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 Thursday, August 6, 2015
Tamron 18-200mm f/3.5-6.3 Di II VC Lens
From Tamron:
 
August 6, 2015, Saitama City, Japan - Tamron Co., Ltd. (President & CEO: Morio Ono), a leading manufacturer of precision optics, today announces the introduction of a new high-performance lens that zooms from 18 to 200mm for APS-C DSLR cameras.
 
The new 18-200mm F/3.5-6.3 Di II VC (Model B018) is the successor to AF 18-200mm F/3.5-6.3 XR Di II LD Aspherical [IF] MACRO (Model A14), which has been one of Tamron's best-selling lenses since its introduction 10 years ago. The new 18-200mm VC uses the most modern optical and mechanical design to achieve compactness and high performance. Incorporating image stabilization, the 18-200mm VC delivers superior image quality and is the lightest zoom in its class. Tamron made full use of its long experience and expertise as a pioneering force in high-power zoom lenses to create an optimal all-in-one lens that opens up new photographic possibilities to all DSLR camera users.
 
Product Highlights
 
  1. No need to change lenses—shoot in a wide variety of settings, from true wideangle to telephoto, with a single lens
    A zoom range of 18 to 200mm (35mm equivalent: 28-310mm) means there is no need to change lenses even when switching from wideangle shots in tight places to long telephoto shots of distant objects. Ideal for everything from large groups photos, family pictures, portraits, scenery, animals and school events—even for close-up shots (less than 0.5m / 19.7 in.) of food.
     
  2. Greater portability at a weight of just 400g (14.1 oz.)—the lightest lens in its class
    Covers the focal length range of 18 to 200mm and features Tamron's VC (Vibration Compensation), but weighs a mere 400g (14.1 oz.). Tamron designed the 18-200mm VC to be as user-friendly as possible by emphasizing portability and convenience. Users will appreciate the incredible balance and comfortable feel of this lens—even when used with the newest APS-C DSLR cameras.
     
  3. Features VC and AF, providing valuable support for DSLR camera novices
    Camera vibration is magnified in telephoto shots and when a slow shutter speed is used because of dim lighting. Even beginners can take great photos at long distances, at night, and indoors—and avoid camera shake—thanks to Tamron's acclaimed VC mechanism. By incorporating a newly designed autofocus drive module with optimal DC motor-gear train integration, the 18-200mm VC also focuses much more quickly and quietly than models with conventional DC motors.
     
  4. Delivers enhanced imaging performance in a lightweight package
    Featuring 16 elements in 14 groups, the 18-200mm VC uses an LD (Low Dispersion) lens element to minimize chromatic aberrations. Although light and compact with VC, Tamron's new offering also delivers amazing overall optical performance for an all-purpose lens. A circular, seven-blade aperture diaphragm maintains an almost perfectly round shape even at two stops down from its maximum aperture, providing desirable and beautiful bokeh with point light sources blurring into naturally rounded shapes.
     
  5. Works great as an easy-to-use lens for day-to-day use
    For added dependability and longer life, Tamron's new lens features moisture-resistant construction that helps prevent damage caused by accidental exposure to wetness. The lens also comes with a Zoom Lock feature to prevent unwanted barrel extension when users carry their lens and camera body combinations with the lens pointed toward the ground.
Specifications
 
ModelB018
Focal Length18-200mm
Maximum Aperturef/3.5-6.3
Angle of View (diagonal)75°33'~ 7°59'
Optical Construction16 elements in 14 groups
Minimum Object Distance0.49m/19.3 in. (at 180mm)~0.77m/30.3 in. (at 35mm)
[at f=18, 200mm: 0.5m /19.7 in.]
Maximum Magnification Ratio1:4 (at f=200mm: MOD 0.5m)
Filter Size62mm
Maximum Diameter75mm
Lengthfor Canon 96.6mm (3.8 in.)
for Nikon 94.1mm (3.7 in.)
Weight400g (14.1 oz.)
Aperture Blades7 (circular diaphragm)
Minimum Aperturef/22-40
Standard AccessoriesFlower-shaped lens hood, Lens caps
Compatible MountsCanon, Nikon, SonyCanon, Nikon, Sony

The Canon and Nikon mount models will be simultaneously launched August 20, 2015. The launch date of the Sony mount model will be announced at a later date.
Category: Tamron News
Post Date: 8/6/2015 7:16:28 AM CT   Posted By: Sean
 Wednesday, August 5, 2015
Summer Photography Tips: Lightning
Let me first say that photographers (myself included) tend to overlook safety too frequently when attempting to capture the perfect shots. Lightning is extremely dangerous and strong caution is advised when attempting to photograph it. That said: Summer is the season for lightning.
 
A couple of days ago, my wife came in from walking the dog at nearly midnight and said that I had to go out and see the lightning in the distance. A quick check of the weather radar showed that a strong thunderstorm was going to graze us and even though my body said "No! It's time for bed!", my brain knew that this was a great opportunity and that the potential photos, if realized, would last far longer than my tiredness.
 
I quickly assessed the focal length needs and mounted a Canon EF 24-70mm f/2.8L II USM Lens on a Canon EOS 5Ds R. Lightning strikes tend to be random in location and, with the extreme resolution of the 5Ds R, I could afford to shoot with a wider focal length and crop into the frame for the shorter and more-distant lightning bolts. Lightning bolts also vary greatly in brightness and the f/2.8 lens gave me plenty of latitude for exposure settings.
 
I grabbed a tripod, remote release and a tiny flashlight. I went out the door and spent the next hour capturing lightning strikes.
 
Note that rain protection for both you and the gear is a very good idea as rain typically accompanies thunderstorms. In this case, my shirt became the gear protection and I simply got wet.
 
When it is very dark out, lightning photography is not too difficult. Frame the scene in the direction of the storm (consider incorporating some foreground) with a level camera. Turn off image stabilization (if available) and switch to manual focus. Establishing accurate manual focus in the dark can be challenging, but a street light, a light on a distant tower or even a star (if visible) can work.
 
Attach the remote switch (needs to be able to lock the shutter open) to the camera and set the camera's mode to "B" (Bulb). The shutter speed will be established by the duration of the remote release press. With the dark sky contributing very little light to the exposure, the image brightness will be determined by the lightning and its illumination of the clouds in combination with the selected ISO and aperture settings. Lightning bolts are very bright, but because of the varying distance and intensity of the light output, some trial and error may be necessary to dial in the most-optimal settings. I'll throw out a starter setting of f/4 and ISO 400.
 
You may decide that turning off the camera's long exposure noise reduction is advisable as dark frame capture is time consuming.
 
Once the camera is setup, open the shutter using the remote release and wait for lightning to strike. After a strike, release the shutter and immediately open it again.
 
Bryan's Law of Lightning Photography: The best lightning bolts are guaranteed to occur in the brief period of time that the shutter is closed between exposures.
 
You may find that you want to start a new photo after a period of inactivity to reduce long exposure noise in the images. Leaving the shutter open for multiple strikes is an option, though a risk is that parts of the image, generally clouds near an area of recurring lightning activity, become overexposed. You may find it more optimal to combine specific images later during post processing.
 
I captured more lightning strikes in this 1 hour storm than I have in any storm I previously photographed. The results were definitely worth an hour of lost sleep. This image, my favorite of the take, is a single exposure practically straight out of the camera (slight cropping and Picture Style change).
 
While the nighttime lightning photography technique is relatively easy, daytime lightning photography is much more challenging. Daylight lightning photography procedures are not dissimilar from normal daylight photography, but the problem is that relatively short exposures are required to achieve proper image brightness and short exposures are hard to time with a lightning strike. To catch a bolt of lightning in daylight requires FAST reflexes (or better, a lightning trigger) and a camera with a short shutter lag.
 
Give lightning photography a try – the results will be ... "striking."
 
A larger version of this image is available on Flickr, Google+, 500px and Facebook. Also, if reading from a news feed reader, click through to see the framed image.
Post Date: 8/5/2015 9:48:31 AM CT   Posted By: Bryan

 
In this video, Nikon's mechanical design team recounts the challenges they overcame while developing the newly released AF-S NIKKOR 24-70mm f/2.8E ED VR.
 
One part that proved especially facinating to me was that Nikon was able to reduce the external diameter of the VR lens by 10mm by reducing the size of one [likely internal] component by .1 mm. [Sean]
 
B&H has the Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR available for preorder.
Posted to: Nikon News
Post Date: 8/5/2015 8:21:19 AM CT   Posted By: Sean
 Tuesday, August 4, 2015
The Canon EOS 5Ds R and EF 16-35mm f/4L IS Lens Capture Sunrise at the Portland Lighthouse
While it is painful to get up early enough to photograph the sunrise in early summer (4:20 AM in this case), early summer is the right time of the year to photograph the Portland Lighthouse and the distant Ram Island Lighthouse from this angle with the sun in the frame.
 
With the middle daughter accompanying me, I arrived at Fort Williams in Cape Elizabeth, ME just before sunrise. I selected one specific composition to concentrate on during the prime shooting minutes, timed the rotating lighthouse light, bracketed exposures and, when capturing the foreground rocks being hit with the first light rays of the day, adjusted focus to a closer distance.
 
This image is composed primarily of three source images run through a complicated manual HDR process with manual focus-stacking. After the big effort made to capture this image (a long drive in addition to the early alarm), I was anxious to see how this photo turned out. It was the first-processed from my recent photo trip to Maine. I'm happy with the result – it was definitely worth my effort.
 
I'm also very happy with the 5Ds R and 16-35 f/4L IS combination. I can say that they "rock".
 
A larger version of this image is available on Flickr, Google+, 500px and Facebook. Also, if reading from a news feed reader, click through to see the framed image.
Post Date: 8/4/2015 10:48:54 AM CT   Posted By: Bryan
Nikon 24-70 f/2.8 VR, 200-500mm f/5.6 VR and 24mm f/1.8 Lenses
From Nikon:
 
MELVILLE, NY – Today, Nikon Inc. announced three exciting new NIKKOR lenses for professional and enthusiast photographers. The new AF-S NIKKOR 24-70mm f/2.8E ED VR is the evolution of one of Nikon’s most popular pro lenses, improving upon its versatility and image quality. Nikon has also announced two additional new lens options, including the lightweight AF-S NIKKOR 200-500mm f/5.6E ED VR, a super-telephoto zoom that gives FX and DX-format photographers incredible reach in a compact size. The AF-S NIKKOR 24mm f/1.8G ED is the latest addition to Nikon’s popular line of f/1.8 fixed focal length lenses and is ideal for those seeking a sharp, fast-aperture prime lens.
 
“These three very different lenses are representative of the diverse range of Nikon photographers, but they all provide the most vibrant, sharp images and HD video possible; with color and clarity that only genuine NIKKOR optics can deliver,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc.
 
AF-S NIKKOR 24-70mm f/2.8E ED VR
Look into the bag of nearly any Nikon-wielding pro and you will find Nikon’s iconic 24-70mm f/2.8, and with good reason; this lens’ versatility and image quality has made it an essential workhorse lens for every type of shooter. The new AF-S NIKKOR 24-70mm f/2.8E ED VR improves upon its respected predecessor in nearly every aspect, adding the best Nikon lens technologies to create an essential optic. An exciting evolution to come to this lens is the much-anticipated addition of Nikon’s Vibration Reduction (VR) image stabilization technology. With up to four stops of image stabilization*, the new 24-70mm f/2.8 VR is ready to tackle the challenging light of a wedding ceremony or on-the-spot news, while Tripod Mode helps to banish blur for landscape shooters. VR is also a huge benefit to filmmakers shooting handheld or on a rig who already appreciate the lens’ depth-of-field control and precise sharpness.
 
The new NIKKOR 24-70mm f/2.8 utilizes Nikon’s Electromagnetic Aperture control, which allows for consistent exposures during high speed bursts of shooting. This lens also improves upon image quality with new optical construction to provide clarity and consistently sharp images, and is ideal for capturing portraits, landscapes and weddings. For nearly any assignment in any kind of light, the combination of a fast f/2.8 constant maximum aperture and useful zoom range make this lens the choice of many professionals. A first for NIKKOR lenses, a new Aspherical Extra-Low Dispersion (ASP/ED) element is paired with traditional aspherical, ED and High-Refractive Index (HRI) elements for a thrilling new level of optical precision. Photos and videos take on a beautiful balance of sharpness and subtle blur effects, virtually free of flare, ghosting, coma and chromatic aberration throughout the frame. Nikon’s exclusive Nano Crystal Coat is also employed to further reduce instances of ghosting and flare.
 
The new lens construction enhances durability and image quality, while retaining the overall balance and handling that made this a favorite of photographers in the first place. The lens is sealed and gasketed against the elements, and now features a fluorine coating on the front and rear element to make it easier to remove dirt, moisture and smudges from the lens surface. The optical formula consists of 20 elements in 16 groups, while a 9-blade diaphragm helps to create a pleasing, natural out of focus area with beautiful bokeh. Additionally, the AF-S NIKKOR 24-70mm f/2.8E ED VR features a new filter diameter of 82mm and will accept the new Nikon CPL2 Circular Polarizer and 82mm NC (Neutral Color) filters.
 
AF-S NIKKOR 200-500mm f/5.6E ED VR
The new Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR is an exhilarating new lens option, giving enthusiast FX and DX-format photographers the ability to go further with amazing zoom power and tack-sharp clarity. This compact super-telephoto zoom is ideal for bringing distant subjects closer, including birds, sports, wildlife and motorsports. This lens opens the doors for a fresh new perspective; with a maximum reach of 500mm on FX-format Nikon cameras and a staggering 750mm equivalent reach on DX-format cameras. With a maximum aperture of f/5.6, photographers have the ability to fill much of the frame with their subject and create a pleasing background blur, even in challenging light. This lens also features Nikon’s Electromagnetic Aperture for consistent exposures, as well as VR with 4.5 stops of image stabilization. Additionally, the VR features Sport Mode, which is well-suited for capturing vibrant, sharp images of distant subjects at high frame rates or when panning with fast-moving action. The lens also lets users focus as close as 7.2 ft. throughout the entire focal range, for when a decisive play comes closer than expected, or capturing intricate details of nature.
 
Whether spending all day at an air race or in the field, the new NIKKOR 200-500mm f/5.6 is surprisingly lightweight at only 5 lbs 1.2 oz. (2300 grams) including the tripod collar, making this lens easy to use handheld for extended periods. Photographers looking for even more reach can increase the zoom power using an optional compatible Nikon 1.4x, 1.7x or 2x E series Teleconverters** to capture even the most distant subjects.
 
The new AF-S NIKKOR 200-500mm f/5.6E ED VR’s optical formula features three ED elements to enhance sharpness and minimize chromatic aberration. A 9-blade aperture provides a desirable, smooth bokeh, while Nikon’s Silent Wave Motor technology helps to quickly and quietly achieve critical focus. The filter diameter of the new 200-500mm lens is 95mm, and Nikon will also offer optional 95mm NC (Neutral Color) and the 95mm Circular Polarizer CPL2 filters.
 
AF-S NIKKOR 24mm f/1.8G ED
The AF-S NIKKOR 24mm f/1.8G ED is the latest addition to the exceptional system of NIKKOR f/1.8 primes, and provides enthusiast photographers with a fast wide-angle prime lens that’s both lightweight and affordable. This new lens lets photographers immerse viewers into landscapes, interiors and architecture with amazing clarity and minimal distortion, while a fast maximum aperture delivers superb bokeh and excellent low-light ability. Whether a photographer’s passion is capturing environmental portraits or the delicious details of a meal, this lens creates a dramatic separation between subject and background.
 
The new NIKKOR 24mm f/1.8 complements Nikon’s high-resolution DSLRs and provides amazing image quality thanks to Nikon lens technologies including Nikon’s exclusive Nano Crystal Coat. Additionally, this compact lens features ED and Aspherical lens elements for extreme sharpness while minimizing ghosting and flare.
 
Price and Availability
The new AF-S NIKKOR 24-70mm f/2.8E ED VR will be available in late August for a suggested retail price (SRP) of $2,399.95. The AF-S NIKKOR 200-500mm f/5.6E ED VR will be available in mid-September for the SRP $1,399.95. The new AF-S NIKKOR 24mm f/1.8G ED will be available in mid-September for the SRP of $749.95.
 
Preorders:
 
B&H has the Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR, Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR and Nikon AF-S NIKKOR 24mm f/1.8G ED available for preorder.
Posted to: Nikon News
Post Date: 8/4/2015 6:27:38 AM CT   Posted By: Sean
 Monday, August 3, 2015
Photoshelter Logo
From Photoshelter:
 
It's more than halfway through the year and that means time to check in with your photo business. Download The 2015 Photo Business Plan Workbook to help assess where your business stands today and identify real opportunities for growth.
 
Inside the workbook, get strategies and examples to help you:
 
  • Define your products & services
  • Determine your audience and addressable market
  • Create a marketing plan
  • Fix your finances
  • Tune-up your website
  • Build your Search Engine Optimization
  • Get social
  • Create an advisory group
  • Follow up with old clients
Rev up your strategy so you can target the photo clients you want and land more gigs before the year is up.
 
Get the Free Guide
Post Date: 8/3/2015 12:38:19 PM CT   Posted By: Sean
3D Isometric MTF Chart
The new MTF Comparison Tool has just received 4 additional chart types. Joining the Average and Variance charts are the 2D Map and 3D Isometric charts in 10 lp/mm and 30 lp/mm formats.
 
Among the additional lenses loaded into the tool are the 24-70mm f/2.8 zooms (Canon, Nikon and Sigma). Remember that CA is generally more prevalent in zoom lenses (especially in the maximum focal length extents) and that CA is a significant factor in corner MTF performance (and is generally an easy-to-correct aberration). If you see chart lines/colors showing decreasing MTF measurements toward the corners (right side or periphery), CA may be at least some of the cause. Reference the Lens Image Quality Tool to see if CA is a significant component of a dropping MTF chart measurement for a specific lens.
 
One of the zoom lens additions is the new Sigma 24-35mm f/2 DG HSM Art Lens. Of note is that, while the tool says "Average" for the chart type, only one copy of this lens was available for MTF testing. The test results will be updated (and the other chart types added) when a larger sample size is available. B&H has the Sigma 24-35mm f/2 DG HSM Art Lens in stock.
 
There are enough results in the MTF tool to entertain for hours. Here is a comparison that I find interesting. While these are not equivalent apertures (one stop apart), B&H has the Zeiss 135mm f/2 Lens in stock with a $300 instant rebate bringing the price down to far less than half that of an Otus.
 
Be sure to share the MTF tool with your friends!
Post Date: 8/3/2015 8:38:13 AM CT   Posted By: Bryan
Nikon’s SB-500 AF Speedlight and AF-S NIKKOR 300mm f/4E PF ED VR Lens
From Nikon:
 
Nikon’s AF-S NIKKOR 300mm f/4E PF ED VR Lens and the SB-500 AF Speedlight Win in Their Respective Categories
 
MELVILLE, NY – Professional Photographer Magazine has selected the Nikon AF-S NIKKOR 300mm f/4E PF ED VR lens and SB-500 Speedlight as the pros’ top choice in the Multi-Functions Lens and Speedlight/Hot Shoe Flash categories, respectively for the 2015 Hot One Awards.
 
The annual Hot One Awards honor the hottest products for professional photographers. From hundreds of entries, a panel of judges—who are all professional photographers—name their top choice among dozens of photography products and services. The awards are highlighted in the August issue of Professional Photographer.
 
This year, judges for the 16th annual Hot One Awards chose the compact and lightweight AF-S NIKKOR 300mm f/4E PF ED VR lens as the top Multi-Purpose Lens. The judges also chose the versatile SB-500 AF Speedlight as the top Speedlight/Hot Shoe Flash in the industry.
 
“Nikon seeks to give professional photographers the best equipment for the job, and it is an honor to be recognized once again by Professional Photographer Magazine with these awards,” said Masahiro Horie, Director of Marketing and Planning.
 
“The winners of the 2015 Hot One Awards represent the pros’ choice of the year’s photographic products,” says Professional Photographer Senior Editor Joan Sherwood. “The Hot Ones recognize excellence in professional products as judged by the pros who use them. As talented as photographers can be, they still have to rely on their gear, software, professional services, and the products they sell. Their choices for the Hot Ones give our readers a list of worthy winners to consider for themselves.”
 
The Hot One Awards have provided Professional Photographer readers with a resource of the newest, most innovative products available in a variety of price ranges. Readers are treated to a resource compiled by independent, practicing professional photographers, selected for their expertise and knowledge. This year’s independent panel of 35 judges voted on products that ranged from cameras and lenses to albums and displays. They made their selections based on overall quality, innovation, design, performance, and value for the price.
 
For more than 100 years, Professional Photographer, the official magazine of Professional Photographers of America, has helped readers advance careers in the photographic industry. No other magazine offers a more influential presentation of the people, trends, products, and photographs defining the portrait, wedding, and commercial photography landscapes.
 
B&H carries the Nikon AF-S NIKKOR 300mm f/4E PF ED VR Lens and the SB-500 AF Speedlight Flash.
 Saturday, August 1, 2015
Think Tank Photo Roller Flair
Think Tank Photo just released a colorful, fun new roller camera bag accessory that is sure to set you (or at least your bag) apart. No longer will you struggle to decide which bag is yours in the sea of black rollers, because your bag is sure to be the stand-out.
 
With Roller Flair Kits, you can easily customize your Think Tank Photo Roller with your choice red, green, orange, or blue wheels, zipper pulls and padded handle wrap. Pick your favorite color or mix more than one kit to match team or company colors.
 
The Roller Flair Kit is available only directly from Think Tank Photo. Each Roller Flair kit includes the following color-matched items: two wheels; 10 Easy Grip Zipper Pulls; one padded Handle Wrap; and, of course, the Installation Guide. Worth noting is that Think Tank's wheels are the best available, using ABEC-5 sealed bearings and a custom rubber compound for smooth, quiet rolling with a strong emphasis on longevity. Free shipping on all orders!
Post Date: 8/1/2015 3:09:37 PM CT   Posted By: Bryan
 Friday, July 31, 2015
Canon EF 600mm f/4L IS II USM Lens
Image quality results from the EOS 5Ds R have been added to the Canon EF 600mm f/4L IS II USM Lens Review.
 
When the distances get long and/or the subjects get small, this is my go-to lens.
 
B&H has the Canon EF 600mm f/4L IS II USM Lens in stock.
Posted to: Canon News
Post Date: 7/31/2015 12:00:00 AM CT   Posted By: Bryan
 Thursday, July 30, 2015
B&H has the Sigma 24-35mm f/2 DG HSM Art Lens in stock with free expedited shipping.
Post Date: 7/30/2015 5:31:07 PM CT   Posted By: Sean
Canon ME20F-SH Multi-Purpose Camera
From Canon USA:
 
MELVILLE N.Y., July 30, 2015 - Canon U.S.A. Inc., a leader in digital imaging solutions, today has introduced the Company's first multi-purpose camera, the new ME20F-SH, which delivers exceptionally high sensitivity to capture Full HD video with a minimum subject illumination of less than 0.0005 lux1 (at maximum 75 dB gain setting, equivalent to an ISO sensitivity of over 4,000,000). Nighttime surveillance and security, cinematic production, reality television, and nature/wildlife documentaries are just some of the ME20F-SH's many possible usage applications. With the ability to capture color video in extreme low-light conditions and its simplistic and versatile design, the ME-20F-SH Multi-purpose Camera can be easily incorporated into existing infrastructures and systems to provide high-quality video capture even where subjects might not be seen with the naked eye.
 
Canon's new multi-purpose camera employs an enhanced version of the 35mm full-frame CMOS sensor for Full HD video use that was originally developed by the Company in 20132. Its compact, modular body design allows easy custom configurations for diverse usage scenarios. While capturing video in extreme low-light conditions often requires the use of infrared illumination (a technique that only yields video in black and white), the ME20F-SH camera achieves impressive high-sensitivity performance enabling the capture of color Full HD video with reduced noise in low-light conditions without the need for infrared illumination.
 
Ultra-High-Sensitivity CMOS Sensor Enables Color Video Capture in Extreme Low-Light Conditions
The ME20F-SH camera's CMOS sensor has pixels measuring 19 µm square3, which is more than 5.5 times the surface area of the pixels on the CMOS sensor featured in select top-of-the-line interchangeable lens cameras4. Furthermore, the sensor's pixels and readout circuitry make use of Canon proprietary technologies to achieve both reduced noise and exceptionally high sensitivity on subjects with a minimum illumination of less than 0.0005 lux. This multi-purpose camera allows users to discern subjects under even some of the dimmest lighting conditions, such as environments lit by artificial illumination or under a moonless night sky. Furthermore, similar to Canon's Cinema EOS System of professional digital cinematography cameras, the ME20F-SH camera includes Canon Log and Wide DR, which make possible a wide dynamic range, delivering high-image-quality video results across a range of illumination environments, from low- to brightly lit conditions.
 
Canon's Diverse Interchangeable EF Lens Lineup Enables Wide Range of Imaging Possibilities
The new ME20F-SH employs the same EF mount (Cinema Lock type) as Canon's SLR cameras and Cinema EOS System-series of professional digital cameras, allowing users to make use of the Company's extensive lineup of interchangeable EF lenses5. By letting users select the ideal lens based on their shooting or application requirements, taking into consideration such factors as angle of view and level of brightness, this multi-purpose camera facilitates a wide spectrum of imaging possibilities.
 
Supports various standard video-recording interfaces
Employing output-only 3G/HD-SDI and HDMI terminals, Canon's ME20F-SH camera enables users working on location to output video via a single cable to a variety of peripheral equipment, including external recorders and monitors. Equipped with a f2.5mm stereo mini-jack and a round 8-pin jack for RS-422, the multipurpose camera is capable of connecting with Canon's RC-V100 Remote Controller (released in June 2014; sold separately)6. By allowing users to operate the camera or change settings from a remote location, the camera facilitates video capture from inaccessible locations as well as fixed-point surveillance. Furthermore, a f3.5mm stereo mini-jack allows the camera to connect with an external microphone, enabling users working on location to output audio and video signals to connected peripheral equipment.
 
The Canon ME20F-SH is expected to be available in December 2015 at a suggested retail price of $30,000.
Posted to: Canon News
Post Date: 7/30/2015 6:38:35 AM CT   Posted By: Sean
 Wednesday, July 29, 2015
Canon EF 400mm f/2.8L IS II USM Lens
Image quality results from the EOS 5Ds R have been added to the Canon EF 400mm f/2.8L IS II USM Lens Review.
 
Another fantastic all-around-performing lens.
 
B&H has the Canon EF 400mm f/2.8L IS II USM Lens in stock.
Posted to: Canon News
Post Date: 7/29/2015 9:53:12 AM CT   Posted By: Bryan
Nikon Logo
From Nikon:
 
July 28, 2015 – TOKYO – Today, Nikon Corporation is pleased to announce that the total production of NIKKOR lenses(1) for Nikon interchangeable lens cameras reached the ninety-five million milestone in mid-July 2015.
 
Nikon continues to introduce new NIKKOR lenses utilizing cutting-edge technologies cultivated over its long history, including their legendary Nano Crystal Coat. Acting as a powerful anti-reflection coating, the Nano Crystal Coat is built to significantly reduce instances of ghosting and flare. NIKKOR lens technologies combine Phase Fresnel (PF) elements with a superior chromatic aberration capability making lenses smaller and lighter. Additionally, incorporating fluorite lens elements has allowed telephoto lenses to be much more compact than in the past. NIKKOR lenses now feature a fluorine coat that help repel a variety of contaminants such as dust, dirt, water, oils and grease.
 
In January 2015, Nikon introduced the new AF-S NIKKOR 300mm f/4E PF ED VR; the world’s lightest 300mm full-frame fixed focal length AF lens(2). Compatible with Nikon FX-format digital SLR cameras, this new telephoto lens incorporates Phase Fresnel (PF) optical technology to help correct chromatic aberration and reduce the overall size and weight of the lens, making it portable and useful for fulfilling one’s photographic vision.
 
Additionally, Nikon recently announced the AF-S NIKKOR 500mm f/4E FL ED VR and AF-S NIKKOR 600mm f/4E FL ED VR, two new FX-format super-telephoto lenses. Each boasts a maximum aperture of f/4, offering photographers the ability to fill the frame and create dramatic separation between subject and background. With the incorporation of two fluorite lens elements, the NIKKOR 500mm f/4E FL ED VR and AF-S NIKKOR 600mm f/4E FL ED VR are the lightest lenses in their respective classes(3). Furthermore, Nikon also released the versatile AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR lens, offering a high-performance, 5x zoom range for Nikon DX-format camera users. This lens incorporates the latest optical design technologies in addition to Nikon's highly durable fluorine coat.
 
1) Interchangeable lenses for Nikon SLR cameras and Nikon 1 Advanced Cameras with Interchangeable Lenses.
 
2) Among 300mm fixed focal length (prime) autofocus lenses compatible with FX-format digital SLR cameras and available as of announcement in Jan 6, 2015. Statement based on Nikon research.
 
3) AF-S NIKKOR 500mm f/4E FL ED VR: Among 500mm fixed focal length (prime) autofocus lenses with a maximum aperture of f/4 compatible with digital SLR cameras equipped with a full-size image sensor and available as of announcement in July 2, 2015. AF-S NIKKOR 600mm f/4E FL ED VR : Among 600mm fixed focal length (prime) autofocus lenses compatible with digital SLR cameras equipped with a full-size image sensor and available as of announcement in, July 2, 2015. Both statements are based on Nikon research.

 
B&H carries Nikon Nikkor lenses.
Posted to: Nikon News
Post Date: 7/29/2015 7:33:52 AM CT   Posted By: Sean
PhotoPlus Expo 2015
From PhotoPlus Expo:
 
Register now and join everyone in the industry for the photography event of the year at Javits Center in New York City!
 
Experience over 100 educational seminars, Master Classes, Photo Walks and the largest display of new products and creative solutions to touch, try and compare from over 200 exhibitors.
 
New for 2015
 
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Post Date: 7/29/2015 7:25:36 AM CT   Posted By: Sean
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