"Travel photographer and Canon Explorer Lucie Debelkova was one of the first to shoot with the high-resolution EOS 5DS R and, as she explains to CPN, she found 50.6 Megapixels brought her much closer to the magic of the north...The images in the article's showcase gallery are quite stunning and definitely worth a look. [Sean]
Regular visitors to CPN will be familiar with Lucie’s intoxicating mix of majestic vistas, full of stunning colour and detail. Her precision with her camera and a love for wide-angle lenses has won her acclaim around the world. So it was entirely appropriate that she had chance to sample a new world of high-resolution imaging with a pre-production EOS 5DS R. So how did it all go?
'Well, I went to shoot the Northern Lights and an ice hotel in Sweden, about 250km north of the Arctic Circle,' she reveals, 'And I put myself at the mercy of the weather and conditions...'"
“I didn’t know I needed it, until I saw the quality...”See the entire article on the Canon Professional Network.
Fashion photographer and Canon Explorer Quentin Caffier is on fashion photography’s fast track. One of Europe’s new breed of busy modern professionals, his recent shoot with a pre-production EOS 5DS has convinced him that – to stay ahead of the curve – he needs every one of those 50.6 Megapixels. CPN caught up with him recently to find out why...
“I am always looking for quality in my pictures,” he states. “But in my work I have to shoot fast. From my previous experience with high megapixel medium-format cameras, the bigger the megapixels meant the slower the camera. And for me, when I use a camera like that, the risk I face when working with models spinning around in dresses, for example, was always that I might lose the shot. That’s why I always preferred to use my EOS-1D X DSLR because I knew it would never let me down. Its reactions were always so much faster.”
But the advantage of speed always came at the expense of ultimate image quality. In Quentin’s business, detail is king and when the EOS 5DS arrived he was keener than most to see how it performed.
“I only had the opportunity to use it twice, because there was only one body to share amongst all the other Canon Explorers,” Quentin explains, “But it was enough. I shot JPEG because the RAW software was still being developed at the time, but I can tell you that I was impressed.”
"Photographer and filmmaker Vincent Laforet has flown over some of America’s most iconic cities at night with a camera – with breathtaking results. He is now winging his way to Europe and wants you to be a part of 'Project AIR', as he explains to CPN Editor David Corfield..."See the entire article on the Canon Professional Network.
"Canon Explorer Fernando Guerra originally qualified as an architect, but went on to combine this training with his love of photography, to become one of the world’s foremost architectural photographers. The new EOS 5DS DSLR – with its extraordinary 50.6 Megapixel sensor – is the perfect tool for people in Fernando’s line of work, as well as for landscape and studio photographers. So when Canon invited him to put a pre-production model of the camera through its paces, he was only too happy to accept. Once his test run was over, CPN caught up with Fernando to get his first impressions..."See the entire article on the Canon Professional Network.
"Canon Explorer David Noton was the first landscape photographer in the world to get the opportunity to work with the 50.6 Megapixel EOS 5DS DSLR and he promptly jumped on a plane to South Africa to photograph the stunning western Cape region and discover exactly what the camera was capable of. In an exclusive CPN interview and film he reveals his first impressions of working with a camera that combines easy portability and intuitive handling with high-resolution image quality never before seen in a DSLR..."Check out the entire article on the Canon Professional Network.
"We’ve had the ability to capture time-lapse images with Canon EOS cameras for some time. What was needed was an interval timer to attach to the camera to fire it at a regulated interval. This interval could be as short as 1 second to as long as days. To do this, you needed to purchase an interval timer (intervolameter) and carry it with you. Canon’s answer for advanced DSLRs is the TC-80N3 Timer/Remote Controller. It has several functions beyond being an interval timer and is usually found in my camera bag. But there have been numerous times that I’ve been out photographing and didn’t have all my tools with me, including the TC-80N3, and I was out of luck when it came to time-lapses.See the entire article on the Canon Professional Network.
The new Canon EOS 7D Mark II has the interval timer built into the camera. Access the 4th Red Menu on the camera’s LCD and follow the procedure below. You will have the option of setting the number of captures from 1 to 99 or set to “Unlimited.” The time between each exposure can be set from 1 second to 99 hours, 59 minutes and 59 seconds."
"The EOS 5DS and EOS 5DS R represent a new line of ultra high-resolution EOS DSLR cameras – featuring 50.6 Megapixel sensors – that are ideal for photographers who want to capture an extraordinary amount of detail in their images. The new cameras will be popular with those shooting landscape and architectural photography, as well as those shooting commercial or high-end editorial work in the studio. The EOS 5DS and EOS 5DS R sit alongside the EOS 5D Mark III in the EOS range, and use new technologies to make the most of both of the cameras’ high-resolution capabilities."Featured Segments
"CPN recently got the unique opportunity to meet and talk to Tsunemasa Ohara - Senior General Manager of Camera Research and Development at Canon Inc. - who is the key man behind the development of the revolutionary 50.6 Megapixel Canon EOS 5DS and EOS 5DS R DSLRs. In an exclusive interview he reveals how he came up with the concept for the cameras and how and why some of the key technologies contained within them were developed..."See the entire article on the Canon Professional Network.
"Landscape photographer and Canon Explorer David Noton recently had the chance to use the new EF11-24mm f/4L USM lens. He reveals to CPN Editor David Corfield his thoughts on the world’s widest rectilinear zoom..."See the entire article with seven showcase images at the Canon Professional Network.
"Travel photographer and Canon Explorer Joel Santos has recently been using the newly launched EF16-35mm f/4L IS USM wide-angle zoom. As he reveals to CPN Editor David Corfield, the lens has quickly become a firm favourite...See the entire article at the Canon Professional Network.
The biggest endorsement any photographer can give a piece of equipment, is to actually go out and buy it. For Joel Santos, the new EF16-35mm wide-angle zoom was a recent purchase that has already been proving its worth."
"The release of Canon’s Digital Photo Professional (DPP) 4 software in mid-2014 was accompanied by an updated version of its EOS Utility software – version 3. EOS Utility 3 acts in tandem with DPP 4 and enables you to download images from a camera’s memory card to your computer, remotely control the camera to capture new images or edit camera settings, such as the image owner’s name. You can then organise and process the imported images in Digital Photo Professional 4. EOS Utility 3 features improvements to form and function and the increased integration between Canon’s two free apps helps to streamline the shooting, importing and editing process. Indeed, you can now launch EOS Utility 3’s Live View window and remote camera shooting panel from within the Digital Photo Professional workspace, which allows the two packages to work together as a tighter team. CPN writer George Cairns takes a closer look at the capabilities of EOS Utility 3 and how it works alongside DPP 4..."Canon EOS Utility 3.x is available from Canon USA. You must enter a compatible camera model number to download the software.
"In an in-depth interview with CPN, Oscar-winning cinematographer Anthony Dod Mantle took time out of the post-production of his latest film with director Ron Howard, In the Heart of the Sea, to explain how he came to the moving image and how Canon's cameras have played a recurring role in his creative development throughout his illustrious career…"The video interview spans almost half an hour and has been pretty interesting thus far (I'm about 10 minutes into it). [Sean]
"In the final part of this series Richard Curtis focuses on Lightroom mobile and, in a special video tutorial, he explains how the Lightroom mobile app works for organising, editing and sharing images within the Lightroom workflow. Please click on the play button in the window above to watch the video..."See the entire article on the Canon Professional Network.
Speedlite 600EX-RT: auto assist beam firingI suggest bookmarking the Tips and Tricks page and checking it periodically. Even if you're very familiar with your camera gear, you will likely find a useful gem.
Within the camera menus of several EOS models, there is an option to enable or disable the AF assist beam when shooting in low light. If you enable the function on the camera menu, but the AF assist beam on your external Speedlite does not fire, check the Speedlite’s custom function settings. If the custom functions in the Speedlite are set to not fire the AF assist beam, this will over-ride any setting made in the camera menu. To re-enable the AF assist beam, simply switch the Speedlite custom function to allow the beam to fire.
EOS 7D Mark II: EOS iTR AF
Like the flagship EOS-1D X, the EOS 7D Mark II features EOS iTR AF, which improves autofocus tracking by recognising faces and subject colours in addition to looking for subject contrast. When shooting with the EOS iTR AF function enabled, you may find the AF is actually slightly slower and the maximum shooting speed in continuous high speed AF is slower than expected. This is especially likely in low-light shooting and is due to the extra data being processed from the metering system before a subject can be tracked. If you need the fastest AF possible and want to achieve the maximum frame rate and do not need to make use of the colour and face tracking, switch the EOS iTR AF setting to ‘disable’.
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