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 Monday, November 11, 2013
Canon Logo
A few days ago Canon Korea garnered some attention for a teaser page they posted hinting at an upcoming announcement.
 
It looks like Canon Japan has let the cat out of the bag. A teaser video found on Canon Japan's Facebook Page bluntly states, "White Kiss Debut!"
 
In Japan, the Canon EOS Rebels are known as Kiss cameras. ;-)
Posted to: Canon News
Post Date: 11/11/2013 7:15:36 AM CT   Posted By: Sean
 Sunday, November 10, 2013

This is The-Digital-Picture.com's Weekend Recap for the week ending November 9th, 2013.
 
In the news...
 
On Tuesday, Nikon finally announced their retro-styled full-frame camera – the 16.2 megapixel Df, along with a redesigned 50mm f/1.8 special edition lens. The Df combines design elements inspired by Nikon’s classic “F” series with modern technology borrowed from the D4. The camera features a robust design with mechanical dials for ISO, shutter speed, and exposure compensation. The Df will hit the shelves later this month with an MSRP of $2,749.95 (body only) or right at three grand for the camera & 50mm f/1.8 SE lens kit.
 
Also on Tuesday, Profoto announced their TTL enabled, battery-powered and completely cordless off-camera flash – the B1. The B1’s battery will give you up to 220 full-power (500 watt-second) flashes from a single charge and recycles in less than 2 seconds. The B1 will be available in December for a suggested retail price of $1,995.00.
 
On Thursday, Tamron announced the development of its SP 150-600mm f/5-6.3 Di VC USD lens. The lens features an optical construction of 20 elements in 13 groups with 3 Low Dispersion glass elements, a compact design, and a redesigned tripod mount. Unfortunately, the release date and price are as of yet, unknown.
 
On Friday, we posted a screenshot of Canon Korea’s teaser page and asked – what do you think it is? So far, most people believe the soon-to-be-announced camera is a white Rebel-series camera. We probably won’t have to wait much longer to find out…
 
In site news and reviews...
 
On Wednesday, we asked for your most challenging shot stories. We want to know what challenges you faced when capturing your toughest shot.
 
Our first visitor-submitted challenging shot story was posted the following day and involved the complexities of shooting a Tesla machine and theatre performance.
 
And, for our deal of the week…
 
On Friday, we posted a deal from DigitalRev where you could get Sigma 35mm f/1.4 DG HSM Art lens for $769.00. That’s a $130.00 savings off the normal retail price.
 
This has been the The-Digital-Picture.com’s Weekend Recap. Thanks for listening, and as always, happy shooting!

Category: Weekend Recap
Post Date: 11/10/2013 5:45:33 PM CT   Posted By: Sean
 Friday, November 08, 2013
Adobe Logo
Adobe has just realeased Photoshop Camera Raw 8.3 Release Candidate for CS6 and Creative Cloud.
 
New Camera Support for CS6 & CC

  • Canon PowerShot S120
  • Nikon 1 AW1
  • Nikon Coolpix P7800
  • Nikon D610
  • Nikon D5300 (*)

* Denotes preliminary support
 
New Lens Profile Support for CS6 and CC

Lens NameLens Mount
Canon EF-M 11-22mm f/4-5.6 IS STMCanon EOS M
Nikon 1 NIKKOR AW 11-27.5mm f/3.5-5.6Nikon
Nikon 1 NIKKOR AW 10mm f/2.8Nikon
Nikon AF-S NIKKOR 58mm f/1.4GNikon
Sigma 18-35mm F1.8 DC HSM A013Nikon

New Features for Camera Raw 8.3 for Creative Cloud
 
The following new Features have been added in Camera Raw 8.3 for CC:

  • Whites and Blacks now support Auto Levels-like functionality via shift-double-click on the sliders.
  • Separate Auto Temperature and Auto Tint feature. Shift-double-click to invoke "auto temperature" and "auto tint" separately.
  • Ability to option-click shortcut in Synchronize, New Preset, Save Settings, and Copy/Paste (Bridge) dialog boxes. Option-click a checkbox to check that box exclusively. Option-click again to toggle previous checkbox state.
  • Set the background color of the work area. Context-click outside the image in the work area to select a background color from a popup menu.

Download
Adobe Photoshop Camera Raw 8.3 RC for CS6
Adobe Photoshop Camera Raw 8.3 RC for CC
 
Adorama carries Adobe Photoshop CS6. You can sign up for Adobe Creative Cloud on the Adobe Website.

Category: Adobe News
Post Date: 11/8/2013 5:42:38 PM CT   Posted By: Sean
Adobe Logo
From Adobe:
 
Welcome to the Adobe Photoshop Lightroom 5.3 release candidate.
 
A “release candidate” label indicates that this update is well tested but would benefit from additional community testing before it is distributed automatically to all of our customers.
 
The Lightroom team would like the community to help verify the quality of this update through normal usage as this will ensure that the application is tested on a diversity of hardware and software configurations not available internally at Adobe.
 
New Camera Support

  • Canon PowerShot S120
  • Nikon 1 AW1
  • Nikon Coolpix P7800
  • Nikon D610
  • Nikon D5300 (*)

* Denotes preliminary support
 
New Lens Profile Support

Lens NameLens Mount
Canon EF-M 11-22mm f/4-5.6 IS STMCanon EOS M
Nikon 1 NIKKOR AW 11-27.5mm f/3.5-5.6Nikon
Nikon 1 NIKKOR AW 10mm f/2.8Nikon
Nikon AF-S NIKKOR 58mm f/1.4GNikon
Sigma 18-35mm F1.8 DC HSM A013Nikon

Fixed Issues

  • Issues when upgrading catalog from previous versions of Lightroom.
  • Incorrect photos are displayed after switching away from a Publish Collection.
  • Catalog optimization did not finish, and was not optimizing the catalog
  • Feather of clone spots is set to 0 after upgrading catalog to Lightroom 5.
  • Auto White Balance settings are not saved to Snapshots.
  • Sony 18-55mm lens is detected as the Hasselblad 18-55mm lens for lens correction.
  • Increased Update Spot Removal history steps when in Before and After view.
  • Slideshows start playing automatically even when the Manual Slideshow option is enabled.
  • Video playback stops when dragging on the scrubber.
  • Errors when publishing photos to Flickr through the Publish Service.
  • Option + drag on Edit Pin behavior is functioning incorrectly.
  • Black border appears around the exported slideshow video.
  • Catalog containing images processed with PV2003 were adding a post-crop vignette when catalog upgraded to Lightroom 5.
  • Pressing the “Reset” button while holding down the Shift key caused Lightroom to exit abruptly.
  • Output Sharpening and Noise Reduction were not applied to exported images that were resized to less than 1/3 of the original image size.
  • The Esc key did not exit the slideshow after right clicking screen with mouse during slideshow playing.
  • Import dialog remained blank for folders that contain PNG files with XMP sidecars.
  • Metadata panel displayed incorrect information after modifying published photo. Please note that this only occurred when metadata was changed after the photo was published.

F.A.Qs
 
Can Lightroom 5.3 Release Candidate be installed alongside Lightroom 5?
By default, the Lightroom 5.3 Release Candidate for both Windows and Mac will remove or overwrite your existing Lightroom 5 installation. If you wish to return to Lightroom 5 after installing Lightroom 5.3, simply reinstall Lightroom 5 from your original download after uninstalling Lightroom 5.3 Release Candidate.
 
Both versions of the application share the same catalog format allowing your catalogs to be opened by either version without complications
 
When will the Lightroom 5.3 release candidate expire?
The Lightroom 5.3 release candidate will expire on December 31, 2013.
 
Will there be an upgrade charge for the final Lightroom 5.3 release?
No, Lightroom 5.3 will be a free update for all current Lightroom 5 customers.
 
Will additional camera or lens support be available in the final release?
It is possible that additional cameras or lenses will be supported in the final release.
 
Download
Adobe Photoshop Lightroom 5.3 Release Candidate
 
Adorama carries Adobe Photoshop Lightroom 5.

Category: Adobe News
Post Date: 11/8/2013 5:12:31 PM CT   Posted By: Sean
The-Digital-Picture.com Facebook Discussion
Canon Korea has a teaser page hinting at an announcement coming this month.
 
What do you think it is?
 
Take a guess and let us know on our Facebook Page.
Posted to: Canon News
Post Date: 11/8/2013 12:45:08 PM CT   Posted By: Sean
Canon Korea Teaser Shot
Canon Korea has posted a teaser shot that seems to hint at an announcement event in the near future. It certainly looks like a DSLR - but only time will tell.
Posted to: Canon News
Post Date: 11/8/2013 12:07:54 PM CT   Posted By: Sean
Rode M5 Matched Pair Condenser Microphones
From RØDE:
 
Inspired by the award winning NT5, the new RØDE M5 features a ½” cardioid electret condenser capsule and is available in acoustically matched pairs.
 
Designed and made in Australia, the M5 exhibits low noise and has a full frequency response that makes it ideal for studio recording and live performance. The M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array.
 
A result of many years’ experience building the award-winning NT5 microphone, RØDE has succeeded in making a high-quality ‘pencil’ style permanently polarized condenser that will impress even the most demanding of artists and engineers. This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones. A premium foiled certificate is supplied to verify the authenticity of the pair.
 
The M5 is finished with RØDE’s proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts.
 
RØDE’s Global Marketing & Sales Director, Damien Wilson, commented: “The NT5 has consistently been one of our most praised and best-selling microphones since its release almost ten years ago. As pencil condensers go it is in my opinion one of the very best in the world, however we recognised that a lot of artists want to use a RØDE small diaphragm condenser microphone but doesn’t require the superlative dynamics and versatile capsule interchange found on the NT5. The new M5 offers them an incredible sounding microphone that represents great value.”
 
The RØDE M5 condenser microphones will be available soon at authorized retailers.
Category: Rode News
Post Date: 11/8/2013 6:47:15 AM CT   Posted By: Sean
 Thursday, November 07, 2013
Nikon Logo
From Nikon:
 
Second Quarter of the Year ending March 2014 [November 7, 2013]

Related Story
 
Nikon Drops Sales Forecast as High-End Camera Market Stalls (Reuters)
"TOKYO, Nov 7 - Nikon Corp cut its full-year unit sales forecast for high-end cameras for the second quarter in a row on Thursday, as a dramatic fall in demand among photography hobbyists that began last year accelerated faster than expected."

Posted to: Nikon News
Post Date: 11/7/2013 10:17:17 AM CT   Posted By: Sean
Tesla Coil by Mathieu Lindquist
by Mathieu Lindquist
 
"To date this has been my most challenging shot. It is a photograph of a real Tesla coil in action for Nimbus Theatre, a company located in Minneapolis.
 
For each show they have a photo call where the actors run through the show and the director selects scenes for which they need photos for publicity and archival purposes as well as for the actors' portfolios. This photo came from a show called 'Tesla,' a company produced work about the life of Nikola Tesla. This was a shot that everyone really wanted to get and presented a few major technical challenges.
 
The theatre group had high expectations for the show's imagery. This was a real Tesla coil and produced lightning, lots of noise, and would even power the T-12 fluorescent lamps the actor was holding. During the show the coil is used twice to amazing effect; the cast and crew really wanted to capture its brilliance in a photograph.
 
The first major hurdle was that Tesla coils can damage nearby electronic devices (like digital cameras). This limited how close I could reasonably get to the stage.
 
Another problem was theatre lighting - which is usually dim and color gelled for special effects. For this scene, the theatre lighting was especially dim since the designer wanted the coil-generated lightning to stand out. I wanted to respect the lighting designer's color choices and had to account for that in my shooting. Although there was no audience for the photo call, we had to run through a two hour show in three hours and capture almost 90 specific shots along the way. Therefore, I only had a few minutes to capture this particular shot.
 
Another problem was that the theatre was very small. In order to be far enough away from the Tesla coil (to eliminate risk to my equipment) I had to position myself in the lobby and shoot through the theatre's double doors. This severely limited my point of view choices.
 
And to make matters worse, we could only fire the coil once or it would overheat during the performance, so no pressure there!
 
In the end, I set my Canon 7D and 24-105L on a tripod in the lobby, framed the shot at 32mm to shoot down the center aisle but not catch the handrails on the risers, preset the exposure (.5s, f/5.6, ISO 1600), and practiced the shot with the actors. When we were all ready we counted down and I took the picture.
 
I was happy with the result and we got what we wanted on the first and only take possible. I then adjusted levels and such in Lightroom. To date this has been my most challenging shot, combining significant danger to my equipment, a dark scene, actors, time constraints and meeting high expectations. The director was very pleased with the result as was I."
 
Thank you Mathieu for sharing your Most Challenging Shot with us! If you'd like to share your Most Challenging Shot, email us at info@the-digital-picture.com with "My Most Challenging Shot" as the subject.
Category: Photo Stories
Post Date: 11/7/2013 9:58:53 AM CT   Posted By: Sean
Canon Professional Network (CPN) Logo
Canon Professional Network has published part four of its five part "Inside Lightroom 5" series.
 
From Canon Professional Network:
 
"In Part 4 of this series Richard Curtis looks at all of the local adjustment options in Lightroom and, in a special video, he reveals how to edit elements of your pictures using local adjustments."
 
Adorama carries Adobe Photoshop Lightroom 5.
Post Date: 11/7/2013 9:24:28 AM CT   Posted By: Sean
Canon DP-V3010 4K Monitor
From Canon USA:
 
Canon's 30-Inch 10-Bit IPS LCD Display Features a 16:10 Aspect Ratio, 4096 x 2560 Resolution Full RGB-Array Scanning, and a Backlit Panel to Deliver Precision Color and DCI Standards Compatibility
 
MELVILLE, N.Y., November 6, 2013 – As motion picture, television and commercial production continues to transition to ever-higher resolution digital video and CGI (computer graphic imaging) formats, color-grading and postproduction professionals increasingly rely on reference displays with exceptional detail, color and gradation accuracy. Developed in response to this trend is the new DP-V3010 4K Reference Display from Canon U.S.A., Inc., a leader in digital imaging solutions. The Canon DP-V3010 4K Reference Display measures 30 inches wide diagonally by 7.4 inches deep to help minimize space requirements and provides a 2000:1 DCI-compliant contrast ratio, uniform brightness, very wide viewing angles in all four directions, internal color calibration and additional advanced features. Designed for use in color-grading, digital intermediate (DI), CGI/animation/visual effects (VFX), and editing/finishing suites, as well as digital imaging technician (DIT) workstations on production stages and on-location "video villages," the Canon DP-V3010 4K Reference Display provides full-screen 4096 x 2560 resolution with extremely high levels of color accuracy and fidelity.
 
"We are proud to continue the Canon tradition of providing our customers with complete solution technologies, providing them the option to work within a Canon ecosystem from input through output, and maintain the quality and reliability of our brand," noted Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. "These displays are the result of the enthusiastic response we received to the Canon Cinema EOS System of cameras and lenses, and we look forward to continuing to demonstrate our commitment to these markets with outstanding technology, quality and reliability to help creative professionals deliver and tell the stories as they envision them."
 
The DP-V3010 4K Reference Display features a 16:10 aspect ratio for the display of video signal information essential to VFX creation. With a tightly packed "pixel pitch" of 157.5æm, the Canon DP-V3010 4K Display provides high-accuracy tonal gradations between darkest and brightest areas, with 1024 shades in each color channel. The technology enabling such performance is a new and proprietary display engine developed by Canon that helps maximize color accuracy and brightness uniformity. The actual panel employed by the DP-V3010 4K Display is an IPS (in-plane switching) LCD with full array RGB LED scanning backlight technology that delivers excellent color accuracy, and crisp video imagery without the perception of motion blurring between frames. By featuring an IPS LCD panel with polarizing and filtering film layers to prevent changes in color and contrast, the DP-V3010 4K Reference Display enables image viewing within a wide viewing angle, top to bottom and left to right.
 
Industry Compatibility
The Canon DP-V3010 4K Reference Display is compatible with the five major color gamut standards - SMPTE-C, EBU, ITU-R BT.709, DCI, and AdobeRGB - as well as conforming to DCI standards for 4K display. These DCI standards include a 2000:1 contrast ratio, which the DP-V3010 4K Reference Display evidences in its faithful reproduction of detail in the shadows and accurate highlights. This high contrast accuracy is essential for critical assessment and mastering of high dynamic range cinematic imagery.
 
Also supported by the Canon DP-V3010 4K Reference Display is the ASC CDL (American Society of Cinematographers Color Decision List) format. The display controller provided with the DP-V3010 4K Display includes a dedicated CDL button. Color settings made at the shooting location can be stored on a USB flash drive and imported into the user's color-grading system, which can then relay color correction parameters directly to the DP-V3010 4K Display in the ASC CDL format using slope, offset, power, and saturation parameter adjustments to the overall RGB image and/or separately to the individual R, G, and B channels.
 
The importation of LUT (Look Up Table) data created by third-party color-grading systems is also supported by the DP-V3010 4K Reference Display. The Display allows both 1D and 3D LUTs to be easily imported by operating the menus of the unit itself. This enables accurate color matching between displays and the ability to import customized "looks" created in third-party applications. In this way, the unique colors and gradations intended by producers can be easily reproduced.
 
Ready to support the wide dynamic range of Canon Log gamma video data recorded by the popular Canon EOS C500 and EOS C300 Cinema cameras, the Canon DP-V3010 4K Reference Display also comes pre-installed with the Cinema EOS Canon Log viewing LUT allowing those cameras to be integrated with the DP-V3010 4K Display for linear conversion and display in real time. Furthermore, using 1D/3D-LUT data, the display will be able to provide support for ACESproxy output from Canon's EOS C500 digital cinema camera.
 
A wide variety of the full HD video production format resolutions, typically used for TV dramas, commercials and other TV content, can also easily be displayed by the new Canon DP-V3010 4K Reference Display. To accommodate HD formats, the DP-V3010 Display offers upscaling modes offering smooth and accurate rendering up to 4K resolution of DCI 4K (in up to 12 bit 4:4:4 color), 2K, 1080p, 1080i and 720p. Inputs include 3G-SDI, HD-SDI and DisplayPort connectors for compatibility within many different production, post and VFX workflow environments.
 
Calibration and Convenience
Each Canon DP-V3010 4K Reference Display undergoes high-precision calibration before shipment to help ensure high color uniformity between all units. Color accuracy is further improved by the Canon DP-V3010 4K Display's control system, which continuously monitors internal conditions of the display which might affect color, uniformity and performance accuracy, like heat or aging of internal components and make corrections to help ensure long-term image stability and exceptional color consistency.
 
External calibration of the Canon DP-V3010 4K Reference Display can be performed without the need for a dedicated PC application through the use of a third-party spectroradiometer. Use of such an external sensor allows users of the DP-V3010 Display to maintain factory calibration settings as well as help adjustment for specific display applications or account for variations in ambient lighting.
 
The DP-V3010 Display features an easy-to-navigate on-screen display that can be controlled using the included display controller. Built-in carrying handles allow the display to be easily transported and positioned on top of a desk or a counter, or attached to a VESA-compliant bracket for easy wall or rack mounting. The accompanying display controller is designed to be used as both a desktop control device or to be rack-mounted for easy integration into suites, control rooms or mobile vehicle applications, such as HD sports production trucks.
 
Markers, time code display and test patterns are provided within the Canon DP-V3010 4K Reference Display. A variety of markers (aspect, safety zone, grid, and center) and test patterns (pluge, grayscale [20%], white, five-step, ramp, color bars, and black) are also built into the DP-V3010 Display.
 
The Canon DP-V3010 4K Reference Display is scheduled to be available in the first quarter of 2014 for a suggested list price of $40,000.
 
For more information about this update, please visit the Canon U.S.A. website at
http://usa.canon.com/cusa/professional/products/reference_displays/dp_v3010.
Posted to: Canon News
Category: Canon USA News
Post Date: 11/7/2013 7:24:59 AM CT   Posted By: Sean
Tamron SP 150-600mm F/5-6.3 Di VC USD Lens
From Tamron:
 
Cutting-edge eBAND Coating and three LD (Low Dispersion) glass elements deliver superior imaging performance, while the latest built-in VC (Vibration Compensation) system broadens users' horizons in achieving sharper handheld photographs.
 
November 7, 2013, Saitama, Japan - Tamron Co., Ltd. (President & CEO: Morio Ono), a leading manufacturer of precision optics, has announced the development of an innovative ultra-telephoto zoom lens with a focal length range of 150mm to 600mm for full-frame and APS-C format DSLR cameras. The lens sample will be on display in showcase at the Tamron booth at the Salon de la Photo 2013 which will be held from November 7 to 11 in Paris, France.
 
Tamron's previously announced 200-500mm (Model A08), still currently available, is a popular, compact, easy-to-use ultra-telephoto zoom lens, but customers have shown great interest in having a lens that provide an even greater focal length range.
 
This all-new ultra-telephoto zoom lens features VC (Vibration Compensation) image stabilization, speedy, precise USD (Ultrasonic Silent Drive)*3, state-of-the-art eBAND (Extended Bandwidth & Angular-Dependency) Coating, which significantly reduces the unwanted light reflections that cause flare and ghosting, and, in addition a sophisticated and stylish new external finish.
 
Its 4x ultra-telephoto zoom capabilities, with a focal length range from 150mm to 600mm, enhance the creative potential of telephoto photography, a captivating feature for all photographers, particularly nature, wildlife, and sports shooters.
 
Product Highlights

  • 4x ultra-telephoto zoom lens with a focal length range of 150mm to 600mm
    The focal length range of this lens was extended by 50mm on the wide-angle side and 100mm on the telephoto side compared to the existing model (Model A08), making it possible to take even more striking photographs of birds, wildlife, sports, and other distant subjects. Mounted on APS-C DSLR cameras, it has a stunning equivalent focal length range of 233mm to 930mm, almost to 1000mm.
  • World class image quality
    Employing 20 elements in 13 groups and boasting an advanced optical design, it delivers a superior balance of resolution and contrast for sharp, clear images. The front group contains three LD (Low Dispersion) glass elements (two in the first group, one in the third) for enhanced optical correction effectiveness, enabling the lens to thoroughly compensate for on-axis aberrations at the telephoto end.
    The lens also adopts eBAND Coating, developed from state-of-the-art coating technologies, and conventional BBAR(Broad-Band Anti-Reflection) Coating to greatly suppress ghosting and flare even when shooting under adverse lighting conditions.
  • Achieves a 600mm focal length in a compact easy-to-handle package
    Ingenious optical design features minimize the movement of lens groups within the lens when zooming. This reduces the amount of barrel extension needed to cover the complete focusing range, making the entire lens more compact.
  • Beautiful background blur effects
    Adopting a 9 blade circular diaphragm enables users to create beautiful background blur effects (bokeh), which provide even greater potential for creative expression. This circular diaphragm retains a nearly circular shape even at two stops down from its maximum aperture.
  • VC (Vibration Compensation) mechanism creates greater opportunities for sharper handheld photography
    Tamron's proprietary VC (Vibration Compensation) image stabilization system uses a three-coil system, delivering significantly sharper images and creating greater opportunities for handheld ultra-telephoto photography.
  • Comfortable autofocus
    Tamron's new SP 150-600mm F/5-6.3 Di VC USD features a USD (Ultrasonic Silent Drive) ultrasonic motor drive for swift and accurate AF response, it delivers high torque, very fast response times, and very low noise. The full-time manual focus mechanism allows users to make fine manual focus adjustments at any time even when AF is engaged.
  • New elegant, high-class external finish
    Tamron has upgraded the cosmetic design and finish of this lens to create a more sophisticated, high-end look in keeping with the demands of discerning full-frame DSLR users.
    Employing a sophisticated linear pattern rubber grip on the zoom and focus rings and an attractive and stylish tungsten silver name-brand ring, this newly designed model accentuates its visceral presence with understated elegance and class.
  • Easy-to-use tripod mount
    The tripod mount has been completely redesigned to provide superior stability, durability, ease of use, and portability.
  • Comes with "SILKYPIX Developer Studio for Tamron", RAW image development processing software for Tamron's SP lenses

ModelA011
Focal Length150-600mm
Maximum ApertureF/5-6.3
Angle of View (diagonal)16°25' - 4°8' < for full frame format >
10°38' - 2°40' < for APS-C format >
Lens Construction20 elements in 13 groups
Minimum Focus Distance2.7m (106.3 in)
Maximum Magnification Ratio1:5
Filter Sizeφ95mm
Maximum Diameterφ105.6mm
Length*257.8mm (10.1 in)
Weight1,951g (68.8 oz)
Diaphragm Blades9 (circular diaphragm)*5
Minimum ApertureF32-40
Standard AccessoriesLens hood, detachable tripod mount
Compatible MountsCanon, Nikon, Sony

Category: Tamron News
Post Date: 11/7/2013 6:36:01 AM CT   Posted By: Sean
 Wednesday, November 06, 2013
Canon Logo
Canon USA just released the following software updates (thanks Marco):

  • EOS Digital Solutions Disk Software 28.2A
  • Digital Photo Professional 3.13.45
  • EOS Utility 2.13.24
  • ImageBrowser EX 1.1.0a
  • PhotoStitch 3.1.23
  • Picture Style Editor 1.12.2
  • ZoomBrowser EX 6.9.0a

EOS Digital Solutions Disk Software 28.2A
 
Changes from EOS Digital Solution Disk Software 28.1A for Windows are as follows:

  • Includes most recent software updates

Digital Photo Professional 3.13.45
 
Changes from Digital Photo Professional 3.13.0 Updater for Windows:

  • Supports images taken with EOS 70D, EOS Kiss X7 / EOS Rebel SL1 / EOS 100D, PowerShot G16, PowerShot S120.
  • Supports new lens (EF-S 55-250mm f/4-5.6 IS STM, EF 200-400mm f/4L IS USM Extender 1.4X, EF-M 11-22mm f4-5.6 IS STM).
  • The accuracy of the white balance in M-RAW and S-RAW images has been improved.

EOS Utility 2.13.24
 
Changes from EOS Utility 2.13.21 Updater for Windows:

  • Support for EF-S 55-250mm f/4-5.6 IS STM with lens optical correction.

ImageBrowser EX 1.1.0a
 
Changes in the ImageBrowser EX 1.1.0a for Windows:

  • Supports Windows 8.1.

PhotoStitch 3.1.23
 
Changes to PhotoStitch 3.1.23 Updater for Windows

  • Supports Windows 8.1.

Picture Style Editor 1.12.2
 
Changes for Picture Style Editor 1.12.2 Updater for Windows:

  • Supports EOS 6D, EOS M.
  • Applied Noise Reduction processing to when displaying images.
  • Added support for the new Picture Style file (.pf3).
  • Changed the user interface of the Tool Palette.
  • Added the Tone curve (RGB) function.
  • Added the Six Color-Axes adjustment function.

ZoomBrowser EX 6.9.0aChanges in ZoomBrowser EX 6.9.0a:

  • Fixed a phenomenon where the camera's serial number that is displayed in the shooting information of the image is not displayed correctly for some of the EOS 60D.

Download the Canon Software updates here.

Posted to: Canon News
Post Date: 11/6/2013 7:37:42 PM CT   Posted By: Sean
The-Digital-Picture.com Logo
We've all gotten shots we're proud of – that's why we're driven to click the shutter. But what's the most challenging shot you've ever captured?
 
What's the story behind your most challenging image? What was the end result?
 
Send us your story and the image you captured (640px on the long edge) to info@the-digital-picture.com with "My Most Challenging Shot" as the subject.
 
We're going to share the best stories and their pictures on our news feed over the next few days. We look forward to seeing your submissions!
Category: Photo Stories
Post Date: 11/6/2013 11:19:37 AM CT   Posted By: Sean
Nikon 80-400mm f/4.5-5.6G AF-S VR Lens
Nikon 80-400mm f/4.5-5.6G AF-S VR Lens image quality (ISO 12233 resolution chart) results are now available.
 
Preorder this significantly improved lens from Adorama or in stock at Amazon.
Posted to: Nikon News
Post Date: 11/6/2013 10:02:48 AM CT   Posted By: Bryan
DxO Logo
From DxO:
 
More than 15,000 DxO Optics Modules now available
 
November 6, 2013 - DxO Labs announces the immediate availability of DxO Optics Pro v9.0.1 for Mac and Windows, the new version of its image-processing software of reference for all demanding photographers. This upgrade means that DxO Optics Pro 9 now supports the latest full-format DSLR from Nikon, the D610, as well as Nikon's COOLPIX P7800 compact camera.
 
Based on DxO Labs exclusive approach of prior calibration of equipment in its laboratories, DxO Optics Pro 9 includes unique tools for processing RAW and JPEG images: the revolutionary new PRIME denoising technology, DxO Smart Lighting's intelligent optimization of exposure and contrast, powerful optical and geometrical corrections, and preservation of colors and details.
 
New DxO Optics Modules
DxO Optics Pro v9.0.1 benefits from the addition of new DxO Optics Modules. 250 new camera/lens combinations augment the library, which now counts nearly 15,400 available DxO Optics Modules.
 
DxO Optics Modules contain copious information about the characteristics of each camera and lens. This database allows DxO Optics Pro 9 to automatically correct distortion, vignetting, chromatic aberrations, and lens softness with an unrivaled level of quality.
 
Availability and special offer
The Standard and Elite editions of DxO Optics Pro v9.0.1 for Mac and Windows are now available at photo resellers at a special discount price through November 20, 2013.
 
Adorama carries DxO Optics Pro 9.
Category: DxO News
Post Date: 11/6/2013 8:33:46 AM CT   Posted By: Sean

 
From C-Plates Kickstarter Page:
 
Overview
Camera plate with true anti-twist for sling strap / holster. Choose Arca-Swiss style or Manfrotto RC2 series quick release type.
 
Inspiration
After seeing many camera plates, such as the Fusion plate and M-plate, our marketing director Greg was inspired to make a better camera plate. Once he had formulated a good project, he told our lead engineer Matt about this opportunity. Greg and Matt then reviewed existing plates and discovered that they could make significant improvements. We took this project by the horns and decided to start designing a camera plate that would far exceed the current plates in the market.
 
About our Plates

  • Completely designed, engineered, and manufactured in the USA! (Patent pending)
  • The last camera plate you will ever buy! Our plates will work with any DSLR camera, allowing you to use the same plate, even when you upgrade to your next camera.
  • Safety First – You can trust our plate with your camera. The main reason why the camera screw loosens over time is because of the camera twisting. Our plates use specially designed camera anti-twist arms. Once your camera is attached, the arms prevent the camera from twisting. This feature sets us apart from other plates, giving you peace-of-mind.
  • Always have the assembly tool available – the allen wrench is stored within the camera plate.
  • Battery door remains accessible when plate is installed.
  • Our plate sits flat and never requires you to take your shoulder strap or holster pin off the plate. We accomplished this by off-setting the connection point; which allows the plates to work on all quick releases and provides plenty of clearance under the lens to comfortably use the zoom.
  • Built-in hand strap attachment point (included, not an additional part for an extra cost).

Other Deatails

  • Camera screw: Captive ¼”-20 screw (uses allen wrench stored within the C-Plate).
  • Main plate: Aluminum, tumbled, and hard anodized (type III).
  • Anti-twist arms: Aluminum, tumbled, and anodized (type II).
  • Anti-twist arms available in colors: black, green, or red. Green and red are only available on Kickstarter (update coming soon with pictures). The arms are adjustable with allen wrench stored within the C-Plate.
  • Anti-twist posts are machined from Delrin acetal plastic to prevent any scratching of the camera body.

See the C-Plates Kickstarter Page for more information.

Post Date: 11/6/2013 8:07:01 AM CT   Posted By: Sean
 Tuesday, November 05, 2013
Canon Logo
From Canon:
 
New EOS C100 Camera Feature Upgrade Offers Outstanding Continuous AF Performance for Documentary, Electronic News Gathering, and Small-Crew Productions
 
MELVILLE, N.Y., November 5, 2013 – Canon U.S.A. Inc., a leader in digital imaging solutions, announced today that the Company will offer an optional feature upgrade for the EOS C100 Digital Video camera which will support innovative Dual Pixel CMOS AF autofocus technology, enabling continuous autofocusing with Canon’s entire EF lens lineup. This optional upgrade is expected to be available in February 2014 for a cost of $500.00 and will require the EOS C100 camera body to be shipped to a Canon service center.
 
The Canon feature upgrade will provide the EOS C100 camera (first introduced in November 2012) with greatly improved autofocus (AF) functionality made possible through Dual Pixel CMOS AF technology. First employed in the EOS 70D digital SLR camera launched in August 2013, the innovative new AF technology helps facilitate greater shooting efficiency across a variety of shooting situations. For users that work with moving subjects, this optional Dual Pixel CMOS AF upgrade for the EOS C100 camera will allow for a smoother, more natural autofocus that can be particularly useful for video markets like documentary, sports, event and wildlife.
 
Canon’s Dual Pixel CMOS AF makes use of the Company’s proprietary CMOS sensor technology with a new structure that both captures light and performs phase-difference detection autofocus. While focusing on the EOS C100 camera is primarily performed manually, the feature upgrade will enable smooth continuous AF, a capability that can be particularly beneficial when operating with a small production crew, electronic news gathering, or run-and-gun documentary-style shoots.
 
The Dual Pixel CMOS AF functionality offered through the feature upgrade supports continuous AF with all compatible Canon EF lenses for subjects positioned in the center of the imaging area. The complementary use of the contrast signal achieves advanced AF stability that helps reduce the occurrence of image blur. Also, the inclusion of an AF Lock function contributes to expanded shooting flexibility through focus preset, which allows users to set a desired focus distance in advance, and the ability to alter the photographing range or composition after establishing focus.
 
This optional feature upgrade increases the speed of the EOS C100 camera’s One-Shot AF function by approximately two-times, which enables users to focus on a subject located at the center of the screen with the push of a button, a feature that is currently supported on 104 Canon EF lens models.
 
This feature upgrade service will be made available to users through Canon’s product maintenance centers. For more information about this update, please visit the Canon U.S.A. website at http://usa.canon.com/cusa/professional/standard_display/eos_c100_feature_upgrade.
 
Adorama carries the Canon C100 Cinema Camera.
Posted to: Canon News
Category: Canon USA News
Post Date: 11/5/2013 9:59:14 PM CT   Posted By: Sean
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