Canon and Sony News and What's New (Excluding Deals) (Page 4)

From Nextorage:

Nextorage Announces the release of the NX-B2PRO series, the world's fastest [1] CFexpress™ 4.0 Type B memory card, and the NX-SB1PRO, a 40Gbps card reader that supports CFexpress 4.0

(Nextorage Corporation; President: Katsuyuki Honda; Kawasaki City, Kanagawa Prefecture, Japan) Nextorage will begin selling the NX-B2PRO series of CFexpress Type B memory cards compatible with CFexpress 4.0 on February 20, 2024. The NX-SB1PRO CFexpress 4.0-compatible card reader is scheduled to be available during March 2024. The memory card and card reader are compliant with CFexpress 4.0, the latest standard set by the CompactFlash Association (CFA), dramatically reducing the transfer time of high-capacity data captured when shooting 8K video and high-resolution still images.

NX-B2PRO Series

• CFexpress Type B memory card compatible with CFexpress 4.0
• World's fastest [1] transfer rate in terms of maximum read speed (3,900MB/s [2 ]), maximum write speed (3,600MB/s), and minimum continuous write speed (3,400MB/s [3] )
• Unique power-saving technology, Dynamic Auto Power Save, reduces the camera's battery consumption during video recording. It also suppresses card temperature rise and maintains stable write speed.
• CompactFlash 400, a standard defined by the CompactFlash Association's Video Performance Guarantee (VPG), guarantees a minimum write speed of 400 MB/s when used with a host device that also supports VPG400.

The NX-B2PRO series is a next-generation memory card that is expected to be supported by the high-end camera market in the future. (*CFexpress 2.0 standard is used for transfer in devices that do not support CFexpress 4.0.) It is backward compatible with the existing CFexpress 2.0 standard for current cameras, allowing stable, high-quality video recording and high-speed continuous shooting on par with the NX-B1PRO series.

The camera's unique low power consumption technology, Dynamic Auto Power Save, reduces power consumption during movie recording. This reduces the camera's battery consumption. In addition, the card's temperature rises at higher transfer speeds, preventing thermal throttling* from occurring. Another feature of the NX-B2PRO is its ability to maintain stable transfer rates. This fast and stable read/write performance supports 8K video and high-speed continuous shooting in RAW quality.

Since the camera supports VPG400, users can shoot 8K video with confidence when using it with the Canon EOS R3/EOS R5/EOS R5C, which support VPG400. With a broad lineup of capacities ranging from 165 GB, 330 GB, 660 GB, and 1330 GB, users can select the card that best suits their shooting needs, from high-quality still images to high-speed continuous shooting, 8K video, and more. CFexpress Type B memory cards provide stable recording in a variety of shooting scenes and reduce data transfer time after shooting.

Durability [4].

Durable and compliant with CompactFlash Association regulations and backed by a 5-year product warranty.

• Heat resistance: -12 °C to 72 °C (guaranteed operating temperature)
• Shock resistance (EIA-364-27A compliant)
• X-ray resistant (ISO7816-1 compliant)
• UV resistant (ISO7816-1 compliant)
• Magnetic resistance (based on Nextorage's own testing)
• Electrostatic resistance (conforms to IEC 61000-4-2)

Product Compatibility

Nextorage is currently verifying the compatibility of the NX-B2PRO series with CFexpress Type B memory card compatible devices from various companies. Information on devices whose compatibility has been verified is scheduled to be updated on the Nextorage website as needed.

NX-SB1PRO

• CFexpress Type B Card Reader for CFexpress 4.0
• USB 40Gbps interface (maximum transfer rate: 5,000 MB/s)
• Extracts the transfer performance of CFexpress 4.0 cards (maximum transfer rate specification value: 4,000 MB/s)
• Stable high-speed transfer performance due to the unique heat sink structure with high heat dissipation performance

With USB 40Gbps (maximum transfer rate: 5,000 MB/s), this card reader maximizes the high-speed transfer performance of CFexpress Type B memory cards compatible with CFexpress 4.0 (maximum transfer rate standard value: 4,000 MB/s). In the NX-B2PRO330G (maximum read speed: 3,900 MB/s [2] ), which is available today, a data read speed of 3,300 MB/s is achieved. [1]

In addition, a large heat sink with a proprietary structure has been developed to counter the rise in temperature of the card body and card reader that accompanies the increase in transfer speed of various standards, such as CFexpress 4.0 and USB 40Gbps. This suppresses the occurrence of thermal throttling* and realizes stable data transfer at high speeds.

This card reader for CFexpress Type B supports the latest high-speed standards and reduces workflow time after shooting.

Product Compatibility

Nextorage is currently verifying the compatibility of the NX-SB1PRO with CFexpress Type B card reader compatible devices such as PCs from various companies. Information on devices that have been verified for compatibility is scheduled to be updated on the Nextorage website as needed.

Orders

Expect to find these Nextorage CFexpress 4.0 products at B&H later this year.

Nextorage at WPPI

Look for Nextorage at WPPI 2024.

Footnotes.

[1] As of February 2024, based on Nextorage research and Nextorage internal testing. Actual performance may vary depending on environment.

[2] Figures for NX-B2PRO165G and NX-B2PRO330G.

[3] Excluding NX-B2PRO1330G.

[4] Durability ratings are based on Nextorage test conditions. Product damage or data corruption is not guaranteed under all circumstances.

[5] To connect at USB 40Gbps, the product must be used with USB 40Gbps compatible devices. Depending on the device (PC) used, the performance of the product may not be demonstrated, or the product may not be usable. Please refer to the following for the PC environment used by the customer. User's Guide for USB 40Gbps Compatible Products ??

[6] 1 GB = 1 billion bytes. The actual usable capacity (user space) is smaller than the indicated capacity due to the system area.

*Thermal Throttling: A control function that reduces the transfer rate to prevent thermal runaway.

Design and specifications are subject to change without notice.

The Sony FE 300mm F2.8 GM OSS Lens is in stock at B&H and WEX.

There is a total solar eclipse coming soon, and you need to know how to photograph it.

In-Depth Guide: How to Photograph a Total Solar Eclipse.

Please share!

Support this site by ordering the Sony FE 24-50mm F2.8 G Lens (or anything else) from B&H | Adorama | WEX

From Sony Electronics:

Sony Electronics Launches a High-Speed 5G Portable Data Transmitter for Still Image and Video Transmission On-Location Shoots

The PDT-FP1 utilizes the power of 5G to enhance professional workflow at live events

SAN DIEGO, Feb. 22, 2024 – Sony Electronics is launching a portable data transmitter, the PDT-FP1, with a unique antenna structure that allows high-speed still image and video data transport over 5G networksⁱ. With the PDT-FP1, Sony is leveraging 5G mobile technology to enhance professional workflow for broadcasting and news coverage. This wireless communication device allows for real-time transfer of photos and videos and seamless livestreaming via 5G, representing a significant boost in process efficiency for news agencies, photojournalists, corporate or event photographers, broadcast video production and more.

“The PDT-FP1 is a beneficial solution for many uses including live events and productions, newsgathering, sports, faith, weddings, and more. With the PDT-FP1, photographers and videographers can increase their efficiency and productivity on-the-go, without worrying about battery life or demanding environmental conditions,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “In an industry where speed and timeliness are critical, this device is a game changer to allow for an easier and quicker upload and transfer from the field or frontlines to an editor.”

Benefits of the PDT-FP1 include:

Capture and transmit from virtually anywhere: View and upload media directly from compatible Sony camerasⁱⁱ using the PDT-FP1 as a 5G modem to transfer still and video media and deliver it to any file transfer protocol (FTP) destination. Additionally, using Sony Creators’ Cloud for enterprise appⁱⁱⁱ brings secure and reliable media transfer through the PDT-FP1 to Sony Cloud services^iv such as Ci Media Cloud and C3 Portal’s cloud gateway. This allows for ease of use for any photographer/videographer – no longer is there a need to be bound by wired networks or required to pass physical memory cards. Use in challenging environments: With optimized battery efficiency and a high threshold for temperatures^v, the PDT-FP1 can be used, at length, in some of the most demanding conditions. Livestream wirelessly: Using 5G, wirelessly livestream video from a wide range of compatible cameras^vi, when paired via HDMI or through Sony still and video cameras when using USB. Real-time messaging protocol (RTMP) streams can be broadcast to social media platforms, freeing operators of traditional constraints when in the field. Additionally, the External Monitor App^vii can be used as an external monitor while streaming with many pro features. Broadcast high-quality, low-latency video: The PDT-FP1’s 5G transmission can be used with Sony’s CBK-RPU7 new remote production unit, to transmit high-quality, low-latency (4k 60p/50p) HEVC video in Sports, Cinematic, Virtual Production, and News environments. Monitor on-the-go: Visually monitor the network and communication conditions while shooting, using the dedicated Network Visualizer app. This ensures that the content is being delivered to those who need to see it.

Main Features

1. High-speed, low-latency communication, even overseas^viii

With an optimized antenna structure, the PDT-FP1 supports a wide range of bandsvi such as domestic and international 5G sub6/mmWave^ix, 5G standalone networks, and local 5G networks, realizing high-speed, low-latency communicationⁱ. In addition to the plug-in nano SIM card, the PDT-FP1 supports dual SIM with an eSIM that does not need to be inserted or removed. It is also possible to automatically select^x and prioritize a line^xi depending on the network conditions, and switch SIMs to transfer data.

2. Cooling fan and duct structure for stable continuous communication

A newly developed cooling fan reduces heat buildup even in environments of up to 104 degrees F^xii. Despite its slim body design, the PDT-FP1 has a duct-based structure that efficiently dissipates internal heat, further backing stable and continuous communication. Different operational modes – auto, cooling priority, and silent priority – can be selected to accommodate as best to each location environment.

3. A simple data transfer workflow by linking with select Sony camerasⁱⁱ

The PDT-FP1's “Camera wired connection” setting feature simplifies and shortens setup time. The 6.1-inch OLED display can simultaneously display communication quality and file transmission status^xiii. The transfer status can be monitored during shooting, so the user does not miss a decisive shooting opportunity. The PDT-FP1 provides operational flexibility. A LAN port connects to a Sony camera to transfer data. A USB Type-C terminal further supports enhanced Sony camera compatibility, enabling a seamless transfer and tagging workflow. Additionally, the PDT-FP1 has the potential to support HDMI-enabled cameras. In addition, by using the USB Type-C charging terminal and an external power source, the PDT-FP1 can be used to stream and transfer data simultaneously without worrying about battery drain. The device is designed as a camera companion, featuring a screw hole for securing the camera and tripod and a strap hole for attaching cable fixing accessories. Built-in memory of 8GB (RAM)/256GB (ROM) and microSDXC support of up to 1TB enables high-speed processing and storage of large amounts of data^xiv.

Pricing and Availability

PDT-FP1 is expected to be available in the United States in early-Summer of 2024 for approximately $1099.99 USD.

Orders

The Sony PDT-FP1 will be available at B&H.

Notes

ⁱ 5G network and availability may vary depending on country, carrier and user environment.

ⁱⁱ A list of compatible cameras will be released in due course. Please see the product page for details. https://pro.sony/ue_US/products/wireless-tx-rx-accessories/pdt-fp1

ⁱⁱⁱ For regional app/service availability, check here.

^iv Compatible services will be announced sequentially. Please see the product page for details. https://pro.sony/ue_US/products/wireless-tx-rx-accessories/pdt-fp1

^v According to Sony measurement.

^vi UDSB with compatible cameras that have UVC/UAC capabilities

^vii For more information about the capabilities of External Monitor app, please see the product page for details. Xperia 1 V XQ-DQ54/XQ-DQ62/XQ-DQ72 | Help Guide | Using the External monitor app (sony.net)

^viii Please check the product page for compatible bands. https://pro.sony/products/wireless-tx-rx-accessories/

^ix The PDT-FP1 supports n257, and the mmWave band support in Japan and the United States (also planned for Europe).

^x As for Auto data SIM switching, settings are required.

^xi Requires a contract with a different carrier. Additionally, Sony does not guarantee connection or communication speed in all environments.

^xii According to Sony research.

^xiii In addition to Transfer & Tagging, the target applications include Creators' Cloud's mobile application Creators' App and cloud video production solution Creators' App for Enterprise.

^xiv 1 GB = one billion bytes. Actual formatted capacity will be less.

CIPA has shared new industry reports:

2024 Outlook on Shipment by Product-Type Concerning Cameras and the Related Goods

About the Results of Integrated Survey of Photo Imaging Market : Japan Edition

The Canon RF 100-300mm F2.8 L IS USM Lens is in stock at B&H.

Learn more about this incredible lens: Canon RF 100-300mm F2.8 L IS USM Lens Review.

From Sony Electronics:

Sony Electronics Announces a New Compact FE 24-50mm F2.8 G Standard Zoom Lens Designed for High Performance and Portability

A large-aperture, constant F2.8 standard zoom full-frame E-mount lens that delivers outstanding end-to-end image quality in a compact and lightweight form facto

SAN DIEGO, Feb. 21, 2024 – Sony Electronics is pleased to announce the release of the FE 24-50mm F2.8 G standard zoom lens (SEL2450G), which is compatible with Sony’s a™ (Alpha™) cameras. The 72nd addition to the full-frame E-mount lens lineup is extremely compact and lightweight yet maintains high-resolution performance synonymous with Sony’s G lens series. With a constant F2.8 maximum aperture, it produces stunning bokeh and enables creative flexibility across the entire zoom range. The versatile 24mm to 50mm focal range, coupled with its compact form, enables users to capture a myriad of scenes including portraits, everyday snapshots, landscapes, and video.

“The demand for light and compact standard zoom lenses is increasing, and our new FE 24-50mm F2.8 G lens offers a F2.8 standard zoom option for creators seeking portability, without a sacrifice. It is a lens option ready to go anywhere,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “The FE 24-50mm F2.8 G is our first-ever full-frame F2.8 standard zoom lens in the G series lens lineup. Bringing the ever-popular F2.8 aperture from our G Master series into the G series is yet another example of our dedication to building lens options for every level of creator.”

Outstanding Optical Performance in a Compact Form Factor

The FE 24-50mm F2.8 G's design is compact with a filter diameter of 67 mm, maximum diameter of 74.8 mm (about 2.94 in), length of 92.3 mm (about 3.63 in), and weight of approximately 440 g (about 15.52 oz). Despite its compact size, the lens maintains exceptional image quality throughout all focal lengths. This is made possible by the incorporation of four aspherical lenses and two elements of Extra Low Dispersion (ED) glass. These advanced elements effectively minimize chromatic aberrations, resulting in high-resolution performance that remains consistent from the center to the corners of the frame.

The FE 24-50mm F2.8 G's 11-blade circular aperture and well-controlled spherical aberration creates the beautiful, smooth bokeh known to the G lens series. Painstaking optical optimization has achieved impressive close-up performance at all focal lengths. It has a minimum shooting distance of 0.19 m (AF) at the wide end, and a maximum magnification of 0.30 x (AF) for detailed shooting.

Fast and Precise Autofocus Capabilities for Both Stills and Video

The FE 24-50mm F2.8 G is equipped with two linear motors to achieve extremely fast, precise, and quiet focusing with AF (autofocus). It also supports high-speed continuous shooting with AF/AE tracking of up to 120 frames per second, a feature offered on Sony’s newest full-frame mirrorless camera, the Alpha 9 IIIⁱ.

The FE 24-50mm F2.8 G's AF capabilities make it advantageous for video production, especially when shooting in high frame rates like 4K 120p or FHD 240p movie recordingⁱⁱ. It supports in-camera Active Mode Image Stabilizationⁱⁱⁱ for fast paced shooting and is compatible with the Focus Breathing Compensation feature native to select Sony Alpha cameras^iv. In addition, the Linear Response MF offers intuitive and precise manual focus adjustments, a feature beneficial for filmmaking^iv.

Enhanced Controllability and Reliability

The FE 24-50mm F2.8 G is equipped with intuitive controls designed to offer ultimate operability. These features include a customizable focus hold button, aperture ring, aperture click ON/OFF switch, and focus mode switch.

Additionally, the lens' front element is fluorine coated, which effectively repels and effortlessly eliminates fingerprints, dust, water, oil, and other contaminants. This dust and moisture resistant design makes it a reliable option for any environment.

Pricing and Availability

The new FE 24-50mm F2.8 G will be available in May 2024 for approximately $1,099.99 USD and $1,499.99 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Orders

Support this site by ordering the Sony FE 24-50mm F2.8 G Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX

Notes:

ⁱ Sony test conditions. Maximum continuous frame rate may be lower in some shooting conditions. Continuous shooting speed may vary depending on the lens used in AF-C focus modes. Visit Sony’s support web page for lens compatibility information.

ⁱⁱ Depending on camera used.

ⁱⁱⁱ Compatible models only.

^iv See camera compatibility info at: https://www.sony.net/dics/breathing/ Angle of view and image quality may change slightly when this function is [ON]. Effective compensation may not be achieved in all situations.

^v Not guaranteed to be 100% dust and moisture proof.

Before we go into the (long) press release for these exciting new lenses, I'll share the preorder links so you know can easily find them:

Order the Sigma 500mm F5.6 DG DN OS Sports Lens from B&H | Adorama | WEX

Order the Sigma 15mm F1.4 DG DN Diagonal Fisheye Art Lens from B&H | Adorama | WEX

From Sigma Corporation of America:

Announcing the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art and SIGMA 500mm F5.6 DG DN OS | Sports Lenses

SIGMA Introduces Two New Full-Frame DG DN Prime Lenses – the World’s First F1.4 Diagonal Fisheye and a Rugged Lightweight Ultra-Tele

Ronkonkoma, NY – February 20, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce two new full-frame prime lenses designed specifically for full-frame mirrorless camera systems, the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art and SIGMA 500mm F5.6 DG DN OS | Sports lenses. Both lenses will be available for purchase in mid-March 2024, and both lenses are available in Sony E-Mount and L-Mount versions.

The SIGMA 500mm F5.6 DG DN OS | Sports lens is a full-frame, ultra-telephoto prime lens exclusively for mirrorless cameras. With outstanding image quality in a remarkably compact and lightweight body, this lens is built for action capture including aviation, sports, and wildlife. The new lens combines fast HLA-driven AF, high-precision OS, and an optical design featuring low-dispersion glass elements, along with splash- and dust-proof construction. This lens is designed for the most demanding situations.

The SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art is the world's first full-frame F1.4 diagonal fisheye lens*. With a 180° angle of view, this lens is designed to take in dramatic, sweeping scenes with the signature fisheye lens effect. Unlike conventional fisheyes, the 15mm F1.4 DG DN DIAGONAL FISHEYE | Art is exceptionally sharp across its entire 180 degrees and offers an ultra-fast F1.4 aperture, making it perfect for a wide range of applications including astrophotography, landscapes, and architecture, as well as action sports such as skateboarding and BMX.

* As an interchangeable lens for full-frame cameras for consumer use. (as of February 2024)

The retail price of the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art is $1,999 and the retail price of SIGMA 500mm F5.6 DG DN OS | Sports is $2,999 through authorized SIGMA America dealers.

Exclusively for mirrorless cameras | Compatible with full-frame cameras

A | Art
SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE

180° of high resolution. An innovative diagonal fisheye lens.

• Resolving power that overturns the conventional wisdom about fisheye lenses
• An addition to the Art F1.4 lineup, meticulously crafted for astrophotography
• A wealth of latest functions and excellent build quality

Supplied accessories: CASE, COVER LENS CAP LC1040-01, REAR CAP LCR II, TRIPOD SOCKET TS-141, PROTECTIVE COVER PT-51, GUIDE PLATE GP-21, SHOULDER STRAP

Available mounts: L-Mount, Sony E-mount

Launch date: March 14, 2024

* The appearance and specifications of the products are subject to change.
* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.
* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA15mmF14DiagonalFisheyeArt #SIGMAArt #SIGMAArtPrime #SIGMADGDN

The world's first* F1.4 diagonal fisheye interchangeable lens for 35mm full-frame. Unparalleled resolving power that overturns the conventional wisdom about fisheye lenses.

In developing a fisheye lens featuring an ultra-wide-angle and powerful fisheye distortion, SIGMA has achieved a completely new level of artistic potential, combining the world's first F1.4 aperture for consumer use with outstanding resolving power across the entire image. In terms of optical performance, the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art has achieved excellent point image reproducibility and high resolution by correcting various aberrations, especially sagittal coma flare. The lens is capable of handling astrophotography, which demands particularly high-quality performance, even when wide-open. Unlike conventional fisheyes, the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art is exceptionally sharp across its entire 180° angle-of-view and offers an ultra-fast F1.4 aperture, making it perfect for a wide range of applications including astrophotography, landscapes and architecture. The expressive power of this all-new full-frame mirrorless lens opens a wealth of creative possibilities in wide-angle photography.

* As an interchangeable lens for full-frame cameras for consumer use. (as of February 2024 by SIGMA).

[Key Features]

1. Resolving power that overturns conventional wisdom about fisheye lenses

The latest optical design thoroughly corrects each type of aberration. This diagonal fisheye lens has the unique expressiveness of a fisheye lens and high resolution throughout the entire image from a wide-open aperture. The performance of the lens is guaranteed by a full inspection with SIGMA's proprietary MTF measuring system.

Even wide-open, high resolution and point image reproducibility across the entire image

The lens consists of 21 elements in 15 groups, including 4 FLD and 3 SLD exclusive low-dispersion glass elements, and 2 aspherical lens elements. By correcting sagittal coma flare and other aberrations, the lens can precisely reproduce bright points of light across the whole frame even wide-open, making it ideal for astrophotography.

Diagonal fisheye lens with 180° angle of view

The powerful distortion effect, which is the appeal of fisheye lenses, allows users to enjoy expressions such as a unique perspective and emphasis on the subject at a 180° angle of view. In addition, the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art is designed with the strict performance standards of the Art line. Furthermore, all lenses are inspected with SIGMA's proprietary MTF measuring system. The unique descriptive power of this new fisheye lens, which combines an incredible 180° angle-of-view with very high resolution optics, delivers a level of artistic potential that exceeds other fisheye lenses.

Designed to minimize flare and ghosting

To prevent flare and ghosting, which reduce image quality, the lens is designed to handle all conditions of incident light based on state-of-the-art simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.

2. An addition to the Art F1.4 lineup, meticulously crafted for astrophotography

The SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art offers abundant functions to support astrophotography. With the introduction of this lens, SIGMA now has four F1.4 wide-angle prime Art line lenses with functions specifically designed for astrophotography, including the 14mm, 20mm, and 24mm. In terms of both lineup and functionality, SIGMA fully supports the joy of capturing the stars.

Art F1.4 prime wide-angle lens series specialized for astrophotography

The SIGMA Art line of F1.4 single focal length lenses with specialized features for astrophotography is expanded to four lenses with the addition of the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art. Users can select the lens that best suits their needs and the expression they are aiming for.

MFL (Manual Focus Lock) switch

The lens is equipped with an MFL switch. When the MFL switch is set to "LOCK," the focus ring operation is disabled, ensuring that once focus is acquired, it will not be changed by unintentional movement of the ring. This is useful for long exposures and other situations where the focus should be fixed while shooting.

Lens heater retainer

A small step at the front of the lens called a lens heater retainer prevents the lens heater* from protruding over the front element, eliminating the risk of vignetting.

* A belt-shaped heat strip that is wrapped around the lens to prevent condensation from forming inside the lens when the temperature drops.

Rear filter holder

A standard-equipped rear filter holder at the lens mount allows sheet-type filters to be used.

Special cover lens cap with a locking mechanism and filter slots

The included cover lens cap features two slots to securely store rear filters, as well as a locking mechanism. The cap is specially designed for the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, allowing users to carry sheet-type filters without the risk of confusing or forgetting them, while protecting them from scratches and dirt.

Tripod Socket

The lens is equipped with an Arca-Swiss compatible, lightweight and sturdy magnesium alloy tripod socket. The detachable leg can be mounted on a tripod for stable conditions even during long exposures. The shape has been deliberately designed to prevent interference when using a lens heater.

* The tripod socket TS-141 is also compatible with the SIGMA 14mm F1.4 DG DN | Art.

3. A wealth of latest functions and excellent build quality

The SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art is equipped with various functions to assist shooting, including an AFL button¹ to which preferred function can be assigned and an aperture ring, and uses a linear motor HLA (High-response Linear Actuator) as the AF actuator to enable fast, quiet, and highly accurate AF shooting. The lens is also equipped with a dust and splash resistant structure² to ensure a high level of weather resistance and robustness, as well as excellent build quality that allows for long and reliable use in any environment.

¹ Function available on supported cameras only. Available functions may vary depending on the camera used. ² The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

Various shooting assist functions

The lens is equipped with an AFL button which can be assigned to a range of functions via the menu on selected cameras. In addition to the aperture ring, the lens is equipped with an aperture ring lock switch and a click switch to turn the click on and off.

Dust and splash resistant structure and water and oil repellent coating

In addition to a dust and splash resistant structure, the front element of the lens features a water and oil repellent coating, allowing photographers to shoot without concerns even in harsh outdoor environments.

Adopts a linear motor HLA

The AF actuator is a linear motor HLA (High-response Linear Actuator). The high thrust motor and advanced electronic control operate the focus lens at high speed and with high precision to provide comfortable AF shooting.

Excellent build quality

To support the heavy optical system and enhance robustness and reliability, metal parts are used in key parts of the lens body. Meanwhile, the lightweight engineering plastic TSC* is also used in appropriate places to reduce weight. Furthermore, each control part, such as rings and switches, is designed to feel good. SIGMA is proud of the exceptional build quality of its products, which do not compromise on durability, operability, and a satisfying sense of ownership.

* TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has a high affinity to metal parts which contributes to high quality product manufacturing.

[ Additional Features ]

• Lens construction: 21 elements in 15 groups (4 FLD, 3 SLD, 2 aspherical elements)
• Inner focus system
• Compatible with high-speed autofocus
• HLA (High-response Linear Actuator)
• Compatible with Lens Aberration Correction
  * Due to being a fisheye lens, distortion will not be corrected.
  * Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
  * On cameras where lens aberration correction is controlled with "ON" or "OFF" in the camera menu, please set all aberration correction functions to "ON" (AUTO).
• Supports DMF and AF+MF
• Compatible with AF assist (for Sony E-mount only)
• Super Multi-Layer Coating
• Water and Oil Repellent Coating (front element)
• Aperture ring
• Aperture ring click switch
• Aperture ring lock switch
• AFL button
  * Function available on supported cameras only. Available functions may vary depending on the camera used.
• MFL (Manual Focus Lock) switch
• Rear filter holder (compatible with GUIDE PLATE GP-21)
• Lens heater retainer
• Focus Mode switch
• Support for switching between linear focus / non-linear focus ring settings (for L-Mount only)
  * Function available on supported cameras only.
• Dust and Splash Resistant Structure
• TRIPOD SOCKET TS-141
• Special COVER LENS CAP LC1040-01 with a locking mechanism and filter slots
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA's proprietary MTF measuring system
• 11-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• Mount Conversion Service available
• "Made in Aizu, Japan" craftsmanship

[ Key Specifications ]

The following specifications are for L-Mount.

Lens Construction: 21 elements in 15 groups
(4 FLD, 3 SLD, 2 aspherical elements)
Angle of view: 180°
Number of diaphragm blades: 11 (rounded diaphragm)
Minimum aperture: F16
Minimum focusing distance: 38.5cm / 15.2 in.
Maximum magnification ratio: 1:16
Filter size: Rear filter only
Dimensions (Max. Diam. x Length): 104 x 157.9mm / 4.1 x 6.2 in.
Weight: 1,360g / 48 oz. (includes tripod foot)

[ Accessories: Supplied ]

COVER LENS CAP LC1040-01: 0085126 941260
TRIPOD SOCKET TS-141: 0085126 940997
PROTECTIVE COVER PT-51: 0085126 941277
REAR CAP LCR II (for L-Mount) 0085126 937256
REAR CAP LCR II (for Sony E-mount) 0085126 929879

[ Accessories: Optional ]

SIGMA USB DOCK UD-11 for L-Mount: 0085126 878696

Exclusively for mirrorless cameras | Compatible with full-frame cameras

S | Sports
SIGMA 500mm F5.6 DG DN OS

The crystallization of technology. A whole new ultra-telephoto experience.

• Perfect for hand-held shooting, a 500mm lens with unparalleled optical performance
• Compact, lightweight and excellent build quality
• A wealth of functions to assist in a variety of shooting situations

Supplied accessories: CASE, LENS HOOD LH1034-02, TRIPOD SOCKET TS-151, FRONT CAP LCF-95mm III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount

Launch date: March 14, 2024

* The appearance and specifications of the products are subject to change.
* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.
* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA500mmSports #SIGMASports #SIGMADGDN

Clear, sharp images and amazing mobility. A handy-size 500mm that offers a whole new shooting experience.

The SIGMA 500mm F5.6 DG DN OS | Sports is an ultra-telephoto prime lens exclusively for mirrorless cameras that features a 500mm focal length with outstanding image quality in a remarkably compact and lightweight body. By incorporating multiple large-diameter, exclusive low-dispersion glass elements that are challenging to process, SIGMA succeeded in significantly downsizing the lens construction without the use of diffractive optical elements. At the same time, the lens has achieved high resolving power that meets the expectations for a 500mm prime lens. The lens body, composed mainly of high-precision engineering plastic parts, has excellent build quality and weather resistance, including dust and splash resistant structure*, despite its compact size. With its rich descriptive power and incredibly compact size for its focal length, the handy-size SIGMA 500mm F5.6 DG DN OS | Sports offers a whole new photographic experience for wildlife, aviation, sports and other fast-action photographers.

* The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

[Key Features]

1. Perfect for hand-held shooting, a 500mm lens with unparalleled optical performance

The latest optical design using exclusive low-dispersion glass elements has succeeded in achieving both an extremely compact lens construction and high optical performance with excellent correction of aberrations. In addition to its size that allows hand-held shooting, the high-speed AF with HLA (High-response Linear Actuator) and the OS2 optical stabilization algorithm support comfortable shooting.

High optical performance and compact lens construction

The latest optical design has succeeded in significantly downsizing the optical system for a 500mm ultra-telephoto lens. By utilizing exclusive low-dispersion convex elements at the front of the lens, the lens delivers both a high aberration correction capability and a short overall length. The high level of production technology at SIGMA's only manufacturing base, the Aizu factory, provides the exacting precision necessary for processing the exclusive low-dispersion glass elements with a large aperture. The lens has excellent correction of all aberrations, especially axial chromatic aberration, which cannot be corrected by the camera body, ensuring a stable high resolution from the center to the periphery of the image.

Excellent backlight resistance

The SIGMA 500mm F5.6 DG DN OS | Sports uses refractive lenses in its optical system to prevent flare and ghosting that are characteristics of diffractive optical elements, allowing for clear images without concern for flare or ghosting even in backlit conditions or when a light source is included in the image. Furthermore, measures are taken against all conditions of incident light based on state-of-the-art simulation technology.

High-speed AF with a linear motor HLA

A linear motor HLA (High-response Linear Actuator) is used for the actuator, which is characterized by its high driving accuracy owing to the advanced electronic control, as well as its quietness. The HLA enables fast and accurate autofocus even in ultra-telephoto photography, such as sports and bird, where extremely precise focusing is required.

OS2 algorithm in optical stabilizer function

The latest OS2 optical stabilization algorithm provides an outstanding image stabilization effect of 5.0 stops*. The lens is equipped with two OS modes: Mode 1 is suitable for general shooting, and Mode 2 is ideal for panning shots of motorsports and other sports. In Mode 2, SIGMA's Intelligent OS, an algorithm specially designed for panning shots, enables effective image stabilization even when the camera is moved vertically or diagonally, irrespective of the horizontal and vertical orientation. This ensures that the subject's movement can be captured without losing the panning shot effect.

* Based on CIPA guidelines (Measured at 500mm with a 35mm full-frame image sensor)

2. Compact, lightweight and excellent build quality

The lens body has been designed to be small and lightweight in line with the optical system, which has been made significantly more compact. Not only is the lens easy to handle in hand-held use, but it also has the weather resistance of SIGMA's Sports line specifications and the excellent build quality that SIGMA prides itself on in terms of texture and the operating quality of each ring and control.

High-precision TSC* parts enable both high performance and compact, lightweight design

In order to achieve such a compact, lightweight and robust body, materials such as TSC and magnesium have been used in appropriate places. In particular, the production of a large TSC part that integrates functions as an internal structure, as well as an exterior part to reduce size and weight of the lens are manufactured with micron-level precision and they also have a sleek finish that gives the lens its premium feel. The sophisticated processing and production technology of the Aizu factory, SIGMA's only manufacturing base in Japan, enables the high degree of precise production and ensures the high performance and durability of the lens.

* TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has a high affinity to metal parts which contributes to high quality product manufacturing.

Weatherability of Sports line specifications

The mount connection, manual focus ring, switches and exterior connection are all dust and splash resistant to prevent dust and dirt from entering the lens. Further, the front element of the lens features a water and oil repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.

Cover-type lens hood included

A lightweight, high-strength, exclusive cover-type lens hood made of TSC is included. The tip of the hood is rubberized to protect the lens from abrasion and scratches caused by placing the lens upside down.

3. A wealth of functions to assist in a variety of shooting situations

The SIGMA 500mm F5.6 DG DN OS | Sports is equipped with a full range of assist functions including an aperture ring and three AFL buttons* ready to be assigned to preferred functions using the camera. The L-Mount version is also compatible with SIGMA's tele converters for AF-enabled shooting at ultra-telephoto focal lengths of up to 1,000mm.

* Function available on supported cameras only. Available functions may vary depending on the camera used.

Full range of customizable functions

Equipped with a Focus Limiter switch, the lens enables users to limit the focus driving range during AF when necessary, allowing quick and precise focusing. Further, the lens features three AFL buttons which can be assigned to a range of functions via the menu on selected cameras. The AFL buttons are easy to operate regardless of how the camera is oriented, and make accessing important settings quick and easy. For the L-Mount version, the SIGMA USB DOCK UD-11 can be used to set OS operation or the focus limiter range for the Custom Mode switch*.

* The assigned setting for lenses for Sony E-mount cannot be changed from the default setting because a USB DOCK for the mount is not available. The default setting allows users to switch the visibility of the OS effect in the viewfinder and live view.

Equipped with an aperture ring

In addition to an aperture ring, the lens is also equipped with an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suited to the shooting application.

Detachable tripod socket

The lightweight and sturdy magnesium alloy tripod socket is Arca-Swiss compatible. The detachable socket comes with a ring that clicks into position at 90° intervals.

* The tripod socket TS-151 is compatible with the SIGMA 70-200mm F2.8 DG DN OS | Sports.

Tele Converter for L-Mount (1.4x / 2.0x)

The L-Mount version of the lens is compatible with the SIGMA TELE CONVERTER TC-1411 (1.4x) and TC-2011 (2.0x). Using a tele converter, the focal length can be multiplied by 1.4x and even 2x, for AF-enabled shooting at ultra-telephoto focal lengths of up to 400mm.

[ Additional Features ]

• Lens construction: 20 elements in 14 groups (3 FLD, 2 SLD elements)
• OS (Optical Stabilizer) function with the latest "OS2" algorithm
• Inner focus system
• Compatible with high-speed autofocus
• HLA (High-response Linear Actuator)
• Compatible with Lens Aberration Correction
* Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model. * On cameras where lens aberration correction is controlled with "ON" or "OFF" in the camera menu, please set all aberration correction functions to "ON" (AUTO).
• Supports DMF and AF+MF
• Compatible with AF assist (for Sony E-mount only)
• Super Multi-Layer Coating
• Water and Oil Repellent Coating (front element)
• Aperture ring
• Aperture ring click switch
• Aperture ring lock switch
• AFL button (3 buttons)
  * Function available on supported cameras only. Available functions may vary depending on the camera used.
• Focus Limiter switch
• Focus Mode switch
• Support for switching between linear focus / non-linear focus ring settings (for L-Mount only)
  * Function available on supported cameras only.
• OS switch
• Custom Mode switch
• Dust and Splash Resistant Structure
• LENS HOOD LH1034-02
• TRIPOD SOCKET TS-151 (detachable lens foot type)
• Compatible with SIGMA TELE CONVERTER TC-1411 / TC-2011 (sold separately / for L-Mount only)
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA's proprietary MTF measuring system
• 11-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• Mount Conversion Service available
• "Made in Aizu, Japan" craftsmanship

[ Key Specifications ]

The following specifications are for L-Mount.

Lens Construction: 20 elements in 14 groups (3 FLD, 2 SLD)
Angle of view: 5.0°
Number of diaphragm blades: 11 (rounded diaphragm)
Minimum aperture: F32
Minimum focusing distance: 320 cm / 126 in.
Maximum magnification ratio: 1:6
Filter size: 95mm
Dimensions (Max. Diam. x Length): 107.6 x 234.6mm / 4.2 x 9.2 in.
Weight: 1,370g / 48.3 oz. (includes tripod foot)

[ Accessories: Supplied ]

LENS HOOD LH1034-02: 0085126 941239
FRONT CAP LCF-95mm III: 0085126 930042
TRIPOD SOCKET TS-151: 0085126 941109
REAR CAP LCR II (for L-Mount): 0085126 937256
REAR CAP LCR II (for Sony E-mount): 0085126 929879

[ Accessories: Optional ]

SIGMA USB DOCK UD-11 for L-Mount: 0085126 878696
SIGMA TELE CONVERTER TC-1411 for L-Mount: 0085126 825690
SIGMA TELE CONVERTER TC-2011 for L-Mount: 0085126 826697
SIGMA WR CERAMIC PROTECTOR 95mm: 0085126 931858
SIGMA WR PROTECTOR 95mm: 0085126 930998
SIGMA PROTECTOR 95mm: 0085126 931124
SIGMA WR UV FILTER 95mm: 0085126 930738
SIGMA WR CIRCULAR PL FILTER 95mm: 0085126-930851

Orders

Support this site by ordering the Sigma 500mm F5.6 DG DN OS Sports Lens from B&H | Adorama | WEX

Order the Sigma 15mm F1.4 DG DN Diagonal Fisheye Art Lens from B&H | Adorama | WEX

Just posted: Venus Optics Laowa 10mm f/2.8 Zero-D FF Lens Review.

The Laowa 10mm f/2.8 Zero-D is a good lens at an attractive price.

Support this site by ordering the Venus Optics Laowa 10mm f/2.8 Zero-D FF Lens from B&H | Adorama | Venus Optics.

Please share!

From Venus Optics:

World's Widest f/2.8 Full Frame Rectilinear Lens — Laowa 10mm f/2.8 Zero-D FF

Anhui China, Feb 22, 2024 – Venus Optics announces the launch of the new Laowa 10mm f/2.8 Zero-D FF Lens. It is the world’s first rectilinear 10mm full-frame lens with f/2.8 aperture and the first-ever auto-focus lens, for Sony E and Nikon Z mount, in Laowa’s lineup. Designed in a compact and lightweight manner, the lens weighs only 420g (0.93 lbs) with a stylish grey outlook. The lens also delivers outstanding image quality and close-to-zero distortion. Despite such an ultra-wide angle, the lens comes with a 77mm front filter thread, making it a powerful tool for photography and videography, from capturing one-of-the-kind landscapes, architecture, interior and astrophotography to stunning time-lapse and vlogging.

This 10mm lens marked 10 years journey of Laowa in the realm of optics. Over a decade of innovation, Venus Optics continues to surprise the world by bringing new products with optimized optical designs and solid lens quality. The Laowa 10mm f/2.8 lens delivers an unmatched ultra-wide-angle shooting experience for photographers and video creators to achieve every new idea.

Key Features:

• Ultra-wide 10mm with f/2.8 - Angle of View of 130°
• Zero-D
• Compact & Lightweight
• Close Focusing Distance of 12cm
• 77mm Filter thread
• 10-Point Sunstar
• Accurate and Reliable AF Performance
• Outstanding Optical Design
• Excellent performance for Panorama and Astrophotography

First Auto Focus Ultra-wide 10mm with f/2.8 Large Aperture

Laowa 10mm f/2.8 Zero-D FF has pushed the boundary of the maximum aperture for the 10mm wide non-fisheye lens. The f/2.8 fast aperture opens up a lot more possibilities to take landscape and architecture photography in low-light conditions and be able to capture at an ultra-wide perspective which was never possible before.

Angle of View of 130°

The remarkable 130.4° angle of view helps exaggerate the sense of space. And allows you to capture the magnificent landscape with a dramatic impact all in a single image. This one-of-a-kind perspective helps realize a lot of formerly impossible shots. From breathtaking landscapes to dynamic architecture, this lens opens up new dimensions in visual storytelling.

Close-to-Zero Optical Distortion (Zero-D)

A lens in 10mm is usually a fisheye or heavily distorted. This full-frame 10mm optically suppresses distortion to a close-to-zero level. Both horizontal and vertical straight lines can be maintained on the image from corner to corner. Giving you a true 10mm experience even without any in-camera lens correction.

Compact and Lightweight

Despite its incredible specification for full-frame cameras, the lens is only 7cm (2.79") long and weighs 420g (0.93 lbs), providing the desired portability for photographers and videographers to explore and travel with ease.

Close Focusing Distance of 12cm

The 10mm has a minimum focusing distance of 12cm, allowing you to get super close to the subjects and create interesting wide-angle macro style shots with nice separation between the object and background.

Stunning 10-point Sunstar

Built with 5 aperture blades, a stunning 10-point Sunstar can be created when stopping down the aperture.

Built-in Filter Thread

Equipped with a 77mm filter thread for you to use screw-in filters directly. Convenient and cost-saving as no additional filter holder is required. Gives users the ultimate flexibility when shooting.

Outstanding Optical Design

Laowa 10mm f/2.8 Zero-D FF is engineered with exceptional optics, featuring 15 elements in 9 groups, including 2 aspherical glasses and 3 ED glasses. This results in outstanding image sharpness and CA control, ensuring that every detail is captured with precision and clarity.

Accurate and Reliable AF performance

The 10mm is the first Laowa lens equipped with autofocusing. AF is available for both Sony E and Nikon Z mounts. Embrace the convenience of autofocus and focus on composition and creative aspects.

*RF and L mount are fully manual

Excellent performance for Panorama and Astrophotography

The exceptionally wide field of view makes it particularly adept at capturing expansive panoramas, allowing photographers to tell stories on a grand scale. Thanks to its f/2.8 aperture, the lens delivering pleasing night sky and galaxy images.

Pricing & Availability

The new Laowa 10mm f/2.8 Zero-D FF is currently pre-order via Venus Optics official website (https://www.venuslens.net/product/laowa-10mm-f-2-8-ff-zero-d/ref/965/) and authorized resellers.

The US price for Laowa 10mm f/2.8 Zero-D FF is USD799 for all mounts (Both AF and MF version are the same price). Pricing varies in different countries. Shipping starts from mid-March.

Specifications

Lens Name: Laowa 10mm f/2.8 Zero-D FF
Format: Full-Frame
Focal Length: 10mm
Aperture Range: f/2.8-22
Angle of View: 130.4°
Lens Structure: 15 elements in 9 groups (2 Aspherical Glasses, 3 ED Glasses)
Aperture Blades: 5 blades / A 14-blade variant (only available for manual focus) can be ordered
Min. Shooting Distance: 4.72" / 12cm
Max. Magnification: 0.24X
Focusing System: AF (Sony E / Nikon Z) / MF (Canon RF / L mount)
Filter Thread: Ø77mm
Dimensions: Ø3.23” x 2.79”/ Ø82 x 70.8mm
Weight: 0.925lbs/ 420g
Mounts: Auto-Focus: Sony E/ Nikon Z (5 Blades)
Manual-Focus: Canon RF/ L Mount (5 Blades), Sony E / Canon RF / Nikon Z / L mount (14 Blades)
Price USD799

Review

Venus Optics Laowa 10mm f/2.8 Zero-D FF Lens

Orders

Order the Venus Optics Laowa 10mm f/2.8 Zero-D FF Lens from B&H | Adorama | Venus Optics.

Canon, Inc. claims the No. 1 position:

Canon celebrates 21st consecutive year of No. 1 share of global interchangeable-lens digital camera market

TOKYO, February 20, 2024—Canon Inc. announced today that the company's interchangeable-lens digital cameras (digital SLR and mirrorless cameras) have maintained the No. 1 share ¹ of the global market for 21 consecutive years from 2003 to 2023.

Canon’s EOS series of interchangeable lens digital cameras are imaging systems based on the basic concept of "Speed, Comfort, and High Image Quality," for which the company has developed proprietary key components, including CMOS image sensors, the DIGIC image processors, and interchangeable lenses. Putting together a wide-ranging product lineup—from high-performance flagship models that are highly trusted by professionals to entry-level models that allow users to enjoy full-scale shooting with easy operation, as well as a rich selection of over 115 ² RF and EF series lenses that make possible a wealth of creative expression—Canon continues to support the diverse needs of customers.

During the dawn of digital SLR cameras, Canon introduced its breakthrough EOS Kiss Digital (EOS Digital Rebel or EOS 300D in other regions) in September 2003. By launching this groundbreaking camera, which was competitively priced and featured a compact, lightweight design, Canon spurred growth in the digital SLR market, capturing the top share of the global market and heralding the age of digital SLR cameras. Since that time, Canon has continued to launch a range of groundbreaking products, including the professional-model EOS-1D series and the EOS 5D series, which paved the way for digital SLR video recording. Canon’s desire to further expand the boundaries of visual expression led to its next-generation EOS R System, launched in October 2018, that includes the full-frame mirrorless camera EOS R5—the first camera to feature 8K video recording ³—released in July 2020 and the EOS R3 in November 2021, which features tracking of fast-moving subjects and continuous shooting performance. In addition, Canon launched the EOS VR System, designed to record video for virtual reality content, in December 2021.

In 2023, Canon led demand for mirrorless cameras and lenses by further expanding its lineup of EOS R series cameras and lenses. This expanded lineup included the EOS R50 (released in March 2023), an APS-C size mirrorless camera complete with easy-to-use and convenient functions, the EOS R8 (released in April 2023), a full-frame camera that is both small and lightweight while demonstrating high performance and the EOS R100 (released in June 2023), an APS-C size mirrorless camera that even beginner photographers can use to enjoy full-fledged shooting, and 9 RF lenses ⁴.

Additionally, Canon-brand cameras comprised the number one share⁵ of Rugby World Cup France 2023, demonstrating that they have earned the deep trust of professional photographers. Based on the support of this wide range of customers, Canon managed to secure the No. 1 share of the global market for the 21st consecutive year.

Canon will continue to refine its proprietary imaging technologies while bringing fulfillment and excitement to people’s daily lives as well as promoting the spread of photo and video culture by providing products, services, and solutions that meet its customers’ diverse needs.

¹ Based on a Canon survey.

² Types of lenses sold vary according to each market. Includes 4 types of extenders. Among lenses announced as of February 19, 2024.

³ Among digital interchangeable-lens cameras released prior to July 8, 2020.

⁴ In 2023, Canon released the following nine RF lenses: RF135mm F1.8 L IS USM (January), RF-S55-210mm F5-7.1 IS STM (March), RF24-50mm F4.5-6.3 IS STM (April), RF100-300mm F2.8 L IS USM (May), RF28mm F2.8 STM (July), RF10-20mm F4 L IS STM (October), RF200-800mm F6.3-9 IS USM (December), RF24-105mm F2.8 L IS USM Z (December), RF-S10-18mm F4.5-6.3 IS STM (December).

⁵ Average of data obtained from 4 matches—semifinals (2 matches), 3rd place qualifier, and final match—of the tournament. Based on a Canon survey.

A relevant question, one I was recently asked, is: how does the Canon EOS R6 Mark II compare to the Canon EOS R5, shown to the right of the R6 II in this post's image?

The R6 II vs. R5 specification comparison and visual comparison tell much of the story, but here are the differences between the Canon EOS R6 Mark II and the R5:

The R6 II advantages over the R5:

• Higher performing DIGIC X processor
• 40 fps continuous shooting vs. 20 fps
• Slightly faster imaging sensor readout speed (14.5 vs. 16.3 ms
• AF working range of EV -6.5 to 21 vs. -6 to 20
• Significantly improved AF system, including separation of AF areas and subject detection and tracking
• Up to ISO 204800 vs. 102400
• Canon LOG 3 vs. Canon LOG
• Movie length max duration 6 hours vs. 29:59
• 3- or 5-second movie prerecord available
• Detect Only AF stops autofocusing when subject exits frame, and aspect ratio markers matching social media sites are available
• Supports focus breathing correction during movie recording
• Has a physical stills / movie switch
• RAW Burst Mode with 0.5-second Pre-Shooting
• Focus Bracketing with Depth Compositing available in-camera
• Enhanced HDR performance, including Moving Subject HDR (one shot captured at a base ISO of 800)
• HF light flicker (as in R3)
• Optical viewfinder simulation
• Digital 2x and 4x extender (JPG support only)
• Multi-function hot shoe
• Improved battery life — 760 vs. 490 with LCD, and 450 vs. 320 with viewfinder
• Built-in WiFi and Bluetooth have a simplified network menu
• MFI cable compatibility for direct device connectivity
• Moderately less expensive

The R5 advantages over the R6 II:

• 45.0 MP imaging sensor vs. 24.2 MP
• 5.76 million dot EVF vs. 3.69 million dots
• 3.15" (8.01cm) LCD with approx. 2.10 million dots vs. 2.95" (7.50cm) with 1.62 million dots
• Has Dual Pixel RAW
• Has a PC terminal
• Has a top LCD
• Has a multi-function dial and mode button vs. mode dial
• 8K and 4K 120p vs. 4K, 60p
• 500,000 actuation shutter durability rating vs. 400,000
• CFexpress Type B and SD/SDHC/SDXC vs. Dual SD/SDHC/SDXC

The higher resolution imaging sensor is the R5's primary advantage from my perspective, and this camera remains my first choice. If 24.2 MP is acceptable for your needs, the R6 II is likely your best choice.

As always, let me know if I missed a differentiator.

Resolution test results from the Sony FE 135mm F1.8 GM Lens are now available on the Sony Alpha 9 III page.

While these results appear normal for a 24 MP imaging sensor (compared to the a9 II), normal is remarkable in light of the global shutter upgrade. Here are more comparisons:

Compared to the a1

Compared to the Canon R6 Mark II

Support this site by ordering the Sony Alpha 9 III from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

The Sony Alpha 9 III is here, and it is time to set up this camera. This powerhouse of a camera may seem daunting to set up, but the process is not burdensome and not unlike other recent high-end Sony Alpha cameras. The following steps prepare a factory-initialized a9 III for use.

1. Charge the battery
2. Record the serial number, and add the camera to your insurance policy
3. Download and install the latest version of Sony Imaging Edge or your favorite RAW image processing software.
4. Insert the charged battery and a memory card(s) (we'll format it later), and power on the camera
5. Answer the power-on prompts, including setting the time zone and date
6. Select M mode, press "Menu", and configure the camera as follows:
7. Shooting > 1 Image Quality/Rec: Image Quality: Image Quality Settings: File Format: RAW; RAW File Type: Lossless Compressed L (full image quality reduced file size)
8. Shooting > 1 Image Quality/Rec: Long Exposure NR: Off (I enable this option for very long exposures)
9. Shooting > 1 Image Quality/Rec: High ISO NR: Low
10. Shooting > 1 Image Quality/Rec: Lens Compensation: Shading Chromatic Aberration and Distortion Comp: All Off (I use the RAW processing software to enable any lens compensation with CA correction frequently selected)
11. Shooting > 2 Media: Format (ensure there are no important files on the card(s) prior to formatting)
12. Shooting > 3 File: Copyright Info: Write Copyright Info: On Set Photographer: [your name]; Set Copyright: [as desired]; Write Serial Number: On (entering this information on the touchscreen may be a painful process)
13. Shooting > 5 Drive Mode > Self-timer Type: Self-timer(Single): 2 sec
14. Shooting > 5 Drive Mode > Bracket Settings: Self-timer during Bracket: 2 Sec, Bracket order: ->0>+ (optimizes image order for HDR processing)
15. Shooting > 7 Shutter/Silent: Release w/o Lens: Disable
16. Shooting > 7 Shutter/Silent: Release w/o Card: Disable (should be the default)
17. Shooting > 10 Shooting Display: Grid Line Display: On (Rule of Thirds selected)
18. Exposure/Color > 3 Metering: Spot Metering Point: Focus Point Link
19. Exposure/Color > 6 Color/Tone: D-Range Optimizer: Off
20. Exposure/Color > 6 Color/Tone: Creative Look: NT (Neutral) Sharpness = 1 (this setting provides a low contrast histogram that better shows exposure latitude. I usually process with the default creative style in Capture One or profile in Lightroom)
21. Focus > 1 AF/MF: Priority Set in AF-S: AF (in focus is my priority)
22. Focus > 1 AF/MF: Priority Set in AF-C: AF (in focus is my priority)
23. Focus > 2 Focus Area: Focus Area: Spot: S (this setting is often changed)
24. Focus > 2 Focus Area: Switch V/H AF Area: AF Point Only
25. Focus > 4 Initial Focus Mag.:c x2.9
26. Focus > 5 Peaking Display: On
27. Focus > 5 Peaking Level: Low
28. Playback > 4 Delete: "Delete" first
29. Playback > 7 Playback Option: Display Rotation: Off (image always fills LCD)
30. Network > 7 Network Option: Airplane Mode: On
31. Setup > 3 Operation Customize: Custom Key/Dial Set.: Dial/Wheel: Front Dial: Av/Tv (Tv in M mode) (I adjust the shutter speed more frequently and urgently than the aperture and the front dial is easier to access quickly); Rear Dial: Av/Tv (Av in M mode); Rear Control Wheel: Av/Tv (Av in M mode)
32. Setup > 3 Operation Customize: DISP (Screen Disp) Set: Monitor: Uncheck For viewfinder press [enter]
33. Setup > 5 Touch Operations: Touch Panel/Pad: Both Valid
34. Setup > 5 Touch Operations: Touch Pad Settings: Shooting Screen: Touch Position Mode: Relative Position
35. Setup > 10 Sound Option: Audio Signal(Shooting): Off (how to turn off the AF beep sound)
36. Setup > 13 Setup Option: Anti-dust Function: Curtain when Pwr OFF: On (closes a mechanical shutter on power off to avoid dust on the sensor)
37. My Menu: Format, Anti-flicker Set., Steady Shot, Flash Comp., Recognition Target
38. View the menu (it is always sharp) through the viewfinder while adjusting the diopter

I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.

To copy this configuration means you intend to shoot as I do, including in RAW-only format. While this setup works optimally for me, you should adjust the camera to your needs.

If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additional camera, the list will ensure all settings are quickly re-established. Better still, save the camera settings to a memory card (Setup > 2: Reset/Save Settings menu: Save/Load Settings: Save) for an easy restore or replication. The setup file can be copied to a computer drive for long-term storage.

More Information

Sony Alpha 9 III

Support this site by ordering the Sony Alpha 9 III from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

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Sigma's next product announcement now has a date and time. Stop back here on February 20th, 8:00 PM EST (Feb 21st at 10:00 AM JST) to learn about the new products.

Expect B&H to accept preorders at announcement time.

Sony's FY 2023 Q3 financial results are available on the Investor Relations page.

Presentation (track ET&S for the Entertainment, Technology & Services Segment (cameras), I&SS for the Imaging and Sensing Solutions segment)

Speech Transcript
Financial Statements
Supplementary Information
Webcast

A continued decrease in televisions sales has impacted the Entertainment, Technology & Services results. The words "camera" and "lens" do not appear in the report.

Hundreds of hours, thousands of manual changes, and hundreds of thousands of programmatic updates bring the site to the latest design iteration.

Updates include:

• A "Table of Contents" positioned near the top of most reviews facilitates jumping directly to a review section, "Image Quality" for example.
• A "Verdict", "Pros", and "Cons" are now the first review content in the most recently updated reviews (Canon RF and Sony FE lenses). Expect these features to be standard in future reviews, and I'll update older reviews if time permits.
• Comparison images in reviews are now optionally loaded, omitting a sometimes-significant download when not needed.
• Modest graphic design updates are in place.
• A myriad of under the covers changes, including significant speed optimizations.

Go to the Canon RF 100-500mm F4.5-7.1 L IS USM Lens review for a look at what has changed.

The sure-to-be epic solar eclipse of April 8, 2024 is now less than two months away. Are you ready?

A solar filter is required (except during totality), and B&H still has solar filters in stock.

The Alpine Astro Baader AstroSolar BDSF 3.8 Digital Solar Filter (review) is my first choice for this event. You can order this filter at B&H.

Canon USA's marketing department wants you to know:

The Mirrorless Data is Clear: Canon is #1

MELVILLE, NY, February 8, 2024 –Canon U.S.A., Inc., a leader in digital imaging solutions is proud to announce they have solidified the #1 mirrorless camera brand position for a third year in a row in 2023¹ and was the #1 mirrorless camera brand in the U.S. in 2023².

Since the introduction of the EOS R system, Canon has continued its innovative product developments with cameras such as the EOS R6 Mark II, EOS R5 C, EOS R5 and EOS R8. The robust rolodex of cameras has options for the professional photographer on the sidelines of world-class sporting events, to portrait or wedding photographers looking to capture a moment of a lifetime and the family photographer who is documenting the hustle and bustle of everyday life. Canon mirrorless cameras have a place in the gear bags of any visual storyteller looking for high-quality images and video.

“The needs of our customers have always been at the forefront of our business at Canon and it’s why we have worked so hard to maintain a number one position within the industry,” said Brian Mahar, senior vice president and general manager, Imaging Technologies & Communications Group. “I am proud of our team for not only achieving this great success, but for also empowering our visual storytellers.”

“Canon mirrorless cameras have impacted my business’s bottom line as well as my client experience. With the advancement of technology, I’m able to concentrate more on client interaction and higher quality production. I’ve seen an enhancement in my photography, my profit and client satisfaction.” Vanessa Joy, Canon Explorer of Light and award-winning wedding and brand photographer # # #

1 Source: Circana, Retail Tracking Service, U.S. unit sales, 12 months ending December 2021, 2022, and 2023

2 Source: Circana, Retail Tracking Service, U.S. unit sales, 12 months ending December 2023