto, Model B028 is light and compact with a total length of 4.8 in. and a weight of 24.9 oz.[3] A new lens barrel design utilizing three-step extensions was developed to enable the necessary elongation to produce a 22.2x zoom ratio. Compared to the conventional approach, the division into a larger number of cams ensures comfortable operation and stability while zooming. Tamron's philosophy for all-in-one zoom lenses is to allow each photographer to casually capture everyday photos with a lens of a practical size, and Model B028 fulfills this philosophy.
  • HLD motor provides high-precision AF and enables compact lens construction
    The AF drive system for Model B028 uses Tamron's exclusive HLD (High/Low torque modulated Drive) motor. The power-saving HLD motor produces outstanding driving torque, and adjusts motor rotation from low to high speed to enable accurate and quiet focusing. The HLD motor takes up less space thanks to its small size and circular arc shape that allows the size of the lens to be reduced.
  • Equipped with the Vibration Compensation system necessary for ultra-telephotography at 400mm
    Despite its compact size, Model B028 is equipped with Tamron's proprietary VC (Vibration Compensation) system, which effectively curbs camera shake under low light conditions (such as a dimly lit room or at dusk) and while taking ultra-telephoto pictures. This greatly expands opportunities for casual handheld shooting. The shake-free stability of the viewfinder image allows for easier framing and enables the photographer to compose the subject quickly and comfortably.
  • Electromagnetic diaphragm system now used also for Nikon-mount lenses
    The electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses[4]. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.
  • User-friendly features for everyday comfortable use
    With an eye toward active outdoor photography, Model B028 features Moisture-Resistant Construction to ensure worry-free shooting as well as confidence while shooting under adverse weather conditions. Also, the Zoom Lock mechanism prevents undesired movement of the lens barrel under its own weight when the camera is angled downward while walking.
  • Compatible with TAP-in ConsoleTM, an optional accessory product
    The optional TAP-in Console provides a USB connection to a personal computer, enabling the user to easily update the lens's firmware as well as to customize features, including fine adjustments to the AF and VC.
  • External design placing importance on functionality and ease of use
    While inheriting the design that makes use of many organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model B028 comes with a highly sophisticated design that also places a lot of importance on the lens's functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring and the switch shape design.

Specifications

ModelB028
Focal Length 18-400mm
Maximum Aperture F/3.5-6.3
Angle of View (diagonal) 75°33' - 4° (for APS-C format)
Optical Construction16 elements in 11 groups
Minimum Object Distance*17.7 in (0.45m)
Maximum Magnification Ratio12.9
Filter Size72mm
Maximum Diameter79mm
Length** for Canon 4.9 in (123.9mm)
for Nikon 4.8 in (121.4mm)
Weight for Canon 25 oz (710g)
for Nikon24.9 oz (705g)
Aperture Blades 7 (circular diaphragm)
Minimum Aperture F/22-40
Image Stabilization Performance
(For Canon : EOS-80D is used / For Nikon: D7200 is used)
2.5 stops (CIPA Standards Compliant)
Standard Accessories Flower-shaped lens hood, Lens caps
Compatible Mounts Canon, Nikon
Model B028

* The minimum object distance may change if camera is used in live view mode.
** Length is the distance from the front tip of the lens to the lens mount face.

B&H has the Tamron 18-400mm f/3.5-6.3 Di II VC HLD Lens available for preorder.

Post Date: 6/23/2017 5:44:51 AM CT   Posted By: Sean
 Thursday, June 22, 2017

Surprisingly, the Sigma 24-70mm f/2.8 DG OS HSM Art and 14mm f/1.8 DG HSM Art lenses are scheduled to start shipping tomorrow, the day immediately following the acceptance of preorders (source: B&H).

Trusted Retailers

Sigma 24-70mm f/2.8 DG OS HSM Art – B&H | Adorama
Sigma 14mm f/1.8 DG HSM Art – B&H | Adorama

Posted to: Canon News, Nikon News, Sony News   Category: Sigma News
Post Date: 6/22/2017 8:36:20 AM CT   Posted By: Sean

Late last month, Canon announced that they planned on purchasing roughly 14 million of its own shares with a 50 billion yen outlay ($450 million dollars). At the time, I remarked that Canon could only afford 12,976,343 shares with the allocated investment at the then-current stock price.

Canon has completed its stock acquisition ahead of schedule, obtaining 12,776,100 shares at a cost of 49,999,720,400 yen ($449,040,488.95 USD), which works out to approx. $35.15 USD per share. At the time of this post, Canon's stock is currently trading at $35.05 USD. [Sean]

Posted to: Canon News   
Post Date: 6/22/2017 7:04:29 AM CT   Posted By: Sean
 Wednesday, June 21, 2017

The wait is almost over; the Sigma 24-70mm f/2.8 DG OS HSM Art and Sigma 14mm f/1.8 Art lenses will be available for preorder from B&H at 1:00am Easter Time (roughly 2 hours after this post).

We expect there to be high demand for these lenses; be sure to preorder early if you want to receive your lens ASAP. Be sure to use the links above to support the site.

Update: Adorama also has the lenses available for preorder.

Posted to: Canon News, Nikon News, Sony News   Categories: Preorders, Sigma News
Post Date: 6/21/2017 10:02:40 PM CT   Posted By: Sean

I've been using The Photographer's Ephemeris for several years now and it's one of the most useful photography apps I've found. By the looks of it, the app is getting even better. I'm hoping an Android version is not too far down the pipeline. When the iOS app launches, you'll be able to find it here. [Sean]

From The Photographer's Ephemeris:

The Photographer's Ephemeris 3D (TPE 3D) is a unique natural light visualization tool for outdoor and landscape photographers. It’s a 3D map-centric Sun, Moon and Milky Way calculator: see how the light will fall on the land, day or night, for any location on earth.

Watch a sunrise from the future in a rich simulation of sunlight, moonlight and starlight set against the actual topography of your planned shooting location.

Need to see when the arch of the Milky Way will rise between two mountain peaks? Need to see what time in the afternoon the valley will lose direct light in September? Watch the light unfold under clear skies hours, days, weeks or years before you’re actually there in person.

Availability

We plan to soft launch TPE 3D in select markets (including Ireland and New Zealand) on Tuesday, June 20 2017.

We expect to make the app available worldwide on Tuesday, June 27.

TPE 3D requires iOS 10. It runs on all devices that support iOS 10, but more modern devices benefit from higher detail in the 3D topography and higher resolution shadows and stars.

Pricing

We plan to launch TPE 3D as a paid app, selling individually for $19.99 in the US ($30.99, Australia, 21,99 € Eurozone, £19.99 UK, based on current Apple pricing tiers).

A bundle will be available making TPE 3D available to users who already own TPE and/or The Photographer' Transit at reduced price. The bundle will launch at $24.99 in the US, for all three apps.

That means that if you have already paid $8.99 for TPE, you can purchase the bundle to add TPE 3D and TPT for $16.00. If you already own both TPE and TPT, you can complete your bundle for $12.00, representing a 40% discount off full price for TPE 3D.

(All pricing is subject to change.)

We expect to offer a pro subscription for future enhancements such as satellite maps and full offline support.

Posted to: Canon News, Nikon News, Sony News   Category: Photography Apps
Post Date: 6/21/2017 10:32:49 AM CT   Posted By: Sean

From Adobe:

SAN JOSE, Calif. – Adobe (Nasdaq:ADBE) today reported financial results for its second quarter fiscal year 2017 ended June 2, 2017.

Financial Highlights

  • Adobe achieved record quarterly revenue of $1.77 billion in its second quarter of fiscal year 2017.
  • Diluted earnings per share was $0.75 on a GAAP-basis, and $1.02 on a non-GAAP basis.
  • Digital Media segment revenue was $1.21 billion, with Creative revenue growing to a record $1.01 billion.
  • Strong Creative Cloud and Document Cloud adoption and retention drove Digital Media Annualized Recurring Revenue (“ARR”) to $4.56 billion exiting the quarter, a quarter-over-quarter increase of $312 million.
  • Adobe Experience Cloud achieved record revenue of $495 million, which represents 29 percent year-over-year growth.
  • Operating income grew 46 percent and net income grew 53 percent year-over-year on a GAAP-basis; operating income grew 42 percent and net income grew 43 percent year-over-year on a non-GAAP basis.
  • Cash flow from operations was $645 million, and deferred revenue grew to approximately $2.07 billion.
  • The company repurchased approximately 2 million shares during the quarter, returning $266 million of cash to stockholders.

A reconciliation between GAAP and non-GAAP results is provided at the end of this press release and on Adobe’s website.

Executive Quotes

“Digital transformation continues to be the burning agenda for creative professionals, enterprises, governments and educational institutions,” said Shantanu Narayen, president and CEO, Adobe. “Adobe is the go-to company for creating world-class digital customer journeys from design to delivery to measurement and monetization.”

“Adobe continues to execute well, with another quarter of record revenue and operating profit in Q2," said Mark Garrett, executive vice president and CFO, Adobe. “We're excited about the strong business momentum we have as we enter the second half of fiscal 2017 and remain confident in our ability to drive strong revenue and earnings growth in the future.”

B&H carries Adobe Photography Plan subscriptions.

Posted to: Canon News, Nikon News, Sony News   Category: Adobe News
Post Date: 6/21/2017 8:54:18 AM CT   Posted By: Sean

From Gitzo:

Upper Saddle River, N.J. (June 19, 2017) - Gitzo, a pioneer in many of the most advanced, revolutionary technologies for professional camera equipment, is celebrating one hundred years of outstanding innovation and technological leadership by launching an exclusive magnesium limited-edition travel tripod - the 100 Year Anniversary Edition.

Gitzo initiated the travel tripod era, creating products designed to be companions for life. The world’s most inspirational brand of tripods and heads is celebrating its first centenary of tradition, innovation and expertise that have made it a beacon of excellence in the photographic world. No other manufacturer has so consistently broken the boundaries of possibility, passionately devising and producing the means through which photographers turn vision into reality.

To mark the occasion, Gitzo has launched the new 100Y “DEFINING TOMORROW” logo, referencing infinity and the creations the company has yet to roll out.

The innovative 100 Year Anniversary Edition Tripod is not just a celebratory photography support. It is the ultimate high-performance professional tool featuring unique design and the very latest technology. This highly desirable flagship product will be available worldwide in an exclusive limited edition of just 1917 pieces, referencing Gitzo’s year of foundation, with the number of each piece laser engraved on one leg (1/1917 to 1917/1917).

The 100 Year Anniversary Edition Tripod introduces a brand-new magnesium spider, emphasized by a black finish and titanium color details that make this model outstandingly stylish. It has Gitzo’s latest Traveler Series 1 technological features, including state-of-the-art Carbon eXact tubing and 180° leg folding mechanism for the ultimate strength, the Traveler G-lock mechanism, making it compact, strong and ergonomic, together with a brand-new Center Ball Head for superior smoothness and precision. Moreover, the limited-edition tripod features an ergonomic strap made of genuine Italian leather with a carbon fiber look for extreme comfort in use.

The 100 Year Anniversary Edition Tripod is presented in a highly refined, black branded chest with leather detailing containing the tripod and its accessories, the tripod’s certificate of authenticity signed by Gitzo’s CEO, and includes the name of the craftsman who created each specific piece.

Key features:

  • Exquisite new high-appeal look and feel with distinctive design, smooth spider casting shapes, new leg angle selectors and locking collars.
  • 1917 - the magic number of Gitzo’s foundation year and the total pieces of this exclusive symbol of Gitzo’s history available worldwide.
  • The new black & titanium grey color combination is an elegant, contemporary expression of this exceptional flagship product.

The 100 Year Anniversary Edition is available for $1,499.99 in the U.S. and is exclusive to select dealers.

B&H has the Gitzo 100 Year Anniversary Edition Tripods available for preorder.

Posted to: Canon News, Nikon News, Sony News   Category: Gitzo News
Post Date: 6/21/2017 6:21:07 AM CT   Posted By: Sean

From Zeiss:

The tenth lens in the ZEISS Milvus series for DSLR cameras already shows its many benefits at full aperture

OBERKOCHEN/Germany, 2017-06-21 – ZEISS has launched a new lens for full-frame DSLR cameras from Canon1 and Nikon2 on the market: the ZEISS Milvus 1.4/35. Now the tenth lens in the Milvus family, the ZEISS Milvus 1.4/35 is particularly suitable for portrait photography thanks to its speed. "The high maximum aperture enables the subject to stand out clearly against the background, and the photographer can achieve creative combinations of focus and blur," says Christophe Casenave, Product Manager at ZEISS. "The manual focus enables very exact focusing, and the creamy bokeh provides an excellent image look. And even at full aperture the image quality leaves nothing to be desired.” The ZEISS Milvus 1.4/35 is also perfectly at home in landscape photography: "The 35-millimeter focal length is a genuine all-rounder." Like all lenses in the ZEISS Milvus family, it is protected against dust and splashes and, according to Casenave, even bad weather is no problem. The metal barrel gives the lens its robust and durable character.

Practically no chromatic aberrations thanks to a new optical design

With aspherical lens elements, special glass materials and advanced correction, ZEISS has given the lens a completely new optical design. “This means the photos are practically free from chromatic aberrations," says Casenave. Thanks to their excellent edge-to-edge imagery the ZEISS Milvus lenses are designed for high-performance digital cameras. "The resolutions of camera sensors are constantly becoming higher, and this also increases the demands made on the lenses. For ZEISS Milvus lenses this is no problem. They are a solid investment in the future."

Also suitable for filming

The ten lenses in the ZEISS Milvus family, ranging between 15 and 135 millimeters, are also suitable for film productions: the manual focus with a large rotation angle can be operated with the aid of a ZEISS Lens Gear with a follow-focus system. The de-click function allows the aperture to be set continuously in the version for Nikon3 cameras. A further benefit for filming: ZEISS has matched the color characteristics of the ten lenses. Filmmakers can therefore switch between the focal lengths and still have a uniform color look. "This facilitates editing enormously," says Casenave.

Price and availability

The ZEISS Milvus 1.4/35 will be available from specialist dealers and in the ZEISS Online Shop from July 2017. The recommended retail price is 1,999 euros.

Zeiss Milvus 35mm f/1.4 Preorders:
B&H – Canon | Nikon
Adorama – Canon | Nikon

Posted to: Canon News, Nikon News, Sony News   Category: Zeiss News
Post Date: 6/21/2017 6:09:03 AM CT   Posted By: Sean
 Tuesday, June 20, 2017

B&H has just added three more videos to its Optic 2017 presentations on YouTube. The latest three videos include:

  • Brooks Jensen: The Spectrum
  • Eric Kruszewski - Connecting with Cultures
  • Jeff Mauritzen - Landscape & Wildlife Photography

Previously Posted Optic 2017 Presentations

  • Ruddy Roye - The Photographer's Journey
  • Art Wolfe - The Creative Process of Art Wolfe
  • Jonathan Irish - On Assignment in the U.S. National Parks
  • Cristina Mittermeier - Sacred Ecology
  • Roman Kurywczak - For the Love of Landscapes
  • Roman Kurywczak - Create Tack Sharp Macro Images
  • Vivienne Gucwa - How I Traveled to the Arctic with Only One Camera and Lens
  • Kara Mercer - A Suitcase, FUJIFILM and the Open Road
  • Charles Glatzer: Yellowstone in Winter
  • Mike Corrado - Photographing Birds In Your Own Backyard
  • Lucas Gilman Presents: Capturing The Action
  • Jill Mann & Kyla Trethewey Presents - Our Wild Abandon
  • Sam Abell Presents: The Life of a Photograph
  • Brooks Jensen Presents: Those Who Inspire Me (and Why)
  • Alison Wright Presents: Photographing People with Passion and Purpose
  • Ralph Lee Hopkins: On Thin Ice

Post Date: 6/20/2017 11:04:50 AM CT   Posted By: Sean

From Profoto:

There is certainly something airy and graceful about the Hollywood Golden Age and Chris Knight is one of the few photographers that can transfer the sensation of celluloid and silver to a modern-day photo shoot. Here Chris explains how to create grand and cinematic portraits using the Profoto D1 and a set of Profoto umbrellas.

Gear Used:

Post Date: 6/20/2017 8:15:06 AM CT   Posted By: Sean
 Monday, June 19, 2017

Have you ever wondered what kinds of Lightroom adjustments were made to an image you found online? Now, there may be an easy way to find out.

Assuming that the JPEG image in question was saved with all EXIF information intact, a website called Pixel Peeper can display the camera and lens used, exposure settings and exactly what types of adjustments were made to that specific image in Lightroom.

I loaded a few images into the tool and it seemed to work as advertised. Give it a try and see what you think. [Sean]

Post Date: 6/19/2017 12:00:58 PM CT   Posted By: Sean

by Sean Setters

Here's a seemingly simple question – "What is your camera's image resolution?"

Before you answer, let me warn you. If you're simply going to recite the "Effective Pixels" value listed in your camera's specifications, you'll be incorrect. Your camera's advertised resolution is different than the resolution of the recorded images. In fact, your camera's image resolution is a little lower than the widely accepted value.

Want proof? Multiply the pixel dimensions of your camera's highest image resolution setting and compare it to the advertised camera resolution. For convenience, I'll list a few examples below.

Canon EOS 5D Mark IV
Image Dimensions: 6720 x 4480
6720 x 4480 = 30,105,600 pixels (30.11 MP)
Stated Resolution: 30.4 MP

Canon EOS 80D
Image Dimensions: 6000 x 4000
6000 x 4000 = 24,000,000 pixels (24.00 MP)
Stated Resolution: 24.2 MP

Nikon D810
Image Dimensions: 7360 x 4912
7360 x 4912 = 36,152,320 pixels (36.15 MP)
Stated Resolution: 36.3 MP

Sony a7R II
Image Dimensions: 7952 x 5304
7952 x 5304 = 42,177,408 pixels (42.18 MP)
Stated Resolution: 42.4 MP

Are you seeing a pattern here?

Before I explain why the maximum image resolution is slightly smaller than the advertised effective pixels resolution, it's important to first understand the difference between the total and effective pixel specs. The term "total pixels" refers to the total number of pixels found on the sensor. The term "effective pixels" refers to a subset of the total pixels which fall within the image area.

Total and Effective Pixels

The pixels that fall outside of the image area are used in determining effective pixel color values at the image's borders. Pixels don't record color information themselves (only brightness); instead, pixels rely on a color filter array placed on top of the sensor to help determine what color value should be assigned to each specific pixel. As the final color of a pixel is determined by algorithms which take into account the colors (red, green & blue) and light intensity of nearby pixels, the overlapping area is necessary for correct color calculations at the recorded image's borders.

So the area outside the portion of the sensor used for recording the image accounts for the difference between the total pixels and the effective pixels. But, the question remains: What is the reason for a discrepancy between the advertised effective pixels and the actual number of pixels in the image?

The answer is that manufacturers use specially allocated pixels within the image area to aid in noise reduction, dark noise cancellation and other various image processing tasks. These pixels are not recorded in the final image, but can enhance the quality of the final image. Thus, the difference between the effective pixels value and number of pixels found in the final image equals the total number of specially allocated pixels used for the various processing tasks.

The next time someone sees one of your images and asks, "How many megapixels is it?", don't recite your camera's advertised resolution but instead pull out your calculator to give them the precise answer.

That said, does the difference really matter?

What do you think? Were you surprised? Let us know in the comments.

Posted to: Canon News   Category: Photography Education
Post Date: 6/19/2017 11:12:55 AM CT   Posted By: Sean

From Macphun:

The Accent AI Filter is part of new Luminar Neptune – a major update to Macphun’s best-selling photo software.

San Diego, CA – June 15, 2017Macphun, the California-based developer known for making complex photo editing simple and user-friendly, today launched the update to its award-winning photo editor Luminar.

The most significant innovation in Luminar Neptune is a new photo filter powered by the artificial intelligence technology developed in-house by Macphun’s Research and Development Lab. The new Accent AI Filter allows anyone to create stunning images with a single slider instead of using dozens of adjustments and controls. It takes just a second and one swoosh of a slider to remarkably improve a photo.

The Accent AI Filter in Luminar uses artificial intelligence to analyze different areas of an image based on its structure, objects, dark and light zones, colors and other parameters. As a user moves the slider, the filter intelligently and automatically “understands” what each area on the photo is lacking and improves it. Moving the slider can also adjust the intensity of changes, making the picture look more natural or revealing a more dramatic look, depending on the desired effect.

To put it simply: the Accent AI Filter in Luminar is a substitute for dozens of traditional controls like shadows, highlights, contrast, tone, saturation, exposure, details and many others. It eliminates tedious manual editing for hobbyists who want superb quick results and creates a fantastic foundation for further advanced image manipulation for pro photographers.

“Our mission to make complex photo editing tasks simple and fun led the team at our R&D Lab to explore Artificial Intelligence technology for image enhancement,” said Kevin La Rue, Vice-President at Macphun. “The Accent AI Filter emerged as a ground-breaking way to make perfect images instantly, incorporating the power of dozens of filters into one convenient tool.

This is something other photo software is missing; and what’s more important, it’s something that all photographers will greatly benefit from,” concluded La Rue.

Luminar Neptune also introduces a new workspace called Quick & Awesome?. As the name implies, the workspace consists of 3 essential filters which quickly create fantastic results: the aforementioned Accent AI Filter, Saturation & Vibrance and Clarity. Using the Accent AI Filter gives users amazing instant results, however if there is still fine-tuning to be done, the other two filters can quickly help improve the photo without any extra effort.

Luminar Neptune includes many other updates: plug-in integration with Aurora HDR 2017 and Creative Kit allows users to seamlessly access their favorite features from Macphun’s other products. Faster masking/brushing?, an improved Vignette filter and better memory management? are among other notable changes.

The latest update of Luminar is available for Mac only. In July however, Macphun will be launching a “public beta” of Luminar for PC to give Windows users the first taste of the powerful all-in-one photo editor for creating bold images in minutes.

To stay current with the latest news, and to sign up for access to beta test versions when available, visit https://macphun.com/pc.

New feature highlights in Luminar Neptune:

  • Accent AI filter – Uses artificial intelligence to create stunning images with a single slider movement, tapping into the power of dozens of filters.
  • Quick & Awesome workspace – A workspace consisting of the Accent AI Filter, Saturation & Vibrance and Clarity filters. Perfect for achieving great results in a fun and easy way within seconds.
  • Plug-in integration with Creative Kit and Aurora HDR 2017 – Seamlessly access favorite features from Macphun’s other photo editing tools.
  • Brush, Gradient and Radial Gradient tools – Dramatically faster performance yields smoother selective editing.
  • Vignette filter – Addition of Vignette Styles, Place Center and Pre- and Post-Crop modes delivers even more flexibility to this popular photo finishing tool.
  • Memory management – Increased overall performance for large files and 5+ simultaneous open images.
  • User Interface changes – Extensive improvements to in-app animation and mode transitions make for a more pleasing editing experience.
  • Crop tool update – Ability to specify custom crop sizes bring the ultimate usefulness to cropping.
  • Local history – Provision for reviewing separate history while in Transform, Denoise, Clone & Stamp modes helps optimize editing.

Pricing (with coupon code "THEDIGITALPICTURE")

$49 / 49€ / £46 / AU$69 for anyone who already owns Macphun photo software
$59 / 59€ / £55 / AU$84 for all new users

Free trials are available at macphun.com/luminar.

Posted to: Canon News, Nikon News, Sony News   Category: Macphun News
Post Date: 6/19/2017 10:36:55 AM CT   Posted By: Sean

From 4:00 - 6:00pm Eastern Time this evening, B&H is hosting "Understanding Solar Photography with Christopher Witt and Todd Vorenkamp," a live panel discussion aimed at helping you get the most out of the upcoming total solar eclipse (August 21).

Register Now

From B&H:

The world of solar photography is beautiful yet complicated. As humans we’ve had a natural inclination to look skyward and wondered what we could learn from the mysterious points of light. Those stellar stars, have driven the engine of curiosity that has led humans to build civilizations, plant our crops and guide sea wary sailors back to port. Because of this, we have a better idea of how the universe works. At B&H we want to inspire our customers to again look skyward and record your findings for future generation to learn from and enjoy. The B&H Event Space is happy to host Christopher Witt and Todd Vorenkamp who will not only inspire but really break down the world of astrophotography, whether you have questions about which filters one would use for certain shooting conditions, or which mount will work for your camera. They’ll make sure you are out shooting the stars in no time.
B&H also carries solar photography and eye protection equipment.

Posted to: Canon News, Nikon News, Sony News   Category: B&H News
Post Date: 6/19/2017 6:06:54 AM CT   Posted By: Sean
 Friday, June 16, 2017

B&H has posted a number of its Optic 2017 presentations to YouTube including:

  • Ruddy Roye - The Photographer's Journey
  • Art Wolfe - The Creative Process of Art Wolfe
  • Jonathan Irish - On Assignment in the U.S. National Parks
  • Cristina Mittermeier - Sacred Ecology
  • Roman Kurywczak - For the Love of Landscapes
  • Roman Kurywczak - Create Tack Sharp Macro Images
  • Vivienne Gucwa - How I Traveled to the Arctic with Only One Camera and Lens
  • Kara Mercer - A Suitcase, FUJIFILM and the Open Road
  • Charles Glatzer: Yellowstone in Winter
  • Mike Corrado - Photographing Birds In Your Own Backyard
  • Lucas Gilman Presents: Capturing The Action
  • Jill Mann & Kyla Trethewey Presents - Our Wild Abandon
  • Sam Abell Presents: The Life of a Photograph
  • Brooks Jensen Presents: Those Who Inspire Me (and Why)
  • Alison Wright Presents: Photographing People with Passion and Purpose
  • Ralph Lee Hopkins: On Thin Ice

B&H has been releasing videos periodically, and it looks like there are still several to come (6, I believe).

Post Date: 6/16/2017 11:52:41 AM CT   Posted By: Sean

From Canon:

Firmware Version 1.1.1 incorporates the following fixes

  • Corrects a phenomenon in which shooting may not be completed while using HDR (High Dynamic Range) Mode, when certain combinations of settings are selected.
  • Corrects the phenomenon of Err70 which occurs with certain combinations of settings.
  • Corrects the level display when the camera is held in the vertical orientation with the hand grip pointing downward.
  • Corrects a phenomenon in which, when using certain CF cards, it may take approximately five seconds for the camera to power on depending on when the camera's power switch was turned ON.

Download:
Canon EOS EOS 5Ds Firmware v.1.1.1
Canon EOS EOS 5Ds R Firmware v.1.1.1

B&H carries the Canon EOS 5Ds and 5Ds R DSLR cameras.

Posted to: Canon News   Category: Canon Firmware Updates
Post Date: 6/16/2017 6:29:52 AM CT   Posted By: Sean

From Nikon:

Nikon Commemorative Products Now Available for Order

MELVILLE, NY – Today, Nikon Corporation announced the release of commemorative products and special collection items celebrating the company’s 100th Anniversary, which takes place on July 25, 2017. Authorized Nikon retailers will be accepting orders for these commemorative products and special collection items starting today, June 15 through August 31, 2017.

The commemorative editions of these Nikon models were developed specifically to show the company’s appreciation to all the photographers, creators and customers around the world. These special edition products reflect the tradition, innovation and advanced technologies that Nikon has cultivated over the past 100 years. In addition to these commemorative models, a special collection of unique items will also be released.

Nikon D5 and Nikon D500 100th Anniversary Editions:
The Nikon D5, Nikon's flagship FX-format digital SLR camera, is available in a dark metallic gray finish and displays an engraving on the bottom noting Nikon’s contribution to the study and exploration of space. An anniversary booklet detailing Nikon’s contributions to space exploration is also included. The 100th Anniversary Edition Nikon D500 comes with an exclusive metal case, where the commemorative logo and serial number are engraved. The case also contains a commemorative body cap and embossed leather strap. The Special Edition D5 and D500 will be sold for a suggested retail price (SRP) of $7,999.95* and $2,799.95*, respectively.

NIKKOR and Binocular 100th Anniversary Editions:
The NIKKOR Triple f/2.8 Zoom Lens Set features three f/2.8 maximum aperture zoom lenses that truly embody the NIKKOR brand name. The set is comprised of the “three big dragons”, best known as the wide-angle AF-S NIKKOR 14-24mm f/2.8G ED, the medium AF-S NIKKOR 24-70mm f/2.8E ED VR, and the telephoto AF-S NIKKOR 70-200mm f/2.8E FL ED VR lenses. The NIKKOR Special Edition lens set will be sold for a SRP of $7,999.95*.

A commemorative edition of the AF-S NIKKOR 70-200mm f/2.8E FL ED VR will also be available, and comes with a display of individual glass elements that make up the internal workings of the lens, as well as a special stand and case. This lens will be sold for an SRP of $3,999.95*.

The WX 7×50 IF and WX 10×50 IF binoculars are commemorative models which offer incredibly wide fields of view that are clear and sharp all the way to its edges. A special logo is printed on the bottom of the binocular's central shaft, and an exclusive serial number is stamped on the top. In addition to the standard strap supplied with the binoculars, the models will come with a WX leather strap pressed with the commemorative logo. These special editions of the WX 7x50 IF and WX 10x50 IF binoculars, will be sold for $5,999.95* SRP and $6,399.95* SRP, respectively.

The classically designed Nikon 8×30E II, is considered to be one of Nikon’s most popular binocular models. Its 63.2° apparent field of view is realistic, and the application of a multilayer film coating to all lens and prism surfaces ensures that the field of view is bright and clear. The commemorative edition has an exclusive metallic gray finish and a printed logo on the strap and case. These limited edition binoculars will be sold for a SRP of $799.95*.

100th Anniversary Special Collection Items:
In addition to Nikon 100th Anniversary products, Nikon has also announced the availability of several special collectible items. Nikon partnered with Swarovski***, the world's leading crystal manufacturer, to create an elegant crystal reproduction of the Nikon Model I, specifically designed by the team at Swarovski for a $1,499.95* SRP, available exclusively through the Nikon Store.

Nikon will also offer a collection of lapel pins that represent the company’s most historic and popular products, as well as the corporate logo for $269.95* SRP. Additionally, Nikon will be offering premium camera straps made of Italian leather for a SRP of $99.95*. Additionally, Nikon will have 100th Anniversary Miniature Nikon F Camera available for a SRP of $139.95*.

U.S. Market Specific Nikon 100th Anniversary Commemorative Products and Special Collection Items:
To further celebrate Nikon’s history, Nikon Inc. has produced premium vintage t-shirts showcasing one of Nikon’s most iconic past logos (NIPPON KOGAKU). These shirts will be available for purchase beginning on July 25, 2017 for a SRP of $24.95* on nikonusa.com.

Additionally, Nikon Inc. has produced a series of 10 limited edition camera posters showcasing some of the iconic cameras created throughout Nikon’s history. These posters, measuring 19.5” x 19.5” inches, are matted and framed to a size of 23.5” x 23.5” and will be hand-numbered and available as a limited edition; only 100 numbered posters will be produced for each design. Pricing will be $150 SRP* per framed poster, and will be available sometime in July, 2017 through nikonusa.com in partnership with Level Frames.

Lastly, Nikon Inc. will be producing a 100th Anniversary premium leather camera bag in partnership with the ONA brand. These premium bags are made with genuine leather and will have the 100th anniversary and Nikon logos embossed. These bags will go on sale on July 25, 2017 and will be available for an SRP of $399.95*.

For more information including pricing and further details about Nikon’s 100th Anniversary commemorative products and special collection items, please visit www.nikonusa.com/100th.

B&H has many of the Nikon 100th Anniversary Commemorative Products available for preorder.

Posted to: Nikon News   
Post Date: 6/16/2017 5:36:30 AM CT   Posted By: Sean
 Thursday, June 15, 2017

B&H is stating that its Sigma 14mm f/1.8 DG HSM Art preorders will go live June 22 at 1am ET.

Posted to: Canon News, Nikon News, Sony News   Category: Preorders
Post Date: 6/15/2017 1:41:29 PM CT   Posted By: Sean

From the TamronVids YouTube Channel:

Watch the process of Tamron’s industry-leading 3-business day repair service. Tamron USA took dramatic steps to increase the number of repair technicians that work on photographic lenses as well as customer service staff. Internal systems were changed to accommodate the inspection of lenses received by noon of each day and route the lenses to the proper technician for expert repair. Repaired lenses are then given top priority in the distribution center to ensure the product is on its way back to the customer within the established guidelines.

B&H carries Tamron lenses.

Posted to: Canon News, Nikon News, Sony News   Category: Tamron News
Post Date: 6/15/2017 12:07:12 PM CT   Posted By: Sean

From the Canon Digital Learning Center:

Written by Ken Sklute and Dave Henry

Since the earliest days of photography, scientists worked at making a successful image of the corona during a total solar eclipse. The first correctly exposed photograph of the corona during a total solar eclipse was made on July 28, 1851 by daguerreotypist Johann Berkowski at the Royal Prussian Observatory at Königsberg (now Kaliningrad, in Russia). The exposure was 84 seconds during maximum eclipse. Numerous attempts were made earlier, but Berkowski’s image was the first correctly exposed image.

A cropped and enhanced version of the original Berkowski daguerreotype of 1851 clearly shows that not only did Johann Berkowski correctly expose his 84 second daguerreotype, he was the first to document the solar flares, known as prominences, emanating from the sun's surface. This daguerreotype became the benchmark for later photographic attempts.

Throughout the remainder of the nineteenth century and on to today, photography has played a significant role in science. Correct exposure though, makes the photograph useful.

Read the entire article on the Canon Digital Learning Center. Click here for more CDLC articles with tips on photographing the upcoming eclipse.

B&H carries a wide range of solar eclipse related gear.

Post Date: 6/15/2017 6:35:01 AM CT   Posted By: Sean
 Wednesday, June 14, 2017

Just posted: Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens Review.

This one should get some traction.

The Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens is in stock at B&H | Amazon | Adorama. A free Sigma UV Filter ($69.95 value) is currently included.

Post Date: 6/14/2017 9:38:00 AM CT   Posted By: Bryan
 Tuesday, June 13, 2017

B&H is stating that the Sigma 24-70mm f/2.8 DG OS HSM Art Lens will be available for preorder at 1:00am (ET) Thursday, June 22.

Posted to: Canon News, Nikon News, Sony News   Category: Preorders
Post Date: 6/13/2017 6:17:42 PM CT   Posted By: Sean

by Sean Setters

Several years ago when I was first exploring the wonderful world of off-camera flash, radio triggering options were very limited with rudimentary capabilities. It's amazing how much the radio triggering market has changed since then.

Now, in addition to the basic triggers of ye olden days, we have radio triggers that can remotely adjust the power levels of compatible flashes or even adjust power levels automatically via TTL technology. In other words, there has never been a better time to explore what radio-triggered off-camera flashes can do for your photography.

If your current flashes support radio triggering – like the Canon Speedlite 600EX II-RT – then you don't need anything else. However, if your flashes or studio strobes don't feature radio triggering, or if you need to incorporate non-radio enabled flashes into your radio flash setup, then radio flash triggers will be worth looking into. And on that note, there are a few things to consider when arriving at your preferred choice of radio trigger.

Type of Connection

First, it's important to understand how these radio triggers connect to our shoe mount flashes (and possibly studio strobes). Radio triggers primarily connect to compatible flashes in one of two ways, either by a cable connection or via a hot shoe (and most of those triggers featuring a hot shoe can also trigger via a cable connection).

The most common type of sync port found on shoe-mount flashes is a PC terminal. These sync ports have been an industry standard for decades, but... they are not my personal favorite type of connection. First of all, PC cables are not very robust (easily damaged) and they sometimes disconnect from the socket when a flash is handled with the cord attached (though locking PC compatible ports mitigate this issue).

Impact Sync Cord Male Mini 3.5mm to Male PC 1ft


A select few flashes feature a 3.5mm (1/8") miniphone sync port, which is very convenient as it's the same sync port that's featured on almost every radio trigger with inexpensive 3.5mm male to 3.5mm male cables being easy to find.

A far simpler solution, however, for triggering a shoe-mount flash is to use the flash's mounting foot. Many newer radio triggers feature a built-in hot shoe that your off-camera shoe-mount flash simply slides into. In my opinion, this is the best triggering solution as it eliminates the need for cables which can easily be lost, damaged or simply not long enough (or inconveniently too long) for a specific application.

Transmitter/Receiver or Transceiver

In addition to the type of connection a radio trigger features, it's important to understand whether a specific triggering system is built on separate transmitters and receivers or if a single device can act as both, i.e. is a transceiver. In regards to the separate transmitter/receiver systems (such as Vello FreeWave LR, Radiopopper Nano), a significant pitfall is that is that a single transmitter failure (without a spare transmitter to fall back on) will render all of your receivers completely useless. Alternately, a single device failure in a transceiver setup (such as the PocketWizard Plus/FlexTT* or Cactus V6) means that you only lose the ability to trigger one flash, not the entire group, as any of the devices can act as a transmitter.

In some cases, a company may even produce radio receivers that are completely compatible with camera brand master flashes or transmitters, thereby allowing the use of older (non radio enabled) flashes to be used in an otherwise radio-enabled setup.

Range

One of the primary advantages of radio triggering technology is that it eliminates the line-of-sight requirements for trigging off-camera flashes as well as boosting the range even if line-of-sight positioning of flashes is possible.

For instance, Canon Speedlite's optical flash triggering system has an advertised range of 32.8 ft (10m) outdoors and 49.2 ft (15m) indoors. And technically speaking, line-of-sight isn't always required indoors if surfaces are available for the master flash's transmission to bounce off of in order to communicate with slave flashes.

Now contrast the previously mentioned optical triggering range with that of typical radio triggers advertising anywhere from 300 ft (91.4m) to 1,600 ft (487.68m).

Suffice it to say, most photographers will never need to trigger an off-camera flash from 300+ ft away, but... it's nice to know that your flash will fire when you need to position it in a location that exceeds the capabilities of optical triggering.

Brand Longevity and Backward Compatibility

Another thing to consider when shopping for radio triggers is the likelihood of the brand remaining in the radio triggering market for the foreseeable future and whether or not they have displayed a commitment to backwards compatibility with previous generation devices. One example, PocketWizard, has been producing flash triggers for more than 15 years with newly released products always being backwards compatible in terms of radio frequency.

Basic / Advanced Triggers

In regards to radio flash triggers, there are basic triggers and advanced triggers. Basic triggers transmit/receive only one highly relevant piece of information – FIRE! Because they are relatively easy to design and manufacture, there are a wide range of companies that produce these very-easy-on-the-budget triggers. While most of the triggers will work as intended most of the time, you may experience or occasional misfires and you'll likely forego high build quality with flash triggers at the lowest tier pricing level. Examples of basic triggers include the PocketWizard PlusX, Radiopopper Nano, and Yongnuo RF-603C.

On the other end of the spectrum, advanced triggers provide a myriad of features that make them more versatile and/or more convenient for those working in a professional (or semi-professional) atmosphere. Some advanced triggers are capable of:

  • Flash power levels adjusted automatically via TTL communication
  • Remote manual flash power adjustments
  • Rear curtain sync
  • High speed sync
  • Seamless communication with camera branded flashes
  • Upgradeable firmware
  • Multiple channels to avoid interference

Not all advanced triggers feature all of the capabilities listed above, but most offer at least some of them. The extra features of advanced triggers compared to basic triggers come at a higher cost, of course, but the price differential translates to significantly increased convenience and versatility. Examples of advanced flash triggers include the PocketWizard FlexTT*, Phottix Laso, Cactus V6 and Yongnuo YNE3-RX .

Which radio trigger is right for you?

If you're just exploring off-camera flash for the first time, it's probably a good idea to invest in a set of basic triggers. Why? Because all of the extra features afforded by advanced triggers can complicate the off-camera flash learning process. Basic triggers require manual flash power adjustments and therefore simplify the "cause and effect" learning process. Once basic lighting principles have been conquered, the value of the advanced triggers' full feature set can be fully appreciated.

Then again, nearly all advanced radio triggers can replicate the functionality of basic triggers. So if you're ready to jump down the rabbit hole, but still inexperienced with off-camera flash, you can invest in an advanced flash trigger system and use them as basic triggers until you're ready to explore the augmented feature set.

Other Photography Lighting 101 Posts

Post Date: 6/13/2017 1:22:13 PM CT   Posted By: Sean

From Manfrotto:

Performance, Quality & Comfort, Redefined

Upper Saddle River, N.J. (June 13, 2017) – Manfrotto, a leading global innovator and manufacturer of premium photo, video and lighting support products and accessories, has launched the new Pro Light Bumblebee bags - perfect for professional and amateur photographers and videographers who work outdoors and want a reliable carrying solution. With this collection, users can stay comfortable in the harshest of conditions despite high temperatures, extreme cold or high humidity.

The new Pro Light Bumblebee family is an exceptional assortment of high-performance camera backpacks and messenger bags which perfectly embody Manfrotto’s Italian heritage. This family introduces Manfrotto’s unique-to-the-market breathable harness system that greatly reduces photography gear fatigue, allowing image makers to cover more ground and locate the best spots for the perfect shots.

Inside, the bags’ innovative designs safeguard the latest professional equipment options. The renowned Camera Protection System (CPS) dividers take extra care of camera bodies and lenses. They are fully adjustable and built to distribute weight evenly and avoid tension to the body.

The new Manfrotto Bumblebee backpacks are designed to take stress and heat off the shoulders, neck and lower back and feature Manfrotto’s state-of-the-art AirSupport breathable harness and back panel, adjustable sternum support, shaped hip and waist support systems. A side handle helps users put the pack on or take it off, while elastic side pockets keep water bottles outside the critical gear zone.

The removable Manfrotto CPS insert safeguards equipment right at the heart of the pack and keeps it organized with the efficiency of a portable studio:

  • The Bumblebee-230 PL backpack protects a gripped DSLR with a 70-200/2.8 lens attached and 10 additional lenses or an attached 400/2.8 with five additional lenses. In video configuration, it protects a disassembled modular camcorder like the Canon C100 with numerous lenses & accessories. It also fits a 17” laptop in its own padded compartment.
  • The Bumblebee-130 PL backpack keeps a high-end CSC or a DSLR safe with a 70-200/2.8 lens attached and eight additional lenses or an unattached 400/2.8 with three additional lenses. In video configuration, it protects disassembled modular camcorders like a SONY FS-5. It also fits a 15” laptop in its own padded compartment.

The entire internal space is padded to protect camera gear but can be also configured to accommodate accessories and personal gear as well. The main zipper comes with four pullers, which can be divided by a stopper into a top and lower compartment. Just open the top zipper for rapid access to frequently used contents from above.

A smart NeverLose tripod connection secures both longer and shorter tripods on the side of the pack. The connection straps are stitched in the side pocket and can be tucked away when not in use for a tidier appearance and to prevent straps getting lost.

The bigger Bumblebee-230 PL also features a lens pouch located in the waist belt. When not in use, the pouch can be flattened by tightening the webbing strap. (This feature is not available in Bumblebee-130 PL.)

Manfrotto’s new Bumblebee Messengers have significantly raised the bar for their category: a combination of flawless design and reliable performance, they meet all the needs of demanding professionals who travel light and fast. Like the backpacks, the messengers’ body-gripping fit and 3-point AirSupport harness system is breathable and perfect for prolonged outdoor use. The length of the strap can be rapidly adjusted using the EasyGrip buckle.

Despite their compact size, they hold a substantial amount of professional gear:

  • The Bumblebee M-30 PL Messenger protects a DSLR with a 70-200mm/2.8 lens attached and three additional lenses, a handheld gimbal (such as a DJI Osmo) and a 15” laptop in their own padded compartments, with all the necessary accessories.
  • The Bumblebee M-10 PL Messenger keeps a CSC/DSLR safe with a 24-70/4 lens attached and two additional lenses (including 70-200/2.8) and a handheld gimbal (such as a DJI Osmo) and a 13” laptop in their own padded compartments, with all the necessary accessories. It can also carry a full set DJI Mavic plus the Osmo gimbal camera.

These bags introduce the XtraSecure handheld gimbal-carrying solution - a stretchable band that holds the gimbal’s moving parts so it can be taken out quickly. The area can also be used as a traditional lens compartment if there is no gimbal in the bag.

Manfrotto’s Bumblebee Messengers feature a secure silent quick-access flap. When shooting in quiet environments (e.g. during a ceremony), apply the NoiseFree Velcro silencer to keep a low profile. The broad front organizer keeps everything on hand. There are two bungee cord straps to hang a small tripod, monopod or selfie pole, which are also protected by the front flap. The Bumblebee Messengers can hold a gripped DSLR body when you take out the laptop from its compartment.

All the bags of the Bumblebee collection come with a DuoFace sun/rain cover to protect from rain, reflect sunlight and keep the gear cool and dry all day long.

Key features:

  • Breathable design - comfortable carrying solutions for professional and amateur outdoor photography
  • Super lightweight construction - carry more lenses and stay comfortable even with prolonged use
  • High-performance materials - rip-stop fabric and the Manfrotto Protection System safeguard equipment

The following models are now available nationwide (links below go to B&H):

Posted to: Canon News, Nikon News, Sony News   Category: Manfrotto News
Post Date: 6/13/2017 12:04:04 PM CT   Posted By: Sean
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