New Additions Include Super-Zoom Models Ideal for Avid Travelers as well as Stylish and Compact Go Anywhere, Any Time Cameras
MELVILLE, N.Y. — January 5, 2016 — Built to deliver high-quality images and HD video and featuring built-in Wi-Fi and NFCTM connectivity for easy sharing, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the addition of two new cameras to its super-zoom PowerShot SX lineup - the PowerShot SX540 HS and PowerShot SX420 IS digital cameras. Also announced are three new stylish and compact additions to the Company’s PowerShot ELPH series, the PowerShot ELPH 360 HS, PowerShot ELPH 190 IS digital cameras as well as PowerShot ELPH 180, all housed within slim bodies that can easily fit in a pocket or purse.Experiencing the power of a printed image is also easy when users connect and print to a Canon wirelessii printer, like the Canon PIXMA MG7720. And for even more convenience, the cameras are compatible with the new Canon Connect Station CS100 – a dedicated device for easy image and video viewing, sharing and storage.
PowerShot SX540 HS Camera
The PowerShot SX540 HS digital camera builds on the features included in the PowerShot SX530 HS digital camera. The PowerShot SX540 HS has a powerful 50x optical zoom lens (equivalent to 24-1200mm) with Optical Image Stabilizer for outstanding optical performance. It features a new 20.3-Megapixeliii High-Sensitivity CMOS sensor with DIGIC 6 Image Processor that helps deliver high resolution combined with stunning low-light performance. A dedicated Wi-Fi button allows for easy sharing and transferring of images over Wi-Fi and NFCTM technology. The new camera features a dedicated movie button so users can easily record 1080p Full HD video at an improved rate of up to 60 frames-per-second in MP4 format with stereo sound. The PowerShot SX540 HS digital camera has an improved advanced Zoom Framing Assist feature that intelligently controls the lens, making it easy to identify the main subject of the shot, even when the subject is moving. It also features a lock button option for quick and accurate subject tracking. Additionally, its new Story Highlights feature automatically selects and compiles images into an exciting highlight reel within the camera without the use of extra software.
The PowerShot SX540 HS digital camera’s large 3.0-inch LCD screen (approx. 461,000 dots) allows easy viewing even from a wide angle. Its Hybrid Auto mode records quick video clips before each still and compiles them together to make a short highlight reel. The PowerShot SX540 HS digital camera is scheduled to be available in March 2016 for an estimated retail price of $399.99.
PowerShot SX420 IS
Based on the successful PowerShot SX410 IS model, the PowerShot SX420 IS digital camera features an improved powerful 42x optical zoom lens (equivalent to 24-1008mm) and Optical Image Stabilizer for outstanding optical performance. A dedicated Wi-Fi button allows for easy sharing and transferring of images over Wi-Fi and NFCTM technology. The 20.0- Megapixeliii sensor with DIGIC 4+ Image Processor helps deliver stunning image quality. Smart Auto intelligently selects the proper settings for the camera based on predefined shooting situations, and 720p HD video capture in MP4 format.
The PowerShot SX420 IS digital camera also features Scene modes such as Fisheye effect, Toy Camera effect and Monochrome, which provide creative freedom to capture your photos. While taking these creative photos, Eco mode helps reduce power consumption for longer battery life.
The camera’s large 3.0-inch LCD screen (approx. 230,000 dots) allows for easy operation and sharing. The PowerShot SX420 IS digital camera is scheduled to be available in February 2016 for an estimated retail price of $299.99.
PowerShot ELPH 360HS
The PowerShot ELPH 360HS is slim and stylish, boasting a 12x optical zoom lens with Optical Image Stabilizer that helps capture images with flexibility and ease. A dedicated Wi-Fi button allows for easy sharing and transferring of images over Wi-Fi and NFCTM . The 20.2-Megapixelii CMOS sensor combines with the DIGIC 4+ Image Processor to help deliver stunning image quality even in low light. The PowerShot ELPH 360HS digital camera also captures spectacular 1080p Full HD video.
The camera’s large 3.0-inch LCD screen allows for easy viewing and the Hybrid Auto feature records quick video clips before each still and compiles them together to make a short highlight reel. Story Highlights mode automatically selects and compiles images into an exciting highlight reel within the camera without the use of extra software.
The PowerShot ELPH 360HS digital camera is scheduled to be available in February for an estimated retail price of $209.99 and will be available in silver and purple.
PowerShot ELPH 190 IS
The PowerShot ELPH 190 IS digital camera delivers high-quality imaging capabilities with a 10x optical zoom lens with optical image stabilizer and 20-Megapixeliii CCD sensor. A dedicated Wi-Fi button allows for easy sharing and transferring of images over Wi-Fi and NFCTM technology. The PowerShot ELPH 190 IS digital camera features smooth 720p HD video capabilities with Smart Auto mode, Scene modes and Eco mode to preserve battery life.
The PowerShot ELPH 190 IS digital camera is scheduled to be available in February 2016 for an estimated retail price of $159.99 and will be available in black, red and blue.
PowerShot ELPH 180
The PowerShot ELPH 180 digital camera delivers high-quality imaging capabilities with an 8x optical zoom lens and 20-Megapixeliii CCD sensor. The PowerShot ELPH 180 digital camera features smooth 720p HD video capabilities with Smart Auto mode, Scene modes and Eco mode to preserve battery life. It also includes the Auto Zoom feature that automatically zooms in to frame subjects and keep them in focus.
The PowerShot ELPH 180 digital camera is scheduled to be available in February 2016 for an estimated retail price of $119.99 and will be available in silver and red.
B&H has the new PowerShot cameras available for preorder:
Fast and quiet AF with adoption of a stepping motor. Compact and lightweight normal zoom lenses covering the 18-55mm range of focal lengths with a maximum aperture of f/3.5-5.6
January 5, 2016 – Tokyo – Nikon Corporation is pleased to announce the release of the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G, two normal zoom lenses compatible with Nikon DX-format digital SLR cameras.
The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G are 3.1x normal zoom lenses covering the 18-55mm range of focal lengths (effective angles of view equivalent to those of a lens with 27-82.5mm focal lengths in FX and 35mm  formats). They are the first "AF-P" lenses for Nikon digital SLR cameras, utilizing stepping motors to drive AF for fast and quiet autofocusing. In addition, they have a compact and lightweight design for which retractable barrels were adopted for excellent portability, and the use of two aspherical lens elements has resulted in superior optical performance with which various types of aberration, including distortion and spherical aberration, are effectively suppressed. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR is also equipped with a vibration reduction (VR) mechanism offering camera shake compensation equivalent to a 4.0-stop (with testing in accordance with CIPA standards) increase in shutter speed.
The combination of superior AF performance and excellent agility afforded by these lenses makes them perfect for those ready to try their hand at full-scale photography with a digital SLR camera.
AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G Primary Features
"AF-P" lenses that achieve fast and quiet AF with adoption of a stepping motor for AF drive operation
Compact and lightweight 3.1x 18-55mm (effective angles of view equivalent to those of a lens with 27-82.5mm focal lengths in 35mm  format) normal zoom lenses utilizing a retractable barrel and compatible with the Nikon DX format
Adoption of aspherical lens elements (2) achieves superior optical performance with which various types of aberration are effectively suppressed
Equipped with a vibration reduction (VR) mechanism offering camera shake compensation equivalent to a 4.0-stop (with testing in accordance with CIPA standards) increase in shutter speed (AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR)
"Hmm...," I thought to myself, "We have a problem here."
I did a little investigating and traced the incorrect lens identification bug back to the latest version of Adobe Camera RAW (v.9.3.1). It seems that ACR is misidentifying images taken with the Sigma 50mm Art. This bug will be especially problematic for those who use automatic lens profile corrections when importing RAW images into both Adobe Photoshop CC and Lightroom CC as the wrong lens profile will be applied.
To counteract the issue, when using the Sigma 50mm Art be sure to manually choose the Sigma 50mm f1.4 DG HSM A014 lens profile from the drop down list if a correction profile is desired. Also note that images saved and converted by Photoshop will display the incorrect lens in the EXIF even if no lens profile correction is applied.
Update: Adobe has let us know that they are aware of the issue and that it will be fixed in the next release of Adobe Camera RAW.
I actually held onto this press release for a few days hoping a better version of it would surface (the release looks like it was authored in another language and run through Google Translate). Unfortunately, a more eloquent version never appeared. [Sean]
DECEMBER 28, 2015 – Kenko Tokina Co., Ltd. is pleased to announce the new AT-X 14-20 F2 PRO DX.
The fast F2.0 Zoom lens of Tokina Since the maximum aperture of F2.0 is given this lens, it's possible to support the low sensitivity photography used ISO64 and ISO100 setting. The maximum aperture of F2.0 shows its power for the photography using the blur feeling and photography with the low brightness (In the room, In the night).
Adopt highly precise Plastic Aspherical lens The 2nd lens group in this lens is adopted the plastic aspherical lens which improved surface accuracy, and is given antireflection coat. This lens is designed tough against ghost flare.
Arrange highly precise Glass molded Aspherical lens 2 pieces of super low dispersion glass molded aspherical lens is located in the back goup of the lens, and various aberration are corrected by these lenses.
Compact Body and Excellent Operability Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF/MF simply by sliding the focus ring, forward side for AF and back toward the camera for MF. This lens is designed as the fast aperture F2.0 in all focal range, but it is a compact body. This lens has a thread in the front frame, so it’s possible to attach filters of 82mm size.
The new Tokina AT-X 14-20 F2 PRO DX is an ultra-wide-angle zoom lens for the DX(APS-C) size, and has the maximum aperture of F2.0. In low brightness situation, use it demonstrates its preeminent power
Focus distance: 14 - 20mm Brightness: f/2.0 Canon Format : APS-C Minimum aperture: f/22 Lens configuration: 13 elements in 11 group Coating: Multilayer film coating Angle of view: 91.68° ~ 71.78° Filter size: 82mm Shortest Object Distance: 0.28m Macro maximum magnification: 1:8.36 Focus method: Internal focus Number of Aperture blades: 9 Maximum diameter: 89.0mm Full length: 106.0mm Weight: 725g Hood (Attached) : BH-823 Above mentioned specifications are for a Nikon mount.
There is no indication when the lens will be available for preorder.
Happy New Year from Bryan and me! I hope everyone had an enjoyable and memorable New Year’s Eve gathering with friends and family. With each new year, we have the opportunity look back at what we've accomplished in the previous year while also looking forward to what we want to accomplish in the year ahead.
With that in mind, we want to know – What are you focusing on this year? (pun intended)
We want to know about your photography goals for 2016. Are you going to attempt an up-until-now unexplored branch of photography like landscapes, architecture, portraiture, or macro? Or is it your goal to refine and hone your skills to become a recognized master in your already-chosen specialty?
Do you want to check off some of your bucket list locations and travel to far-flung destinations? Or do you want to concentrate your efforts on documenting family events, immortalizing a child's growth and youthful exuberance? Maybe your goal is to shoot more, possibly even every day?
As for me, my goal is to use my photography equipment to complete more video projects this year. With that in mind, I have purchased a Tascam DR-40 to augment my audio recording capabilities and I'm planning on getting a DJI Phantom 3 in the not-so-distant future. We'll see how that goes...
So, what is your focus for 2016? Let us know in the comments.
My use of Allen wrenches/hex keys probably increased 10-fold after taking up photography. Hex bolts are everywhere – tripods, quick release plates, ball heads, sliders – if your photography gear has a bolt, there's a good chance you're going to need a hex key to loosen or tighten it.
Until recently, my method of being prepared involved a small zip-top plastic bag kept inside my main camera bag's outer compartment which held every different hex key, bolt or miscellaneous part I thought I might ever need. And while the system worked, I often found myself without the hex key I needed when I needed it (having forgotten to replace it after use), or simply wasting time trying to sort through the assortment of tools to find the exact one I needed.
The bicycle multi tool I chose was the Crank Brothers Multi Bicycle Tool (10-Function). It's a little larger than the one Mark carries, but it also includes a flat head screwdriver which I thought might come in handy at some point. So far, it's proved to be a very useful addition to my kit. If reduced size and weight are priorities, Mark's choice would be a better option overall.
Of course, hex key sets have been around for a long time; they aren't anything new. However, the addition of a few other tools – like the Phillips/flat head screwdrivers and Torx T-25 wrench – makes the bicycle multi tool a photographer's best friend.
Leaning out the side of a helicopter, held only by a harness and his sense of connectedness with the earth's endless sea of light, Vincent Laforet captures cities from above, in a way that resembles pathways on a circuit board, or a network of neuronal synapses. The AIR series began as a creative idea for an image to accompany a psychology article, and turned into groundbreaking aerial photography techniques that have helped define Vincent's own style.
Vincent Laforet is a French American director and photographer. In 2002 he shared the Pulitzer Prize for Feature Photography with four other photographers as a member of The New York Times staff's coverage of the post 9/11 events overseas that captured "the pain and the perseverance of people enduring protracted conflict in Afghanistan and Pakistan." He has been sent on assignment by Vanity Fair, The New York Times Magazine, National Geographic, Sports Illustrated, Time, Newsweek, and Life.
In 2002, PDN named Vincent Laforet as one of the “30 photographers under 30 to watch?. In 2005, American Photo Magazine recognized Laforêt as one of the “100 Most Influential People in Photography.” He is a DGA Director (Directors Guild of America) and of the ICG (International Cinematographers' Guild – Local 600.) Laforet has been awarded 3 of the prestigious Cannes Lions (Platinum, Gold, Silver) for his commercial directing work.
This talk was given at a TEDx event using the TED conference format but independently organized by a local community.
In this video Chase from Zacuto gives seven simple steps on how to shoot a video interview on location and in the studio. Topics discussed include assessing the physical space, any ambient and/or lighting considerations, setting up lights and the types of lights you might want to use,’ choosing the right type of mics based on the shooting environment, camera positioning, and other details required to produce professional-looking video interviews.
B&H carries all the gear you need to help create professional looking interviews.
According to the Egami Blog, Canon has filed a patent for a CN-E 70-200mm f/2.8 lens for APS-C and Super 35mm sensor format cameras. Note that the lens will likely be marketed as a T2.8 lens to match their CN-E 15.5-47mm and 30-105mm lenses with the same image circle.