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Image quality, vignetting, flare, and distortion test results, along with specs, measurements, and standard product images, are now available on the Sigma 10-18mm F2.8 DC DN Contemporary Lens page.

This is going to be a popular lens.

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From Sigma Corporation of America:

SIGMA Announces 10-18mm F2.8 DC DN | Contemporary, the World's Smallest and Lightest F2.8 Zoom Lens for APS-C Mirrorless Cameras

Ronkonkoma, NY – October 5, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 10-18mm F2.8 DC DN | Contemporary lens. This is the first SIGMA lens being announced and released concurrently for the L-Mount, Sony E-mount and Fujifilm X Mount. The lens will be available through authorized retail partners on October 26, 2023 for $599.

This is the world's smallest and lightest F2.8 zoom lens designed for APS-C format mirrorless systems at just 2.8 x 2.4 inches (72.2 x 62mm) and 9.2 ounces (260g)*. The lens covers a 15-27mm (35mm equivalent) focal range, with a fast F2.8 constant aperture. Paired with the 18-50mm F2.8 DC DN | Contemporary, this duo of lenses covers a 15-75mm (35mm equivalent) range with the same bright F2.8 maximum aperture at a combined weight of under 19.5 ounces (550g).

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October 2023 by SIGMA. Figures are for L-Mount. Additional specifications included in the full press release below.

The SIGMA 10-18mm F2.8 DC DN | Contemporary uses an aspherical concave lens with a large polarization ratio and high refractive index in the first group, reducing the number of elements in the first group and shortening the overall length. Additionally, a new push-on petal type hood has been developed. Thanks to the new structure with a spring and lever, which is not utilized by any other manufacturer, the hood has been made both thinner and smaller, which also contributes to the overall compactness of the lens.

The optical design of the lens delivers a short 4.6 inch (11.6cm) minimum focusing distance and a maximum magnification ratio of 1:4 at the wide end, allowing for close-up photography with pleasing background separation. The optical design also minimizes focus breathing, and the stepping motor delivers swift, quiet autofocus during both still and video use.

Thanks to its high optical quality and compact size, the SIGMA 10-18mm F2.8 DC DN | Contemporary lens is an excellent choice for travelers, adventure photographers, vloggers, content creators, and family photographers who want great image quality when paired with today's leading lightweight crop-sensor cameras on the three supported mirrorless platforms.

#SIGMA #SIGMA1018mmContemporary #SIGMAContemporary #SIGMAContemporaryZoom

C | Contemporary
SIGMA 10-18mm F2.8 DC DN

Small lens, big personality

1. Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities
2. Extremely compact and lightweight
3. Ideal for landscapes, travel, video and online content creation

Available: October 26th, 2023
Supplied accessories: Push-on petal type hood LH706-02, FRONT CAP LCF-67mm ?, REAR CAP LCR II
Available mount: L-Mount, Sony E-mount, FUJIFILM X Mount

* The appearance and specifications of the product are subject to change.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG

#SIGMA #SIGMA1018mmContemporary #SIGMAContemporary #SIGMAContemporaryZoom #SIGMADCDN

Create expressive images on the go with the world's smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*

The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world's smallest and lightest ultra-wide- angle zoom lens for APS-C cameras*, covering an effective focal range of 15-27mm (35mm equivalent). With ultra-sharp optics, a bright F2.8 aperture and a newly developed push-on petal type lens hood, photographers can create expressive images anytime, anywhere. The lens features a unique aspherical element that reduces the overall size of the lens and enhances image quality.

An 11.6cm (1:4) minimum focusing distance to produce unique compositions, with expansive backgrounds and pleasing bokeh. With a weight of only 260g*, a fast AF stepping motor and minimal focus breathing, the lens can be easily mounted onto a motorized gimbal to create impressive video content for social media use and professional projects. The lens is available for L-Mount, Sony E-Mount and FUJIFILM X Mount systems.

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.

* L-Mount Specification.

[Key features]

1. Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities

By utilizing unique optics which have been designed to correct lens aberrations, the SIGMA 10-18mm F2.8 DC DN | Contemporary produces images that are sharp across the entire image.

Aspherical lens, special low-dispersion glass

The use of an aspherical lens with large eccentricity and refractive index as the first lens element has enabled a lens construction with a reduced number of elements. Used in conjunction with multiple aspherical lenses and special low-dispersion glass, the lens can produce high resolution images whilst remaining compact and lightweight.

Minimum focusing distance 11.6cm, maximum magnification ratio 1:4

Create expressive close-up images using the 11.6cm minimum focusing distance when shooting at 10mm. With a magnification ratio of 1:4, the lens captures unique portraits, still life and more.

2. Extremely compact and lightweight

The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world's smallest and lightest ultra-wide angle zoom lens for APS-C cameras*, with a length of 62.0mm, a maximum diameter of 72.2mm, and a weight of 260g*. The lens can be carried around with ease or attached to an APS-C mirrorless camera and a gimbal to create an ultra-portable video setup.

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.

* The values are for L-mount.

Newly developed push-on petal type hood

A newly developed push-on petal type hood is included with the lens. Unlike the conventional bayonet type lens hoods that attach with a rotating movement, this push-on type lens hood is attached onto the lens using a spring and lever system. The implementation of this new design reduces the size and thickness of the hood so that it matches the compact size of the lens.

Compact, lightweight, high-performance F2.8 constant aperture zoom lens series

When combined with the SIGMA 18-50mm F2.8 DC DN | Contemporary, a total, unbroken focal range of 15-75mm (35mm equivalent) with a constant F2.8 aperture can be covered. The combined weight of both lenses is only 550g.

* The values are for L-mount.

Fast-growing lineup of lenses for APS-C mirrorless cameras

In addition to the SIGMA 18-50mm F2.8 DC DN | Contemporary, the lineup of lenses for APS-C mirrorless cameras includes 16mm, 23mm, 30mm, and 56mm prime lenses, all with F1.4 brightness. This flexible lens selection can be used for a wide variety of photographic applications.

*Lineup is as of October 2023.

Mount with dust and splash resistant structure

The lens mount incorporates rubber sealing to protect it from dust and water drops.

3. Ideal for landscapes, travel, video and online content creation

With ultra-wide focal length, portable body and razor-sharp optics, the SIGMA 10-18mm F2.8 DC DN | Contemporary is the perfect portable option for landscape, travel, interior and street photography. It also boasts impressive video capability owing to its bright F2.8 aperture, which makes it well-suited to shooting in low-light environments and creating a shallow depth-of-field. The ultra-wide angle-of-view is ideal for hand-held vlogging that requires the capture of both the subject and the environment.

Designed to minimize focus breathing

The lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift is minimized, creating a natural-looking focus shift when recording video.

Supports various camera functions

The lens is compatible with the electronic image stabilization function, aberration correction function, DMF, and AF+MF in camera bodies from various manufacturers. The advantage using this ultra-wide-angle lens is that it provides a generous angle-of-view even when the electronic image stabilization function crops the image.

* Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.

Stepping Motor

A fast and quiet stepping motor is used to deliver precise AF when shooting stills and video. It is fully compatible with in-camera AF tracking modes.

[Additional features]

• Lens construction: 13 elements in 10 groups (3 FLD, 1 SLD, and 4 aspherical elements)
• Inner focus system
• Compatible with high-speed autofocus
• Stepping motor
• Compatible with Lens Aberration Correction
  *Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
  *On cameras where lens aberration correction is controlled with ‘ON’ or ‘OFF’ in the camera menu, please set all aberration correction functions to ‘ON'(AUTO).
• Support DMF and AF+MF
• Compatible with AF assist (Sony E-mount only)
• Super Multi-Layer Coating
• Support for switching between linear and non-linear focus ring settings on L-Mount bodies
  * Function available on supported cameras only.
• Mount with dust and splash resistant structure
• Push-on petal type hood LH706-02
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA’s proprietary MTF measuring system
• 7-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• Mount Conversion Service available
• "Made in Aizu, Japan" craftsmanship

To learn more about SIGMA’s craftsmanship, please visit SIGMA website at: https://www.sigma-global.com/en/about/craftsmanship/

[Key specifications] The figures below are for L-Mount.

Lens construction: 13 elements in 10 groups (3 FLD, 1 SLD, and 4 aspherical elements)

Angle of view: 109.7°-76.5° (APS-C)|Number of diaphragm blades: 7 (rounded diaphragm)

Minimum aperture: F22|Minimum focusing distance: 11.6 (W) -19.1 (T) cm / 4.6 (W) -7.6 (T) in. | Maximum magnification ratio: 1:4 (W) - 1:6.9 (T)|Filter size: f67mm

Dimensions (Maximum Diameter x Length): f72.2mm × 62.0mm / f2.8in. × 2.4in.

Weight: 260g / 9.2oz.

[Barcode]

L-Mount: 0085126 207694 Sony E-mount: 0085126 207656 FUJIFILM X Mount 0085126 207755

[Accessories: Supplied] Name of product / barcode

Lens Hood LH706-02: 0085126 941093
FRONT CAP LCF-67mm: 0085126 929473
REAR CAP LCR: L-Mount 0085126 937256
Sony E-mount 0085126 929879
FUJIFILM X Mount 0085126 939861

[Accessories: Optional] Name of product / barcode

SIGMA USB DOCK UD-11 for L-Mount: 0085126 878696
SIGMA WR CERAMIC PROTECTOR 67mm: 0085126 931803
SIGMA WR PROTECTOR 67mm: 0085126 930943
SIGMA PROTECTOR 67mm: 0085126 931070
SIGMA WR UV FILTER 67mm: 0085126 930684
SIGMA WR CIRCULAR PL FILTER 67mm: 0085126 930813

Orders

Support this site by ordering the Sigma 10-18mm F2.8 DC DN Contemporary Lens (or anything else) from B&H | Adorama

Image quality, vignetting, and distortion test results, along with specs and standard product images, are now available on the Sony FE 16-35mm F2.8 GM II Lens page.

The Sony FE 16-35mm F2.8 GM II Lens is shown between the Sony FE 16-35mm F2.8 GM Lens in this post's image, showing the II's nicely reduced size.

Let's look at some image quality comparisons:

Compared to the Sony FE 16-35mm F2.8 GM Lens

Compared to the Sony FE 12-24mm F2.8 GM Lens

Compared to the Tamron 17-28mm f/2.8 Di III RXD Lens

Compared to the Sigma 16-28mm F2.8 DG DN Contemporary Lens

Compared to the Sigma 14-24mm f/2.8 DG DN Art Lens

Compared to the Canon RF 15-35mm F2.8 L IS USM Lens

Please share!

Support this site by ordering the Sony FE 16-35mm F2.8 GM II Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 16-35mm F2.8 GM II Lens from Lensrentals.

Sony ZV-E1 firmware update version 1.02 is available for download.

Firmware Version 1.02 incorporates the following fixes and enhancements:

1. Fixes an issue where some movie metadata (Shutter Speed, Aperture, ISO, etc.) may not be recorded
2. Fixes an issue where JPEG files may not be enlarged and played
3. Fixes an issue where Switch V/H AF Area may not work correctly
4. Fixes a Creators' App issue where the Auto Time Correction and Auto Area Adjustment features turn off
5. Improves the operational stability of the camera

Support this site by ordering the Sony ZV-E1 at B&H.

Sony Alpha 7 IV firmware update version 2.0.1 is available for download.

* Please read the provided instructions before proceeding. The firmware installation order requirement is specified.

Firmware Version 2.0.1 incorporates the following fixes and enhancements:

1. Fixes a Creators' App issue where the Auto Time Correction and Auto Area Adjustment features turn off
2. Improves the operational stability of the camera

Get the Sony Alpha 7 IV at B&H.

Canon EOS-1D X Mark III firmware update version 1.8.0 is available for download.

Firmware Version 1.8.0 incorporates the following fixes and enhancements:

1. Adds the ability to register the focus position in the preset functions of the CR-A100 Camera Remote Application. When used with the Robotic Camera System CR-S700R, it helps the user to focus on the intended subject distance when shooting.
2. Adds the ability to erase voice memos added to images and to add voice memos to protected images.
3. Adds enhanced security when transferring images via FTPS transfer.
4. Fixes minor issues.

Get the Canon EOS-1D X Mark III at B&H.

Canon EOS R8 firmware update version 1.1.0 is available for download.

Firmware Version 1.1.0 incorporates the following fixes and enhancements:

1. Adds support for the Software Development Assistance Kit (EDSDK/CCAPI).
2. Fixes minor issues.

Get the Canon EOS R8 at B&H.

Canon EOS R6 Mark II firmware update version 1.2.0 is available for download.

Firmware Version 1.2.0 incorporates the following fixes and enhancements:

1. Adds support for the RF5.2mm F2.8 L Dual Fisheye lens.
2. Adds enhanced security when transferring images via FTPS transfer.
3. Adds support for the Software Development Assistance Kit (EDSDK/CCAPI).
4. Fixes minor issues.

Get the Canon EOS R6 Mark II at B&H.

Canon EOS R5 firmware update version 1.9.0 is available for download.

Firmware Version 1.9.0 incorporates the following fixes and enhancements:

1. Adds the ability to erase voice memos added to images and to add voice memos to protected images.
2. Adds enhanced security when transferring images via FTPS transfer.
3. Adds support for the Software Development Assistance Kit (EDSDK/CCAPI).
4. Fixes an issue, in which, after touchscreen operation, in rare circumstances, the camera operations cannot be performed, and even if the camera is operated, [BUSY] appears on the screen.
5. Fixes minor issues.

Get the Canon EOS R5 at B&H.

Canon EOS R3 firmware update version 1.5.1 is available for download.

Firmware Version 1.5.1 incorporates the following fixes and enhancements:

1. Adds the ability to register the focus position in the preset functions of the CR-A100 Camera Remote Application. When used with the Robotic Camera System CR-S700R, it helps the user to focus on the intended subject distance when shooting.
2. Adds the ability to erase voice memos added to images and to add voice memos to protected images.
3. Adds the ability to check the time in the viewfinder by pressing the Exposure Compensation/Aperture button while looking through the viewfinder.
4. Adds enhanced security when transferring images via FTPS transfer.
5. Fixes an issue, in which, after touchscreen operation, in rare circumstances, the camera operations cannot be performed, and even if the camera is operated, [BUSY] appears on the screen.
6. Fixes an issue that, in rare instances, may result in the camera may not operating normally and having no viewfinder or screen display depending on the timing of operating the button and viewfinder activation sensor.
7. Fixes minor issues.

Get the Canon EOS R3 at B&H.

Canon has released new versions of Digital Photo Professional and the Neural network tools.

Changes for Digital Photo Professional 4.18.10:

• Supports the expansion of the area where Neural network Image Processing Tool is provided. No functionality changes.

To install the updates, select "Check for updates" on the application's Help menu. Alternatively, download DPP 4.18.0.

Also released:

• Neural network Upscaling Tool 1.0.10 (We have expanded the area where we offer this application. No functionality changes.)
• Neural network Image Processing Tool 1.2.10 (We have expanded the area where we offer this application. No functionality changes. Neural network Lens Optimizer now supports the RF28mm F2.8 STM.)

Formerly a development announcement, the Tamron 17-50mm f/4 Di III VXD Lens for Sony E is now formally announced by Tamron Americas and available for preorder:

TAMRON announces world’s first¹ 17-50mm wide-angle zoom lens for full-frame mirrorless cameras

Zooming from 17mm ultra wide-angle to 50mm standard, unique lens offers maximum versatility for still and video creators

September 20, 2023, Commack, NY – Tamron announces the launch of the 17-50mm F/4 Di III VXD (Model A068), a wide-angle zoom lens for Sony E-mount full-frame mirrorless cameras. The lens will be available on October 19, 2023, at $699 USD / $949 CAD.

This groundbreaking lens zooms from 17mm ultra wide-angle to 50mm standard, the world’s first¹ with such a dynamic zoom range for full-frame mirrorless cameras. TAMRON’s new 17-50mm F4 for Sony mirrorless cameras is a wide-angle zoom with a constant F4 aperture covering ultra wide-angle to standard focal lengths, a zoom range ideal for both still photography and video recording. This lens achieves excellent optical performance across the entire zoom range, with crispness from edge-to-edge. The lens also incorporates VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism with superior quietness and agile performance and achieves high-speed and high-precision autofocus. Additionally, the physical length of the lens does not change while zooming. It’s the perfect lens for taking still photos and is also ideal for video shooting, in part since it’s easy to balance even when fitted to a gimbal stabilizer or other equipment. The excellent close-range shooting performance provides an MOD (Minimum Object Distance) of 0.19m (7.5in) at the wide end and 0.3m (11.8in) at the tele end. This lets users get closer to the subject to capture one-of-a-kind photos in a broad range of situations. The ideal “walk around” lens, the new 17-50mm F4 zoom offers great portability and convenience and makes it possible to shoot a variety of content, both still images and video, from sweeping landscapes to snapshots, all without switching lenses.

¹ Among the zoom lenses for full-frame Sony E-mount mirrorless cameras (As of July 2023 — TAMRON)

PRODUCT HIGHLIGHTS 1. Zoom lens that covers ultra wide-angle to standard focal length at constant F4 aperture

No need to switch lenses— users can zoom from ultra wide-angle 17mm for dynamic expressions to snapshot photography at the 50mm standard focal length end, an angle of view close to that of human vision. What’s more, the wide-open aperture of F4 is consistent across the entire zoom range and thereby maintains constant exposure when zoomed in or out. Whether shooting still images or video, the new 17-50mm F4 has you covered.

2. High optical performance and image quality throughout the entire zoom range

With the expert arrangement of 15 lens elements in 13 groups, including three LD (Low Dispersion), a GM (Glass Molded Aspherical), and two hybrid aspherical lens elements. the new 17-50mm lens efficiently suppresses chromatic and other optical aberrations, ensuring clear capture of fine details from edge-to-edge in all images. The lens also delivers outstanding bokeh at the F4 wide open aperture, creating appealing shots in which subjects such as trees and flowers that color the seasons pop out against the background in natural landscape photography.

3. Compact for easy handling with internal zoom for superlative balance

The 17-50mm F4 weighs just 460g (16.2oz) and is only 114.4mm (4.5in) long, a form factor that is well-balanced on a Sony mirrorless camera body. The lens employs an internal zoom mechanism that keeps the lens barrel at its fixed length, so it’s easy to balance when framing still or video shots or when paired with a video rig or gimbal stabilizer. Additionally, the new zoom features Moisture-Resistant Construction and Fluorine Coating. The easy handling provided by its compact size makes it a great choice for active scenarios such as mountain climbing or other outdoor activities.

4. Fast and accurate AF for still and video shooting

The 17-50mm F4’s AF drive uses VXD linear motor focus mechanism to achieve class-leading high-speed and high-precision auto-focusing. With fast and accurate focusing of moving objects, plus excellent subject-tracking performance, users can readily shift into a fast-paced shooting rhythm. Thanks to the quiet operation during AF, the lens is superb when shooting still images or video for low noise shooting in silent settings.

5. Outstanding close-range shooting performance expands versatility

The MOD of the 17-50mm F4 are 0.19m (7.5in) at the wide end and 0.30m (11.8in) at the standard 50mm end. The working distance at 17mm is only about 5.7cm (2.3in), closer even than most non-zoom lenses. Users can freely get close to the subject and can enlarge the foreground against a blurred background, or comfortably focus without needing to change their shooting position even in places with limited space.

6. Additional features for greater convenience

7. Proprietary software tool TAMRON Lens UtilityTM expands the possibilities of still imaging and video capture

8. User-friendly features (Moisture-Resistant Construction and Fluorine Coating)

9. 67mm filter size, same as most other TAMRON lenses for mirrorless cameras

* Length is the distance from the front end of the lens to the lens mount face.

** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.

*Specifications, appearance, functionality, etc. are subject to change without prior notice.

This product is developed, manufactured, and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

Orders

Order the Tamron 17-50mm F/4 Di III VXD Lens at B&H

Just posted: Sony Alpha 6700 Review.

Superb camera.

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Rent the Sony Alpha 6700 from Lensrentals.

From Rode:

MacOS Sonoma and How It Impacts RØDE Products

Released 14 Sep 2023

Apple recently announced its latest major MacOS update, Sonoma. This is currently in beta and will most likely be rolled out in mid-late 2023.

A limitation has been identified in Intel-based Mac devices running Sonoma that affects compatibility with some MFi-certified USB audio devices (note: this does not includes M1 and M2 Macs).

MFi stands for “Made for iOS" and is a certification that denotes that an accessory has been approved by Apple to be used with its products. Many RØDE products are MFi-certified and will be affected by this limitation (along with audio devices from a wide range of other manufacturers). This causes compatibility issues and will likely mean you cannot use your RØDE product with your device that is running MacOS Sonoma.

This includes the following RØDE products:

AI-Micro
NT-USB+
PodMic USB
VideoMic GO II
VideoMic NTG
Wireless GO II
Wireless ME
Wireless PRO
RØDECaster Pro II (note: this affects USB 2 only)
RØDECaster Duo (note: this affects USB 2 only)

This limitation has been present in all beta versions of MacOS Sonoma, including the current “release candidate” version, and is likely going to be present in the public release.

RØDE has escalated this issue to Apple and we are waiting for further information on when it will be addressed. Until then, we recommend you do not update to MacOS Sonoma if you wish to continue using your RØDE product.

If you have any questions, contact our friendly customer service team at info@rode.com and we will be happy to help.

From Tamron Americas:

TAMRON announces 2nd-generation 70-180mm F2.8 zoom with Vibration Compensation and TAMRON Lens Utility™ compatibility

Class-leading compact and lightweight¹ telephoto zoom for Sony E-mount full-frame mirrorless

September 13, 2023, Commack, NY – Tamron announces the launch of the 70-180mm F/2.8 Di III VC VXD G2 (Model A065), a fast-aperture telephoto zoom lens for Sony E-mount full-frame mirrorless cameras on October 12, 2023, at $1299 USD / $1699 CAD.

The 70-180mm F2.8 G2 marks the further evolution of the 1st-generation model that earned high acclaim in the marketplace and incorporates several enhancements. Leading the list of improvements of the new G2 lens is the incorporation of TAMRON’s proprietary VC (Vibration Compensation) mechanism. The lens maintains the maneuverability of class-leading compact size and weight¹ while enabling shooting with greater stability.

The optical design has been revamped from the 1st-generation 70-180mm F2.8 and achieves uncompromising high image quality across the entire zoom range. TAMRON also shortened the MOD (Minimum Object Distance) at the wide end to 0.3m (11.8in) compared to the 1st-generation 0.85m (33.5in), enabling users to enjoy unique photographic expressions distinctive to the lens. Additionally, the new 70-180mm F2.8 G2 zoom features TAMRON’s renowned VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism enabling high-speed, high-precision auto-focusing that performs well whether shooting stills or video. The new 70-180mm F2.8 G2 zoom also supports the dedicated TAMRON Lens Utility™ and TAMRON Lens Utility Mobile™ apps that were developed in-house by TAMRON. The software can be used to customize functions based on various shooting styles for still photography and video. The new lens design improves operability and provides scratch resistance. This single lens combines profound maneuverability and practicality that is worthy of the 2nd-generation G2 badge and will deliver shooting experiences that make a fast-aperture telephoto zoom lens even more enjoyable.

¹ Among full-frame compatible fast-aperture F2.8 telephoto zoom lenses equipped with Vibration Compensation (As of August 2023: TAMRON)

Product features:

1. Even with VC image stabilization, the lens is just 156.5mm (6.2in) long and weighs only 855g (30.2oz)

As with the 1st-generation, the new 70-180mm F2.8 G2 embodies the aggressive pursuit of compact size and reduced weight. TAMRON achieved a class-leading compact size and lightweight design while still providing a constant F2.8 aperture, 180mm telephoto reach and VC. The filter size is f67mm, maximum diameter is f83mm and the length at the 70mm focal length is 156.5mm (6.2in). The total weight is just 855g (30.2oz). The new 70-180mm F2.8 G2 zoom offers outstanding maneuverability and is well-balanced on a camera body. Add it all together and you have a zoom lens that puts the enjoyment of handheld fast-aperture telephoto zoom shooting within easy reach.

2. Revamped optical design delivers truly superb performance at all focal lengths

The optical construction of the new 70-180mm F2.8 G2 zoom comprises 20 elements in 15 groups. The design has been completely reworked and features a generous and effective arrangement of special lens elements, including one XLD (eXtra Low Dispersion), one hybrid aspherical lens element, three LD (Low Dispersion) and two GM (Glass Molded aspherical) lens elements. These combine to efficiently control chromatic aberration and other artifacts and deliver high resolution without compromise throughout the entire zoom range. BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating is used to suppress ghosting and flare, ensuring that fine subject detail is captured even in backlit situations, and delivering stunning clarity and contrast. Another feature everyone enjoys is the beautiful, soft bokeh that only the fast F2.8 aperture can provide.

3. VXD provides high-speed and high-precision AF with vastly improved subject tracking

The new 70-180mm F2.8 G2 zoom is equipped with a VXD linear motor focus mechanism that was first used in the 1st-generation model. Tracking performance when following moving subjects such as sports action and vehicles has received a further boost while maintaining TAMRON’s highest-ever level of high-speed, high-precision autofocus. The enhanced performance ensures users won’t miss decisive moments whether shooting stills or video. The linear motor also suppresses vibrations and noise during AF more effectively than conventional drive systems, making it ideal for shooting both still photos and video in environments that demand quietness.

4. Equipped with TAMRON’s proprietary VC mechanism

The new 70-180mm F2.8 G2 zoom is equipped with TAMRON’s proprietary VC mechanism. VC effectively suppresses camera shake that tends to occur when shooting at the telephoto end, when panning to capture moving objects, or during close-focusing, thereby enabling stable handheld shooting. It also suppresses camera shake that often occurs when shooting handheld under low-light conditions such as dimly lit interiors and night landscapes, vastly expanding the freedom of shooting without a tripod. Moreover, at focal lengths up to 100mm, artificial intelligence (AI) technology provides vibration compensation with videography in mind.

5. Close MOD of 0.3m (11.8in) at 70mm and 0.85m (33.5in) at 180mm

By optimizing the optical design, TAMRON has reduced the MOD from the 0.85m (33.5in) in the 1st-generation, to 0.3m (11.8in) in the new model. Users can now get a step closer to subjects and make the most of shooting with beautifully soft bokeh effects. In addition, with an outstanding maximum magnification ratio of 1:2.6, users can enjoy distinctive and powerful composition unique to the lens.

6. Proprietary software tool TAMRON Lens Utility for lens function customization

7. Additional features for greater convenience

8. User-friendly features (Moisture-Resistant Construction and Fluorine Coating)

9. Compatible with many camera-specific features and functions, including Fast Hybrid AF and Eye AF

10. 67mm filter size, same as most other TAMRON lenses for mirrorless cameras

Orders

Support this site by ordering the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens from B&H.

* Length is the distance from the front end of the lens to the lens mount face.

** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.

Specifications, appearance, functionality, etc. are subject to change without prior notice.

This product is developed, manufactured, and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

Sony released the Sony 1920GB and 960GB CFexpress Type B TOUGH Memory Cards today. Order them at B&H.

From Sony Electronics:

Sony Electronics Announces “BURANO”, the Newest Addition to Sony’s CineAlta Family of Digital Cinema Cameras

The BURANO combines extraordinary cinematic images and exceptional mobility for single camera operators and small crews

LOS ANGELES, SEPT. 12, 2023 -- Sony Electronics Inc. today announced the new BURANO camera, an exciting new model from their CineAlta lineup of digital cinema cameras. Designed for single-camera operators and small crews and featuring a sensor that matches the VENICE 2, the new BURANO combines exceptional image quality with high mobility.

Compact, versatile, and flexible, BURANO is the world's first1 digital cinema camera with a PL-Mount to feature in-body image stabilization. Additionally, when the PL lens mount is removed, the camera can be used with E-mount lenses to support Fast Hybrid Auto Focus (AF) and Subject Recognition AF, ideal for capturing fast moving subjects.

"The BURANO gives filmmakers new options to help push the boundary of filmmaking. It’s the perfect camera for both scripted and unscripted projects, including commercial, wildlife, or documentary styles. This camera will be a wonderful addition to be used on set alongside our lineup of digital cinema cameras," explains Theresa Alesso, President, Imaging Products and Solutions Americas, Sony Electronics.

Unjoo Moon directed “Original,” a Sony BURANO launch film. It’s an exuberant, high-energy K-Pop style dance “battle” that has an original score by Tushar Apte. Moon opted to create a short dance film to highlight the camera’s exceptional mobility and cinematic look. She explains, “The whole spirit of this camera is about originality and about giving the creator freedom.”

Main Features: Powerful 8.6K Full-Frame Sensor

The BURANO has a compact and lightweight body for high mobility, measuring over an inch shorter and more than three pounds lighter than the VENICE 2. The camera is housed in a rugged magnesium chassis, making it suitable for filming in the most challenging environments. Additionally, the packaging that the BURANO camera and accessories are delivered in is made primarily of plant-based cellulose2 instead of plastic as part of Sony’s efforts to be environmentally conscious. Moreover, a molded pulp cushion is used on the camera body when shipping as the cushioning and protective material, thus not using expanded polystyrene.

The BURANO is equipped with a full-frame sensor that shares many of the specifications of the VENICE 2 and can work alongside the VENICE 2 on both scripted and unscripted productions. The camera has an 8.6K full-frame sensor with dual base ISO of 800 and 3200 and 16 stops of dynamic range to produce stunning images even in the most challenging lighting conditions. The BURANO also features the color science inherited from the VENICE series, which has been trusted on more than 500 productions from feature films to commercials.

Academy award-winning Director of Photography Dion Beebe ACS ASC3 tested the combination of VENICE 2 and BURANO for a short dance film and shared his experience working with the two cameras.

“We were in a very stretched dynamic range purposefully and for me that was very much part of what I wanted to see both in the VENICE 2 and in the BURANO. Moving through the edit, you really were not aware that you were moving from the VENICE 2 sensor to the BURANO sensor back to the VENICE 2. That compatibility, across the dynamic range, color interpretation and all of those things are important when I’m putting a package together and trying to complement a bigger sensor camera, like the VENICE 2. These two sensors, these two looks, really fall in line with one another.” ?

The BURANO sensor and camera body were also designed to include one of the most popular features of the Cinema Line – namely Sony's Fast Hybrid AF and Subject Recognition AF. The BURANO's autofocus offers excellent support for filmmakers shooting fast-moving animals or objects and multi-camera setups using E-mount lenses.

Built-In Optical Image Stabilization

The BURANO is the world's first digital cinema camera with an interchangeable E-mount and PL-mount lens to support built-in image stabilization. With a newly developed image stabilization mechanism and control algorithm that leverages the advanced image stabilization technology cultivated in the a series of mirrorless interchangeable-lens cameras, unwanted camera shake, such as movement from shooting handheld or walking, can be corrected when shooting with an E-mount or PL-mount lens.

Variable ND Filter

The BURANO is equipped with an electronic variable ND filter from 0.6 to 2.1, enabling easy adjustments in various lighting conditions. In addition, the electronic variable ND filter allows you to control the depth of field with the iris and adjust the exposure with the ND filter to get the optimum exposure without changing the depth of field. This filter is also far thinner than prior ND filters in Sony’s lineup of cinema cameras and is adjacent to the optical image stabilization mechanism – a technological feat that helps to keep the camera as compact and lightweight as possible. ? ?

E-mount lenses for an increased flexibility

Sony offers a range of more than 70 E-mount lenses that can be used with the BURANO when filmmakers need a smaller, lighter, or wider lens set up. Additionally, pairing the BURANO with Sony’s E-mount lenses also unlocks other features such as Fast Hybrid AF, Subject Recognition AF, and 5-axis image stabilization. ? ?

Cache Recording and Flexible Capture Modes

The BURANO also features adjustable pre-roll or cache recording—perfect for unscripted filmmakers. Pre-roll or cache recording allows filmmakers to capture a modifiable amount of footage before pressing the record button. This is perfect for action sports, wildlife, and documentary filmmakers working in unpredictable scenarios.

The BURANO allows cache recording to be adjusted depending on the codec, resolution, and frame rate. For example, the BURANO can enable cache recording of up to 11 seconds while filming 8.6K at the highest codec or set up to 73 seconds while filming 4K for maximum flexibility.

Like all cameras in Sony's full-frame Cinema Line, the BURANO will have the ability to shoot at full-frame, Super 35, and also feature a desqueeze function for anamorphic lenses. It can film at frame rates including up to 8K at 30 frames per second, 6K at 60 frames per second or 4K at 120 frames per second.

Updated Body Design

The BURANO also includes design improvements thanks to feedback from the filmmaking community. For example, all menu buttons are positioned on the camera operator's side. Additionally, tally lamps are placed in three locations to make it easier for the surrounding crew to check the shooting status. The 3.5-inch multi-function LCD monitor can be used as a viewfinder, for touch focus, or menu control. The BURANO also comes equipped with an optional robust T-handle, viewfinder arm, two 3-pin XLR audio inputs, and a headphone terminal (stereo minijack), convenient for solo operation. ?

Award-winning wildlife and natural history director and cinematographer Danny Schmidt has been a Sony camera owner and operator for nearly a decade. As a current FX9 and FX6 owner and operator, he shared his experience with the BURANO. ?

“This camera is a big level-up from the FX series for me. The noise and the grain are beautiful. The image is cinematic and it’s inspiring to look at. I immediately loved the form factor. It was a size that looked to me just slightly larger than an FX6, a modular camera that has a lot of possibilities. I can put it on a long lens, hang it from an easy rig, or rig it up for shoulder mounting. I see this being my primary camera.”

Variety of Recording Formats

The BURANO can record digital files from HD to 8K depending on the resolution, aspect ratio, and codec. BURANO supports multiple internal recording formats, such as the new XAVC H™ for 8K, which utilizes the MPEG-H HEVC/H.265 high-compression efficiency codec. Other recording formats include XAVC and X-OCN LT. X-OCN is Sony's original compressed RAW format that can capture information shot with 16-bit linear data, which gives filmmakers more freedom in post for color grading. X-OCN LT is the lightweight version of the X-OCN codecs and can reduce file transfer time and storage size load, making post-production workflows more efficient than standard versions of RAW data.

The BURANO is also equipped with two new CFexpress Type B memory card slots and supports VPG400, which can sustain high bitrate writing of video data, including X-OCN LT 8K. Sony will also be releasing new compatible CFexpress Type B memory cards, CEB-G1920T (1920 GB)/ CEB-G960T (960 GB).

Versatile and Efficient Production Ecosystem

Like the VENICE series, the BURANO supports log recording as well as different color spaces including S-Gamut3 and S-Gamut3.Cine, which cover a wide color gamut that exceeds BT.2020 and DCI-P3. The BURANO can reproduce the same color as all cameras in Sony's Cinema Line, including the VENICE 2. This allows filmmakers to match cameras within the line.

BURANO comes with four new cinematic looks: Warm, Cool, Vintage, Teal, and Orange, in addition to supporting industry standard s709 and 709 (800%) Look Up Tables (LUTs).

Also, like the VENICE series, the BURANO features gen-lock and can be used for virtual production using large screen LED displays such as Sony's new Crystal LED, called VERONA.

Improvements to the Cinema Line

In addition, the FX30 and FX3 cameras are now compatible with Sony's new mobile app “Monitor & Control ,” the latest addition to the Creators Cloud. The app enables wireless video monitoring, support for high-precision exposure determination using false color and waveform monitors, and intuitive focus operation of compatible cameras, on the screen of a smartphone or tablet. In future updates, the BURANO will also be compatible with this app. In addition, Version 1.1 of Camera Remote SDK, the software development kit which now features monitoring will also be supported.

The BURANO will also support S700 protocol over ethernet and a 1.5x de-squeeze display function when using anamorphic lenses, by approximately next summer. Additional software updates to improve user experience and convenience will also be added to the BURANO in future updates.

Sony will also be releasing separately a new remote grip control, GP-VR100, that allows filmmakers to efficiently control the BURANO via a hand grip. The remote grip control works with the BURANO in shoulder mounted scenarios and enables convenient access to the zoom lever and recording start / stop button located on the hand grip. The remote grip control is perfect for single camera operators and unscripted productions such as sports, reality, wildlife, and documentary filmmaking.

Pricing and Availability

The BURANO, CFexpress Type B memory cards, CEB-G1920T (1920 GB)/ CEB-G960T (960 GB) and new GP-VR100 Grip remote control (sold separately) will be available in Spring 2024. For a first look at the BURANO, please visit the Sony booth at IBC 2023 from Sept. 15 to 18, 2023, in Amsterdam. ?

Orders

Get the Sony BURANO 8K Digital Motion Picture Camera at B&H

To watch Director Unjoo Moon and Director of Photography Dion Beebe ACS ASC’s short dance film, "Original," which shows how well the VENICE 2 and the BURANO can be used together:

Watch how "Original" was made in this behind-the-scenes video:

Exclusive stories and exciting new content shot with the new BURANO can be found at www.sonycine.com a site created to educate and inspire all fans and customers of Sony Cinema Line.

1 As of September 2023, based on Sony research, among cameras with standard equipped PL mount.

2 Excludes materials used in coatings and adhesives. Depending on the production period, plant-based non-woven fabrics may not be available.

3 2005 Academy Award Best Cinematography, Memoirs of a Geisha

4 When used with compatible Sony E-mount lenses.

5 Please check BURANO product website for details on image scan modes

6 Teal and Orange looks are commonly referred to as a Blockbuster LUT

7 The Monitor and Control app will see its compatibility expand to cover models outside Cinema Line, with different functions available for each model. Further details at www.sony.net/ccmc.

8 Version 1.11 will be available in November 2023. For more details https://support.d-imaging.sony.co.jp/app/sdk/en/index.html

9 Please visit for details: https://pro.sony/products/professional-cameras/cinematography-burano-firmware-roadmap

10 Please visit for details: https://pro.sony/products/professional-cameras/cinematography-burano-firmware-roadmap

Sony Monitor & Control Mobile App

Sony is pleased to announce the roll-out of "Monitor & Control", a new mobile application for visual creators. This app is a new addition to the lineup of apps provided by Creators' Cloud, and the app can be used with compatible Sony cameras* such as FX3 and FX30.

*The functions provided by Monitor & Control vary depending on the compatible cameras.

The new Monitor & Control mobile app supports wireless image monitoring, support for highly accurate exposure determination using false color and waveform monitors, and intuitive focus operations of the compatible cameras on the larger screen of smartphones and tablet devices.

For more details, please visit the Monitor & Control’s website. (App can be downloaded for free) https://www.sony.net/ccmc

The current compatible cameras for this app are FX3, FX30, and FX6, and BURANO will be compatible in the future. It will also be compatible with Interchangeable Lens Cameras Alpha 1 and Alpha 7S III from March 2024 or later. The number of compatible cameras will be expanded gradually. The cameras need the following software updates:

FX3 (Ver. 4.00~)
FX30 (Ver. 3.00~)
FX6 (Ver. 3.00~)

Monitor & Control support page: https://www.sony.net/ccmc/help/

From Canon USA:

Canon Announces the Company’s First Set of RF-Mount Cinema Prime Lenses

MELVILLE, N.Y., September 12, 2023 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the introduction of the company’s first RF-Mount Cinema Prime Lenses for the Cinema EOS System. The new lenses combine high optical performance for 4K and 8K shooting, cinema-style operability, and RF mount communications. The first set of seven RF-Mount Cinema Prime Lenses is only the beginning. Canon plans to swiftly expand the lineup of RF-mount-compatible video production equipment to meet the needs of professional video production of such content as movies, TV, and commercials.

The seven Canon CN-R lenses, with focal lengths and T stops of 14mm T3.1, 20mm T1.5, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3, and 135mm T2.2, are compatible with the two existing RF-Mount Canon Cinema Cameras, the EOS C70 and EOS R5 C. These lenses will allow for RF mount protocol transmission, and just like the EF-Mount Cinema Prime Lenses, operators can control magnification, chromatic aberration correction, peripheral light correction, and a dual-pixel focus guide via camera body operations. In addition, the new lenses also feature lens distortion correction. These features support efficient video production during on-location recording and post-production workflow.

The new lenses are able to achieve high optical performance suitable for use with 4K and 8K cameras by optimally positioning large-diameter aspherical lens elements and lens elements with anomalous dispersion glass. Their compatibility with the full-frame large-format sensor, bright T stop values¹, and 11-blade iris helps produce a shallow depth of field for subjects, natural round blurring, and soft image expressions. In addition, unified Cinema EOS color balance throughout the series helps provide consistent color, even when changing lenses.

Designed with an ideal level of ring torque, the new lenses allow for the precise and smooth adjustments often needed during cinema productions. Thanks to a unified design across the series, including the gear position of the operation ring, the diameter of the lens, and the rotation angle (operation angle), lenses can be effortlessly swapped in and out without the need to adjust matte boxes or external focus accessories for each lens. A new coarse surface near the mount provides a comfortable and ergonomic fit in the user’s hand, allowing the lens to be held securely without gripping the operation ring when attaching and detaching different lenses.

Pricing and Availability

The seven new Canon RF-Mount Cinema Prime Lenses estimated retail pricing and scheduled availability* are as follows:

Product /Pricing*/Availability*

CN-R14mm T3.1 L F $4,220.00 Late February 2024
CN-R20mm T1.5 L F $4,220.00 Late March 2024
CN-R24mm T1.5 L F $4,220.00 Late January 2024
CN-R35mm T1.5 L F $3,950.00 Late January 2024
CN-R50mm T1.3 L F $3,950.00 Late January 2024
CN-R85mm T1.3 L F $3,950.00 Late January 2024
CN-R135mm T2.2 L F $3,950.00 Late April 2024

Orders

Order the Canon RF-Mount Cinema Prime Lenses at B&H

¹ The brightness of a cinema lens is generally expressed as a T value, which is obtained by additionally reflecting the transmittance of the glass to the F value.

*Availability, specifications, and prices are subject to change without notice. Prices are set by individual dealers and may vary.

From Canon USA:

Canon Announces CR-N100 4K PTZ Camera and Flagship RC-IP1000 Remote Camera Controller

MELVILLE, N.Y., September 12, 2023 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the CR-N100 4K PTZ camera. The camera is designed for indoor use-cases and brings the excellent image quality and performance that Canon PTZ cameras are known for at a lower price point. Canon is also introducing the RC-IP1000, a high-end remote camera controller designed for professional systems. As a free download, Canon will also release the Multi-Camera Management Application that streamlines the configuration and management of supported Canon PTZ, professional video, and cinema cameras.

Canon CR-N100 4K PTZ Camera and Multi-Camera Management Application

As online meetings, lectures, live events, and seminars become increasingly commonplace, there is a growing need for livestreaming and video recording technology. The CR-N100 camera provides excellent image quality, fast autofocus, and its compactⁱ size allows for easy installation in spaces such as meeting rooms and classrooms. With the addition of the CR-N100 to Canon’s lineup of remote cameras, customers now have greater choices of products that support a wide range of uses, from professional video production to video content use by markets such as corporate, local governments, house of worship, and educational institutions.

The CR-N100 showcases key features that leverage Canon’s history of professional camera technology development, including a 1/2.3” CMOS sensor and a DIGIC DV6 image processor platform that helps to produce 4K/30P high-image-quality video capture. In addition, the camera is equipped with a 20x optical zoom lens with a focal length of 29.3mm?601mmⁱⁱ, supporting image capture ranging from wide-angle to telephoto scenarios. The camera also includes four “scene modes”—Portrait, Sports, Low-light, and Spotlight—which users can choose to create their content based on the subject.

Users can build a complete, versatile production environment thanks to the CR-N100’s support for a variety of video interfaces and IP streaming protocols. The CR-N100 supports NDI|HXⁱⁱⁱ for high-quality – low latency video and control, SRT^iv for secure high-quality video streaming over public networks, and RTP/RTSP/RTMP(s) for live streaming over popular social networks. The CR-N100 also supports Canon’s XC protocol for easy integration into new and existing Canon production environments. The CR-N100 also supports HDMI and the USB Video Class (UVC) transmission standard. UVC allows the CR-N100 to be used as a camera for web conference systems simply by connecting it to a PC via USB.

To help with the initial configuration of supported Canon PTZ, professional video, and cinema cameras, Canon is also releasing the Multi-Camera Management Application (MCMA). MCMA enables users to batch-configure initial camera settings as well as manage cameras, making it ideal for corporate, education, and events that require multi-camera environments, such as live streaming of university lectures and live event broadcasting.

With the Multi-Camera Management Application (MCMA), up to 200 individual camera units can be managed for use in large-scale camera systems. The MCMA streamlines the registration of usernames, passwords, and IP addresses to a camera and the registration of cameras to the RC-IP1000 by executing these procedures all at once, instead of individually. This allows for rapid initial configuration of large-scale systems with minimal workload. What’s more, the status of all connected cameras can be viewed in a convenient list that enables easier execution of operations such as updating firmware, restarting, and initialization.

Canon RC-IP1000 Remote Camera Controller

The Canon RC-IP1000 is a high-end controller that provides multiple functions and easy operation required for professional remote video production workflows, meeting the needs of various environments, including broadcast, house of worship, and live event streaming. The RC-IP1000 was designed with ease-of-use in mind and features direct functional buttons and dials ideally positioned and angled for simple operation, as well as an easily visible 7” touch-panel. The controller supports both IP and serial control, and can remotely perform Pan, Tilt, and Zoom (PTZ) movements, and the user can configure and change settings, including focus, exposure, and image settings. The RC-IP1000 is compatible with popular broadcast industry 12G-SDI input for 4K/60P, as well as visual input via IP and HDMI video output. The touch panel can display live video of cameras in single, 2x2, and 3x3 page layouts from cameras via IP, enabling simultaneous operation of multiple camera units.

Pricing and Availability

The Canon CR-N100 4K PTZ Camera is scheduled to be available in early October for an estimated retail price of $1999.00*.

The Canon RC-P1000 Remote Camera Controller is scheduled to be available in mid-December, and the estimated retail price is still to be determined*.

The Multi-Camera Management Application is scheduled to be available in mid-November as a free-of-charge download*.

Orders

Order the Canon CR-N100 4K PTZ Camera and RC-IP1000 Remote Camera Controller at B&H

† Based on weekly patent counts issued by United States Patent and Trademark Office.

ⁱ Device dimensions: 154 mm (W) x 164 mm (D) x 178 mm (H)

ⁱⁱ 35 mm film equivalent

ⁱⁱⁱ A protocol that supports live-video-operation workflows using IP networks. Developed by U.S.-based NewTek, Inc. NDI is a registered trademark of NewTek, Inc in the U.S. and other countries and regions.

^iv Secure Reliable Transport. An open-source video transmission protocol developed by Haivision and supported by the SRT Alliance.

*Availability, specifications, and prices are subject to change without notice. Prices are set by individual dealers and may vary.