From Canon UK:
LONDON, 27 May 2015 – Canon, a leader in imaging solutions, is sponsoring the ‘Hack the Visual’ 48-hour hackathon event, to engage with talent in London’s Tech City and support the creation of new digital imaging ideas and applications to enrich people’s lives.
The event, organised by Imaging Mind – 26 to 28 June at IDEALondon – aims to bring together over 100 participants and challenge them to uncover the hidden possibilities of imaging and technology and bring new perspectives on visual culture.
“Digital technology has transformed visual culture over the past couple of decades. With almost one trillion images forecast to be taken this year alone, we believe the way people will live with photos will be profoundly different in the future. We see a huge opportunity to innovate in this field by embracing today’s creative technologists,” says Alberto Spinelli, Director of Digital Services at Canon Europe.
“Last month we acquired London based start-up Lifecake, accelerating the development of our digital consumer services proposition. The Hack the Visual event will help us to build relationships with more talent in this space that we can potentially help nurture and grow and pave the way to broadening our digital ecosystem,” Spinelli continued.
“Anyone with a passion for visuals, regardless of whether that stems from a technology or an art perspective, is welcome. The best ideas are generated when teams come from a diverse mix of backgrounds and experience. We want people to embrace the true spirit of a hackathon, to share, collaborate, have fun and really run wild with their ideas." commented Floris van Eck, CEO, Imaging Mind.
Canon will provide prizes at the event and will continue to look for opportunities to collaborate and further explore the winning concepts with the finalists.
Details on the Hack the Visual event and how to register as a participant in the competition can be found at www.hackthevisual.com
Follow Hack the Visual on twitter @imagingmind
From the ExpoImaging YouTube Channel:
Lindsay Adler demonstrates how to create a classic hollywood glamour, film noir portrait by using off-camera flash and Rogue 3-in1 Flash Grids. Flash photography lighting video tutorial, techniques and tips.
B&H carries ExpoImaging Rogue products.
From Nikon:
Nikon 1 V3 Firmware v.1.10
Changes from “C” Version Firmware 1.00
Camera Control Pro 2 Version 2.22.0 is now supported, allowing the following operations to be performed:
Download: Nikon 1 V3 Firmware v.1.10
Changes from Firmware Version 2.3
Cameras That Can Be Used to Update UT-1 FirmwareUT-1 firmware updates can be performed with the following cameras:
Note: Other cameras can not be used, but updates can be performed for you by a Nikon-authorized service representative.
Canon Asia has posted a two-part developer's interview with the team that designed the EOS 5Ds / 5Ds R cameras. There is a lot of technical information in the articles, but I'm finding the material to be quite fascinating so far (I'm about midway through them right now). [Sean]
Canon 5Ds / 5Ds R Developer's Interview Articles
[Part 1] Achieving “Speed”, “Comfort” and “Quality”
Questions Answered:
[Part 2] Technology Behind the “Ultra-High Resolution”
Questions Answered:
B&H has the Canon EOS 5Ds /5Ds R available for preorder.
Vignetting, flare and distortion test results along with specs, measurements and standard product images have been added to the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary Lens review page.
Note that product images for this lens are included both large and small lens comparison tools with some images being cropped in the small lens format. Here is an example comparing the Sigma Sports, Sigma Contemporary and Tamron 150-600mm Lens in the small lens tool. These three lenses are also very interesting to compare in the other tools.
B&H has the Sigma 150-600mm OS Contemporary Lens in Canon mount in stock with Nikon and Sigma mount version available for preorder.
I live in a fenced-in property which is situated squarely in the middle of a medium-sized town. I have often used the fence that borders my driveway as a background for various portraits. It's clean, simple, and works well especially when it falls just out of focus.
As the winter months transition into spring, however, sections of the fence would become covered in vines. In previous years, I did everything I could to avoid using those sections of fence for my portraits. I considered them a hindrance for tarnishing my clean-looking background during the warm and inviting seasons perfect for portraiture.
But as I walked to my mailbox last week, it finally hit me. "Why don't I use the vines for a tightly framed portrait? Hmm..."
I must have past that particular section of the fence 500 times over the past three years, but it never occurred to me to actually feature the vines in a portrait. A few days later Amanda and I decided to give it a go.
I set up a tripod mounted 7D Mark II with my favorite portrait lens, the EF 85mm f/1.2L II USM. So why would I use the 7D Mark II in place of my primary body, the 5D Mark III? For this particular portrait, there was little appreciable difference between the two bodies. I didn't need the full-frame performance gains at high ISOs (I shot this using ISO 100) and I didn't need the shallow DOF advantage either as I would be using a relatively narrow aperture (f/7.1) to keep the details of the background recognizable.
Considering the f/7.1 aperture, you might wonder why I chose the EF 85mm f/1.2L II. As I said, it's my favorite portrait lens. The fixed 85mm focal length is a flattering focal length for portraits and the lens is especially sharp when stopped down (although, depending on the subject, extreme sharpness may not necessarily be a beneficial quality when it comes to portrait lenses).
For the main light I used a monolight diffused by a Mola Demi beauty dish fitted with a HoneyGrids Universal Grid. The background light was provided by a Canon 580EX Speedlite flash fitted with an Opteka OSG18 1/8-Inch Universal Honeycomb Grid. Using the grid on the main light and positioning it so that it pointed downward limited the amount of light that spilled on the background allowing me to easily control the luminosity of the background with the Speedlite. The grid on the Speedlite kept its light from striking the subject and concentrated its output in a more focused area on the background.
This is what the setup and fence looked like:
When post-processing the final image, I actually reduced the luminosity of the background preferring the leaves to be a little darker than what I captured in-camera. I also used a selective color mask to make the shadows appear cooler/more bluish in tone. I was going for a Renaissance painting look for the portrait, and the edits helped push the image in that direction (in my opinion).
The takeaway from this shoot is aptly summed up by the title. With spring in full swing, beautiful backgrounds are popping up everywhere. Take a minute to scan your surroundings – even in your own yard – to see if there's something you've been overlooking just like me. :-)
From the Vincent Laforet Vimeo Channel:
The complete breakdown of the Project AIR workflow - for detailed information and a gear breakdown go to:
http://blog.vincentlaforet.com/2015/05/26/project-air-workflow/
Gear Used
As you can imagine, things usually work out well for the protagonist when the Canon DSLR is within arm's reach. ;-)
B&H carries Canon DSLR cameras.
Canon USA's Rudy Winston has authored an excellent article for CPS which explains the challenges of shooting with an ultra-high megapixel camera and how to deal with them.
Think 1/focal length is a fast enough shutter speed to stop camera shake? Think again.
This will be an excellent and valuable resource for anyone who has preordered a 5Ds / 5Ds R or anyone considering upgrading to one of these 50.6 megapixel DSLRs.
Check out Rudy's tips on the Canon Professional Services.
B&H has the Canon EOS 5Ds / 5Ds R available for preorder.
Canon USA's Rudy Winston has authored an article for CPS highlighting the differences between the EOS 5Ds / 5Ds R and the 5D III.
From Canon Professional Services:
"Current EOS 5D Mark III shooters, who may be considering moving to the new high-resolution EOS 5DS (or the EOS 5DS R, which removes the effect of low-pass filtration), may wonder if anything changed on these new cameras because the new models look practically identical to the proven Mark III camera. Rest assured, there are some new rewards waiting to greet 5D Mark III owners who step up to the new cameras. We can’t touch on every single one, but we’ll try to give an overview of many of the new details.Topics CoveredObviously, the biggest is the move to a 50.6 million pixel CMOS image sensor – more than doubling the pixel count from the Mark III model. You’ve no doubt seen discussion of this, so we’ll go a bit more beneath the surface. Everything we discuss here applies to both the EOS 5DS and 5DS R models."
Read the entire article on the Canon Professional Services website.
B&H has the Canon EOS 5Ds / 5Ds R available for preorder.
Todd Vorenkamp was asked to take B&H's most expensive used lens – the Canon EF 1200mm f/5.6L USM – out for a spin. In his Explora article, Vorenkamp touches on the history and mystique of Canon's rarest big white lens and describes the logistics involved in shooting with the 36 pound beast.
The B&H used department has the Canon EF 1200mm f/5.6L USM in 9+ Condition available with free expedited shipping!
Nikon Professional Services members in the USA are now eligible for a 20% discount on repairs.
An excerpt from the NPS Member Discount FAQ reads:
Q: How do I schedule a NPS member repair?To learn more about Nikon Professional Services, check out the official NPS wesite.
A: Qualifying NPS members schedule repairs via: https://repair.nikonusa.com/ProductEntry
Select NPS member radio button and enter your NPS member # on the contact data step.Q: Am I eligible for the NPS member 20% repair discount?
A: 20% repair discount is available only to full status NPS members in good standing who are incompliance with the NPS Member Terms and Conditions at the time the repair is requested.Discount is taken off the base repair cost before applicable taxes and does not include shipping charges. Valid only for repairs on Nikon products (excluding Nikon 1 and COOLPIX products) made at Nikon Inc. Service Centers in New York and California that were received by Nikon Inc. directly from the NPS Member and not via a Nikon Authorized Repair Station or other third party. Discount offer may bediscontinued at any time at Nikon's sole discretion. Offer is not valid for previous repairs.
Q: When is the discount applied?
A: Once your equipment for repair is received at either Nikon Inc. Service Centers in New York or California and is written up by Nikon Inc., you will receive a Nikon Service Estimate/Acknowledgement email. On the Nikon Service Estimate/Acknowledgement email, download the pdf or select the link to view discount.Discount reflected on line item—Repair NPS Discount
You will see the final discount listed in the charges breakout section on the Invoice Repair document packed in with the repaired item(s). The discount may not be reflected on the initial schedule a repair self-service process or the product repair packet documents.
From Sigma:
SIGMA 150-600mm f/5-6.3 DG OS HSM | Contemporary F/SIGMA and F/NIKON are scheduled to start shipping towards the end of this month.
B&H carries the SIGMA 150-600mm f/5-6.3 DG OS HSM Contemporary lens.
Sometimes, I find images comprised of only reflections more interesting than images containing only the subjects being reflected. To capture such an image requires a reflective surface and something to be reflected in it.
Most locations share a similar nearby reflection source: water. When water is the reflective surface and there is at least a small amount of motion on the water surface, no two photos will be the same. You can capture 20 images from a tripod-mounted camera and still have no duplicates. Such images can sometimes work together for a low-effort collection.
Water in motion is ... in motion. To stop motion requires an adequately short shutter speed and to achieve stopped motion in this frame, I opted for ISO 400 (vs. the least-noisy ISO 100 option). The final image has very little noticeable noise and the small waves are not showing blur.
For this image, I found a brightly colored boat as the reflective subject and adjusted my position until I had what I felt was ideal framing. I especially like how the top and bottom borders of the frame are relatively uninterrupted by lines in this composition.
Keep in mind that reflection images often benefit from increased contrast and saturation in post processing.
A larger version of this image is available on Flickr, Google+, 500px and Facebook. Also, if reading from a news feed reader, click through to see the framed image.
B&H has the Rode VideoMic Pro with Rycote Lyre Suspension Mount available for preorder with free expedited shipping and an expected availability date of June 15.
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