From Canon USA: Canon EOS Rebel T5i Firmware v. 1.1.4
Firmware Version 1.1.4 incorporates the following fixes and improvements:
Download:Canon EOS Rebel T5i Firmware v. 1.1.4
- Fixes a phenomenon in which focus may not be adjusted with specific lenses when shooting remotely with EOS Utility software.
- Fixes a phenomenon in which “LCD brightness” may not be adjusted after pressing the SET button if “Menu Display” is assigned to the SET button in the Custom Functions setting (C.Fn-7).
- Enhances the reliability of the built-in flash exposure.
GPS Receiver GP-E2 Firmware v. 2.0.0
Firmware Version 2.0.0 incorporates the following fixes and improvements:
- Fixes a phenomenon, in which the signal acquisition indicator on the GPS Receiver GP-E2 display “Slow blinking (Signal acquired)” even if a signal is not yet acquired.
- Fixes a phenomenon, where new log files may not be saved correctly if the built-in memory of the GPS Receiver GP-E2 becomes full.
- Support for the EOS Rebel T6s/EOS 760D and EOS Rebel T6i/750D cameras has been added.
Firmware Version 2.0.0 is for GPS Receiver GP-E2 with firmware up to Version 1.0.9. If the GPS Receiver GP-E2’s firmware is already Version 2.0.0, it is not necessary to update the firmware.
When updating the firmware of the GPS Receiver GP-E2, please review the instructions thoroughly before you download the firmware. Please note:
To update the firmware of this product, Canon’s Map Utility software that is bundled with GPS Receiver GP-E2 is required. Furthermore, before updating the firmware, use Map Utility to save any GPS log files in the GP-E2’s built-in memory to your computer. After the GPS log files are saved to your computer, make sure to delete the log files from the built-in memory of the GPS Receiver GP-E2 before updating the firmware. Download:GPS Receiver GP-E2 Firmware v. 2.0.0
As winter quickly transitions into spring, flowers bloom, trees become leafy again and the pitfalls of the frigid cold fade into (maybe not so distant) memory.
If you are anything like me, your home and surroundings may not be very inspiring to you anymore. I think it is human nature to lose appreciation for the things you see every day. And when that happens, inspiration close to home can be difficult to come by.
Thank goodness spring brings us so many opportunities to see the world around us – including those areas in close proximity to our own doorstep – in a new light with a macro lens attached to your camera. Such was the case with the image above.
Dandelions are probably as loved by photographers as they are despised by lawn care professionals, as beautiful as they are hard to get rid of. Once the quaint yellow flower sprouts its seeds, you can bet there will be another dozen or so dandelions appearing soon wherever the wind blows.
No matter which side of the fence you are on – whether you love dandelions or regard them with disdain – it's hard to argue with their appropriateness for macro photography.
The image at the top of this post was one of the easiest images I've created in quite some time. It was captured with relatively minimal gear, took about 10 minutes to complete (including setup and several different framings), and the flower was located within about eight steps from my front door. Gear used:
To capture the shot, I first inverted the tripod's center column so that the camera would hang beneath the tripod. This enabled me to more easily get the top-down perspective that I wanted. I used the 7D II's Live View to frame and focus on the newly forming stigmas of the flower at or near minimum focus distance. EXIF:
f/11, 1/100 sec, ISO 800
The overcast day provided a nice, even light on the flower. However, the subdued light combined with the narrow aperture I needed to obtain the depth of field I wanted meant that I had to push the ISO to 800 and use a relatively long shutter speed (relatively long considering the small bursts of wind occurring at the time). I could have pushed the ISO higher and used a shorter shutter speed, but instead I simply timed my shots to coincide with the small periods of calm in between small wind gusts. The shot headlining this post was my favorite out of the twenty or so shots I captured that day.
The image in the middle of this post and the one below were captured using a handheld Canon 5D III, 100mm f/2.8 Macro, and a 580EX Speedlite with a Roundflash Ringflash Adapter
In summary, great macro subjects are everywhere, and that's especially true as spring sets in. Grab your macro lens and capture inspiring images without having to travel farther than your own mailbox.
Through April 30, use promo code BLTAXDAY15
to recieve a 15% discount
on any gear rental.
Just posted: Sigma 24mm f/1.4 DG HSM Art Lens Review
This lens turns in best-available 24mm optical performance in a very attractive package at an eye-catching price. B&H
has the Sigma 24mm f/1.4 DG HSM Art Lens
available for preorder with "Coming Soon" being the expectation.
From Canon USA: Films Premiere for the First Time at Canon Theater During the 2015 NAB Show MELVILLE, N.Y., April 13, 2015
- Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce the premiere of two short films "Trick Shot" and "Battle of the Ages" today during the 2015 NAB Show in Las Vegas, NV. Both films will screen daily in true 4K at the 2015 NAB Show in the Canon Theater at Booth #C4325.
Using the brand new Canon EOS C300 Mark II Digital Cinema Camera
and the XC10 4K Digital Camcorder
, the short films were shot in cinematic 4K (4096 x 2160) and recorded in-camera on SanDisk Extreme PRO CFast 2.0 cards
"Trick Shot," directed by Evan Kaufmann with cinematography by Gale Tattersall (Grace and Frankie, House M.D.), is a classic con movie with a twist. Reformed pool shark "Eight Ball" Bobby is forced to play one more crucial billiards game to save his son Devon, who got mixed up in the wrong crowd. Shot on location in Nevada, Tattersall utilized the EOS C300 Mark II camera to capture the menacing darkness of a seedy pool hall, the stark beauty of the barren desert, and the tense drama of a clever heist film.
"The new sensor in the Canon EOS C300 Mark II is a game changer," said Tattersall. "The 15 stops of dynamic range and cinematic quality put this camera in the big leagues."
Mounted with Canon's new CINE-SERVO 50-1000mm T5.0-8.9 Ultra-Telephoto Zoom lens
, the camera produced an incredible tracking shot of a speeding car from more than two miles away. Yet when the script called for aerial photography, the camera easily transitioned from sticks on the ground to propellers in the sky. Flying with a Canon EF 24mm 1.4L II USM lens
on the Aerigon, a professional cinema drone from Intuitive Aerial Inc., the camera captured the vast landscape of Valley of Fire State Park.
"The small form factor makes it wonderful to move around very quickly," Tattersall noted. "It took seconds to go from handheld to drone to Steadicam to jib arm to studio mode. The EOS C300 Mark II is absolutely one of the most versatile cameras I've come across."
Tattersall also had the XC10 camcorder in his toolkit. The 4K fixed-lens, video-and-still-shooting hybrid served as a point-of-view camera, which the filmmakers put through its paces by mounting it under cars and on pool cues.
Tattersall added, "I like the XC10 camcorder enormously. It's a true 4K camera that creates beautiful images in one tiny form factor."
"Battle of the Ages," shot entirely on the XC10 4K digital camcorder, is an action-packed comedy from YouTube filmmaker Scott Winn, whose channel, ScottDW
, has amassed more than 59 million views. Riffing on the 1980s crime drama trope, "Battle of the Ages" features two young thugs who learn the hard way that appearances can be deceiving and age is nothing but a number. Scott captured his fearless cast of three professional parkour athletes through an exhilarating chase and an epic fight scene with the XC10 camcorder mounted on a Freefly MoVI M5
"While we love epic, extreme adventures, we prefer to keep the crazy on screen and away from our camera crew," said Winn. "The XC10 camcorder worked perfectly out of the box. And, the image this tiny, lightweight camera produced is larger than life. I know my work will look great if it is streaming on the small screen of someone's phone or projected in true 4K in a massive theater."
To capture the action from every angle, Scott teamed up with Helivate Films' Zac Eskelsen to fly the camera above Salt Lake City's skyline. They mounted the XC10 camcorder on a DJI Spreading Wings S1000 drone
with a MoVI gimbal to get the bird's eye view.
"We love what we were able to accomplish with this camera from above, these shots add a dynamism to our film that was shot in one day with a small crew," said Winn. "The sky is the next frontier for filmmakers, and this camera puts quality drone work within reach for every creator."
Following NAB, the films and their accompanying behind-the-scenes featurettes will be available on the Canon U.S.A. website: https://www.usa.canon.com
. "Battle of the Ages" will also be available in streaming 4K on the ScottDW YouTube channel