If you’re an automotive enthusiast, chances are you’ve always wondered how photographers add a sense of motion to their images. There are many different ways to accomplish this, but today we will focus on what is often called a rolling shot or a roller.
Rolling shots are usually captured by photographers from the passenger seat of a moving car. Below I listed a few things that will help you capture better images before heading out to your shoot.
MELVILLE, NY – Nikon has released the Android version of the SnapBridge app, which enables constant connection of a compatible Nikon digital camera to a smart device*(1) using Bluetooth low energy technology.
SnapBridge is an app that offers users a number of convenient services by utilizing Bluetooth low energy technology to enable seamless connection of a Nikon digital camera to a smart device, all while consuming very little power.
SnapBridge can be downloaded free of charge from the App Store and Google Play. The iOS version of the app is scheduled to be available from the App Store later this summer.
TOKYO - Nikon Corporation is pleased to announce that two Nikon digital SLR cameras, the D5 and D500, have been awarded the Red Dot Award: Product Design 2016, sponsored by Germany's Design Zentrum Nordrhein Westfalen.
The Red Dot Award: Product Design is a world-class award presented to products released over the past two years that exhibit superiority in terms of a total of nine aspects, including innovation, functionality, ergonomics, ecology, and durability.
2016 is the 61st time the Red Dot Award: Product Design has been held. Winners selected from roughly 5,200 entries from 57 countries around the world will be on display at a special exhibition to be held from July 5 to July 31, 2016 at the Red Dot Design Museum in Essen Germany.
CUPERTINO, California – April 19, 2016 – Apple today updated MacBook with the latest Intel processors, improved graphics performance, faster flash storage and an additional hour of battery life, making the thinnest and lightest Mac better than ever. Featuring an all-metal unibody enclosure, MacBook is now available in four aluminum finishes — gold, silver, space gray, and for the first time on a Mac, a gorgeous rose gold. With a stunning 12-inch Retina display, highly responsive full-size keyboard, Force Touch trackpad, versatile USB-C port and all-day battery life in a design that is just 2 pounds and 13.1 mm thin, MacBook is the future of the notebook.
“MacBook is the thinnest and lightest Mac we have ever made and it’s our vision for the future of the notebook,” said Philip Schiller, Apple’s senior vice president of Worldwide Marketing. “Customers are going to love this update to MacBook, with the latest processors, faster graphics, faster flash storage, longer battery life and a beautiful rose gold finish.”
The updated MacBook features sixth-generation dual-core Intel Core M processors up to 1.3 GHz, with Turbo Boost speeds up to 3.1 GHz, and faster 1866 MHz memory. New Intel HD Graphics 515 deliver up to 25 percent faster graphics performance, and faster PCIe-based flash storage makes everyday tasks feel snappier — from launching apps to opening files.* And now with up to 10 hours of wireless web browsing and up to 11 hours of iTunes movie playback, MacBook is the perfect notebook for all day, on-the-go computing.**
MacBook comes with the incredibly small and versatile USB-C port for charging, data transfer and video output in a single connector that is one-third the size of a traditional USB port. Following the introduction of USB-C on MacBook, the ecosystem of Apple and third-party USB-C accessories has continued to grow, giving users added flexibility and capability.
With no moving parts or vents, MacBook is entirely fanless for silent, efficient performance. Designed for the wireless world, MacBook is equipped with the latest wireless technologies, including built-in 802.11ac Wi-Fi and Bluetooth 4.0 for fast wireless connectivity. It is perfect for tasks like streaming content from your MacBook to your Apple TV using AirPlay, exchanging files quickly using AirDrop or using wireless headphones.
Apple also today made 8GB of memory standard across all configurations of the 13-inch MacBook Air.
Every new Mac comes with OS X El Capitan, the latest version of OS X that refines the Mac experience and improves system performance. El Capitan builds on the groundbreaking features and beautiful design of OS X Yosemite, with updates to window management, built-in apps and Spotlight search, and performance improvements to make everyday activities — like launching and switching apps, opening PDFs and accessing email — faster and more responsive.
iMovie, GarageBand and the suite of iWork apps come free with every new Mac. iMovie lets you easily create beautiful movies and you can use GarageBand to make music, or learn to play piano and guitar. The iWork suite of Pages, Numbers and Keynote makes it easy to create, edit and share stunning documents, spreadsheets and presentations. Pages, Numbers and Keynote for iCloud let you create a document on iPhone or iPad, edit it on your Mac and collaborate with friends, even if they are on a PC.
Pricing & Availability
MacBook is available in select Apple Authorized Resellers starting tomorrow. MacBook comes with a 1.1 GHz dual-core Intel Core m3 processor with Turbo Boost speeds up to 2.2 GHz, 8GB of memory and 256GB of flash storage for $1,299 (US), and with a 1.2 GHz dual-core Intel Core m5 processor with Turbo Boost speeds up to 2.7 GHz, 8GB of memory and 512GB of flash storage for $1,599 (US). Configure-to-order options include a 1.3 GHz dual-core Intel Core m7 processor with Turbo Boost speeds up to 3.1 GHz.
MELVILLE, N.Y., April 19, 2016 – Canon U.S.A., a leader in digital imaging, announced today that its parent company, Canon Inc., will begin accepting entries for its New Cosmos of Photography photo competition on April 20. The New Cosmos of Photography is Canon’s cultural support project to discover, nurture, and support new photographers who pursue new possibilities in creative photographic expression. Aiming to incorporate diverse perspectives, the number of judges for this year’s competition will be increased to seven to allow for an even more open photo competition.
Entries for New Cosmos of Photography 2016 will be accepted between April 20 and June 15, while the Excellence Award selection committee will meet in July to choose seven Excellence Award winners and fourteen Honorable Mention Award winners. In November, the Grand Prize selection committee is scheduled to meet to select one Grand Prize winner from among the seven Excellence Award-winning entries.
The Grand Prize winner of this year’s competition will receive not only prize money (converted from ¥ 1,000,000 JPY) and a Canon product, but as an added bonus will be granted the right to hold a solo exhibit at the showcase of winning entries for next year’s New Cosmos of Photography. Additionally, to encourage the continued pursuit of their creative activities, 2016 Excellence Award and Honorable Mention Award winners will each receive prize money and the right to display their works at this year’s exhibition of winning entries.
This mother great horned owl may be the most popular and most photographed of its species in the Mid-Atlantic states at this time. Being able to photograph a primarily-nocturnal bird, very visibly sitting in its nest throughout the day, is an unusual situation and MANY photographers took advantage of this opportunity. I made this opportunity a priority and carved most of a day out of my schedule to get my great horned owl photo.
The viewing area of this nest is in a public park with a significant bank and stream separating viewers and the owl family (two owlets are deeper in the cavity). This meant as much focal length as possible was needed in front of a full frame camera (and a significant amount in front of an APS-C model). For me, this meant the Canon EF 600mm f/4L IS II USM Lens in front of an EF 2x III Extender along with the ultra-high resolution Canon EOS 5Ds R.
While this uncropped image indicates a clear view on the nest cavity, that was not completely the case. Getting the right position for a semi-clear view of this owl was challenging and I spent much of this day leaning to the side so that I could use a tripod position immediately next to another cooperative photographer for the best-available view. My primary concern was getting a clear view through the tree branches on my side of the creek as these branches became very defocused and lowered contrast over a significant portion of the image if in the frame. The branches on the nest tree were of a lower concern as the healing brush in Photoshop made branch removal a trivial task.
While the owl spent most of the day sitting nearly motionless, it occasionally changed positions. When a loud motorcycle came into the park, the mother great horned owl showed her personOWLity, making for one of my favorite shots of the day.
A larger version of this image is available on Flickr, Google+, Facebook and 500px. If reading from a news feed reader, click through to see the framed image.
The Sigma 50-100mm F1.8 DC HSM Art Lens, 24-35mm F2 DG HSM Art Lens, and 20mm F1.4 DG HSM Art Lens were chosen as this year’s best DSLR telephoto zoom lens, best DSLR wide angle zoom lens, and best professional DSLR lens, respectively
RONKONKOMA, NY – April 19, 2016 – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessory manufacturer, today announced it has received three awards from the Technical Image Press Association (TIPA). Sigma was awarded with the honors of Best DSLR Telephoto Zoom Lens for the Sigma 50-100mm F1.8 DC HSM Art Lens, Best DSLR Wide Angle Zoom Lens for the Sigma 24-35mm F2 DG HSM Art Lens, and Best Professional DSLR Lens for the Sigma 20mm F1.4 DG HSM Art Lens.
The annual TIPA Awards honor the best photo and imaging products introduced during 2015 through 2016. Renowned in professional photo markets across the world, TIPA awards are among the highest accolades photo and imaging products can receive. The TIPA organization has a worldwide membership of 27 photo and imaging magazines from 16 countries across five continents.
“We are once again honored to have the Sigma 50-100mm F1.8 DC HSM Art Lens, the 24-35mm F2 DG HSM Art Lens and the 20mm F1.4 DG HSM Art Lens selected by TIPA for their outstanding quality and impact on the industry. The thorough judging criteria take into account not only the innovation, but also the use of leading-edge technology, design and ergonomics, ease of use as well as the price/performance ratio. We are incredibly proud to have Sigma lenses meet these high standards,” comments Mark Amir-Hamzeh, president of Sigma Corporation of America. “We pride ourselves on designing and manufacturing the very best lenses using today’s most cutting-edge optical technology. I want to thank the Sigma design and manufacturing team for their commitment to engineering excellence and look forward to seeing the inspiring images Sigma fans will create using our lenses.”
If you’re like me you like to know what’s going on inside your camera or lens to some degree. They are tools, and if I want to get the best use out of my tool I need to know it’s strengths and weaknesses.
You may not have noticed, especially if you shoot just Canon or Nikon, but there’s been a quiet change in autofocus motors going on. Or you might have barely noticed marketing-fluff terms like ‘linear focusing’ or ‘electromagnetic focusing’ without really understanding what they meant. Even if you understood the general terms, you probably aren’t really certain how they work, or how they might be better or worse than what we’ve been using.
So I thought some of you might like taking a look into what might (or might not) be a big deal: the changes that are being made in autofocus motors. Today I’m going to discuss linear electromagnetic focusing motors. I may do another post about linear-piezo and ring-to-linear piezo motors later, but those are, so far, less common than the electromagnetic motors.
DJI on Sunday introduced the Matrice 600, its next-generation aerial platform, marking a new era for professional aerial photography, filmmaking and industrial applications.
The M600 integrates DJI’s brand-new A3 flight controller onboard and features advanced Lightbridge 2 video-transmission technology that offers high frame rates and HD live-streaming capability at distances up to five kilometers.
“The M600 is the most-powerful and easiest-to-use professional platform DJI has ever produced,” said Senior Product Manager Paul Pan. “We’ve pre-programmed all M600 platform data and information into the A3 flight controller, remote and transmission system to minimize setup and get you flying as quickly as possible.”
The M600 is a six-rotor system with a maximum payload of 6.0 kilograms, making it ideal for the full range of DJI’s Zenmuse gimbals, including the Z15 series and the Zenmuse X series cameras, which are unmatched in providing stabilized aerial imagery. The M600’s carrying weight also allows it to fly the Ronin MX, DJI’s newest handheld and aerial three-axis gimbal. The M600’s propulsion system is dustproof to simplify maintenance and increase durability. It has actively cooled motors for more-reliable flight, and its landing gear is retractable for full 360-degree, unobstructed imaging.
The M600 is powered by six DJI Intelligent Batteries. The customized battery-management system and power distribution board allow all six batteries to be turned on and off with the push of one button and keep the system aloft, should a single battery fail. The M600 will fly up to 36 minutes with a Zenmuse X5 camera attached and up to 16 minutes with a larger camera, such as a RED EPIC. Flight time will vary for different cameras, gimbals and a number of other conditions.
Integrated A3 Flight Controller
Setting the M600 apart is its integrated A3 flight controller. It uses sine-wave-driven, intelligent electronic speed controllers to ensure the M600 performs accurately, safely and efficiently. Meanwhile, self-adaptive flight systems adjust parameters automatically, based on different payloads.
It’s upgradable to the A3 PRO system, which features advanced diagnostic algorithms that compare sensor data from three Global Navigation Satellite System (GNSS) units and three inertial measurement units.
The A3’s GNSS system can also be optionally upgraded to DJI Real-Time Kinematic technology, offering centimeter-accurate positioning to allow for complex maneuvers in an industrial setting and so that cinematic shots can be precisely replicated. The RTK technology can also withstand magnetic interference.
The M600 supports the DJI GO app, which includes a live video feed, battery and redundancy status, transmission strength and other data to keep the user informed of flight status at all times. The app also provides access to aperture, shutter speed, photo and video capture on any Zenmuse X-series camera, plus remote focus on the Zenmuse X5 and X5R cameras.
The M600 is a top-quality development platform, compatible with the DJI Onboard Software Development Kit and Mobile SDK to work with different industrial applications. It has dual parallel CAN and API ports for connecting DJI devices, including the Guidance sensor system, RTK GPS units or third-party components.
The M600’s retail price, including the integrated A3 flight controller with Lightbridge 2 and a full set of batteries, is $4,599.
Works Seamlessly with Ronin-MX
When paired with the new DJI Ronin-MX, the M600 offers best-in-class three-axis aerial video stabilization. The latest in the Ronin line is also the most-versatile, working both on the ground and in the air with minimal setup.
The Ronin-MX works perfectly with the M600, as a fully integrated system that includes the A3 flight controller, Lightbridge 2 transmission system and gimbal in the air. It’s the first universal aerial gimbal DJI has made that communicates with the onboard DJI flight controller.
It’s fully compatible with a rich selection of DJI accessories for long-distance focus and aperture control and features remote start/stop controls and video transmission. The Ronin-MX is built for convenient, handheld use, but it also has multiple operation modes, including underslung, upright and briefcase. Apart from the M600, it’s also compatible with video cranes.
“For film directors, the M600 is a game-changer. There are other options out there, but none that integrate a top-class flight controller, video-transmission system like Lightbridge 2 and support for a wide range of cameras and gimbals,” said DJI Executive Creative Director Sheldon Schwartz. “If you go with the new Ronin-MX on the M600, you’ll be surprised at how easy it is to get unparalleled stability and cinematic-quality shots.”
The Ronin-MX has a built-in, independent IMU module, a Bluetooth module and a 2.4GHz receiver. It operates through the DJI GO app and has settings for SmoothTrack and gimbal-tuning for various cameras, including some of the RED series, DSLRs and other professional camera. It also operates in multiple modes, including aerial and car mount.
Mounted on the M600, the Ronin-MX’s CANBUS port allows all flight controller data to pass through to the Ronin-MX, meaning the gimbal is positionally aware and able to keep the horizon level. The Ronin-MX can pan 360 degrees, tilt +45 to -135 degrees and has redundant slip rings, offering enhanced reliability for operators. With an optional accessory, the Ronin-MX can transmit video real-time from a mounted camera, making full use of the M600’s Lightbridge 2 capabilities. It will also be compatible with the DJI Focus, through a wireless adapter mounted to the Focus remote.
The Ronin-MX is powered by a 4S Ronin-M battery. Third-party cameras mounted on the Ronin MX can be powered by an optional onboard DJI battery.
The Ronin MX is compatible with a wide range of cameras from Arri, Black Magic, Canon, Panasonic, RED, Sony and Nikon. Its maximum load weight is around 4.5 kilograms.
The Ronin MX retails for $1,599. Bundled with the M600 and integrated A3 flight controller and Lightbridge 2, it will sell for $5,999.
Tamron lenses awarded with two prestigious TIPA awards in 2016
April 18, 2016, Commack, New York - Tamron Co., Ltd., a leading manufacturer of precision optics, has announced that its SP 35mm F/1.8 Di VC USD (Model F012) and 18-200mm F/3.5-6.3 Di II VC (Model B018) have both been presented awards with the "TIPA Awards 2016" hosted by the TIPA (Technical Image Press Association).
BEST DSLR PRIME LENS: SP 35mm F/1.8 Di VC USD (Model F012) Excerpt from the Award Citation of the TIPA Jury: At approximately 80mm long and between 450 and 480g in weight (depending on camera system), the full-frame Tamron SP 35mm f/1.8 is constructed with 10 elements in 9 groups. It utilizes two molded glass aspherical elements with one LD (low dispersion) and one XLD (extra low dispersion) element, which greatly reduces chromatic aberration. The lens has excellent resolution from corner to corner, no vignetting even at full aperture, a minimum focusing distance of 0.2 meters and Tamron's VC (vibration compensation) system (except on the Sony mount version). Full time manual focus override is always available, a great aid when doing close-ups.
BEST ENTRY LEVEL DSLR LENS: 18-200mm F/3.5-6.3 Di II VC (Model B018) Excerpt from the Award Citation of the TIPA Jury: When entry-level photographers start to look beyond their kit lens, or purchase a lens with their camera body, they will be excited to own a lens that offers a wide range of focal length options, and the Tamron 18-200mm fits the bill. Constructed with 16 elements in 14 groups, this lens for APS-C format cameras yields a 35mm equivalent of 28-310mm. It is compact: an average of 95mm (3.8 inches) in its various mounts and is said to be the world's lightest (400g, 14.1 oz) in its class. Vibration reduction helps users get steady pictures, particularly at the longer focal length ranges.
SANTA ROSA, CALIFORNIA – For videographers seeking reduced weight, increased capacity, more features, and ease of use, Think Tank will release seven incredibly strong soft-sided video cases. In addition to being lighter weight and having more features than traditional hard cases, Think Tank’s new video cases let videographers to hit the ground running by allowing them to leave their cameras fully assembled between shoots. No longer will they need to build-out their cameras while the client impatiently waits or the shot disappears.
The new video bags range in size. The largest, the Video Rig 24 rolling case, holds a fully assembled 24” video rig and features inset channel aluminum tubing for added strength and durability. The mid-sized bag, the Video Transport 20, holds a video camera body, four to six lenses (detached), shotgun mic, small monitor, 4K recorder, audio recorder, additional accessories, and up to a 17” laptop in a padded sleeve. The smallest, the Video Workhorse 19 shoulder bag, holds a professional camcorder or video cameras up to 19” and features striated aluminum and arched twinwall reinforced struts to create a collapse-proof lid. Built tough, with the quality Think Tank is known for, these bags are the perfect blend of protection and functionality.
The seven new bags in Think Tank’s video series are, from biggest to smallest in capacity:
Video Rig 24 – Holds a fully or partially assembled video camera rig up to 24” (61cm), which could include camera body, lens, monitor, viewfinder, 4K recorder, audio recorder, rails, follow-focus, matte-box, shoulder mount, top handle, stabilizer handles, shotgun mic, and counter-weight. The case fits a Canon C-series, Sony FS700, FS5, FS7, F5 or F55, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini, Aja Cion, Arri Alexa, as well as many ENG cameras.
Video Rig 18 – Fits a fully or partially assembled video camera rig up to 18” (45.7cm), which could include camera body, lens, monitor, viewfinder, 4K recorder, audio recorder, rails, follow-focus, matte-box, shoulder mount, top handle, stabilizer handles, shotgun mic, and counter-weight. The case fits a Canon C-series, Sony FS700, FS5, FS7, F5 or F55, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini, Aja Cion, as well as many ENG cameras.
Video Transport 20 – Holds a video camera body, four to six lenses (detached), shotgun mic, small monitor, 4K recorder, audio recorder, additional accessories, and up to a 17” laptop in a padded sleeve. The roller bag fits a Canon C-series, Sony FS700, FS5, FS7, F55 or F56, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini.
Video Transport 18 – Fits a video camera body, three to five lenses (detached), shotgun mic, small monitor, 4K recorder, audio recorder, additional accessories, and up to a 15” laptop in a padded sleeve. The roller bag holds a Canon C-series, Sony FS700, FS5, FS7, F55 or F56, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini.
Video Workhorse 25 – Holds professional camcorders or video camera rigs up to 25” (63.5cm) long and 9.1” (23cm) tall, which could include a camera body, lens, monitor, viewfinder, 4K recorder, audio recorder, medium LED lightpanel, shotgun mic, lavaliere mics, rails, follow-focus, matte-box, shoulder mount, top handle, and cables. The shoulder bag holds a Canon C-series, Sony FS700, FS5, FS7, F5 or F55, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini, or a DSLR/Mirrorless rig such as the Sony a7sII, Panasonic GH4, or Canon 5DMIII.
Video Workhorse 21 – Fits a professional camcorder or video camera rig up to 21” (53.3cm) long and 8.7” (22cm) tall, which could include a camera body, lens, monitor, viewfinder, 4K recorder, audio recorder, medium LED lightpanel, shotgun mic, lavaliere mics, rails, follow-focus, matte-box, shoulder mount, top handle, and cables. The shoulder bag holds a Canon C-series, Sony FS700, FS5, FS7, F5 or F55, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini, or a DSLR/Mirrorless rig such as the Sony a7sII, Panasonic GH4, or Canon 5DMIII.
Video Workhorse 19 – Holds a professional camcorder or video camera rig up to 19” (48.3cm) long and 7.5” (19cm) tall and accessories, which could include a camera body, lens, monitor, viewfinder, 4K recorder, audio recorder, medium LED lightpanel, shotgun mic, lavaliere mics, rails, follow-focus, matte-box, shoulder mount, top handle, and cables. The shoulder bag fits a Panasonic PX270, X1000 or DVX-200, Canon C-series, Sony FS700, FS5, FS7, F5 or F55, Red Epic/Scarlet, Black Magic Cinema Camera, Ursa or Ursa Mini, or a DSLR/Mirrorless rig such as the Sony a7sII, Panasonic GH4, or Canon 5DMIII.
TORRANCE, CA — April, 15, 2016 – Since 1976, the Pelican classic Protector case has been the go-to protective case solution for millions of people worldwide. It has made an impact in industries ranging from military and aerospace to photography and hunting. Today, Pelican is proud to announce the outcome of a relentless quest to offer Pelican users more versatility than ever before: Introducing Pelican Air cases. These new cases have been engineered to maintain the same standard of durability, but reduce the weight of each case by up to 40 percent and offer new size selections not currently available in the Pelican classic or Pelican Storm lines.
Available in six long-form, travel-ready sizes, Pelican Air cases are constructed of lightweight HPX2 resin, the next generation of Pelican’s proprietary formula that rebounds to stress without breaking. With the busy traveler in mind, the 1535 Pelican Air case (Wheeled Carry On) complies with overhead bin standards and the 1615 Pelican Air case (Wheeled Check In) complies with current airline check-in size regulations.
Additional models are currently in development with more than 20 new sizes making their debut over the next 18 months. Each case passes the same performance tests (impact, drop, submersion, high and low temperature) that Pelican users have come to trust and is backed by the company’s legendary lifetime guarantee of excellence.
“The Pelican brand is synonymous with protection and has set the gold-standard in the protective case market for more than 40 years,” said Lyndon Faulkner, President and CEO of Pelican Products. “While using the Pelican classic case design as the basis for the new line, our engineers have spent the past two years reimagining the classic case with a focus on taking out weight while maintaining the same high level of performance customers have come to expect from Pelican. This revolutionary Pelican Air case design underscores Pelican’s continuing commitment to innovation and making a legendary product even better.”
To construct a lighter case, Pelican’s engineering team faced the challenge of building lightness into every facet of the design without compromising Pelican’s renowned durability. By working with a team of materials scientists, Pelican was able to construct cases that are the lightest protective cases on the market today.
Pelican Air cases are available with several configurations:
No Foam (empty)
Pick N Pluck foam – manually customizable cubed foam
Padded Dividers – newly redesigned with a fully-sewn tub, felt exterior and high-visibility yellow interior, making it easier to identify equipment
TrekPak – a completely new divider system with rigid, customizable panels and locking pins
Pelican Air cases are available through select dealers, distributors and retailers starting May 1, 2016.