Most of the time, images of wildlife approaching are better than those of wildlife going away. The problem is, where the wildlife is going to go is not always predictable. It is much easier to follow wildlife than to stay ahead of it.
These incredibly-cute twin white-tailed deer fawns were with their mother and she was meandering through the woods, feeding in a seemingly random manner. I was constantly adjusting my position, trying to be in the right place as they passed through a potentially good scene.
When I saw the adorable little fawns headed for a fern-bordered clearing, I immediately saw the potential image and moved into position. I couldn't have requested a better direction, though they came through very fast. With the Canon EOS-1D X Mark II in high speed burst mode, I was able to capture a string of images as they came through. The fast frame rate afforded me the opportunity to be quite selective, choosing my favorite body positions. This one stood out to me for the symmetry in the fawns' stride along with their head positions.
Photographing in the woods with direct sunlight reaching through the canopy makes lighting very challenging. The giant overhead softbox that a cloudy day creates resolves that problem and this day had been perfect. There was direct sunlight in the early morning, providing great warm lighting in the fields of Big Meadows. As the sun rose and the lighting cooled, cloud cover rolled in and provided great light for photographing in and near the woods all day long. This image was captured at 2:39 PM on a late spring day.
But, just because the lighting is good does not mean that the animals will be there. Deer typically feed early and late in the day and finding them mid-day can be challenging. Many photographers don't feel that mid-day is worth their time. Perhaps I'm not that smart, but ... this mother had two hungry little ones to feed and was in need of additional meals. I was out hunting for subjects and our paths crossed.
As I've mentioned before, a monopod is faster to setup and adjust than a tripod and the monopod was a key part of my kit on this encounter. Being able to set up fast enabled me to position myself closer to where the fawns currently were, making the ideal position prediction more accurate.
Another fawn photography tip I'll share is the timing for fawn photography. You will probably agree that fawns are their cutest just after birth, before they grow very rapidly. But, newborn fawns are not as active as those a week or two old. The newborns stay hidden in their beds a significant percentage of the time, making them harder to photograph. If your time is short and you want your encounter rate increased, consider timing your photography trip for a week or two later than you would for just-born fawns.
Santa Rosa, Calif. – Think Tank Photo has just enhanced its popular and critically-acclaimed Mirrorless Mover camera bag collection by offering three new color ways: Pewter, Dark Blue, and Deep Red. Scaled to fit today’s smaller mirrorless cameras, the Mirrorless Mover collection is available in five sizes; from the smallest case, the Mirrorless Mover 5, designed for one mirrorless camera, on up to the largest, the Mirrorless Mover 30i, which will accommodate a camera, lenses, accessories and an iPad.
“The new color ways are about personal expression and quality,” said Doug Murdoch, Think Tank Photo’s CEO and lead designer. “These bags use metal hardware instead of plastic buckles, high quality fabrics, YKK zippers and a new, magnetic closure. The Mirrorless Movers offer photographers quality in their camera bags worthy of their investment in these sophisticated camera systems.”
The Mirrorless Mover 10 fits one medium size mirrorless body plus one to two lenses and additional accessories. It is sized for the Leica V–Lux, Olympus OM–D E–M5, Panasonic G3, GF5, GH2, Samsung NX5, NX11, NX210, Sony NEX–5, NEX–6, NEX–7, or similar sized/smaller bodies.
The Mirrorless Mover 20 fits one medium size mirrorless body plus two to three lenses and additional accessories. The bag is sized for the Leica V–Lux, Olympus OM–D E–M5, Panasonic G3, GF5, GH2, Samsung NX5, NX11, NX210, Sony NEX–5, NEX–6, NEX–7, or similar sized/smaller bodies.
The Mirrorless Mover 25i fits a Sony A7 with 55mm f/1.8 ZA attached (hood reversed), 24-70mm f/4 ZA (hood in position), 35mm f/2.8 ZA (hood in position), plus an iPad mini, or a Fuji X-T1 with 18-55mm f/2.8-4 attached (hood reversed), 14mm f/2.8 (hood in position), 60mm f/2.8 (hood in position), plus an iPad mini.
The Mirrorless Mover 30i fits one medium to large size mirrorless body plus two to four lenses, iPad, and additional accessories or a small size DSLR and one to three small telephoto lenses or primes. It is sized for the Fuji X–Pro 1, Leica M8, Panasonic GH3 or similar sized/smaller bodies. Small DSLRs: Canon Rebel, Nikon D3200/D5200, Sony SLT–A55/A37 or similar sized bodies.
Designed specifically for mirrorless equipment
High quality YKK zippers and metal hardware
Multipurpose divider with smart phone slot and two SD card slots (excluding smallest size)
Internal mesh pocket on lid for batteries or other accessories
Exterior: All fabric exterior treated with a DWR coating while fabric underside is coated with PU for superior water resistance, YKK RC zippers, 1680D ballistic polyester, 600D brushed polyester, Ultra-stretch pocket, antique nickel plated metal hardware, 3-ply bonded nylon thread.
This article is geared to help an even larger segment of the population… sharing some practical tips with anyone that would love to do a better job at photographing their four-legged members of the family!
Let's say you have a camera or two and you obviously love your pets just as if they were members of the family. And try though you may, you have the toughest time getting the results you would ultimately like to have. You try and try and your patience runs short… so, you throw in the towel and just give up. Or, maybe you haven't completely given up but you would admit that you are not totally satisfied with your results and realize that there is plenty of room for improvement. If you fall into either one of these two categories or even somewhere in between, please read on and you just might eventually find yourself doing a much better job at photographing your four-legged members of the family... and creating better images without having to accumulate a bundle of equipment, attend classes or apprentice with an expert! Sort of a no fuss-no muss, approach… here we go!
It has come to our attention that there are instances of counterfeit EF 50mm f/1.8 II lenses for digital SLR cameras being brought into Canon service centers for repair. These counterfeit products have neither been designed nor manufactured by Canon, yet they fraudulently display the Canon logo and other Canon trademarks, and, as illegal products, they infringe on Canon Inc.'s trademark rights. Canon has taken a strong stance in eradicating these counterfeit products which infringe on the intellectual property rights of our company.
While the exterior of the counterfeit EF 50mm f/1.8 II lens elaborately imitates the exterior of the genuine lens, the parts and electric circuits used inside the counterfeit lens are different from the those used inside the genuine lens. As such, these counterfeit products do not satisfy the safety standards of various countries and the safety/quality standards of Canon. Please note that Canon cannot be held liable for any malfunction, phenomena, damage or injury that occurs due to the use of these counterfeit products, so please exercise caution when making your purchase.
We truly appreciate your continued patronage of Canon products.
See below for the differences between genuine and counterfeit products that have been confirmed as of now and that can be identified by customers.
Please review the location of the Company Name on the mount with the lens cap removed as indicated in the image below.
There is a space between “CANON” and “INC.”
The company name is shown in either printed or molded letters (two types exist).
There is no space between “CANON” and “INC.”
If you have not already done so, please register your Canon Product. By registering, we will be able to notify you via email about future announcements.
This information is for residents of the United States and its five territories only. If you do not reside in the USA or its five territories, please contact the Canon Customer Support Center in your region.
Customer Support Operations
Canon U.S.A., Inc
Firmware Version 1.0.4 is incorporated with the following correction.
Enhances the effects of image stabilization when using the EF24-105mm F4L IS II USM with the EOS 5D Mark IV at a shutter speed between 1/100 sec. and 1/160 sec.
Firmware Version 1.0.4 is for lenses with Firmware Version 1.0.3 or earlier.
Lenses whose third digit in the serial number is "0". (xx0xxxxxxx)
If the lens' firmware is already Version 1.0.4, it is not necessary to update the firmware. The lens firmware can be checked through the menu on the EOS 5D Mark IV.
Preparations for the Firmware Update:
In the folder you downloaded are the firmware (file name: EF012104.lfu / file size: 1,441,844 bytes), and instructions on the firmware update procedures (a PDF file in five languages: Japanese, English, French, Spanish, and Simplified Chinese).
Before starting the firmware update operations, please be sure to carefully confirm your understanding of these instructions.
Canon EOS C300 Mark II / EOS C300 Mark II PL Firmware Version 188.8.131.52.00
Firmware Version 184.108.40.206.00 incorporates the following fixes and enhancements:
Support for the OLED Electronic Viewfinder EVF-V70 *1 has been added.
Shutter Angle Priority has been added. A constant shutter angle can now be maintained, regardless of any other camera settings being changed.
Support for the WFT-E8 has been added.
Zebra Range Expanded Below 65%.
The range of the Zebra 1 setting has been expanded to between 5% (±5%) and 95% (±5%) in steps of 5%.
The range of the Zebra 2 setting has been expanded to between 5% and 100% in steps of 5%.
Built-in Mic Audio Off
The internal microphone on the camera body can now be turned off.
In Browser Remote, the focus guide frame can now be displayed.
2K Crop Audio Recording
Audio can now be recorded when the camera is set in 2K crop mode.
Support for CFast cards (VPG130) has been added. *2
Support for peripheral illumination & chromatic aberration when the EF 24-105mm f/4L IS II USM lens is attached, has been added.
Metadata related to the XF-AVC range has been corrected.
The range of Canon Log/Log2/Log3 has been corrected to full range.
The quality of autofocus has been enhanced.
The operation reliability after changing the recording mode has been enhanced.
*1 When using the EVF-V70, magnification and the function to display the camera's live view image on the Browser Remote screen cannot be used while recording.
*2 For detailed information about CFast cards that have been verified to work with this camera, please visit Canon's Web site.
Tom Bol demonstrates how to create a creative and unique portrait for a stylized shoot with two speedlights and some Rogue FlashBender 2 Gear. Flash photography lighting video tutorial, techniques and tips.
Great deals, but act fast as these are valid tonight only (EST):
Use coupon code AFTMAF11611142053 at BuyDig.com (Canon authorized retailer) to get the Canon EOS 5D Mark IV and PRO-100 Printer (and a 50 pack of Canon lustre paper) for only $3,149.00 with free shipping (reg $3,499.00 without printer and paper) after $350.00 mail-in rebate.
Also at BuyDig.com, use coupon code AFF717261161189838 to get the Canon EOS 5D Mark III and PRO-100 Printer (and again, a 50 pack of Canon lustre paper) for only $2,099.00 with free shipping (reg $2,499.00 after $300.00 IR without printer) after $350.00 mail-in rebate.
Find the mail in rebate form link on the product page.