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 Tuesday, July 5, 2016

 
From the B&H YouTube Channel:
 
Canon “Explorer of Light “ Chas Glatzer will share the thought process behind the making of an image, and the techniques used to produce consistently successful images in the field. Learn how to see and understand light, its quality, physical properties, etc., and how they relate to your subject and capture medium will allow you to take control of your imagery.
 
Link to Full Version: https://youtu.be/TT9IAusMs_c
Posted to: Canon News,
Post Date: 7/5/2016 5:34:51 AM CT   Posted By: Sean
 Monday, July 4, 2016
From National Geographic:
National Geographic’s top editors explain how to keep photography honest in the era of Photoshop—and why they’ll never move the pyramids again.
 
In the digital age, when it’s easy to manipulate a photo, it’s harder than ever to ensure that the images we publish, whether on paper or on a screen, reflect the reality of what a photographer saw through his or her viewfinder. At National Geographic, where visual storytelling is part of our DNA, making sure you see real images is just as important as making sure you read true words.
 
I’ll explain how we strive to keep covertly manipulated images out of our publications—but first an admission about a time when we didn’t. Longtime readers may remember.
Check out the entire article on the National Geographic website.
Posted to: Canon News,
Post Date: 7/4/2016 10:54:28 AM CT   Posted By: Sean

 
From the Phlearn YouTube Channel:
 
Scale Pattern into Place
Start by scaling and rotating the pattern into place. In this example, we also invert the pattern to change colors by pressing CTRL/CMD + I. Make sure to make the pattern a bit larger than the piece of clothing so it can be warped into place.
 
Use the Pen Tool to Cut Out Clothing
It is important to have an accurate cut out of the clothing, so the pattern looks seamless. In this example, we use the Pen Tool to cut out the original shirt. Create a pen path around the clothing by clicking and dragging to create curves.
 
After completing the pen path, right-click and turn it into a selection and feather the edge by 0.5 pixels. Next, load the selection as a layer mask for the pattern, making it only visible where the original piece of clothing is.
 
Liquify the Pattern to Fit the Clothing
To make the pattern look like it flows with the fabric, it must be warped into place. Use the liquify tool to bring in the edges of the pattern, making it look like the pattern wraps around the piece of clothing.
 
To re-create folds of fabric, use the freeze mask tool to paint over one-half of the fold. Then use the forward warp tool to push the pattern under the freeze mask. If done correctly, it will look like the original pattern curves around the folds of fabric.
 
Add Highlights and Shadows from Original Photo
The last step is to blend the pattern into the original image. In this example, we change the blend mode to ‘Multiply’ and lower the opacity to 90%.
 
Next, add shadows and highlights from the original piece of clothing. Duplicate the background layer and place it on top of the fabric layer. Right-click on the layer and select “create clipping mask”, then change the blend mode to ‘Multiply’.
 
To add highlights, duplicate the background layer and clip it to the fabric, just like the previous layer. This time set the blend mode to ‘Screen’. If needed, adjust the brightness of this layer by using a Levels adjustment - CTRL/CMD + L. Drag the black point slider to the right until the layer only appears over the highlights.
 
B&H carries Adobe Photography Plan subscriptions.
Posted to: Canon News,
Post Date: 7/4/2016 8:49:26 AM CT   Posted By: Sean

 
From the Adobe Photoshop Lightroom YouTube Channel:
 
Lightroom tips and tricks in 60 seconds or less from longtime Lightroom team member Benjamin Warde.
 
B&H carries Adobe Photography Plan subscriptions.
Posted to: Canon News,
Post Date: 7/4/2016 6:58:20 AM CT   Posted By: Sean

 
From the B&H YouTube Channel:
 
During this video Bob Davis goes through the evolution of light using Speedlites, direct flash, bounce flash, multiple wireless remote flashes, and creating studio quality light anywhere, anytime.
 
Full Version: http://bit.ly/WhatTheFlashFull
Posted to: Canon News,
Post Date: 7/4/2016 6:39:30 AM CT   Posted By: Sean
 Friday, July 1, 2016
In late February of this year, SanDisk proclaimed they had the "World's Fastest Transfer Speed" in their newly announced Extreme Pro 128GB microSD memory card. It now seems the transfer technology has migrated up the card capacity ladder.
 
From WD/SanDisk:
 
MOBILE WORLD CONGRESS SHANGHAI, China – June 29, 2016 – Western Digital Corporation (NASDAQ: WDC), a global storage technology and solutions leader, today introduced a new suite of 256 gigabyte (GB) microSD cards, which includes the new 256GB SanDisk Extreme microSDXC UHS-I card – the fastest microSD card in its class. The new suite of cards also includes 256GB SanDisk Ultra microSDXC UHS-I card, Premium Edition, the first 256GB card optimized for mainstream consumers. The new additions deliver leading speed and capacity in a fingernail-sized card, giving smartphone, drone and action camera users the performance and capacity they need to capture professional-grade videos and photos without worrying about running out of space on their device.
 
“Our microSD cards are now at the center of many consumer devices, and we’re excited to not only raise the bar with the launch of the world’s fastest microSD card, but to also offer a family of 256GB microSD cards that give consumers the flexibility they need to capture life at its fullest,” said Dinesh Bahal, vice president of SanDisk product marketing, Western Digital. “As a leading global storage provider with one of the most trusted flash brands, we take pride in transforming the way consumers capture, store and share their content.”
 
Whether taking pictures, shooting 4K UHD or Full HD video, or storing high-fidelity music, the new 256GB cards give consumers the freedom to capture and carry a massive amount of content on their devices without concern about storage limitations.
 
“At DJI we focus on creating easy-to-use drone technology for consumers to capture everyday exploration and photography, and our customers need quick and reliable access to their high quality aerial footage,” said Eli Morgan Harris, strategic partnerships, DJI. “With the new 256GB SanDisk microSD UHS-I cards, they now have greater flexibility to capture their content on high-performance storage and the peace of mind knowing they can continue shooting when it matters most.”
 
The Ultimate Combination of Capacity and Performance
 
The 256GB SanDisk Extreme microSDXC UHS-I card delivers unmatched transfer speeds of up to 100MB/s**, allowing users to save time transferring large files, as well as write speeds of up to 90MB/s** for rapid capture of photos. Users can record an estimated 14 hours of 4K UHD video1 on the 256GB card, making it ideal for high-performance drones, action cameras, and 4K-capable smartphones, among other devices.
 
The 256GB SanDisk Ultra microSDXC UHS-I card, Premium Edition, is ideal for Android-based smartphone and tablet users who don’t want to worry about running out of space on their devices. The new card is capable of storing more than 24 hours of Full HD video1, and also features premium transfer speeds of up to 95MB/s**. At this speed people can move files quickly – up to 1,200 photos in just one minute2.
 
Built to perform in harsh conditions, the new cards3 are also waterproof, temperature-proof, shock proof, and X-ray proof. Additionally, the SanDisk microSD card line up is compatible with the SanDisk Memory Zone app for Android, giving users an easy way to manage and back up content on their device. The app is available for free through the Google Play Store4.
 
Heritage of Memory Card Innovation
 
The new suite of cards is the latest breakthrough offering to join the cutting-edge SanDisk portfolio of mobile memory solutions. The first to introduce 128GB and 200GB microSDXC, and 512GB SDXC high-capacity cards, SanDisk continues to pioneer technology that keeps up with consumers’ evolving storage needs.
 
Pricing and Availability
 
The 256GB SanDisk Ultra microSDXC UHS-I card, Premium Edition, will be available worldwide in August 2016 with a U.S. MSRP of $149.99. The 256GB SanDisk Extreme microSDXC UHS-I card will be available worldwide in calendar Q4 2016 with a U.S. MSRP of $199.99.
 
The complete line of SanDisk microSD cards can be purchased at more than 300,000 retailers worldwide.
 
B&H carries SanDisk microSD memory cards.
Posted to: Canon News,
Post Date: 7/1/2016 11:17:49 AM CT   Posted By: Sean
by Sean Setters
 
Back in late 2014 I purchased a Vello FreeWave Stryker from B&H (via a Daily Deal) with the intent of exploring lightning photography. After only a few times using the device, I fell in love with the endeavor. However, while the device worked well for me in very dark conditions, the device could not be correctly set to trigger the camera if the ambient light was above a certain [very low] level.
 
That left me wondering, "Is there a more flexible lightning triggering device that's also reasonably cost effective?"
 
In this case, patience paid off. In February B&H featured the Miops Camera Trigger in another Daily Deal; I decided to pick one up. Not long afterwards I also purchased the OP/TECH USA 8" Small Rain Sleeve to protect my camera during the anticipated downpours.
 
With storm season well underway, I can say I've been very impressed with the device. It can be set to detect lightning and trigger the camera in significantly brighter conditions compared to the Vello FreeWave. And the OP/TECH USA rain sleeve has proven to the perfect tool for protecting the camera. I even used it when photographing dirt track racing with Bryan a few weeks ago.
 
Miops camera trigger and camera protection in-hand, I began planning where I wanted to capture lightning. After a little bit of exploration, I settled on a view of River Street as seen from the Savannah International Trade and Convention Center just across the Savannah River. The location was optimal because it gave me a great view of downtown Savannah with City Hall (the gold domed building) being recognizable in the center of the frame. The convention center's awning also provided a decent amount of rain protection, though gusts of wind would still compromise gear if left uncovered/unprotected.
 
With the location decided upon, I needed to organize the right gear to tackle the job. And just in case I forgot to check the weather for a given day, I also installed Dark Sky - Hyperlocal Weather on my Android phone in order to receive alerts whenever precipitation was imminent. I also created a bookmark for LightningMaps.org which showed lightning activity around Savannah. After receiving a notice of precipitation, I would quickly check the map to see if lightning was also headed my way.
 
I keep a Go-Bag packed and ready for immediate use whenever storms are in the forecast. This allows me to bolt (pun intended) out the door at a moment's notice.
 
While the lenses have changed slightly in my Go-Bag over the last couple of months, most of the items remained constant. For the image above, my Go-Bag contained:
 
Every time I received a Dark Sky precipitation warning and confirmed lightning was headed toward Savannah, I would grab my gear, head downtown, drive across the Talmadge Memorial Bridge and make my way to the convention center. It took me four attempts, but this past Tuesday I was finally able to capture the lightning I had envisioned.
 
As I crossed the Talmadge Bridge Tuesday evening, I could see a significant amount of storm activity to the west. The storm was getting very close. As I was setting up my equipment, a light sprinkle of rain began to wet the ground. Soon after, it looked like a strobe light was illuminating the sky. Most of the lightning was occurring above the clouds, but every now and then one would connect with the ground within my camera's field of view.
 
I chose to use the EF 24-105mm f/4L IS USM because its hood would be more protective against the rain compared to the EF 17-40mm f/4L IS USM's hood. I used 10x Live View and manual focus with the camera set to f/5.6, 8 seconds at ISO 100. The f/5.6 aperture was chosen because it allowed me enough depth of field at 24mm to have most everything in focus while also keeping individual lightning bolts from overexposing the sky. An 8-second shutter speed allowed for the city lights to be decently exposed. While these settings worked well under individual strikes, multiple strikes within the 8-second shutter speed would cause overexposure in the sky especially if the bolts were large and nearby.
 
I varied the Miops Trigger's sensitivity throughout the evening so that I could limit the camera's captures to instances when they were more likely to capture a compelling lightning strike. With the sensitivity set too high, the camera would trigger at the reflection of lightning bouncing off of the clouds with no actual bolt within view. Finding the preferred setting proved very easy, though.
 
The final image above is a composite of several images taken that night. In post processing, I layered all the individual images that featured interesting lightning bolts and set them to a "Lighten" blending layer to allow the brighter parts of those images to come through. A few parts of the scene required masking so as not to have duplicate ghost items in the image (especially true around the flag poles where wind blew the flags occasionally).
 
I wish more lightning had occurred on the right side of the frame so that the image would appear more balanced, but... I didn't like any of my shots with lightning on the right side.
 
In short, I captured an image that was very close to what I had in my head and the Miops Trigger helped me do it. For what it's worth, there's currently a $40.00 instant savings on Miops Camera Trigger + cable kits and the device allows for many other types of triggering, including sound and laser triggering (which certainly increases its value). Personally, I wouldn't bother getting the mobile-branded kit as you can just as easily control the Miops trigger (connected to the camera) via your mobile phone rather than control your phone (connected to the camera, requiring an additional cable) via the Miops trigger. The only time the mobile kit would be beneficial is if you need the Miops device to be positioned well away from the camera for triggering purposes.
Posted to: Canon News,
Post Date: 7/1/2016 7:10:16 AM CT   Posted By: Sean
B&H has the Canon Speedlite 600EX II-RT in stock with free expedited shipping.
Posted to: Canon News
Post Date: 7/1/2016 5:42:25 AM CT   Posted By: Sean
 Thursday, June 30, 2016
From Eyefi:
 
To Our Eye-Fi X2 and Earlier Generation Product Customers:
 
This message is for customers that purchased an Eye-Fi Pro X2 or earlier generation products prior to March 2015. Effective today, June 30th 2016, we will no longer be offering support for our legacy product lines, a complete list of which appears below. This notice formally begins the final stage of the “end-of-life” (EOL) process started in mid-2015 for the affected products. It’s very important that customers cease using these products no later than September 16, 2016 as some key services these products rely on will be shut down at that time. All customers who have a Mobi or Mobi Pro products purchased since 2013 are not affected by this announcement.
 
We began EOL on these product lines in 2015 largely driven by technological obsolescence of some of the key technologies included in these products. The primary technologies relate to Internet security and authentication mechanisms that were state-of-the-art in 2007 when we built them into our products but have since proven to be vulnerable. Since mid-2015 we have been offering migration services free of charge for Customers who have paid Eyefi Premium accounts. We will continue to offer this service migrating your Eyefi View data to Eyefi Cloud. You can request a migration here. For those customers that wish to use an Eyefi Mobi Pro card in place of their earlier generation products, we have also made a limited quantity available at a deep discount, see details here if you wish to take advantage of this offer.
 
Please note that we will maintain our customer service Web site and content for all customers. The support site includes detailed explanations for how to accomplish migration to Eyefi Mobi/Mobi Pro and Eyefi Cloud services. We are grateful to all the customers around the world that used Eye-Fi products in the past as well as for our newest customers. The EOL of a product line is always difficult and we have made every effort to minimize the impact of this change on our customers. Thanks for your loyalty and understanding.
 
LISTING OF IMPACTED PRODUCTS
 
Customers with Eye-Fi 1.0 product line and Eye-Fi Premium subscriptions will be impacted by this EOL process. Effective September 16, 2016 the following products may no longer operate:
 
Eye-Fi 1.0 Products:
 
  • All original pre-X2 products (Original, Home, Share, Explore, Video Share, Video Explore, Pro)
  • 4GB Geo X2
  • 4GB Connect X2
  • 8GB Explore X2
  • 8GB Mobile X2
  • 8GB Pro X2
  • 16GB Pro X2
  • Visioneer X2
  • Sandisk X2
  • Eye-Fi Windows desktop software (Eye-Fi Center)
  • Eye-Fi Mac desktop software (Eye-Fi Center)
  • Eye-Fi app for iOS
  • Eye-Fi app for Android
  • Eye-Fi Center web app
The Mobi, Mobi Pro and Eyefi Cloud products and applications are unaffected and will remain operational with continued future developments.
 
Frequently Asked Questions
 
  • I just purchased an X2 card, why isn’t it supported?
    Eye-Fi began phasing out sales of the X2 product line in 2012. The last version produced by the company were sold through authorized channels in the United States in March, 2015. Although Eye-Fi stopped shipments of these products via authorized channels, some units were still available from third party sellers and after-market resellers. Eye-Fi’s warranty period for the affected products purchased through our authorized channels has expired.
     
  • Will I still be able to create an Eye-Fi Center account after September 16th?
    No, you will not be able to create an Eye-Fi Center account or log in to an existing Eye-Fi Center account.
     
  • Can I still download and install Eye-Fi Center applications after September 16th?
    The Eye-Fi Center applications can be installed, but since account creation and logging in will no longer work, these applications will not be functional.
     
  • Will I be able to use my Eye-Fi 1.0 card after September 16, 2016?
    Certain functions, such as Direct Mode, may not be directly impacted by our end of life process. If you wish to try Direct Mode you will need to set it up prior to the end of life date. You can find instructions on how to set up direct mode here for Android and here for iOS. Please note that while Direct Mode may not be directly affected, Eye-Fi applications will no longer be updated for operating system updates, and their functionality is not guaranteed - additionally, no support will be provided either for the setup or functionality of Direct Mode.
THERE IS NO GUARANTEE THAT DIRECT MODE CONFIGURATIONS WILL CONTINUE FUNCTIONING AFTER THE SEPTEMBER 16, 2016 SHUT DOWN.
Posted to: Canon News,
Category: Eyefi News
Post Date: 6/30/2016 1:32:09 PM CT   Posted By: Sean
Image quality results from the Canon EOS 5Ds R, 1Ds Mark III and 7D Mark II have been added to the Samyang 135mm f/2 ED UMC Lens (also branded as Rokinon, Bower, etc.) page.
 
You are going to like what you see from this lens, especially for the price. Here are some comparisons:
 
Samyang 135mm f/2 compared to the Canon EF 135mm f/2L lens
Samyang 135mm f/2 compared to the Zeiss 135mm f/2 lens
 
A full review of this lens is planned.
 
B&H has the Samyang 135mm f/2 ED UMC Lens in stock.
Posted to: Canon News,
Post Date: 6/30/2016 8:34:06 AM CT   Posted By: Bryan
If you are a USA resident, I am sure you are keenly aware of the explosive holiday that is approaching. Of course, I'm talking about Independence Day (July 4th) and with it brings an excellent opportunity for festive image making.
 
As you enjoy the colorful explosions this year, be sure to bring along your camera to capture the action. Here are a few basic tips:
 
  1. Arrive early and find out exactly where the fireworks will be setting off from at your chosen location. Use this information to plan your optimal shooting location, keeping in mind various elements that might be used as a background.
  2. Choose a wider focal length to capture background elements in your fireworks photos; choose telephoto focal length to isolate the explosions. A general purpose zoom works well and allows you to capture a wide range of framings without the need to change lenses.
  3. Use a sturdy tripod to allow you to capture the fireworks from their lift off point to explosion. The trails leading back from the explosions will help viewers' eyes wonder around the image.
  4. Bring a shutter release cable for a more relaxed style of shooting. It's easy to enjoy the fireworks from a folding chair and still get compelling images with a cable release trigger in your hand.
Want to get creative? Check out these posts on capturing fireworks:
 
And if you plan on shooting off fireworks off this year (or plan on being in close proximity to them), please BE SAFE and enjoy the celebration!
Posted to: Canon News,
Post Date: 6/30/2016 6:30:11 AM CT   Posted By: Sean
From Sigma:
 
Thank you for purchasing and using our products.
 
We would like to announce the availability of a new firmware update for the SIGMA 150-600mm F5-6.3 DG OS HSM | Sports in Nikon mount and the SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary in Nikon mount. This firmware update can be installed using SIGMA Optimization Pro.
 
The lens firmware update corrects the phenomenon of overexposure when the lens is attached to the SIGMA TELE CONVERTER TC-1401 on Nikon Digital SLR camera “D500”, released by NIKON CORPORATION.
 
For customers who own the following applicable products and also SIGMA USB DOCK, please update the lens firmwareusing SIGMA Optimization Pro.
 
For customers who do not own SIGMA USB DOCK, the lens firmware update will be provided free of charge. Please contact your nearest authorized subsidiary/distributor of SIGMA.
 
Applicable products
 
  • SIGMA 150-600mm F5-6.3 DG OS HSM | Sports – Nikon mount
  • SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary - Nikon mount
Benefit of this firmware update
 
  • It has corrected the phenomenon that it shows some overexposure when it is attached with SIGMA TELE CONVERTER TC-1401 on Nikon D500.
* For customers who are using SIGMA Optimization Pro Ver1.1 or earlier, please ensure to update it to Ver1.3 from the Optimization Pro download page before updating the lens firmware.
 
B&H carries the Sigma 150-600mm f/5-6.3 DG OS HSM Sports, 150-600mm f/5-6.3 DG OS HSM Contemporary & USB Dock.
Posted to: Nikon News
Post Date: 6/30/2016 6:27:13 AM CT   Posted By: Sean
From Nikon:
 
Changes from Firmware Version 1.0 to 1.1
 
  • Fixed an issue that in rare cases would prevent the camera turning on even when a battery with sufficient charge was inserted.
  • Updated some help text.
Download: Nikon COOLPIX A300 Firmware v1.1
Posted to: Nikon News
Post Date: 6/30/2016 6:15:34 AM CT   Posted By: Sean
From the Google Maps Blog:
Three years ago we introduced a cloud-free mosaic of the world in Google Earth. Today we’re rolling out an even more beautiful and seamless version, with fresh imagery from Landsat 8 satellite and new processing techniques for sharper images than ever before. Satellite images are often cloudy, but not always over the same place, so we looked at millions of images and took the clearest pixels to stitch together this cloud-free and seamless image.
 
Higher Quality Imagery
 
Landsat 8, which launched into orbit in 2013, is the newest sensor in the USGS/NASA Landsat Program—superior to its predecessors in many ways. Landsat 8 captures images with greater detail, truer colors, and at an unprecedented frequency—capturing twice as many images as Landsat 7 does every day. This new rendition of Earth uses the most recent data available -- mostly from Landsat 8 -- making it our freshest global mosaic to date.
 
Our previous mosaic used imagery from Landsat 7 only, which at the time was the best imagery of its kind. Unfortunately, Landsat 7 images captured after 2003 were affected by a hardware failure, resulting in large diagonal gaps of missing data You can see this effect in the subsets of two Landsat 7 images captured over Oklahoma City, OK, in 2000 and 2003.
 
Processing imagery with Earth Engine
 
To produce this new imagery, we used the same publicly available Earth Engine APIs that scientists use to do things like track global tree cover, loss, and gain; predict Malaria outbreaks; and map global surface water over a 30 year period.
 
Like our previous mosaic, we mined data from nearly a petabyte of Landsat imagery—that’s more than 700 trillion individual pixels—to choose the best cloud-free pixels. To put that in perspective, 700 trillion pixels is 7,000 times more pixels than the estimated number of stars in the Milky Way Galaxy, or 70 times more pixels than the estimated number of galaxies in the Universe.
 
Open data is good for everyone
 
This update was made possible in a large part thanks to the Landsat program and its commitment to free and accessible open data. Landsat, a joint program of the USGS and NASA, has observed the Earth continuously from 1972 to the present day and offers a wealth of information on the changes to the Earth's surface over time. And it's all available in Earth Engine!
 
The new imagery is now available across all our mapping products. To check it out, open up Google Earth, or turn on the satellite layer in Google Maps.
 
Post authored by: Chris Herwig, Program Manager, Google Earth Engine
Posted to: Canon News,
Category: Google News
Post Date: 6/30/2016 6:05:25 AM CT   Posted By: Sean
 Wednesday, June 29, 2016
From Canon USA:
 
YouTube Personality and Actress Gave the Crowd at VidCon 2016 a Sneak Peek At What Makes Her a Rebel With A Cause
 
MELVILLE, N.Y., June 29, 2016 – Anna Akana and Canon U.S.A., Inc., together announced that Akana will become the latest personality featured in the "Rebel With A Cause" initiative, which celebrates 25 years since the introduction of Canon's first EOS Rebel SLR camera. Following in the footsteps of American daredevil Nik Wallenda and GRAMMY Award winning record producer Swizz Beatz, Akana, a strong proponent of anti-bullying and suicide prevention, will be featured in a video dedicated to her own unique cause, debuting in September.
 
"As someone who loves creating comedic content with a message, I'm excited to be partnering with Canon as their next Rebel With A Cause," said actress and filmmaker Anna Akana. "The cause I'm advocating is one that hits home for me, and I'm very passionate about creating awareness and effecting change however I can."
 
In 1990, the iconic "Image is Everything" campaign introduced the Canon EOS Rebel, an SLR camera born with a cause — to put the power of pro photography into the hands of the public and level the playing field forever. Twenty-five years later, Canon launched "Rebel With A Cause," embarking on a journey to follow modern day rebels who challenge convention in their own unique way, capturing their causes through the eye of a Canon EOS Rebel T6i DSLR camera. "Rebel With A Cause" invites people into their worlds to celebrate the imagery that makes their causes shine and motivate others to join their movements.
 
"Canon has been a leader in the industry for years and partnering with a content creator is something that just comes as a natural fit for our 'Rebel With A Cause' campaign," said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. "Anna embodies the Canon mentality of creating inspiring content and we're excited to share that passion with someone who is a positive role model for young creators today."
 
Canon will conclude the year-long "Rebel With A Cause" program in October with a consumer Rebel, whose cause will be chosen from the recently closed contest searching for the next great inspiration. In addition to a cash prize, the winner will have the opportunity to bring their cause to life with a documentary production, similar to those of the previous Rebels.
 
To learn more about "Rebel With A Cause", which was shot entirely on the EOS Rebel T6i DSLR camera, visit:
http://shop.usa.canon.com/shop/en/catalog/rebelwithacause
 
Want to know more about Canon's Rebel-series lineup? Learn all you need to know right here.
 
B&H carries Canon Rebel-series cameras.
Posted to: Canon News
Category: Canon USA News
Post Date: 6/29/2016 12:15:25 PM CT   Posted By: Sean
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