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 Monday, October 10, 2016

 
From Photoshop Tutorials by PHLEARN YouTube Channel:
 
Want to work faster and more efficiently in Photoshop? We compiled a list of 6 Tips and Tricks that are sure to boost your Photoshop speed and efficiency! Photoshop Tips & Tricks Add More "Undo" States Photoshop will allow you to go "back in time" through "Undo - CTRL/CMD +Z" and "Step Backward - ALT/OPTN+CTRL/CMD+Z." Many people find they run out of "Undo States" and can't go back any further. You can increase the number of times you can "undo" in Photoshop's preferences.
 
Open Photoshop Preferences and navigate to "Performance." Here you will see "History States," this is the number of times you can "undo." Increase the slider until you feel comfortable. Keep in mind that with more History States, Photoshop will use more computer resources to store those states.
 
Quick Export – After editing your images in Photoshop, it is time to post them online. The easiest way to export images for online viewing is through "Quick Export." To change the Quick Export Settings, go to "Photoshop - Preferences - Export" and adjust the settings to your desired output. In most cases, you will want JPEG, for transparency use PNG, and for animations use GIF.
 
Increase Performance – The best way to boost Photoshop performance is to add RAM. You can also allow Photoshop to use more of the RAM on your computer by going to "Photoshop - Preferences - Performance." Here you will see the amount of available RAM and a slider to increase or decrease how much of that RAM Photoshop can use.
 
Try increasing the slider to 80%-90%. Keep in mind, if Photoshop is using most of the computer's available RAM, other programs will slow down. For intense editing sessions, close down all other programs and give Photoshop a ton of RAM! Use Scratch Disks Once Photoshop has used all the available RAM, it will store temporary information on a "Scratch Disk." a is a physical drive attached to your computer. You can choose to use the internal hard drive, but it is best to use a secondary drive without an operating system on it. For instance, if you have two internal hard drives, choose the one that doesn't run the Operating System.
 
You can also use external drives connected via USB or Thunderbolt. Hard drive speed and connection method will influence Photoshop performance. For best results, use USB 3.0 + or Thunderbolt 2.0 + and a Solid State External Hard Drive or a Raid Array External Hard Drive.
 
Proper Color Settings – Photoshop offers many options when it comes to Color Space. Some of these Color Spaces are larger than others, allowing you to use more colors when editing. In most cases, you will want to edit with the most colors available. Our suggested Color Space is ProPhoto RGB, which is the largest available color space.
 
To change Photoshop's working Color Space, go to "Edit - Color Settings," and in the "Working Spaces" RGB Dropdown, choose ProPhotoRGB. Be sure to check the boxes in "Color Management Policies" for "Profile Mismatches - Ask When Opening, Ask When Pasting" and "Missing Profiles - Ask when Opening." Learn Keyboard Shortcuts Most of Photoshop's tools and features can be accessed via Keyboard Shortcuts, and learning these shortcuts can dramatically speed up your editing process. A great way to learn Keyboard Shortcuts is to print them from Photoshop! Go to "Edit - Keyboard Shortcuts," here you can view the existing keyboard shortcuts and even customize your own.
 
To print out a list of existing shortcuts, click on the "Summarize" button to save a .HTM file. Open this file in any web browser and print it as a quick-reference guide to keyboard shortcuts in Photoshop!
 
B&H carries Adobe Photography Plan subscriptions.
Posted to: Canon News,
Post Date: 10/10/2016 6:51:01 PM CT   Posted By: Sean

 
From the B&H YouTube Channel:
 
With today’s amazing photographic gear that includes camera bodies with surreal autofocus that can routinely produce superb image files in the right hands and fast, sharp lenses (including and especially the amazing super-telephotos) creating images of various birds, animals, flowers, and landscapes, is pretty much child’s play. Anyone can do it. In this program, Arthur Morris, internationally noted bird photographer and educator, will teach you to take your images to the next level. You will learn to identify good situations, to create pleasing backgrounds, to photograph action and behavior, to choose the best perspective, to read and use the light, when and how to create pleasing blurs, and to consistently create dramatic, evocative images with contest-winning potential.
 
This program is well-illustrated with several hundred of Artie’s spectacular images, many published around the world above his most fitting credit line: BIRDS AS ART.
 
Arthur Morris's Site
Posted to: Canon News,
Post Date: 10/10/2016 1:07:01 PM CT   Posted By: Sean
Image quality results from the Canon EOS 5Ds R have been added to the Tamron 150-600mm f/5-6.3 Di VC USD G2 Lens Review page.
 
I was more than a little surprised to see such a big-hit lens being replaced less than 3 years after it was introduced, but I was traveling when the G2 version lens was first announced and didn't have time to figure out why the replacement was coming. I quickly put the lens on the to-test list and would have to figure out the "Why?" question later. Well, "later" is now.
 
The new lens arrived and as usual, photographing it was my first priority, while it was still in pristine, dust-free condition. The new exterior design, being very modern in appearance, is very pleasing both to the eye and to the touch, but my first surprise was how extremely tight the zoom ring was. Midway through the photo session, I by-accident discovered the push/pull zoom ring lock feature (mentioned in the press release of course). Pulling back on the zoom ring made a huge, positive difference. I think I'm going to like this feature.
 
While my anticipation for the updated design was strong, I was most anxious to see the image quality results from this lens. While the Tamron 150-600mm f/5-6.3 Di VC USD G2 Lens' MTF charts appear nearly identical to the original Tamron 150-600 VC's charts, these lenses do not share an identical optical design. The biggest clue to this difference is the lenses/groups count of 21/13 vs. 20/13 in the older lens along with the improved minimum focus distance. Of course, what matters most is real world performance and that is what we are looking at today.
 
The ultra-high resolution EOS 5Ds R was not available when the original 150-600 hit the streets, but I wanted the 150-600 VC G2 results from the highest resolution camera, so one needs to use some visualization skills to compare the Tamron 150-600mm f/5-6.3 Di VC USD G2 Lens with its predecessor. My initial thought was that the older lens performed slightly better, but comparing again with fresh eyes shows the two lenses being nearly identical as hinted to by their MTF charts. I do see a slight G2 advantage in the 600mm comparison, easily the weakest focal length for the original lens.
 
Simply being compatible with extenders is a G2 advantage. I have to admit not being very optimistic about the extender feature for this lens, even though they are (at least for now) dedicated models. My low expectations were in part due to the soft performance of the original lens at 600mm, the focal length that extenders would most often be needed at. And, I have to admit being modestly impressed with the 840mm results. Although the max aperture is a narrow f/9, resulting image degradation is slightly below my expectations.
 
The 300-1200mm focal length range created by the 2x extender is very impressive. The image quality at 1200mm is not so impressive. Nor is the f/13 maximum aperture and the dark viewfinder that it brings.
 
Comparing the Tamron 150-600mm VC G2 Lens to the Canon 100-400mm L IS II Lens is interesting. Compare the Canon-with-1.4x to the Tamron also (remember to select the same apertures).
 
B&H has the Tamron 150-600mm f/5-6.3 Di VC USD G2 Lens in stock.
Posted to: Canon News,
Post Date: 10/10/2016 9:47:16 AM CT   Posted By: Bryan
eBay (via photovideo4less) has the Nikon D3400 with 18-55mm VR AF-P Lens available for $474.95 with free shipping. Compare at $546.95 after $100.00 instant savings.
 
Note: This is likely a grey market item and therefore would not qualify for a Nikon USA warranty.
Posted to: Nikon News
Post Date: 10/10/2016 6:06:15 AM CT   Posted By: Sean
B&H has the CyberPower SX625G 8-Outlet Surge Protector and Battery Backup UPS (120V) available for $34.95 with free shipping on orders over $49.00. Regularly $64.95.
 
Product Highlights
 
  • Output: 375W / 625VA
  • Input: 120V
  • 4 x Surge-Protected Outlets
  • 4 x Battery-Powered/Surge-Protected
  • 8 x NEMA 5-15R Outlets
  • Recharge Time: 8 Hours
  • Audible Alarms and LED Indicators
  • 890 Joule Surge Suppression
  • 5' Power Cord with Right-Angled Plug
  • PowerPanel Personal Edition Included
Posted to: Canon News,
Post Date: 10/10/2016 5:03:07 AM CT   Posted By: Sean
 Saturday, October 8, 2016
Pronghorn were on my to-photograph list for my time in Grand Teton National Park and I had some success in this pursuit.
 
Upon arriving at the park, I made a scouting drive around the main loop and then drove through Antelope Flats where a large heard of bison roams and pronghorn are frequently found. In this last section of the drive, a line of short trees in brilliant red and orange fall colors caught my attention. I made a mental note about working these trees into an image, perhaps as a background to a bison or pronghorn portrait.
 
The next morning, the buck pictured here and I spent some quality time together. It didn't care that I was there and I was mostly moving away from it to maintain my distance. The pronghorn was walking and feeding in what appeared to be a random route. After about 30 minutes and over a mile covered, this buck crossed the road and unbelievably walked right up into the beautiful red and orange trees I had been admiring. I was of course seeing what could unfold in front of me and made sure that I was in place to capture the visualized image.
 
Pronghorn are most typically seen with grass and sage surroundings, so capturing one in front of fall foliage was unique for me.
 
The Canon EOS 5D Mark IV performed splendidly behind the EF 600mm f/4L IS II USM Lens and another favorite image joined my collection.
 
The 5D IV's increased resolution over the 5D III was appreciated in this situation. While the entire frame looked nice, I decided that modest cropping would greater-emphasize the beautifully colored animal.
 
I very much appreciated the 5D IV's fast 7 fps high speed continuous frame rate as I was able to select an image with both good body position and good alignment with the background. The animal was in constant motion, so AI Servo AF mode was selected with a single point selected and held on the eye or base of the horns. I rapidly changed the selected AF point to match the animal's current position (this is often a challenge).
 
With heavy cloud cover yielding a varying amount of light, a relatively neutral-brightness subject/scene and my focus being on getting a well-framed shot, I gave the camera the job of determining the brightness. Although I utilized the camera's AE capabilities, I still used manual mode so that I could choose the aperture (wide open f/4 for maximum light and background blur) and shutter speed (I adjusted this as needed to keep the subject sharp). The Auto ISO setting took care of the brightness (I adjusted this image +.13 EV in post).
 
Note that I was using a monopod instead of a tripod in this situation due to the faster setup and height adjustment it afforded as I worked fast while maintaining good position with the pronghorn. The downside of this strategy was the challenge of keeping the animal in the frame due to very strong winds I was shooting in. This large lens catches a lot of wind.
 
A tripod would have better kept the lens in place and made the job easier (if I could have set it up in time). However, this better support would not have resolved the issue as the tripod head would not have been tightened due to the animal being in constant motion and the wind would have remained an issue. Removing the large lens hood could have helped greatly, but I was shooting in rain some of the time and even the huge hood was not deep enough to keep all of the rain off of the front lens element.
 
Grand Teton National Park is a very popular photo destination – for more than one good reason. The wildlife is one of those reasons and I was able to check off the pronghorn line item on my to-photograph list during this trip.
 
A larger version of this image is available on SmugMug, Flickr, Google+, Facebook, 500px and Instagram. If reading from a news feed reader, click through to see the framed image.
 
Camera and Lens Settings
600mm  f/4.0  1/1000s
ISO 320
4961 x 3307px
Posted to: Canon News,
Post Date: 10/8/2016 7:30:00 AM CT   Posted By: Bryan
 Friday, October 7, 2016

 
Shooting a wedding can be a nerve–racking experience. However, photographing under the pressure of enemy fire makes wedding photography seem like casual walk in the park.
 
Watch as British photographer Rupert Frere switches seemlessly from his Nikon to his combat rifle as enemy fire ensues.
 
For more information, check out this interview with Rupert Frere and the adrenaline fueled photography on his website.
 
via Petapixel
Posted to: Canon News,
Post Date: 10/7/2016 1:24:19 PM CT   Posted By: Sean
I love to photograph a bit of everything and especially try to use gear in the situations it is best suited for during evaluations. This use also gains me invaluable experience. But, if required to choose what I consider my three primary subjects, landscapes/cityscapes, wildlife and sports would comprise my list. These are subjects that both interest me and are frequently available to me. You likely care less about my photography than the reviews I create and to that purpose, my primary subjects also tend to challenge camera gear. Wildlife is most frequently found in low light, athletes are often moving very fast (and erratically) and landscapes readily show any lens aberrations. That a wide range of weather conditions encountered during these outdoor activities is helpful (for evaluations).
 
Since evaluating the Canon EOS 5Ds and 5Ds R, the 5Ds R has become my primary camera model. I fell in love with the 50.6 MP resolution along with the rest of the package including the great AF system. I have two of these cameras in my kit and a third spends most of its time in the lab testing lenses.
 
While the 5Ds R is an incredible camera, its max frame rate is not so impressive. Of the three categories I listed above, "sports" (and sometimes wildlife) imagery can be substantially improved with a fast frame rate and I am blessed to also have a Canon EOS-1D X Mark II in the kit to handle those scenarios.
 
I'm always looking to improve my kit and a new, great-performing full frame EOS camera model, such as the 5D Mark IV, always garners my attention. So, the "Am I going to keep this camera?" was an ever-present question to myself while reviewing the 5D IV.
 
The short answer is "No", or at least "Not now", but listen to my reasoning.
 
First, here are some of my personally-important 5D Mark IV vs. 5Ds differentiators:

  1. 30.4 (6720 x 4480) vs. 50.6 (8688 x 5792) megapixels
  2. 7 fps vs. 5 fps
  3. Built-in GPS, Wi-Fi and NFC vs. optional accessories
  4. Improved AF system with better f/8 max aperture support (61 pts vs. 5 pts)
  5. AF at EV -3 vs. EV -2
  6. ISO 32000 vs ISO 6400 (extended 102400 vs. 12800)
  7. Touch screen 3.2" (8.10cm) Clear View LCD II, approx. 1620K dots vs. non-Touch 3.2" (8.11cm) Clear View II, approx. 1040K dots
  8. Dual Pixel CMOS Live View/Video continuous AF vs. contrast detection AF
  9. 4k, 1080p 60 fps, 720p 120 fps with no 4GB file limit using exFAT CF card plus other advantages vs. 1080p 30fps, 720p 60 fps
  10. 28.2 oz (800g) vs. 32.8 oz (930g)
  11. Requires 2-second self-timer for mirror lockup delay options vs. has 1/8, 1/4, 1/2, one or two second delay optionally selectable

Check out the Canon EOS 5D Mark IV vs. 5Ds specification comparison to fully compare these cameras.
 
The first option on the above list represents one of only two 5Ds R advantages listed. But, it is a major one. All other things being equal, a 50.6 MP image has significantly higher resolution than a 30.4 MP image. Here is a resolution test chart comparison between the 5D IV and the 5Ds R. The 5Ds R, with it low-pass cancellation filter, delivers incredible detail, bringing fur, feathers, hair, foliage, eye lashes, etc. to life. With APS-C-level pixel density, this imaging sensor provides plenty of headroom for cropping when needed, adding "reach" to inadequately-long focal lengths, with adequate-for-many-purposes resolution remaining.
 
The second difference listed above is very tempting to me as the difference between 5 and 7 fps is quite noticeable. But, that is where my 1D X Mark II takes over. The 1D X II's 14 fps is twice as good as 7 fps, though I give up resolution in this trade-off.
 
List item #3, GPS and Wi-Fi, was only a minor differentiator for me. The Canon W-E1 Wi-Fi Adapter will give my 5Ds R the Wi-Fi capability and I've not yet found a strong need for the GPS coordinates in my EXIF.
 
An improved AF system, including lower light performance, is always important to me (an out of focus image usually heads straight to the recycle/trash bin) and the expanded AF point coverage area is definitely a 5D IV benefit for my wildlife and sports photography. While the 5D IV's f/8 AF advantages are really nice, I do not frequently use the lens plus extender combinations that make use of this feature.
 
Having higher ISO settings available is definitely an advantage, but only if the noise levels are acceptable for the intended purpose of the image. As hinted to by the higher standard max ISO setting, the 5D IV delivers lower high ISO noise levels than the 5Ds R. In general, you can have low noise or high resolution. Technology continues to bring us improvements in this compromise and the the 5D IV performs better than the 5Ds in this regard at the pixel level. Better, but not close to as much better as the max available ISO settings may indicate. Downsize the 5Ds image to 5D IV dimensions and the comparison becomes considerably closer. The 5D IV is still the better performer, but the equivalent resolution comparison shows this attribute being less of a decision factor.
 
While I continue to make increasing use of Canon's touch screen LCDs, they are not yet a must-have feature for me. That the 5D IV has this feature is an advantage, but ... this is not yet a decision maker for me.
 
The Dual Pixel AF feature is an important advantage for the IV, but ... my 1D X II has this feature when I need it. Same with the 4k video feature.
 
The 5D IV's weight is an advantage, but the amount of difference was not enough to "weigh" in on my personal decision.
 
While the last option on this list, mirror lockup delay, may seem minor, I use it constantly and it saves me time in the field.
 
While price is often a differentiator between camera models, there is a relatively small difference between these two. That I already owned the 5Ds R was a disadvantage to the 5D IV in this scenario and the budget wasn't open to an additional camera joining the kit at this time.
 
In the end, it was the resolution that compelled me to stay the course with the 5Ds R bodies. I love reviewing images with incredible detail, especially when I work really hard to get something special. I love to be able to print huge. I love to be able to crop when I fine tune (change my mind) later, when I was focal length limited or when I needed to choose less-than-ideal framing to hold a focus point on a subject in motion. Perhaps most important is that when evaluating lenses, I want to see any aberrations present as clearly as possible and I want to know if the lenses are up to use on a camera of this resolution.
 
Everyone's criteria for camera selection is not the same. You must make the decision that is right for you. If the resolution advantage is unimportant to you, the answer is easy – get the 5D IV. It is an incredible camera and a great upgrade from most other models in many respects.
 
The Canon EOS 5D Mark IV is available at B&H Photo | Adorama | Amazon | Wex Photographic
 
You may also be interested in:
 
Should I get the Canon EOS 5D Mark IV or the 5D Mark III?
Should I get the Canon EOS 5D Mark IV or the 5Ds/5Ds R?

Posted to: Nikon News
Post Date: 10/7/2016 9:32:05 AM CT   Posted By: Bryan
eBay (via photovideo4less) has the Nikon D500 DSLR Camera available for $1,499.00 with free shipping. Compare at $1,996.95.
 
Note: This is likely a grey market item and therefore would not qualify for a Nikon USA warranty.
Posted to: Nikon News
Post Date: 10/7/2016 6:46:57 AM CT   Posted By: Sean
 Thursday, October 6, 2016
From Manfrotto Distribution (for Bowens):
 
Upper Saddle River, N.J. (October 5, 2016) – Manfrotto Distribution, Inc., distributor of Bowens products in the United States, proudly announces the launch of the new Generation X flash range by Bowens. These innovative units will debut in the U.S. at PhotoPlus Expo in New York City later this month and mark a renaissance for the legacy lighting manufacturer.
 
Generation X comprises two new flash systems: XMT – an all-in-one battery unit for location lighting and XMS – engineered to be the go-to system for photographers who need a function-rich and completely reliable flash in the studio.
 
Announcing the launch, David Hollingsworth, Marketing Manager, said, “Generation X is just the first step in relaunching Bowens to the imaging world. These barrier-breaking new products combine state-of-the-art technology and cutting-edge design and are the result of many months of very intense market research and product development. They will be the vanguard of our plans for ongoing and regular new unit roll-outs in coming months and years.”
 
Added Hollingsworth, “We believe these are simply the best lights in their class available on the market today. New-look Bowens is creating beautifully designed and engineered products, tailored to our customers’ needs.”
 
John Gass, Technical Director said, “Generation X is the result of highly-focused analysis of our customers’ feedback through the years. These new units are revolutionary products which we believe are absolutely unbeatable in their class in terms of functionality, aesthetics and cost.”
 
He added, “For decades, customers have frequently described our products as ‘workhorses’ in the studio and on location. Now the workhorse has been transformed into a stallion; we tested the XMS at full power every five seconds over consecutive days and we couldn’t force this product to overheat.”
 
Generation X – at a glance
 
The all-new 500Ws XMT boasts TTL and high speed sync functionality (up to 1/8000s) compatible with Canon, Nikon and Sony cameras: 9-stops of flash power adjustment; flash durations as short as 1/10309s: faster recycle times than ever before (as rapid as 0.01s): easy swap lithium-ion battery provides up to 500 full power flashes per charge: rear curtain sync; sync delay and strobe mode allow creative set-ups on the move.
 
The XMS, available in 500,750 and 1000Ws models (all fully controllable via the XMSR 2.4 Ghz radio control and trigger) features multi-voltage operation. These units offer outstanding specification with faster recycling times and flash durations. The XMSR model includes groundbreaking Bowens ‘Sync Offset’ functionality, enabling photographers to embrace any brand of camera to shoot at high sync speeds – up to 1/8000s.
 
The following models will be available this fall:
 
FlashMSRP
XMT 500 $1,799.99
XMS 500 $1,099.99
XMS 750 $1,299.99
XMS 1000 $1,499.99
XMSR Trigger $289.99

B&H will carry the Bowens XMT and XMS flashes.
Posted to: Canon News,
Category: Bowens News
Post Date: 10/6/2016 9:20:18 AM CT   Posted By: Sean
B&H has the Custom Photo Props Faux Flokati Fur Newborn Photo Prop (Blondie, 20 x 32") available for $19.95. Regularly $27.95.
 
This item qualifies for free shipping on orders of $49.00 or more.
 
Product Highlights
 
  • Machine Washable
B&H has the Dracast LED500 Silver Series Bi-Color LED Light with V-Mount Battery Plate available for $199.95 with free shipping. Regularly $534.95.
 
Product Highlights
 
  • 3200-5600K Variable Color Temperature
  • Works with V-Mount Batteries
  • 10 x 10.4 x 1.8", Weighs 2 lb
  • 45-Degree Beam Angle
  • AC or DC Operation
  • 100-0% Dimming
  • CRI: 95
  • 100-240 VAC Power Adapter Included
  • Carry Case
 Wednesday, October 5, 2016
From Gitzo:
 
We are proud to inform you about the official launch of our new Monopod range.
 
Gitzo monopods continue to set the standard for professionals and advanced amateurs. The ideal monopod needs to be rigid, lightweight, extremely fast to open and close, fast and precise in height adjustments for rapid changes in shooting position. Thanks to Carbon eXact and G-lock Ultra, the new Gitzo monopods have all these features.
 
Rigid and lightweight – Carbon eXact tubes
 
Carbon eXact tubes optimise fibre composition for each tube size, to make the narrower tubes stiffer, and the wider tubes lighter compared to the predecessors’ Carbon 6X tubes. Series 4 (top leg diameter 37.0mm) models replace the previous Series 5 models; the slimmer top tube contributes to easier gripping and lighter weight, while ensuring rigidity from the stiff Carbon eXact tubes.
 
Improved ergonomics – new leg locks
 
G-lock Ultra has even more comfortable operation and reduced risk of dust entering the locking mechanism.
 
Smooth movement, solid footing - new big foot
 
The new big foot (diameter 50mm) realizes solid footing on any surface, while providing smooth movement with its integrated ball. This big foot can be removed and replaced by optional feet and spikes. This big foot is also available as an accessory (GSF50M).
 
Product range
 
B&H carries the new Gitzo Monopod range (see above product codes for links).
Posted to: Canon News,
Category: Gitzo News
Post Date: 10/5/2016 4:16:58 PM CT   Posted By: Sean

 
From Gitzo:
 
We are proud to inform you about the official launch of our new Systematic tripods – Gitzo’s top of the range tripod family, the choice of exacting professional photographers who use long lenses and heavy cameras.
 
Not only are Systematic Gitzo’s strongest and most stable tripods, they’re also modular, with a top casting element that opens and closes to allow each tripod to be configured with a flat disk, geared or sliding center column, video half-ball adaptor, leveling base or other Systematic accessories.
 
The latest range features Carbon eXact tubes, new ultra-stable feet and the Easy Link attachment, making the Systematic even more stable, versatile, and ergonomic.
 
Modular system
 
Gitzo Modular System

A Systematic tripod allows a choice between various centre columns, flat plates, video half-bowls and accessories. All Systematic tripods are supplied with a flat plate, but the optional Systematic accessories can be fitted by simply unlocking the lever in the top casting, lifting out the flat plate and fitting in the alternative accessory.
 
New Easy Link attachment
 
Gitzo Easy Link Attachment System

An Easy Link attachment (3/8” thread) is added, allowing the user to attach various accessories, expanding the functionalities of the tripod for advanced shooting techniques. For example, a Manfrotto arm can be attached to use lighting accessories or the Manfrotto Digital Director.
 
New Ultra-stable Feet
 
Gitzo Ultra Stable Feet

For a solid footing and maximum stability on any surface, Systematic tripods are equipped with new, ultra-stable big feet. The feet can be removed and replaced by standard-sized rubber feet (included), or optional feet and spikes.
 
Other new features
 
  • Leg angle selectors – easier and speedier to switch between the 3 leg angles
  • Carbon eXact – improved balance between rigidity and weight
  • G-lock Ultra – more comfortable to operate, reduces dust entering the locks
Product Range
 
Gitzo Systematic Range 2016

The latest Systematic range covers lightweight Series 3 tripods all the way up to the most rigid Series 5, in various combinations of leg sections and maximum heights.
 
New Systematic Tripods
 
B&H carries the new Gitzo Systematic tripod range (see above product codes for links).
Posted to: Canon News,
Category: Gitzo News
Post Date: 10/5/2016 4:06:02 PM CT   Posted By: Sean
Use coupon code 15OFF50 at LensRentals.com to receive 15% off your 50mm lens rental.
 
To support this site, navigate to the appropriate product review and click the Rent button.
 
Excludes cinema lenses. Valid on orders with arrival dates set on or before 10/31/16.
Posted to: Canon News,
Post Date: 10/5/2016 12:34:52 PM CT   Posted By: Sean
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