THIS MESSAGE GOES OUT TO FEAR, DOUBT, LOGIC AND REASON.And there's a countdown timer...counting down to Tuesday, 10:00am Eastern Time.
To excuses, distractions, procrastination, inertia, critics, cynics, realists, pessimists, resistance, conventional wisdom.
To the peanut gallery, the so-called experts, the good enoughs, the urges to pass the buck, the easy way out, the snooze button, the panic button, and to that little voice in the back of your head that says,
“It can't be done.”
To all of it, we apologize.
Because we don’t see what you see.
AT CANON, WE SEE IMPOSSIBLE.
"This month, I [photographer Tyler Stableford] undertook a longstanding personal project: an attempt to create underwater fine art images of a beautiful swimmer arcing alongside enormous whale sharks. After a busy year of shooting, I’ve had a welling desire to create imagery that speaks to my deepest soul; and to forge a large-format print for my house.Read the entire article and see the amazing images at the Canon Digital Learning Center.
The project is a co-creation with the swimmer model Ashley Mosher. I chose Ashley for the project as she is a former competitive swimmer (she competed in the U.S. Olympic trials) and has a beautiful grace that is only enhanced when she enters the water."
|Canon||Tokina AT-X 116 PRO DX-II 11-16mm f/2.8|
|Fujifilm X||HandeVision IBELUX 40mm F0.85|
|Leica M||SLR Magic 50mm T0.95 Hyperprime Cine Lens|
|Leica S||Leica SUMMICRON-S 100 mm f/2 ASPH.|
|Nikon F (DX)||Tokina AT-X 116 PRO DX-II 11-16mm f/2.8|
|PENTAX 645||HD PENTAX-DA 645 28-45mm F4.5ED AW SR|
|Sony Alpha||Sony DT 18-55mm F3.5-5.6 SAM|
|Sony Alpha||Sony DT 18-70mm F3.5-5.6|
|Sony Alpha||Sony 75-300mm F4.5-5.6|
|Sony Alpha||Sony 300mm F2.8 G SSM|
|Sony Alpha||Sony 500mm F4 G SSM|
|Sony E||HandeVision IBELUX 40mm F0.85|
|Sony E||SLR Magic 50mm F0.95 Hyperprime Lens|
|Sony E||Sony FE 16-35mm F4 ZA OSS|
|Voigtlander VM||Voigtlander VM 12mm F5.6 Ultra Wide Heliar|
|Voigtlander VM||Voigtlander VM 75mm F1.8 Heliar|
"When connecting the interface cable, also use the provided cable protector. Using the cable protector prevents the cable from accidental disconnection and the terminal from getting damaged."You can see the cable protector socket in the following diagram:
Autumn begins around late September, bringing with it a seasonal change that inspires photographers across the nation: Fall foliage. Autumn’s dramatic landscapes are stunning to behold and the challenge is how to preserve the impact in a still photograph that captures the unique quality of this season.See the entire article on the Canon Digital Learning Center.
An autumn-colored tree is a subject unto itself. It is a time where a photograph of a simple tree can stand on its own and, in most cases, break all the rules of composition. There’s just something special about a tree (or landscape full of trees) turning brilliant colors this time of year. However, if you take it a step further — give the tree some dramatic lighting, throw in a compositional aid such as a creek or road, make use of color filter effects, and think carefully about framing and composition — then you’re on the right track to making a great photo that doesn't just rely on pretty colors.
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