I’d like to thank our customers for their patience while the team reviewed several options for restoring import workflows and addressing quality in Lightroom. We can now confirm that, in our next dot release, we will restore the previous import experience. We are still working on details and timing. In the meantime, if you need to restore previous import functionality prior to the next update, please refer to this document on how to roll back to Lightroom 6.1.1.
We will continue to investigate ways to improve the ease of use of our photography products and will do so via an open dialog, with both existing and new customers.
I’d like to personally apologize for the quality of the Lightroom 6.2 release we shipped on Monday. The team cares passionately about our product and our customers and we failed on multiple fronts with this release. In our efforts to simplify the import experience we introduced instability that resulted in a significant crashing bug. The scope of that bug was unclear and we made the incorrect decision to ship with the bug while we continued to search for a reproducible case(Reproducible cases are essential for allowing an engineer to solve a problem). The bug has been fixed and today’s update addresses the stability of Lightroom 6.
The simplification of the import experience was also handled poorly. Our customers, educators and research team have been clear on this topic: The import experience in Lightroom is daunting. It’s a step that every customer must successfully take in order to use the product and overwhelming customers with every option in a single screen was not a tenable path forward. We made decisions on sensible defaults and placed many of the controls behind a settings panel. At the same time we removed some of our very low usage features to further reduce complexity and improve quality. These changes were not communicated properly or openly before launch. Lightroom was created in 2006 via a 14 month public beta in a dialog with the photography community. In making these changes without a broader dialog I’ve failed the original core values of the product and the team.
The team will continue to work hard to earn your trust back in subsequent releases and I look forward to reigniting the type of dialog we started in 2006.
The Lightroom team wanted to let the community know that we’re investigating some critical performance and crasher bugs, and will be issuing an update shortly to address them.
If you are experiencing crashing or slowdowns, please try the following:
Go to Lightroom > Preferences.
Click on the General tab
Uncheck “Show ‘Add Photos’ Screen”
I think it’s important to provide some context to why we made changes to Import. Over the years we’ve done extensive studies of customers interested in Lightroom. The studies have been comprised of people passionate about photography and who use their cameras as a creative outlet. In short, their motivations share the same motivations as people who already love Lightroom.
We visited them in their homes, and asked them to install, launch and use Lightroom. Since this was their first interaction with Lightroom, we were interested in observing specifically where they encountered obstacles, and therefore where we needed to focus our attention.
Customers were universally unable to decipher the Import dialog without getting frustrated. Some people pushed forward, bolstered by spending time searching the web for help. They might have been successful in importing files, but they didn’t feel successful. Others gave up, deciding that Lightroom might not be the right product for them.
The previous Import experience literally made people push back from their computers in frustration. Keeping the existing Import experience isn’t an option, and we needed to evolve the Import experience.
We’ve heard great feedback on the changes, and we’ve always evolved the Lightroom product with feedback from photographers and look forward to continue to evolve the experience going forward with your feedback in mind.
Today’s release covers the full Lightroom ecosystem across desktop, web, and mobile. Now your photography goes where you go even more seamlessly. Organize, edit, and share your photos from anywhere—on your computer, on the web, on your iPad, and on your iPhone or Android devices.
New in Lightroom CC Desktop:
Increase or decrease the amount of atmospheric haze in parts of your photos with the Graduated Filter, Radial Filter, and Adjustment Brush.
Use the redesigned Import tool to get your photos into Lightroom Desktop faster than ever before by finding your photos on your camera, memory card, or hard drive, or from within Aperture or Photoshop Elements.
Various additional bug fixes and improvements.
New in Lightroom for mobile for iOS, version 2.0:
Get from shoot to finish faster with the new Adobe in-app camera on your iPad or iPhone.
Control haze with the newly added Dehaze filter.
Adjust the hue, saturation, and brightness of colors throughout your image directly with the new Target Adjustment Tool in the Color / B&W adjustment tool.
Send a collection of photos over the newly updated Adobe Premiere Clip 2.0 and create amazing video stories, synced to the beat of your music.
Get professional quality retouching with Photoshop Fix (more information about Fix below) which is now seamlessly integrated with Lightroom for mobile with CreativeSync, accessed through the new Edit In option.
Lightroom for mobile for iOS can now be used on your phone or tablet without a paid membership, coming soon to Android.
New in Lightroom for mobile for Android, version 1.3 includes:
Refine individual colors in your photos with the new Color / B&W adjustment tool.
Precisely control the tone of your photo with the new Tone Curve adjustment tool.
Bring out the best in your photos with adjustable vignettes.
Crop the perfect photo with a redesigned experience that enables you to quickly adjust, align, and auto-straighten.
TIFF files are now supported.
New in Lightroom for web:
Now make edits right in your browser using the most advanced online editing experience available.
Create anything you can imagine, anywhere you are.
Photoshop CC is a family of desktop and mobile apps, connected to each other and to your creative assets via CreativeSync, so you can tap into the power, precision, and performance of Photoshop wherever you are to create anything you can imagine—including images, 2D and 3D designs, videos, and more.
For the Photoshop family, we’re focusing on two major initiatives:
First, deliver tools where our customers can do real work on mobile devices with Photoshop Fix, Mix and Sketch, all connected to each other and our desktop products via CreativeSync for a vibrant ecosystem of new capabilities and workflows so you can push your creativity further than ever before in new locations, on new devices.
Second, we are investing in delivering new capabilities and efficiencies for designers in desktop Photoshop. Over the past two years we have made a major investment in new design tools across type and fonts, Artboards, Linked Assets, Creative Cloud Libraries, Adobe Stock, Asset Export, 3D (and MUCH more…) and with this new version we are making Design Space (preview) available to more customers and in more languages. This is a new space inside Photoshop, custom created to address the workflows of today’s web, UI and app designers.
Here’s today’s news:
Photoshop Fix 1.0 – NEW!
We are thrilled today to introduce and make immediately available Photoshop Fix, a new mobile app built to make non-destructive image retouching easier than ever before. With Fix, we started with the state-of-the-art retouching technology from Photoshop and Lightroom, added some new secret sauce and packaged it all up in a mobile workflow specifically designed to make retouching fast and easy while on the go, while still producing Photoshop-quality results.
Fix includes Liquify to reshape any area of an image; Healing Brush to remove image imperfections such as scratches and blemishes; Smooth to easily smooth or sharpen areas of a landscape or parts of skin; unmatched face detection that recognizes when a specific section of the face is selected and enables detailed refinements; and much more.
Fix even delivers amazing performance on images from high-end DSLRs (depending on your hardware capabilities). Try it out. I promise you won’t have seen this kind of performance on a mobile device before.
Fix is deeply connected to Lightroom and Photoshop through CreativeSync. You can edit your Lightroom images directly in Photoshop Fix and save them back to your Lightroom catalog without ever leaving Fix. Use Photoshop to open a retouched image you created in Fix and get the full, layered PSD file showing all the adjustments and masks from your Fix edits.
Today we have released Photoshop Mix 2.0. This is a major update to Mix with many new features and improvements throughout the app, including a completely new architecture that leverages Apple’s Metal framework.
Photoshop Mix is a compositing app built using Photoshop technology that delivers a deep, focused, non-destructive editing experience on a mobile device. It enables you to do real work while away from your desktop. Through CreativeSync, Mix also connects to many of Adobe’s other mobile apps like Fix for retouching workflows and Lightroom for image enhancements, so you can easily produce multifaceted projects in a completely mobile environment. Plus, if you want to take your projects even further, you can quickly move your layered and masked compositions to Photoshop CC, and benefit from all its goodness. And now, there’s even non-destructive smart filter support in Photoshop CC for Mix looks.
Just some of what’s new in Mix today:
Nine blend modes (the most popular from Photoshop) that allow textures, multiple exposure effects and more, for more serious and complex work away from the desktop
Nearly twice as many image adjustments
Support for Layer Masks to create double exposure, stencil and other creative effects
CreativeSync-enabled direct connection with Lightroom and the exciting, new Photoshop Fix
Mix is free and available on iPhone and iPad and Android (2.0 on Android coming soon).
Get Mix 2.0 for iOS here. Get Mix 1.2 for Android here.
Adobe Camera Raw 9.2
Adobe Camera Raw 9.2 releases today and remains in sync with Lightroom with the ability to easily remove or add atmospheric haze in specific areas of your photos using the Local Adjustment Brush, Radial Filter, and Graduated Filter plus, a new way to navigate through your images when zoomed in. And as always you will get support for more cameras and lenses.
For more information about ACR, visit the Lightroom Journal here.
Here’s what will be available in the coming weeks:
Photoshop CC 2015
Today, we are announcing a major update to the desktop version of Photoshop. One new web-based component of Photoshop will ship today, which I will describe below. The primary Photoshop desktop application will ship in the coming weeks when we release all our other desktop apps like InDesign CC, Illustrator CC, Premier Pro CC, etc. and I will write a detailed blog post about Photoshop on that date. To whet your appetite, here is just some of we are adding:
Even more enhancements for designers – continuing to build out this major area of focus for you. – We are adding a completely streamlined and tuned Design Space mode targeted for web and UI designers; new Artboard capabilities; the ability to directly import SVG files that you can rescale in your designs; and Creative Cloud Libraries improvements that speed up your asset access and management workflows.
The ability to easily work with 3D figures and incorporate them into your images and designs directly in Photoshop. – Import, pose, and animate characters created in the new Adobe Fuse CC (Preview), and then adjust camera angles, lighting, and position to get precisely the look you want in Photoshop. Just imagine all the possibilities and the flexibility you gain when you can pose, re-pose, change the lighting of people in images in ways that are very challenging in 2D.
The update notice on the Adobe Blog covers some products not included above including Photoshop Sketch 3.0 and a 3D animation service.
September 24, 2015 – If you’re like most people, there’s a lot going on in your life. In addition to work and other day-to-day activities, you’re busy with back-to-school events, weekend outings, sports, hobbies, holidays and gatherings with friends and family. And since you always have your smartphone or tablet with you, you’re probably taking more photos and videos than ever before.
It’s great that you can easily capture these moments, but since you’re living the moments, too, you don’t want to have to worry about things like lighting, composition and trying to get the perfect shot or video. That’s why the Elements team is excited to announce the release of Photoshop Elements 14 & Premiere Elements 14. We built this version with the goal of helping you stay in the moment, enjoy your memories and make the most of your precious time. Elements 14 software uses content intelligence, automated features and a friendly interface to help you effortlessly turn your quick snapshots and video clips into amazing photos and movies.
We’ve created some great new features and we’ve enhanced existing ones to make them better and easier to use. Here’s a quick look:
What’s new in the Elements Organizer
Find and organize with ease: We’ve revamped the Elements Organizer so you can more quickly find the photos and videos you need. The enhanced People view does an even better job recognizing the faces in your photos, and it stacks them by person during import so it’s easy to find photos of specific people later.
The enhanced Places view makes it easier to assign locations to your photos and videos, and view them right on a map based on where you took them. And in the Events view, your media is clustered by date range making it easy to apply an Events tag to that cluster.
What’s new in Photoshop Elements 14
Bye-bye, camera shake: We call Shake Reduction “your selfies’ best friend,” but it’s great for any photo shot with a handheld camera. Just click to remove the camera shake blurs that come from unsteady hands.
Never a hazy day: Ever notice that, when you take a photo of an outdoor landscape, moisture in the air can cause the background to look hazy? Now you can use Haze Remover to make the background as crisp as what’s up front. De-haze in one click, or use sliders for more control.
Speed Guided Edit for action shots: Whether your photo captures a ball in flight, a bike zipping by, or some other cool moment, now you can get step-by-step help amping up the action by adding cool motion blurs.
Resize in seconds with a new Guided Edit: Want your photo to fit a certain picture frame or spot on a website? With step-by-step help, resizing has never been easier.
Select hair in a snap: It used to be a real chore to select hair, pet fur and other fine details in photos. Now you can just paint loosely over the area you want to select, and Elements detects the edges and does the rest with the Fine Detail Selection option.
Get custom looks to fit any photo: Want to give a photo some extra style, but not sure which effect will look best? Elements analyzes the subject, color and lighting and Smart Looks gives you five effects that fit perfectly.
Quick edits made easier: Quick Edit mode is now even friendlier and easier to use, letting you rotate photos and make quick fixes faster than before.
What’s new in Premiere Elements 14
Tell dazzling stories with motion titles: When you’ve made a great movie, why not start it off right? Grab attention with new, professional-looking motion titles. Premiere Elements makes it easy to animate text and graphics using built-in presets.
Color Pop Guided Edit for instant wow: Color Pop for photos was a big hit last year, so we added a Guided Edit for Premiere Elements this year. Create some visual drama by popping one or more colors in a scene and pushing everything else to black-and-white. You can fine-tune for hue, saturation and luminance, too. Elements walks you through it step by step.
Play with time using Guided Edits: Get step-by-step help creating slow-motion effects that add emphasis, suspense or drama. Or, get guidance with adding fast-motion effects that speed up your story and create energy, excitement or fun.
Go beyond HD with 4K: If you’ve got a 4K Ultra HD video camera and/or TV, you know what all the fuss is about. Now you can use Premiere Elements to edit and view 4K movies for the ultimate cinematic experience.*
Sound your best: Audio sets your movie’s mood, and now it’s easier than ever to fine-tune your sound. We’ve brought all of the audio features together in one place so they’re easy to find, and a new toggle screen lets you focus on just audio or video parts of a clip as needed.
Easily export optimized movies in multiple formats: Now when you’re ready to export your movie, Premiere Elements recommends settings for you. That way you get a movie that looks great on whatever device or screen you choose, from iPads, iPods and other smartphones to big-screen 4K and HD TVs.
To respond to the growing demand from creatives worldwide, Adobe decided to expand its annual Adobe MAX conference, taking place in early October at the Los Angeles Convention Center, to 6,000 attendees this year. Last year, MAX attracted 5,500 attendees from 78 countries.
Adobe MAX is the world’s leading creativity conference bringing together the most creative minds across the creative industries, including inspirational and iconic speakers from graphic design and illustration; photography and creative imaging; video; digital publishing; as well as Web and app design.
Adobe president and CEO Shantanu Narayen and David Wadhwani, senior vice president of Digital Media at Adobe, will kick off the show with a high-impact keynote presentation on Monday, October 5.
In today's world, photographers sometimes have to be more than photographers. Sometimes we have to be film producers, creative directors and graphic designers (just to name a few) in order to keep our services relevant in today's competitive labor environment.
It's nice to know that Adobe is keeping that in mind as they make Photoshop more versatile than ever. [Sean]
From the Adobe Photoshop YouTube Channel:
The 2015 release of Photoshop CC is full of great features for graphic designers and illustrators. New features include Artboards that allow you to create multiple layouts in one Photoshop document and Linked Assets in Creative Cloud Libraries where when a change is made to an asset, you and your team members have the option of updating it across any Photoshop, Illustrator or lnDesign projects where it's used. Adobe Evangelist, Paul Trani, gives a rundown of these features and more, all starting from a layout created on a mobile device.
Camera Raw 9.1 is now available through the update mechanism in Photoshop CS6 and Photoshop CC.
As mentioned here, updates to Camera Raw for Photoshop CS6 only include new camera support, lens profile support, and bug fixes. The new features listed in the release notes are only available in Photoshop CC.
Many outdoor scenes have some amount of haze due to atmospheric conditions. Dehaze is a new feature for removing/adding haze and fog from pictures.
The user can control how much haze to remove by adjusting a new slider in the Effects panel in the Dehaze section. This feature can also be used in the other direction to increase the amount of haze.
Recommended Workflow – Adjust the white balance of the image before applying the Dehaze control.
Local White and Black Adjustment Sliders
Available with all 3 local adjustment tools: Gradient Filter, Radial Filter and Local adjustment brush
Useful for fine-tuning tonality near the brightest and darkest parts of the picture. For instance, they can be used to increase the contrast of highlights.
Recommended Workflow – Make your global adjustments first and then use the local adjustments to fine tune. Use the clip warning indicator to help avoid clipping highlights and shadows.
New Camera Support in Camera Raw 9.1
Nikon 1 J5
Pentax K3 II (*)
*Preliminary support. The multi-shot Pixel Shift Resolution and HDR features are still under investigation.
New Lens Profiles in Camera Raw 9.1
Canon EF 50mm f/1.8 STM
Canon EF 400mm f/4 DO IS II USM
Tokina AT-X 11-20mm f/2.8 PRO DX
PHANTOM 3 FC300S (RAW + JPEG)
PHANTOM 3 FC300X (RAW + JPEG)
Voigtlander VM 15mm f4.5 Super Wide Heliar III Aspherical
Nikon 1 NIKKOR VR 10-100mm f/4-5.6
Nikon 1 NIKKOR VR PD-Zoom 10-100mm f/4.5-5.6
Nikon AF NIKKOR 85mm f/1.4D IF
Tokina AT-X 11-20mm f/2.8 PRO DX
HD PENTAX-DA 18-50mm f/4-5.6 DC WR RE
HD PENTAX-DA L 18-50mm f/4-5.6 DC WR RE
HD PENTAX-D FA 150-450mm f/4.5-5.6ED DC AW
Sony 16-35mm f/2.8 ZA SSM II
Sony 24-70mm f/2.8 ZA SSM II
Sony 70-300mm f/4.5-5.6 G SSM II
Reduced “color blur” artifacts when processing Fujifilm X-Trans raw images. In collaboration with Fujifilm, we are still investigating methods to improve fine detail rendering and overall edge definition.
The “Remove Chromatic Aberration” checkbox is now enabled by default for all Fujifilm cameras.
Fixed crash when reading some JPEG images.
Fixed bug where Camera Raw Filter would incorrectly show a soft-proofed image.
Improved quality of display color management on some wide-gamut displays when GPU acceleration is enabled.
HDR and Pano Merge: Cleared in-camera crop before merging rather than destructively applying it prior to merging.
Pano Merge: Fixed a Pano blending issue specific to Leica M9.
Fixed a bug with Panasonic LX100 – extended ISO 100 was too bright and Magenta Highlights have been fixed.
Fixed a bug with Nikon Coolpix P7800 NRW raw files that showed only Matrix as camera profile.
Camera Raw 9 – Please use the update mechanism in Photoshop CS6 and Creative Cloud app.
SAN JOSE, Calif. — June 16, 2015 — Adobe (Nasdaq:ADBE) today launched a milestone release of its flagship Adobe Creative Cloud tools and services. The 2015 release of Creative Cloud includes major updates to Adobe’s industry-defining desktop tools, including Photoshop CC, Illustrator CC, Premiere Pro CC and InDesign CC; as well as new connected mobile apps for iOS and Android. The company also shipped Adobe Stock, the industry’s first stock content service to be integrated directly into the creative process and the tools creatives use every day (see separate press release). In addition, Adobe announced an expanded Creative Cloud enterprise offering that includes enterprise-grade administration, security, collaboration and publishing services for design-driven brands, businesses and large organizations.
“The 2015 release of Creative Cloud is packed with innovation. Adobe Stock, our brand new stock service, makes 40 million photos, vector graphics and illustrations accessible directly within your favorite CC desktop apps. Our CreativeSync technology deepens the connections between desktop apps and mobile apps on iOS and Android; and major updates to Creative Cloud’s infrastructure and administrative capabilities makes this an essential upgrade for enterprise customers,” said David Wadhwani, senior vice president, Digital Media, Adobe. “Creative Cloud 2015 is our most powerful and comprehensive release to date.”
At the heart of Creative Cloud is Adobe CreativeSync, a signature technology that intelligently syncs creative assets: files, photos, fonts, vector graphics, brushes, colors, settings, metadata and more. With CreativeSync, assets are instantly available, in the right format, wherever designers need them – across desktop, web and mobile apps. Available exclusively in Creative Cloud, CreativeSync means work can be kicked off in any connected Creative Cloud mobile app or CC desktop tool; picked up again later in another; and finished in the designer’s favorite CC desktop software.
Desktop Tools Take Giant Leap Forward With the 2015 release of Creative Cloud, Adobe magic and Mercury performance provide speed and technology breakthroughs across 15 CC desktop applications, including:
Celebrating its 25th anniversary this year, Photoshop CC introduces Artboards, the best way to design cross-device user experiences in a single Photoshop document and quickly preview them on a device; and a preview release of Photoshop Design Space, a sleek new work environment focused on the needs of mobile app and web site designers.
Lightroom CC and Photoshop CC both gain the new Dehaze feature, which appeared first as a MAX sneak in October 2014. Dehaze, eliminates fog and haze from photos, including underwater shots, for startlingly clear images. Haze can also be added to a photo for artistic effect.
Premiere Pro CC furthers its lead in the market with the addition of the Lumetri Color panel for powerful color corrections using intuitive sliders and other simple controls; and Morph Cut, which makes it easier to deliver polished interview content by smoothing out jump cuts in talking-head shots to create a cohesive, polished sequence.
After Effects CC now has Uninterrupted Preview to allow artists to adjust a composition’s properties and even resize panels without impacting playback. Also, the groundbreaking Adobe Character Animator brings 2D figures to life using a webcam to track facial movements, record dialog and apply movements in real time onto a pre-configured character.
Illustrator CC is now 10 times faster and 10 times more precise than CS6. Powered by dramatic boosts to its Mercury Performance Engine, users can now pan and zoom smoothly without delays. With the new Chart tool (preview), designers can also create beautiful custom charts and share them with others via CC Libraries.
InDesign CC gets its own Mercury performance surge with zooming, scrolling, and paging through complex documents now twice as fast. InDesign now also allows users to publish and distribute documents with a single click.
Dreamweaver CC has new responsive web design capabilities that let designers quickly lay out and build production-ready sites that adapt to any screen size.
Adobe Muse now includes instant access to premium fonts from Typekit.
And much, much more. Additional updates to these and other CC desktop applications make this one of the biggest releases in years.
Mobile to Desktop Workflows Enhanced with Android Support, New Mobile Apps Since Creative Cloud was introduced in 2012, Adobe has championed the idea that mobile devices should be integral to the creative process, with free companion mobile apps working seamlessly with CC desktop tools. Adobe today released Brush CC, Shape CC, Color CC and Photoshop Mix on Android for the first time, bringing connected mobile workflows to millions of creatives worldwide. Adobe has also updated many of its popular Creative Cloud mobile apps for iPhone and iPad, including Adobe Comp CC, Photoshop Mix, Photoshop Sketch, Illustrator Draw, Brush CC, Shape CC and Color CC.
In addition to these updates Adobe debuted Adobe Hue CC today. Hue CC provides an easy way to capture and share production-quality lighting and color schemes – for video, film and broadcast – by using an iPhone camera and then applying these light and color moods into a Premiere Pro CC or After Effects CC project.
Adobe Stock Content Service Launched, With Deep Creative Cloud Integration Adobe Creative Cloud is evolving into a vibrant global marketplace. Adobe Talent, introduced in 2014, connects the world’s best creatives with work opportunities from major brands and agencies; and today the company launched Adobe Stock, the first stock content service to be integrated directly into the creative process and the tools that creatives use every day (see separate press release). Now creatives can jump-start projects, with access to 40 million images, right within tools such as Photoshop CC, InDesign CC and Illustrator CC. Adobe also announced it will offer industry-leading rates to photographers and designers contributing content to Adobe Stock.
Creative Cloud Enabling the Digital Transformation of Enterprises Major enhancements to Creative Cloud for enterprise were also announced today: a solution for large commercial, education and government customers who must radically speed the development and publishing of customer experiences, as part of their digital transformation strategies. This edition includes all the product features from today’s Creative Cloud 2015 release, plus expanded security options and deep connections with Adobe Digital Publishing Solution (DPS) and Adobe Marketing Cloud. Two new security capabilities ensure protection of corporate assets, including customer-managed encryption keys and a new managed service hosting option, which offers dedicated storage behind a customer’s firewall. Creative Cloud for enterprise also supports an upcoming release of DPS, empowering existing teams in organizations to rapidly design and publish mobile apps without writing code. A public beta of this major update to DPS is available this week, with more information available at http://adobe.ly/dpsnextgen. Content from Creative Cloud for enterprise also syncs with Adobe Experience Manager (AEM), a key component of Adobe Marketing cloud, to accelerate marketing campaigns by streamlining creative-to-marketing workflows.
Pricing and Availability Today’s updates to CC desktop and mobile apps are immediately available for download by Creative Cloud members as part of their membership at no additional cost. Membership plans are available for individuals, students, teams, educational institutions, government agencies and enterprises. When adding Adobe Stock to any paid yearly Creative Cloud membership plan, creatives can save up to 40 percent over purchasing stock content separately. For pricing details, visit: https://creative.adobe.com/plans. An innovative web experience for customers, showcases the new features and capabilities launched today, at http://makeit.adobe.com.
Adobe's Creative Cloud Photography Plan is only USD$9.99 per month and includes Lightroom CC across desktop, web and mobile, Photoshop CC and Photoshop Mix (for iPhone and iPad). The Photography Plan is an excellent value and easily the most productive $10.00 that I spend each month. [Sean]
Yesterday we posted a video where Adobe's Bryan O'Neil Hughes was showing off what's in development for mobile platforms, mainly the handling of large resolution files, the healing brush and liquify features. However, I failed to notice the accompanying blog post at the time.
In article, Hughes announces the end of Photoshop Touch:
"Sometimes building for the future means we need to make hard choices and today I am also announcing that we are discontinuing Photoshop Touch. For those of you who have been using Photoshop Touch, thank you and please continue creating amazing work with it; while it will no longer be available in stores as of May 28th and we won’t ship further updates, it will remain completely functional on your devices for the foreseeable future. For further information on how this change could impact your workflow, please visit here.
Photoshop Touch was available across platforms and so I’d like to leave all of you on Android with some good news – we’re actively developing new mobile applications for Android and will share those with you very soon."
For what it's worth, I have Photoshop Touch on my Samsung Galaxy S3 and I've only used it a handful of times. While decently capable as an editing app, it wasn't quite as intuitive as I thought it should be.
Maybe Adobe thought so as well?
For whatever reasons, the app will be removed from app stores on May 28. If you'd like to grab a copy of the app before it's gone, now's the time to snatch it up (Android | iOS). Otherwise, Android users have something to look forward to – we just don't know what or when exactly that will be.
* Offer expires at 11:59pm (PDT) on July 31, 2015. VOID WHERE PROHIBITED OR RESTRICTED BY LAW. Valid only for persons 18 years and older with purchase of one (1) full (three-day) Conference Pass to the Adobe MAX event occurring on October 3–7, 2015. Limit: one (1) discount per person. To register and redeem the US$300 savings with purchase of one (1) full Conference Pass for MAX 2015 (reg. street price US$1,595), visit the MAX registration website by 11:59pm (PDT) on July 31, 2015. Discount will be applied during checkout. Offer not valid with non-full (three-day) MAX passes or for group, bundle, or volume purchases. Offer is subject to availability and may not be exchanged, sold, or transferred; combined with any other discount or offer; or redeemed for cash or other goods and services.