Sony News (Page 24)

Image quality test results are now available on the Sony FE PZ 16-35mm F4 G Lens Review.

Sharp lens.

Note that the severe barrel distortion at the wide end of the focal length range will require correction most of the time.

Here are some Sony FE PZ 16-35mm F4 G Lens comparisons (compare at various focal lengths, including 35mm):

Compared to the Sony FE 16-35mm F4 ZA OSS Lens

Compared to the Sony FE 16-35mm F2.8 GM Lens

Compared to the Tamron 17-28mm f/2.8 Di III RXD Lens

Compared to the Canon RF 14-35mm F4 L IS USM Lens (distortion correction forced for the Canon lens)

Order the Sony FE PZ 16-35mm F4 G Lens from B&H | Adorama | Amazon USA | WEX

Rent the Sony FE PZ 16-35mm F4 G Lens from Lensrentals.

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Image quality test results are now available on the Sony FE 24-70mm F2.8 GM II Lens page.

This little lens turns in signficantly sharper image quality than its predecessor. Here are some comparisons (minimally compare 70mm also):

Compared to the Sony FE 24-70mm F2.8 GM Lens (visualize between the modestly different test camera resolutions)

Compared to the Tamron 28-75mm f/2.8 Di III VXD G2 Lens

Compared to the Sigma 24-70mm f/2.8 DG DN Art Lens

Compared to the Canon RF 24-70mm F2.8 L IS USM Lens

Order the Sony FE 24-70mm F2.8 GM II Lens from B&H | Adorama | Amazon USA | WEX

Rent the Sony FE 24-70mm F2.8 GM II Lens from Lensrentals.

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Just posted: ProMediaGear TR424/TR424L Pro-Stix Carbon Fiber Tripod Review.

Impressive product.

Order the ProMediaGear TR424/TR424L Pro-Stix Carbon Fiber Tripod from ProMediaGear | B&H | Adorama | Amazon USA

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From DxO:

Nik Collection 5: Major upgrades to Color Efex and Analog Efex, improved local adjustment technology, and a smoother user experience

The latest version of the Lightroom Classic ® renowned suite of eight plugins for Adobe Photoshop® and also features a brand new tool to reduce haze and 29 faithfully reproduced color film grains. Powerful and diverse, the eight plugins of Nik Collection 5 also function as stand alone apps and offer unlimited creative potential. More than 300 presets give instant results, while intuitive sliders and DxO’s exclusive UPoint technology for local adjustments bring endless creative opportunities and the ability to refine every detail.

Revamped user interface for a more refined editing experience

The user interfaces of Nik Color Efex and Nik Analog Efex have been rebuilt from the ground up, bringing them into line with the recently updated Nik Silver Efex and Nik Viveza. Nik Color Efex is a powerful means of enhancing and manipulating color and continues to be Nik Collection users’ most popular plugin, while Nik Analog Efex is unique in its potential to recreate vintage photographic effects. Thanks to the newly refined and function al user experience in both of these plugins, presets are now more accessible with improved options for saving and editing favorite settings.

Local adjustments just got even smarter thanks to U Point™ technology

U Point™ technology, the pioneering local adjustment tools that make targeted changes feel intuitive and efficient without using masks, continues to evolve in Nik Color Efex and Nik Analog Efex. Control Points can now be renamed, making them easier to manage, and users can also save them as part two Color Selectivity sliders — of a preset, speeding up workflows. The addition of Luminance and Chrominance — gives users greater control over the impact of local adjustments, and the interface has been updated so that creating and editing a Control Poin t is a clean and distractionfree experience.

Two more major boosts to Color Efex: ClearView technology to remove haze and 29 authentic color film grains

Haze in photographs is simple to remove when using Nik Color Efex thanks to the addition of ClearView, technology borrowed from DxO PhotoLab 5. Fog, mist, smoke, and pollution are intelligently reduced using a simple slider, returning contrast and color to photographs. Color Efex also benefits from 29 new, authentic color film grains created in DxO’s purpose-built laboratories, giving analog era enthusiasts a host of new creative options.

Nik Perspective Efex adds more than 4,300 new camera and lens combinations

Nik Perspective Efex benefits from the ongoing research conducted in DxO’s exclusive labs with more than 20 new cameras and 60 lenses added to its database of supported equipment. The plugin can now automatically correct the geometric distortions of more than 70,000 camera and lens combinations.

DxO PhotoLab 5 ESSENTIAL joins the party

Those shooting RAW get to experience the power of DxO PhotoLab 5 ESSENTIAL, the featurerich photoediting software that contains DxO’s renowned Optics Modules and U Point™ technology for precise local adjustments.

About Nik Collection

First created more t han 25 years ago, Nik Collection is a suite of eight innovative plugeach quickly launched from within Adobe Photoshop®, Adobe Lightroom Classic®, or DxO PhotoLab, or as standalone software. Plugins, ins are packed full of innovative filters, tools, and p resets that give photographers endless creative potential. The latest updates build on the success of Nik Collection 4 which brought interface improvements and the option to save local adjustments using U Point™ technology as part of presets. It also intro duced Meta Presets which allow users to combine changes from multiple plug and apply them to an image in Adobe Photoshop ® with a single click, and fresh ins functionality in Adobe Lightroom® to copy and paste settings and quickly apply recent edits for a smoother workflow.

Price and availability

Nik Collection 5 (Windows and macOS) is now available for download on the DxO website for $149. Photographers who already own Nik Collection 4 can upgrade their software by signing into their customer accounts for $79. A fully functional, one-month trial version of Nik Collection 5 is available on the DxO website.

Order the Nik Collection from DxO.

From DJI:

DJI PRO’s Newest Products Give Creators Bold New Tools That Set Up Faster, Operate More Easily, Connect Seamlessly and Transmit for Miles

DJI RS 3, DJI RS 3 Pro, And DJI Transmission Incorporate Professional User Feedback to Offer Highly Effective, Reliable, and Efficient Next-Generation Video Tools

June 15, 2022 – DJI, the global leader in civilian drones and creative camera technology, today unveils three new tools that will enable filmmakers and the content creation community to easily, seamlessly, and intuitively bring their visions to life. The DJI RS 3 and DJI RS 3 Pro stabilizers bring landmark improvements to the classic and reliable Ronin series, while DJI Transmission – DJI’s first independent wireless video solution – combines reception, monitoring, control, and recording in one. This new generation of the Ronin ecosystem allows creators to focus on what’s in front of their camera by simplifying everything connected to it.

The Ronin product line is a key part of DJI, supporting content creators from keen hobbyists to professionals around the globe. Last October’s launch of Ronin 4D cemented DJI’s presence in the professional filmmaking world, giving cinematographers an entirely new way to create. Whether it’s the new automated axis lock system, 3rd-Gen RS stabilization algorithm improving performance by 20%, or the one-tap calibration, RS 3 and RS 3 Pro have been optimized for user efficiency and reliability.

“The needs and requirements of the content community are extremely important to us,” said Paul Pan, Senior Product Line Manager at DJI. “Ever since the introduction of the first Ronin back in 2014, we’ve continually gained feedback from industry professionals on how we can enhance our products to cater to their evolving needs. Implementing this feedback, we’ve optimized the design, stabilization, and gimbal control to create next-generation, highly effective, and reliable stabilizers designed for unparalleled efficiency. Furthermore, we don’t just stop at stabilization. We understand the importance of video transmission and the various pain points faced in large, complex venues. Whether it’s dealing with range, lagging images, or lost signals, the new DJI Transmission addresses these issues and offers an incredible 20,000-foot on-ground transmission distance.”

DJI RS 3: Ready When You Are

Every Second Counts

DJI RS 3 incorporates a range of new features to get filmmakers up and running as quickly as possible. A redesigned axes-locking system means that the process is now automated. By simply turning on the gimbal, the automated axis locks release and unfold the gimbal, allowing the operator to get started in seconds. Tapping the power button once will send the device into sleep mode, which makes powering on the device, stowing it away, and relocating much faster. There’s also no need for repetitive balancing with position memory via quick-release plates, enabling fast mounting with the perfect balance of the payload. Furthermore, the addition of a Bluetooth Shutter Button supports automatic connection without the need to connect a camera control cable.

Lightweight Body, Heavyweight Stabilization

Weighing in at just under 1.3 kg[1] (2.8 lbs), RS 3 can easily be held in one hand, while its just under 3kg (6.6lbs) tested payload capacity is more than enough to support the majority of mainstream devices.

Thanks to the 3rd-Gen RS Stabilization Algorithm, a 20% improved performance over RSC 2 can be seen, making it easy to operate while shooting at low angles, running, or even filming from a moving vehicle. For lenses with focal lengths of up to 100mm, SuperSmooth mode aids stabilization even further.

Parameter Setting at The Touch of a Screen

In addition to its improved stability, RS 3 is also easier to configure with a brand-new 1.8-inch OLED full-color touchscreen, an increase of 80% surface area when compared to the previous RSC 2. Most gimbal setups can be done directly without connecting to the mobile app, while the UI and interface logic have been redesigned to put all controls rights at your fingertips. This includes a physical gimbal mode switch that operators can slide to alternate between pan follow, pan and tilt follow, and FPV modes instantly.

All-Day Battery

With a brand-new battery grip providing up to 12 hours of battery life, creators can concentrate on the action without worrying about power. RS 3 features a quick-release structure and supports PD fast charging at 18 watts. The battery can be charged independently or even during use, allowing users to operate non-stop.

DJI RS 3 Pro: Nothing Out of Reach

For Those Demanding Even More

For users with higher demands, RS 3 Pro is an even more professional version offering a full suite of features as a versatile camera platform.

Arms constructed from one uncut piece of carbon fiber – just like Ronin 2 – makes RS 3 Pro lighter and stronger than the jointed carbon fiber material used on previous stabilizers. They have also been extended to allow for more balancing space for commonly used professional cameras like the Sony FX6, Canon C70, and RED Komodo, and the structure has been optimized to keep its weight at 1.5 kg1 (3.3 lbs) with an impressive 4.5kg (10lbs) tested payload capability. Naturally, the stabilizer also shares the automated axis locks, Bluetooth Shutter Button, 1.8-inch OLED touchscreen, and gimbal mode switch of RS 3.

Manual Lenses, No Problem

Manual lenses can bring focusing challenges for solo shooters involved in professional projects. RS 3 Pro carries Ronin 4D’s advanced LiDAR focusing technology to create the new DJI LiDAR Range Finder (RS), capable of projecting 43,200 ranging points within a 14-meter indoor area. A next-generation focus motor provides torque three times stronger with one-step mounting, enabling autofocus on manual lenses with no need for repetitive calibration. Furthermore, the LiDAR Range Finder carries a DJI-developed chip identical to the one used in Ronin 4D and a built-in 30mm camera, boosting the computing power of ActiveTrack by more than 60 times, creating ActiveTrack Pro. With target identification and tracking more sensitive and accurate than ever before, RS 3 Pro will enable professional cameras to maintain a steady, clear shot in even more dynamic scenarios.

Evolving Product Ecosystem

With its dual RSA/NATO port and battery port, RS 3 Pro can connect to various accessories such as the new Briefcase Handle, Twist Grip Dual Handle, and Tethered Control Handle, opening up a variety of shooting options.

The DJI RS SDK protocol enables third-party manufacturers and individual developers to create customized shooting solutions for RS 3 Pro to build an even richer ecosystem with more developers. Whether filming from a moving vehicle, with a jib or Steadicam, or from a cable cam or slider, RS 3 Pro provides anyone with comprehensive shooting solutions and greater creative possibilities.

DJI Transmission: Vision Beyond Boundaries

Going the Distance with DJI Transmission

DJI Transmission is DJI’s first independent wireless video solution. Developed on the heels of Ronin 4D’s advanced video transmission technology, this system combines reception, monitoring, control, and recording into one, taking your filmmaking experience to a whole new level.

O3 Pro transmission technology enables the transmission system to offer an incredible 20,000-foot on-ground transmission distance with end-to-end ultra-low latency, a massive upgrade from traditional Wi-Fi transmission. Video is transmitted in 1080p/60fps and provides live audio monitoring at 16-bit 48 kHz, offering crews an excellent remote visual and audio monitoring experience.

To cope with the demands of complicated signal and structural environments, a DFS band has been added on top of the traditional 2.4 GHz and 5.8 GHz settings, offering up to 23 channel options that provide crews with more compliant and interference-free transmission channels. A built-in frequency sweeper automatically scans the current electromagnetic environment for the best wireless channel, instantly switching channels when needed. When necessary, users can also manually select an appropriate channel to avoid interference between devices.

Wireless Monitoring

DJI’s 7-inch, 1500-nit High-Bright Remote Monitor includes an integrated receiver, eliminating the need for video cables running into a monitor. The device supports one transmitter with multiple receivers, as well as two transmission modes to address different transmission needs. In Control mode, monitoring can be carried out from two receivers at the same time, while the gimbal and camera can also be controlled remotely. For a large crew with various units such as lighting, art department, and props, Broadcast mode can also be enabled on top of Control mode, which will allow an unlimited number of receivers and elevate shooting efficiency to a new level.

On large sets like reality shows, DJI Transmission can work simultaneously with ten or more transmitters sending signals to transmit to ten devices, creating a completely synchronized experience that is hard to achieve with traditional transmission.

It’s All Under Control

DJI Transmission isn't just a powerful video transmission tool; it’s also a comprehensive control system. When used with RS 3 Pro, it can work as a gimbal and camera controller, unlocking more functions and fully integrating the ground-based Ronin ecosystem.

The High-Bright Remote Monitor has a built-in gyroscopic sensor that acts as a standalone motion controller for RS 3 Pro. And when combined with the Ronin 4D Hand Grips, the operator of an RS 3 Pro stabilizer can control the gimbal, focus, exposure, and start/stop a recording with both hands.

As well as simultaneous access to video time codes, the High-Bright Remote Monitor allows for independent recording and playback of 1080p/60fps H.264 footage, making it easy to edit sample footage on set.

Expanding on the Ronin ecosystem, DJI Transmission works seamlessly with DJI Master Wheel and Force Pro, giving operators a variety of ways to control camera movement in the whatever way the shot demands.

Apple ProRes 4444 XQ Codec, Zenmuse X9 Extension Cable & L-Mount Alliance

DJI PRO continues to collaborate with industry professionals while enhancing our products to cater to their evolving needs. As of August this year, Ronin 4D will support the Apple ProRes 4444 XQ codec, which is the highest-quality version of Apple ProRes for 4:4:4:4 image sources.

For these users, we are also introducing the Zenmuse X9 Extension Cable. With this addition, the Zenmuse X9 gimbal camera can be used separately from the body of Ronin 4D, helping cinematographers navigate more complex and diverse scenes while reducing approximately 80% of the weight they need to carry around, allowing for a more versatile and flexible filming experience.

As of today, DJI is officially a member of the L-Mount Alliance and has partnered with Leica to introduce the exclusive Zenmuse X9 L-Mount Unit, enabling Ronin 4D users to fit Leica, Panasonic, and Sigma L-Mount lenses onto their cameras.

Price and Availability

DJI RS 3 will be available for purchase today from authorized retailers and at www.store.dji.com with two purchase options available for the stabilizers. The standalone DJI RS 3 retails for $549 and includes one Gimbal, BG21 Grip, USB-C Charging Cable, Lens-Fastening Support, Extended Grip/Tripod (Plastic), Quick-Release Plates, Multi-Camera Control Cable, and Screw Kit. The DJI RS 3 Combo retails for $719 and additionally includes one Briefcase Handle, Focus Motor (2022), Focus Motor Rod Kit, Focus Gear Strip, a second Multi-Camera Control Cable, and one Carrying Case. Full details can be found at www.dji.com/rs-3

DJI RS 3 Pro will be available for purchase today from authorized retailers and at www.store.dji.com with two purchase options available for the stabilizers. The standalone DJI RS 3 Pro retails for $869 and includes one Gimbal, BG30 Grip, USB-C Charging Cable, Lens-Fastening Support (Extended), Extended Grip/Tripod (Metal), Quick-Release Plates, Briefcase Handle, Multi-Camera Control Cable, Screw Kit, and Carrying Case. The DJI RS 3 Pro Combo retails for $1,099 and additionally includes one Extended Quick Release Plate, Phone Holder, Focus Motor (2022), Focus Motor Rod Kit, Focus Gear Strip, Ronin Image Transmitter (previously known as the DJI RavenEye Image Transmission System), two Hook-and-Loop Straps, and additional cables. Full details can be found at www.dji.com/rs-3-pro

DJI Transmission will be available for purchase this September from authorized retailers and at www.store.dji.com. The DJI Transmission Combo retails for $2,499 and includes one DJI Video Transmitter, DJI High-Bright Remote Monitor, Remote Monitor Hood, Installation Toolkit, Protector Case, two WB37 Intelligent Batteries, one WB37 Battery Charging Hub, as well as various cables and battery adapters. The independent Video Transmitter and High-Bright Remote Monitor will also be available for separate purchase and retail for $1,699 and $1,099, respectively. Full details can be found at www.dji.com/transmission

DJI Care Refresh

DJI Care Refresh is a comprehensive protection plan for DJI products and is now available for both DJI RS 3 and DJI RS 3 Pro. Accidental damage is covered by the replacement service, including natural wear, collisions, and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.

DJI Care Refresh (1-Year Plan) includes up to 2 replacements in 1 year. DJI Care Refresh (2-Year Plan) includes up to 3 replacements in 2 years and extends the original warranty up to 2 years from the date of purchase. Other services of DJI Care Refresh include rewards for safe use, international warranty service, and free shipping. For a full list of details, please visit https://bit.ly/DJICareRefreshRonin

Footnotes

1. Includes weight of the gimbal, battery grip, and quick-release plates.

Orders

Get the DJI RS 3, DJI RS 3 Pro, and DJI Transmission from B&H.

"Capture One 22 (15.3.0) is a feature release containing new functionality, quality-of-life improvements, performance improvements, new camera and lens support, and important bug fixes."

Get the full details of this update in the release notes.

Capture One Pro is on sale at B&H – save $120.00.

Sony a7S III firmware update version 2.10 is available for download.

"A new v2.1 firmware update for Sony’s acclaimed Alpha 7S III full-frame mirrorless interchangeable lens camera is also available for immediate download. Most notably, this latest update includes the introduction of proxy recording during remote computer connect and improvements to Eye AF (autofocus) performance."

Firmware Version 2.10 incorporates the following fixes and enhancements:

1. Allows proxy recording during a remote computer connection
2. Improves the accuracy of the Eye AF feature
3. Improves the stability of the custom white balance
4. Improves eye sensor detection performance with strong light sources, such as sunlight
5. Improves the operational stability of the camera

Get the Sony a7S III at B&H.

Sony Alpha 1 firmware update version 1.30 is available for download.

Firmware Version 1.30 incorporates the following fixes and enhancements:

1. Allows you to select M and S sizes in addition to L when using the RAW recording lossless compression method
2. Adds the 4:2:2 10bit selection when shooting XAVC HS 8K
3. Allows proxy recording during a remote computer connection
4. Improves the accuracy of the Eye AF feature
5. Fixes an issue where the remote shooting may not work with Imaging Edge Desktop (Remote)
6. Improves the stability of the custom white balance
7. Improves the operational stability of the camera

Get the Sony Alpha 1 at B&H.

More from Sony:

New Alpha 1 Firmware Update Enables 8K 4:2:2 10bit Recording and Lossless RAW File Options

SAN DIEGO, CA – June 13, 2022 – Sony Electronics Inc. today announced the v1.3 firmware update for the flagship Alpha 1 full-frame mirrorless interchangeable lens camera, adding 8K 4:2:2 10bit recording and Lossless Compressed RAW for still images.

Using newly added 8K[i] 4:2:2 10bit capabilities, filmmakers and cinematographers can more precisely customize the vibrancy and color grading of their recordings. Combined with the Alpha 1’s 8.6K oversampling for extraordinary 8K resolution, the new addition of 4:2:2 10-bit recording lets filmmakers and content creators realize their creative vision with incredible realism and color.

The update also adds Lossless Compressed RAW files in S, M, and L (small, medium, or large) file sizes. Selecting L size preserves the same image quality as an uncompressed RAW format while significantly reducing the file size. The M and S sizes record fewer pixels than the L size, providing more manageable RAW files. With Alpha 1 v1.3, users can freely combine JPEG and their choice of Lossless Compressed RAW sizes based on their use case. This is especially beneficial with a user needs to deliver JPEG files immediately, but also needs RAW files for in-depth editing.

From Sigma:

New product announcement : SIGMA 16-28mm F2.8 DG DN | Contemporary

SIGMA Corporation is pleased to announce the SIGMA 16-28mm F2.8 DG DN | Contemporary.

Effortless freedom.

A high performance compact ultra-wide zoom with a constant F2.8 aperture.

The full-frame SIGMA 16-28mm F2.8 DG DN | Contemporary combines exceptional optical quality, a bright F2.8 constant aperture and a robust and lightweight body, opening up new possibilities for L-Mount and Sony E-mount shooters who need professional results in a compact package.

With its excellent field curvature correction, the 16-28mm F2.8 DG DN | Contemporary is able to achieve exceptional edge-to-edge sharpness, which is essential for most wide-angle applications. It boasts five FLD elements and four aspherical lens elements to ensure optimal image quality with minimal aberrations. The lens has an inner zoom mechanism that keeps overall length consistent throughout the entire zoom range, helping it feel balanced in the hand. The inner zoom also means the lens’ center of gravity stays fairly constant, so it’s perfect for gimbal use. A front filter thread allows filters to be attached more easily.

The lens boasts an exceptionally compact form-factor, weighing in at just 450g and measuring just 100.6mm in length*, which makes it a highly practical optic that is portable enough for everyday shooting. It’s especially appealing for landscape, wedding and travel photographers who need to carry their kit for long periods.

Lightweight, versatile and extremely capable, SIGMA’s 16-28mm F2.8 DG DN | Contemporary offers photographers effortless freedom at the ultra-wide end.

* size and weight measurements given for L-Mount version

Supplied accessories: Petal-type lens hood (LH756-01), Front Cap (LCF-72 III), Rear Cap (LCRII)

Available mounts: L-Mount, Sony E-mount

#SIGMA #SIGMA1628mmContemporary #SIGMAContemporary #SIGMADGDN

Orders

Support this site by ordering via the links below:

Order the Sigma 16-28mm F2.8 DG DN Contemporary Lens for Sony E from B&H | Adorama | WEX

* The appearance and specifications of the product are subject to change.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

From Sony:

Sony Electronics Introduces Three Wide-angle E-Mount APS-C Lenses

The E PZ 10-20mm F4 G, E 15mm F1.4 G and E 11mm F1.8 Bring Sony’s E-mount Lineup to 70 Lenses and Offer Wide-angle Views, Outstanding Image Resolution, and Compact Designs

SAN DIEGO, CA – June 1, 2022 – Sony Electronics Inc. today has expanded its E-mount lens lineup with the introduction of the power zoom G lens E PZ 10-20mm F4 G (model SELP1020G), versatile G lens E 15mm F1.4 G (model SEL15F14G), and the ultra-wide prime E 11mm F1.8 (model SEL11F18). The three newest additions bring Sony’s E-mount lens family to a total of 70 different models, offering more options than ever for still, video and hybrid content creators.

The first new lens, the E PZ 10-20mm F4 G is the world’s smallest and lightest[i], ultra-wide angle, constant F4 APS-C power zoom lens. This compact zoom lens brings together outstanding G Lens imagery, impeccable autofocus (AF) performance, and versatile power zoom. The end result is a lens that remains a constant length throughout the zoom range and offers refined visual expression and operability that only a power zoom lens can provide.

The second new lens, the E 15mm F1.4 G, offers beautiful shallow depth of field plus superb G lens resolution in a versatile APS-C lens design, empowering users with vast creative potential. This compact and lightweight prime lens delivers dynamic imagery, and includes excellent AF (autofocus) capabilities, along with high operability and control. The E 15mm F1.4 G is great for both still and cinematic imagery.

The E 11mm F1.8 is a compact large aperture, ultra-wide APS-C prime lens designed for vloggers and shooting video on the go. With a 35mm full-frame equivalent of 16.5mm, this lens delivers outstanding corner-to-corner resolution, gorgeous bokeh and fast, reliable AF for dramatic expression and stunning selfie-style content.

“Amidst the ever-changing camera market, Sony’s commitment to creating industry-leading tech for all its customers is unwavering,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. ? “In recent years we’ve seen a growing customer demand for video-and-vlogging-first products that are lightweight and include creator-driven features. We see the APS-C platform as the perfect option for these video-first and hybrid creators, and we’re dedicated to creating new products that will allow them to capture and create in ways they never could before.”

E PZ 10-20mm F4 G

Outstanding Image Quality and Dynamic Perspectives

The E PZ 10-20mm F4 G provides an extremely wide angle of view with a 10-20mm zoom range and a clean and clear image from corner to corner at all zoom settings. Three aspherical elements are ideally positioned to suppress field curvature and astigmatism, both of which are common problems in ultra-wide-angle lenses. The optical path also includes two ED (Extra-low Dispersion) glass elements that effectively subdue chromatic aberration. An ED aspherical element further contributes to high resolution to the image edges.

A circular aperture and carefully designed control of spherical aberration work together to deliver naturally rendered G Lens bokeh that can contribute to impressive imagery.

The minimum autofocus distance is 8 inches (0.2 meters) with a maximum magnification of 0.14x, while minimum manual focus distance is 5 to 6.7 inches (0.13 to 0.17-meters) with a maximum magnification of 0.18x.

Advanced AF Performance for Both Stills and Video

With astonishing AF performance that gives still and video shooters unprecedented freedom, it uses two linear motors for focus drive, delivering fast, quiet AF.

Fast, reliable AF can smoothly track subjects when shooting high frame rate video, and reliably follow fast-moving subjects when shooting stills continuously at high speed. The new lens also reduces focus breathing so that angle-of-view variations are minimized for smooth, stable video.

Refined Expression and Control for Video

The E PZ 10-20mm F4 G features a new electronic power zoom system that ensures direct, responsive control and adjustable zoom speed. Even the subtlest zoom ring rotation is precisely detected and immediately converted to actual zoom operation. Users have extensive control of zoom speed and operation from the lens, the camera and even compatible remote controls to support creative opportunities not possible with other zoom lenses. Power zoom minimizes camera shake so that solo shooters can produce smooth, stable imagery. Moreover, the lens uses internal zoom and focus mechanisms, to maintain a constant length when zooming or focusing. Shifts in the lens’ center of gravity are minimal, making it a great choice for stable vlogging and gimbal-mounted video shooting.

A constant F4 at all focal settings makes it possible for the lens to maintain stable image quality when recording. In addition, buttons can be assigned on compatible bodies for convenient custom zoom control[ii].

Unequalled Mobility and Handling

The E PZ 10-20mm F4 G is 20% lighter than its predecessor (SEL1018), making it the smallest and lightesti lens in its class with a total weight of just 6.3 ounces (178 grams). The compact power zoom lens E PZ 10-20mm F4 G is designed to maximize control and versatility for video as well as stills with a focus ring, zoom ring and zoom lever. A customizable focus hold button and focus mode switch have been thoughtfully thaincorporated to easily adapt in changing shooting conditions. Users can attach 62mm screw-on filters, such as variable ND filters, for more creative control. The lens has also been designed to be dust and moisture resistant[iii] to provide extra reliability.

E 15mm F1.4 G

G Lens Resolution and Beautiful Bokeh

The E 15mm F1.4 G lens has a wide 15mm view with impressive G lens resolution. Three aspherical elements in an advanced optical design effectively compensate for distortion and deliver excellent corner-to-corner resolution, despite the lens’ wide 15 mm angle of view. The addition of one ED (Extra-low Dispersion) glass element and one Super ED glass element effectively suppresses chromatic aberration.

The large F1.4 maximum aperture, precisely controlled spherical aberration and circular aperture mechanism make it easy to produce smooth, background bokeh for an artist effect.

With a minimum focusing distance of 6.7 inches (0.17 meters) and maximum magnification of 0.15x when manual focus is used[iv], impressive close-ups can be achieved for both stills and video.

AF Performance That Makes Full Use of Camera’s Speed Potential

Fast, precise, quiet AF and tracking for both stills and video is achieved with two advanced linear motors. This maximizes the speed potential of the camera body used to maintain accurate focus, even when focusing on fast-moving subjects.

The E 15mm F1.4 G uses Sony’s latest lens technology to reduce focus breathing so that angle-of-view variations are minimized for smooth, stable video. It also supports the breathing compensation function provided in compatible Alpha series bodies[v], minimizing breathing that can hinder post-shoot editing.

Excellent Control and Reliability for Stills and Video

Linear Response MF (manual focus) ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control is immediate, repeatable and precise.

By combining aspherical elements and an effective design, this lens achieves a large aperture and high resolution in a lightweight 7.7 ounces (219 grams) lens that is only 2.6 inches (66.6 mm) in diameter and 2.74 inches (69.5 mm) in length. Despite its compact dimensions, the E 15mm F1.4 G includes an aperture ring for direct, intuitive control with an aperture click switch that can be switched ON or OFF: ON for tactile feedback that lets the user “feel” the stops, or OFF for smooth, continuous, silent aperture control. The OFF setting enables smooth and stable control for video and is also ideal when silent operation is essential.

A focus hold button and focus mode switch are also provided for extra flexibility. The focus mode switch makes it possible to quickly switch between AF and MF as needed.

A wide angle of view, compact dimensions, and light weight make it ideal for shooting starry skies, landscapes, architecture, and indoor scenes, as well as subjects that require mobility such as sports.

The E 15mm F1.4 G is designed with dust and moisture resistance[vi] providing extra reliability for outdoor use in challenging conditions.

E 11mm F1.8

Designed for Vlogging and Delivers Superb Resolution and Exquisite Bokeh

The E 11mm F1.8’s ultra-wide angle of view and compact size are ideal for vlogging which includes selfie-style recording at arm’s length as well as interior shots and images that make expressive use of depth of field. Three aspherical elements and three ED (Extra-low Dispersion) glass elements achieve consistently high resolution in the entire image frame. The aspherical lenses are carefully positioned to compensate for distortion and deliver excellent corner-to-corner resolution even with the aperture wide open. The addition of ED glass further suppresses chromatic aberration and effectively reduces color fringing that is more likely to occur in the image periphery.

The large F1.8 maximum aperture of this lens makes it easy to achieve deep and natural background bokeh. Users can blur the background, so they stand out clearly when vlogging, or create beautiful blur in ultra-wide night scenes. Precisely controlled spherical aberration and a circular aperture mechanism further contribute to the smooth bokeh produced by this unique lens.

With a minimum focusing distance of 4.7 inches (0.12 meters) and maximum magnification of 0.2x[vii] the lens can deliver impressive close-ups for both stills and videos.

Optimized for Video

Two advanced linear motors provide fast, precise, quiet AF and tracking for both stills and video, maximizing the speed potential of the camera body used to reliably maintain accurate focus even on moving subjects. Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually so it feels immediate and precise.

Sony’s latest lens technology greatly reduces focus breathing[viii] and angle-of-view variations are minimized for smooth, stable video. The E 11mm F1.8’s ultra-wide 11 mm angle of view makes vlogging against a wide background easier than ever.

Compact and Lightweight with Exceptional Control and Reliability

Its small size and light weight are great for mobility and handling for lengthy walk-around shooting sessions. The E 11mm F1.8 boasts a large F1.8 maximum aperture in a compact, lightweight lens. It weighs 6.4 ounces (181 grams) and is only 2.6 inches (66 mm) in diameter and 2.26 inches (57.5 mm) in length - a perfect match for compact APS-C format bodies. The lens’ dust and moisture resistant design[ix] provides extra reliability.

Despite its compact dimensions, this lens offers flexible, intuitive control with features such as a focus hold button and focus mode switch. An alternative function chosen by the user can be assigned to the focus hold button from the body menu. The E 11mm F1.8 also accepts front filters, which is a feature that is often lacking on ultra-wide-angle lenses.

Pricing and Availability

The E PZ 10-20mm F4 G will be available in July for approximately $750.00 USD and $950.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

The E 15mm F1.4 G will be available in July for approximately $750.00 USD and $950.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

The E 11mm F1.8 will also be available in July for approximately $550.00 USD and $700.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Orders

Preorders will begin on 6/2 at 10:00 AM. Support this site by ordering through the links below:

Order the Sony E 10-20mm F4 PZ G Lens from B&H | Adorama | WEX

Order the Sony E 15mm F1.4 G Lens from B&H | Adorama | WEX

Order the Sony E 11mm F1.8 Lens from B&H | Adorama | WEX

Notes [i] As of June 2022, Sony survey of interchangeable ultra-wide-angle APS-C zoom lenses for mirrorless cameras (when ready to shoot).

[ii] Zoom operation depends on the body used. Refer to the help guide for details

[iii] Not guaranteed to be 100% dust and moisture proof.

[iv] 0.2 meters and 0.12x when autofocus is used

[v] Compatibility info at: https://www.sony.net/dics/breathing/ Available in movie mode only. Angle of view and image quality may change slightly when this function is used. Compensation may not be able to cover all situations.

[vi] Not guaranteed to be 100 % dust and moisture proof.

[vii] 0.15 meters and 0.13x when autofocus is used

[viii] It also supports the breathing compensation function provided in compatible a series bodies. Compatibility info at: https://www.sony.net/dics/breathing/ Available in movie mode only. Angle of view and image quality may change slightly when this function is used. Compensation may not be able to cover all situations.

[ix] Not guaranteed to be 100% dust and moisture proof

Photographers and videographers like fast drives too. From Lexar:

Lexar Announces New Lexar® SL660 BLAZE Gaming Portable SSD

Key Features:

• Take your gaming experience to the next level with blazing-fast USB 3.2 Gen2x2 performance of up to 2000MB/s read and 1900MB/s write¹
• Enhance your gameplay with vibrant colors of RGB LEDs
• Features a premium aluminum enclosure with a sandblasted finish for added protection, shock and vibration resistance²
• Designed to be seen next to your console or gaming rigs, the Lexar SL660 BLAZE Gaming Portable SSD comes with a detachable stand for added style
• Includes 256-bit AES encryption software solution to protect files securely
• Features a USB Type-C (USB-C) port that includes a USB Type-C to Type-C cable and a USB Type-C to standard USB Type-A cable
• Five year limited warranty

San Jose ,USA, November 26th, 2022 — Lexar, a leading global brand of flash memory solutions, is proud to announce the new Lexar® SL660 BLAZE Gaming Portable SSD. The new drive offers gamers the latest USB 3.2 Gen2x2 technology and blazing-fast NVMe performance with speeds up to 2000MB/s read and 1900MB/s write1. It is perfect for boosting the performance of your consoles and premium gaming rigs.

Beyond the outstanding performance, it’s got style. The new Lexar® SL660 BLAZE Gaming Portable SSD comes with RGB LEDs to create a lively atmosphere rendering your gameplay more dynamic and adding a touch of color to your gaming setup.

Also, the Lexar® SL660 BLAZE Gaming Portable SSD is stylish as it is durable and built with a premium aluminum enclosure and features a sandblasted finish for added protection against shock and vibration. It features advanced security software with 256-bit AES encryption to protect essential files against corruption, loss, and deletion.

The Lexar® SL660 BLAZE Gaming Portable SSD is versatile that it comes with a USB Type-C (USB-C) port that includes a USB Type-C to Type-C cable and a USB Type-C to standard USB Type-A cable to add to the ease of your use.

“Lexar is committed to expanding the gaming product portfolio. The Lexar® SL660 BLAZE Gaming Portable SSD is aimed at the growing gaming population. Bringing blazing-fast speed, vibrant RGB LEDs, and added style elevates your gaming experience and performance to the next level.” Said Joel Boquiren, General Manager of Lexar.

The Lexar® SL660 BLAZE Gaming Portable SSD is available this month for purchase online.

All Lexar product designs undergo extensive testing in the Lexar Quality Labs, facilities with more than 1,100 digital devices, to ensure performance, quality, compatibility, and reliability. For more information visit www.lexar.com

Orders

The new Lexar 512GB and 1TB SL660 BLAZE Gaming USB 3.2 Gen2x2 Type-C Portable SSDs are in stock at B&H.

¹Up to 2000MB/s read transfer, write transfer speeds lower. Speeds based on internal testing. Actual performance may vary.

²Shock resistance (50G, duration 11ms, Half Sine Wave) and vibration resistance (10~2000Hz, 1.5mm, 20G, 1 Oct/min, 30min/axis(X,Y,Z)). Based on internal testing. Actual performance may vary.

Watch the June 1 8:00 AM EDT Sigma announcement here:

From Sigma Global:

6/1 21:00 JST | Online New Products Presentation “SIGMA STAGE ONLINE”

Information

Thank you for purchasing and using our products.

We are pleased to announce the holding of an online event “SIGMA STAGE ONLINE”, which is a presentation of new products. It will be held on Wednesday, June 1st, 2022, from JST 21:00.

Date:
Wednesday, June 1st, 2022, JST 21:00. (about 30 minutes)

URL:
SIGMA official Youtube channel: https://youtu.be/BU8M7PJoSaI

If you are interested, please have a look.

For further information, please contact your nearest authorized SIGMA subsidiary / distributor.

*We cannot answer inquiries about the content of the announcement, such as product outlines.

Especially with the expected high popularity of these camera models combined with ongoing supply chain issues, it is highly probable that the new Canon gear will be hard to get. Preorder immediately to take your place at the front of the line and then sort out the details.

Canon EOS R7

($1,499.00 body or $1,898.00 with RF-S 18-150mm lens)

Order the Canon EOS R7 from B&H | Adorama | Canon USA | WEX

Canon EOS R10

($979.00 body, $1,099.00 with RF-S 18-45mm lens, or $1,379.00 with RF-S 18-150mm lens)

Order the Canon EOS R10 from B&H | Adorama | Canon USA | WEX

Canon RF-S 18-45mm F4.5-6.3 IS STM Lens

Order the Canon RF-S 18-45mm F4.5-6.3 IS STM Lens from B&H | Adorama | Canon USA | WEX

Canon RF-S 18-150mm F3.5-6.3 IS STM Lens

Order the Canon RF-S 18-150mm F3.5-6.3 IS STM Lens from B&H | Adorama | Canon USA | WEX

Canon just introduced some outstanding new gear:

Canon EOS R7 Hands-On Review (mostly completed, more to come)

Canon EOS R10 Hands-On Review (mostly completed, more to come)

Canon RF-S 18-45mm F4.5-6.3 IS STM Lens (specs and product images)

Canon RF-S 18-150mm F3.5-6.3 IS STM Lens (specs and product images)

Notes

• The RF-S 18-45mm features a new optical design.
• The RF-S 18-150mm shares the optical design of the Canon EF-M 18-150mm f/3.5-6.3 IS STM, a high performing lens.
• The EOS M series remains highly popular and is not discontinued — the R10 is not a replacement for the M6 II.
• The R10 and R7 do not have battery grips available or the bottom positioning hole provisions for one.
• The RF mount and all of its benefits transfer to the new cameras and lenses.
• Full-frame R series cameras function normally (in crop mode) when RF-S lenses are mounted.

Please share!

From Canon USA:

TIME TO LEVEL UP: CANON ANNOUNCES EOS R7 AND EOS R10, THE FIRST EOS R-SERIES CAMERAS WITH APS-C IMAGING SENSORS

New RF-S18-45mm F4.5-6.3 IS STM and RF-S18-150mm F3.5-6.3 IS STM Standard Zoom Lenses Also Announced

MELVILLE, NY, May 24, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of the new EOS R7 and EOS R10 camera bodies, Canon’s first EOS R-series models with smaller-size APS-C imaging sensor.

Ideal for hobbyists and general photography enthusiasts, the EOS R7 is the quintessential camera to take your photography to the next level. It is a powerful camera choice for those seeking an upgrade to their travel and vacation photos or to capture life-long family memories while opening a new world of creative and professional possibilities. The EOS R10 is perfect for content creators looking for a camera option to capture high-quality action videos and images of sports, wildlife, and motorsports.

As the market share leader for mirrorless cameras in the United States during Q1 of 20221, Canon looks to solidify their position with the addition of new offerings within the EOS R lineup. EOS R7 and EOS R10 provide enhanced video functions and accessories, such as the new multifunction shoe with EOS R7, while still maintaining a high-level ease of use. With a robust mirrorless system at their core, these cameras provide users with a powerful telephoto reach through both still image and video due to the 1.6x crop factor that comes with APS-C sensor cameras.

In addition to its compact size and ease of use, the EOS R7 and EOS R10 also feature:

• 32 million pixels (EOS R7) and 24 million pixels (EOS R10), APS-C size image sensor
• Autofocus (AF): subject detection inherited from EOS R3
• Up to 15 frames per second (FPS) mechanical shutter
• First Canon APS-C camera with up to 7.0 stops Coordinated Image Stabilization (EOS R7 only)
• Dual memory card slots (EOS R7 only)
• Full width 4K video recording at 60p (EOS R7 only), 30p and 24p
• Record each clip over thirty (30) minutes²
• Up to 30FPS with electronic shutter (EOS R7 only)
• Dust and moisture resistant (EOS R7 only)
• In-body image stabilization (EOS R7 only)

Alongside the camera bodies, Canon will release new RF-S lenses – a series of RF-mount lenses that are optimized for the smaller APS-C sensor size of the new EOS R camera system. Marked as the RF-S18-45mm F4.5-6.3 IS STM and RF-S18-150mm F3.5-6.3 IS STM lenses, these will be the standard zoom lenses for the EOS R7 and EOS R10 cameras. The RF-S 18-45mm provides an 18-45mm focal length, but users will experience a field of view equivalent to 29-72mm lens coverage on a full-frame camera. The RF-S18-150mm lens is a longer-range standard zoom, equivalent to 29-240mm lens coverage on a full frame. While ideal for the new EOS R10 and EOS R7 APS-C sized sensor bodies, these lenses can be used for any R-series camera.

Price & Availability

The Canon EOS R10 camera body will be available for an estimated retail price of $979.99³. The Canon RF-S18-45mm F4.5-6.3 IS STM lens with the EOS R10 will have an estimated retail price of $1,099.00³. The Canon RF-S18-150mm F3.5-6.3 IS STM lens with the EOS R10 will have an estimated retail price of $1,379.00³.

The Canon EOS R7 camera body will be available for an estimated retail price $1,499.00³. The Canon RF-S18-150mm lens F3.5-6.3 IS STM with the EOS R7 will have an estimated retail price of $1,899.00³.

The RF-S18-150mm F3.5-6.3 IS STM lens will be available for an estimated retail price $499.99³, while the RF-S18-45mm F4.5-6.3 IS STM lens will have an estimated retail price of $299.99³. All products will be available in late 2022.

Orders

Especially with the expected high popularity of these camera models combined with ongoing supply chain issues, it is highly probable that the new Canon gear will be hard to get. Preorder immediately to take your place at the front of the line and then sort out the details.

Canon EOS R7

($1,499.00 body or $1,898.00 with RF-S 18-150mm lens)

Order the Canon EOS R7 from B&H | Adorama | Canon USA | WEX

Canon EOS R10

($979.00 body, $1,099.00 with RF-S 18-45mm lens, or $1,379.00 with RF-S 18-150mm lens)

Order the Canon EOS R10 from B&H | Adorama | Canon USA | WEX

Canon RF-S 18-45mm F4.5-6.3 IS STM Lens

Order the Canon RF-S 18-45mm F4.5-6.3 IS STM Lens from B&H | Adorama | Canon USA | WEX

Canon RF-S 18-150mm F3.5-6.3 IS STM Lens

Order the Canon RF-S 18-150mm F3.5-6.3 IS STM Lens from B&H | Adorama | Canon USA | WEX

1 Source: The NPD Group/Retail Tracking Service, U.S., Jan. - March 2022 combined.

2 Video may stop due to battery level, card capacity, or internal temperature.

3 Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary

Just posted: Sigma 18-50mm F2.8 DC DN Contemporary Lens Review

This lens is available in Sony E and Leica L mounts.

Order the Sigma 18-50mm F2.8 DC DN Contemporary Lens from B&H | Adorama | Amazon USA | WEX

Rent the Sigma 18-50mm F2.8 DC DN Contemporary Lens from Lensrentals.

Please share!

Just posted: Sigma 16mm F1.4 DC DN Contemporary Lens Review

This lens is available in Canon EF-M, Sony E, Leica L, Fujifilm X, and Micro Four Thirds mounts.

Save $75.00 instantly via the current Sigma promotion.

Order the Sigma 16mm F1.4 DC DN Contemporary Lens from B&H | Adorama | Amazon USA | WEX

Rent the Sigma 16mm F1.4 DC DN Contemporary Lens from Lensrentals.

Please share!

From Sony Marketing Inc.:

Dear customers

Notice of release date of "FE 24-70mm F2.8 GM II" lens for digital single-lens camera a E mount

Thank you for your continued patronage of Sony products.

At the time of the press announcement on April 27, 2022 (Wednesday), the release date was set to "scheduled to be released in the summer of 2022". Digital single-lens camera a E mount lens "FE 24-70mm F2.8 GM II" We would like to inform you that the release date has been decided.

[Target product]

Digital single-lens camera a E mount lens "FE 24-70mm F2.8 GM II"

[Release date]

[April 27, 2022 (Wednesday) announcement] Scheduled to be released in the summer of 2022 – June 10, 2022 (Friday)

Learn more here: Sony FE 24-70mm F2.8 GM II Lens

From Sony Marketing Inc.:

Dear customers

Notice regarding release date and supply of digital single-lens camera a E mount lens "FE PZ 16-35mm F4 G (SELP1635G)"

Thank you for your continued patronage of Sony products.

The release date of "FE PZ 16-35mm F4 G (SELP1635G)", which was announced on April 21, 2022 (Thursday), has been decided. In addition, we have suspended order acceptance, but we will inform you as there are changes in the supply status.

[Target product]

Digital single-lens camera a E mount lens "FE PZ 16-35mm F4 G"

[Release date]

[Notice on Thursday, April 21, 2022] Scheduled to be released in the summer of 2022 ? Friday, May 27, 2022

[About product order acceptance]

After the announcement on April 21, 2022 (Thursday), it was stated that "order acceptance will be suspended", but the suspension of order acceptance will be canceled after 10:00 am on May 19, 2022 (Thursday). However, we will consider it as a "product that takes time to deliver".

Learn more and preorder here: Sony FE PZ 16-35mm F4 G Lens

Just posted: Sigma 30mm F1.4 DC DN Contemporary Lens Review

This lens is available in Canon EF-M, Sony E, Leica L, Fujifilm X, and Micro Four Thirds mounts.

Take advantage of the $75.00 instant savings available on this already great value lens (Fujifilm X mount excluded).

Order the Sigma 30mm F1.4 DC DN Contemporary Lens from B&H | Adorama | Amazon USA | WEX

Rent the Sigma 30mm F1.4 DC DN Contemporary Lens from Lensrentals.

Please share!