Nikon Europe has announced that they will no longer be including printed (complete) owner’s manual with their digital cameras. Instead, freely downloadable .PDFs will take their place.
Printed owner's manuals will still be be available for purchase from the regional Nikon websites. However, they do not appear to be inexpensive. Below is a screenshot from the Nikon UK D750 product page:
Nikon spins this decision as an attempt to achieve a "...reduction in paper resources consumption and of CO2 emissions from transport," but I'm sure there's a decent cost savings associated with not providing a printed manual with the DSLR cameras it sells.
Nikon's decision does make us wonder, on a larger scale, if the days of the printed manual are quickly coming to an end in our ever-evolving digital world. It'll be interesting to see how soon other camera manufacturers jump on this green/cost-savings bandwagon. [Sean]
I took advantage of the 20% discount to purchase a Lastolite Magnetic Background Support. The item is currently out of stock with more inventory expected soon. You can still submit an order and take advantage of the savings and the item will ship when it becomes available. [Sean]
Warning: You might want to go here. "Here" is Mudjin Harbor in Middle Caicos (Turks and Caicos, British West Indies), where there are surprisingly few people and the scenery is amazing. Capturing my attention for the large part of a day were the large cliffs and the rugged landscape bordering the brilliant turquoise waters of the Atlantic Ocean here. And, who is the landscape photographer that can pass up a cave framing the ocean?
Caves are (usually) very dark and that was case here. This image is composed of three separate exposures – one for the water and sky (slight blinkies in cresting waves), one for the cave walls and another for the upper right portion of the cave wall as it was even darker and needed some detail brought out. With a handful of exposure variations available, I experimented with differing cave wall brightness during post processing. In the end, I opted for noticeable walls, but not bright enough to distract from the idyllic beach and water scene being framed.
Because the sun is constantly moving, multiple exposures intended for combining via HDR that include a shadow line should be captured in quick succession due to that line moving. The always moving and always different waves determined the primary exposure timing. The other exposures were simply captured very close in time to the primary ones.
World Class Photographers Joel Sartore, Matthew Jordan Smith, Deanne Fitzmaurice and Joey Terrill are the Latest to Join Nikon’s Group of Influential Modern Storytellers
MELVILLE, NY – Today, Nikon Inc. announced the addition of four new photographers to the prestigious Nikon Ambassador program, a group of influential visual artists and leaders in modern photography. The newest additions include four photographers who make significant contributions to their respective fields, including; wildlife photographer Joel Sartore, celebrity and portrait photographer Matthew Jordan Smith, Pulitzer Prize-winning photojournalist Deanne Fitzmaurice and commercial and portrait photographer Joey Terrill.
“Nearly three years after the foundation of the program, Nikon Ambassadors have worked to educate and empower photographers while continuing to celebrate their passion and love for photography through the power of visual storytelling,” said Mike Corrado, NPS Manager, pro relations and product marketing, Nikon Inc. “These new additions all define what it takes to be considered one of Nikon’s most elite photographers, with unparalleled commitment to both their craft and the imaging industry.”
The four newest photographers continue to expand and demonstrate the discipline represented in the program, all while bringing their unique perspective and style. Already considered prestigious photographers and mentors, they each embody the philosophy of Nikon’s Ambassador Program, which is to empower photographers through education and inspiration, and work directly with Nikon to communicate the needs of an evolving photo industry.
About Nikon’s Newest Ambassadors:
Joel Sartore – Wildlife photographer Joel Sartore is a mentor, conservationist, author and National Geographic Fellow who is best known for founding the Photo Ark Project, which aims to document and preserve endangered species and habitats through photography. Since its creation more than 20 years ago, Sartore has visited more than 40 countries to create portraits of more than 6,000 individual species for the project. These striking portraits put an emphasis on the animal’s expression and eye contact, helping to foster compassion by emotionally engaging the viewer with the subject. This Nebraska-based photographer has also authored four books and frequently contributes to numerous other books and publications.
Matthew Jordan Smith – Los Angeles-based celebrity and portrait photographer and author Matthew Jordan Smith is well-known for his work with major magazines, advertising agencies and some of the most famous actors and models in the world. A teacher of numerous photography workshops, Smith has also won several accolades for his work throughout his photographic career and recently published his third book, titled Future American President; 50 States, 100 Families, Infinite Dreams which features portraits of children from numerous families, from every state in America. The goal of the book is to inspire children to dream as big as they can, knowing there are endless possibilities in the world.
Deanne Fitzmaurice – As a Pulitzer Prize-winning documentary photographer and storyteller, this San Francisco-based photographer is most known for her unique ability to go behind the scenes to discover and convey personal, intimate and emotional stories through images. Fitzmaurice represents a wide variety of publications, including creating content for Sports Illustrated and ESPN,while continuing to shoot assignments for National Geographic and many other respected outlets. In addition to her editorial work, she also holds a very impressive portfolio of commercial photography with a myriad of major brands and is a highly decorated storyteller. She has been awarded the 2013 Award of Excellence from Communication Arts, the American Photography Award, TIME Magazine’s “Pictures That Mattered” Award in 2008 and the Pictures of the Year International Award of Excellence, just to name a few.
Joey Terrill – Joey Terrill is a Los Angeles-based editorial and commercial photographer that has worked with celebrities and major brands, including Coca Cola, Red Bull and Disney. Terrill uses creative, dramatic lighting to create truly unique and memorable portraiture and pens the Penumbra Project, a website dedicated to “pixels, photons and the process of making pictures” through engaging stories. When not shooting, Terrill is also a mentor for editorial portraiture and lighting, teaching week-long workshops at Colorado-based Summit Photography Workshops and has been a guest presenter at the Brooks Institute of Photography, WPPI, the Atlanta Photojournalism Seminar and the SportsShooter Academy.
It runs on 64-bit devices running iOS 9 or later (that is: iPhone 5s or later, iPod touch 6, iPad Air or later, iPad mini 2 or later, iPad Pro).
Since Apple does not provide a way to control a camera via USB from an iOS device, ShutterCount Mobile relies on Wi-Fi or Ethernet connection and thus supports cameras having one of those. Either built-in, or utilizing an external Wireless File Transmitter.
So at the moment it will work with the following Canon EOS cameras: 6D, 70D (using built-in Wi-Fi); 5D Mark III, 7D Mark II (using WFT-E7 transmitter); 1D X, 1D C (using built-in Ethernet or WFT-E6 transmitter).
Feature-wise it is equal with the Mac version – besides a simple reading it sports history logging, with the ability to copy the logs into Apple’s Numbers or Microsoft Excel. Plus you can access these logs through iTunes file sharing.
Because of the network connection required to the camera, you’ll need to do an extra step before the reading – pair the app and the camera. ShutterCount relies on the camera’s more advanced EOS Utility connection mode (and thus will not work with the simple smartphone connection mode). Mind this when establishing the connection.
I’ve recorded a short video showing the entire pairing and reading procedure between an iPod touch and my EOS 7D Mark II. The camera is connected through a Canon WFT-E7 transmitter using an Ethernet cable to our office network, while the iPod is connected to the same network via Wi-Fi.
We've highlighted how the EOS 80D is a great choice as a step-up camera in an earlier article on Canon USA’s Digital Learning Center. And, how that applies whether you’re an experienced DSLR user who’s working with an older camera, or a first-time but well-informed DSLR customer who’s looking to move beyond today’s lightweight, entry-level models.
One aspect of the advanced possibilities a camera like the EOS 80D offers is extensive fine-tuning and control of its continuous autofocus for moving subjects, called AI Servo AF. In a far less expensive package than Canon’s high-end models — such as the EOS 5D series or even the EOS-1D X models — the EOS 80D offers the action photographer a truly extensive array of in-camera adjustability and control. We’ll discuss what’s available in the EOS 80D in this article, and explain how it might be used in various real-world shooting situations.
Lin & Jirsa Photography shares their secrets to achieving unique and creative wedding imagery in this behind-the-scenes video series. Learn how they use Profoto Off-Camera Flash to control light to match their creative vision and overcome wedding day challenges.
Photographing amazingly-colored wood ducks has been on my bucket list for a long time and, when I located some potential subjects, I dropped everything and made the 6-hour round trip drive to photograph them.
Upon arrival, I was able to quickly locate the wood ducks. However, they proved to be a big challenge to photograph due to their constant, often-quick movements and the ideal lighting angle required, minimally, for their iridescent colors to show.
I ended up using the 600 with 1.4x on the 5Ds R the entire time due to the distance and rather small size of the ducks. The 840mm focal length gave me a deep ideal subject framing distance. I captured environmental portraits when the birds were distant and tight portraits when they came close, a logical tactic that provided a variety of subject framing in the take-home.
The subjects were in constant motion and that means AI Servo AF mode was required to keep them in focus. Specifically, a focus point needed to be constantly placed on the wood duck's eye. I shot in Case 1 (general purpose) and Case 5 (instant adjustment for erratic motion) AF Modes on this day with Case 1 showing the best results. I also used the 5 fps burst drive mode, in part because birds blink with some frequency. Capturing minimally a few frames at a time usually results in at least one fully opened eye.
In the end, the daytrip was very worthwhile, with hundreds of keeper-grade images resulting from the effort.
As seems often the case (I think that Murphy has a law to cover this), the image with my favorite pose had some minor motion blur due to the drake raising its head rapidly. To counter this, I reduced the overall size of the image (down-sampled) modestly. Along with some modest cropping, the remaining 5Ds R-captured image still has about 15 megapixels of resolution, an adequate amount for many uses. I used a layer mask to darken the background modestly, helping to place emphasis on the drake.
A larger version of this image is available on Flickr, Google+, Facebook and 500px. If reading from a news feed reader, click through to see the framed image.