"What makes a good food photo?Read the entire article on the Canon Professional Network.
Showcasing the dish’s best traits is essential to any successful food image. Its colors and textures are the key details that make you want to take a bite, so you want to have them all clearly in focus.
Food photography trends change as often as fashion trends and the more you can familiarize yourself with what industry leaders are doing, the more successful your images will be. Take a look at the websites and feeds from companies like Williams-Sonoma, Martha Stewart, Food & Wine, Donna Hay (Australia), Bon Appetite, Sur La Table, etc. and see what color schemes are of the moment. Is it the light bright or is it moody and based in shadow? Is the food messy and broken up, strewn about the plate, or is it tidy, tight and neat? Does the food have a homemade appeal or does it look highly constructed by a professional chef? Is the look attainable or aspirational? Are the props simple or highly stylized? Is the food the focus or is the scene and story that the props create more significant? As you continue to pour though these publications and ask yourself these questions, your eye will become stronger and your own imagery will improve."
"If you’re like me, you love looking at photographs. Creating images that capture a viewer’s interest and holds it usually doesn’t happen by accident. When you look at a photograph that captivates you, what is it that keeps you looking at the image? There are several answers to this question and in this blog, I’ll share with you some tips to help you create better composition in your images.See the entire article on the Canon Professional Network.
It’s important to look at a scene through your camera and intentionally use elements in the image to improve composition. I’ll talk about the use of compositional aids such as rule of thirds, negative space, leading lines, balance and the use of color. Sometimes making a great photograph means choosing a slightly different camera position or lens choice. More than simply pointing and shooting, a solid thought process should go into composing an image. Be an observer!"
"In the fast-paced, high-octane world of automotive photography, you might be surprised to learn that changing opinions takes time. Despite this, top car photographer Dom Romney tells CPN writer Mark Alexander that Canon’s new 5DS is beginning to turn heads..."Read the entire article on the Canon Professional Network.
"Canon's series of Speedlite flashguns range from the professional 600EX-RT and the recently introduced 430EX III-RT to compact units like the 320EX and 270EX II. Lighting expert Syl Arena advises on what to look for when selecting the best Speedlite for your needs..."Read the entire article on the Canon Professional Network.
"Top sports photographer Al Bello (Getty Images) has been working in the photographic industry since 1990 and has thus far won four World Press Photo Awards for his work. In an exclusive interview he spoke to CPN writer Steve Fairclough about his career, his inspirations and how he shot some of his most famous pictures."Even if the name looks unfamiliar to you, you're probably familiar with some of Bello's work. His most famous image – that of New York Giants receiver Odell Beckham's three-fingered catch – is one almost any NFL football fan will recognize. [Sean]
"Fireworks are one of the most inspiring and photogenic, yet challenging subjects, to capture. And unfortunately, this is one of those shooting situations where fully automatic exposure and focusing may not help. However, with these tricks up your sleeve, a few accessories and a willingness to experiment, you'll capture amazing fireworks photos this Fourth of July!"Check out the full CPN Article for all the helpful tips.
"Travel photographer and Canon Explorer Lucie Debelkova was one of the first to shoot with the high-resolution EOS 5DS R and, as she explains to CPN, she found 50.6 Megapixels brought her much closer to the magic of the north...The images in the article's showcase gallery are quite stunning and definitely worth a look. [Sean]
Regular visitors to CPN will be familiar with Lucie’s intoxicating mix of majestic vistas, full of stunning colour and detail. Her precision with her camera and a love for wide-angle lenses has won her acclaim around the world. So it was entirely appropriate that she had chance to sample a new world of high-resolution imaging with a pre-production EOS 5DS R. So how did it all go?
'Well, I went to shoot the Northern Lights and an ice hotel in Sweden, about 250km north of the Arctic Circle,' she reveals, 'And I put myself at the mercy of the weather and conditions...'"
“I didn’t know I needed it, until I saw the quality...”See the entire article on the Canon Professional Network.
Fashion photographer and Canon Explorer Quentin Caffier is on fashion photography’s fast track. One of Europe’s new breed of busy modern professionals, his recent shoot with a pre-production EOS 5DS has convinced him that – to stay ahead of the curve – he needs every one of those 50.6 Megapixels. CPN caught up with him recently to find out why...
“I am always looking for quality in my pictures,” he states. “But in my work I have to shoot fast. From my previous experience with high megapixel medium-format cameras, the bigger the megapixels meant the slower the camera. And for me, when I use a camera like that, the risk I face when working with models spinning around in dresses, for example, was always that I might lose the shot. That’s why I always preferred to use my EOS-1D X DSLR because I knew it would never let me down. Its reactions were always so much faster.”
But the advantage of speed always came at the expense of ultimate image quality. In Quentin’s business, detail is king and when the EOS 5DS arrived he was keener than most to see how it performed.
“I only had the opportunity to use it twice, because there was only one body to share amongst all the other Canon Explorers,” Quentin explains, “But it was enough. I shot JPEG because the RAW software was still being developed at the time, but I can tell you that I was impressed.”
"Photographer and filmmaker Vincent Laforet has flown over some of America’s most iconic cities at night with a camera – with breathtaking results. He is now winging his way to Europe and wants you to be a part of 'Project AIR', as he explains to CPN Editor David Corfield..."See the entire article on the Canon Professional Network.
"Canon Explorer Fernando Guerra originally qualified as an architect, but went on to combine this training with his love of photography, to become one of the world’s foremost architectural photographers. The new EOS 5DS DSLR – with its extraordinary 50.6 Megapixel sensor – is the perfect tool for people in Fernando’s line of work, as well as for landscape and studio photographers. So when Canon invited him to put a pre-production model of the camera through its paces, he was only too happy to accept. Once his test run was over, CPN caught up with Fernando to get his first impressions..."See the entire article on the Canon Professional Network.
"Canon Explorer David Noton was the first landscape photographer in the world to get the opportunity to work with the 50.6 Megapixel EOS 5DS DSLR and he promptly jumped on a plane to South Africa to photograph the stunning western Cape region and discover exactly what the camera was capable of. In an exclusive CPN interview and film he reveals his first impressions of working with a camera that combines easy portability and intuitive handling with high-resolution image quality never before seen in a DSLR..."Check out the entire article on the Canon Professional Network.
"We’ve had the ability to capture time-lapse images with Canon EOS cameras for some time. What was needed was an interval timer to attach to the camera to fire it at a regulated interval. This interval could be as short as 1 second to as long as days. To do this, you needed to purchase an interval timer (intervolameter) and carry it with you. Canon’s answer for advanced DSLRs is the TC-80N3 Timer/Remote Controller. It has several functions beyond being an interval timer and is usually found in my camera bag. But there have been numerous times that I’ve been out photographing and didn’t have all my tools with me, including the TC-80N3, and I was out of luck when it came to time-lapses.See the entire article on the Canon Professional Network.
The new Canon EOS 7D Mark II has the interval timer built into the camera. Access the 4th Red Menu on the camera’s LCD and follow the procedure below. You will have the option of setting the number of captures from 1 to 99 or set to “Unlimited.” The time between each exposure can be set from 1 second to 99 hours, 59 minutes and 59 seconds."
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