However, I think this latest video does a poor job of differentiating between third-party batteries and counterfeit batteries. It lumps both types of batteries into the same, scary "non-genuine battery" category.
Personally, I'd be much more concerned about using a conterfeit battery than a third-party battery. If a company is dishonest enough to slap a Canon logo on its battery, then there's a good chance the company doesn't care about the performance and safety of the product. And why would they? The dishonest comany's reputation is not at stake.
However, when a company puts their own name on a battery intended to be used in a Canon product, I'm more willing to believe that the company has taken sufficient precautions to ensure the battery will work as advertised and won't damage my camera. And if it does damage my camera, I know that Canon isn't responsible for the repair bill.
I understand that Canon wants to protect and educate its customers. There's nothing wrong with that. However, I think labeling third-party batteries and counterfeit batteries in the same way goes a bit too far, and I start questioning whether the movie's motive is really about public safety or the bottom line.
Share your thoughts in the comments.
After shooting the headshots with the black background, Kim had what she had asked for. But the last time I was on stage, I was captivated by some of the set pieces being prepared for the upcoming play. I had imagined using the lounge chair as a prop and the understated, yet beautiful wallpaper as a backdrop. And I couldn't get that idea out of my head. So after we wrapped up the headshots Kim had asked for, I suggested we take a few more minutes and try something completely different. I explained to her what I was thinking and she readily agreed to extend our session a little longer. She decided a change of clothes might work better for the new setup, and I agreed.
Setting up the shot (seen at the top of this post) took 5 - 10 minutes. I used nearly the same lights and light modifiers that I had used in the previous setup, so it was merely a matter of moving around some furniture, a few light stands and my tripod.
It only took a few shots to dial everything in. And after that, we captured some of the best images of the day. No, they weren't the images Kim had asked for – but she liked them even better (as did I).
So what did I take away from this experience? When clients hires you, they may have a set of guidelines (or restrictions) for you to follow in order to achieve specific goals. And there's nothing wrong with that. You have to give the client what they need.
But many times it's difficult to create the image that's in someone else's head, no matter how well they communicate it to you. So you do your best to give the client what they've asked for.
It may sound obvious, but here's something to keep in mind – anyone who hires you was likely impressed with the work you've already created. So if a shot really inspires you, it will likely inspire your client as well – so try to devote a few minutes to getting the shot you want to get, even if it's not a part of your agreed shot list. And then maybe both of you can walk away from the table getting more than you bargained for (in a good way).
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