Our NYC SuperStore and Offices will be closing early on Tuesday, June 3 at 2:00pm EDT and remain closed on Wednesday and Thursday, June 4 and 5. We will reopen on Friday, June 6 at 9:00am EDT.
To ship your package before we close:
- Standard, Expedited or UPS Shipping - Place your order by Tuesday, June 3 by 12:00pm Noontime EDT.
- Other Domestic or International Shipping - Place your order by Tuesday, June 3 by 7:00am EDT.
Orders placed after above times will be processed after we reopen.
We apologize for any inconvenience and appreciate your patronage.
Want a compact DSLR kit? B&H
is now offering the Canon EOS Rebel SL1 Body bundled with a EF 40mm f/2.8 STM Lens
for $598.00 with free shipping.
The kit comes with a free SanDisk 16GB SDHC Memory and DSLR Holster Bag.
Commercial advertising photographer Jim Divitale has written a short but informative article for Canon's Digital Learning Center: Perspective Control with Tilt Shift Lenses
"When photographers want quality in their images, they know it starts with as much attention and detail as possible before the shutter clicks. We know we have post-production there to enhance the images, but it should be used like an artist with a fine brush, not like a construction worker with a jackhammer.
I am a big believer in the nondestructive workflow to its fullest degree and refer to my approach to this as “the way of the fast retreat,” which requires being ready for any change with the least amount of backtracking as possible. It comes after a career of working with advertising photography projects that need to have as many options for last minute changes as possible. We used techniques like creating HDR images from multiple exposures, stitching panoramic images, and depth of field image stacking to increase both the quality and dynamic range of our images. But the most important factor is to get the best possible original image captured. One way to maintain the highest quality in a photograph is the ability to control the image perspective before the image is taken."
Check out the entire article on the Canon Digital Learning Center for more info and example pictures.
Brianna, my high school senior, has had a very successful high school track career from multiple perspectives including having her name on three school records. This success did not come without a huge effort on her part, and we had discussed shooting a more-formal senior picture highlighting her passion for mid-distance running. Track season became busy and I shot many images of her competing, but time got away from us and suddenly we had only one evening remaining before she had to turn in her uniform.
The weather forecast for that evening called for scattered showers and we were watching the radar very closely. I was packed and ready, and we decided to go for it. After determining the ideal location on the track to shoot at, I began unpacking.
I had three Canon 600EX-RT Speedlites and a Canon ST-E3-RT Speedlite Transmitter to control them with. Two Speedlites were mounted on background light stands (small, light and simple) with Justin Clamps used to hold the Speedlites to the poles at any height I wanted. The third Speedlite was mounted to a weighted light stand with a 60" reversed/shoot-through umbrella mounted to a Manfrotto umbrella adapter.
I first mounted the umbrella to the stand and almost immediately a light rain began to fall. I quickly put Brianna, who feared that her hair and makeup would be ruined, under the Photogenic "umbrella". The rain mostly passed within 10 minutes or so and we went to work.
The two flashes on background light stands were set to group B and used as rim lights, placed to the side or slightly behind the subject as composition allowed. The shoot-through umbrella's flash was set to group A and used as the main light. Ambient light (for the entire background) was controlled through a manually-set camera exposure. The flashes were in E-TTL mode and +/- exposure for the two groups was controlled by the ST-E3-RT's Group mode.
While this may all sound complicated, it was not. Setup was very simple and I was able to quickly and easily adjust/balance the ambient, main and background light levels from the camera. While the rain stayed away for much of the two hours we were shooting, it did not fully stay away. Fortunately, this entire kit, including the Canon EOS 5D Mark III and Canon EF 24-70mm f/2.8 L II USM Lens, was weather-sealed and we were able to make many great images in this time.
I had planned this shoot for an evening so that the flashes would be able to overpower the ambient light levels, though I had hoped for a bit more light than we had. The aperture was wide and the ISO was moving up by the end of the evening. Still, the shoot was a big success for us.
Even selecting this particular image from the many shots of just this pose was difficult. With lighting dialed in, I had Brianna repetitively start from specific position on the track and take one big stride with her left knee and right arm (with the baton) forward. I timed the shutter release (a short shutter lag is extremely useful in this situation) for a near-top-of-stride subject position that coincided with the lighting setup. The composition was arranged to take advantage of the lines on the track.
With a wireless flash system and a little effort, we created the images we had envisioned.
Camera and Lens Settings
30mm f/4.0 1/100s
5760 x 3840px
will be showcasing upcoming changes to Creative Cloud on June 18 at 1PM ET. Adobe's tagline for the event – "Everything is New Again" – suggests there may be some surprises in store. Sign up
at Adobe to receive a reminder of the live streaming announcement. Reminder:
Through May 31, Adobe has the Photoshop Photography Program
(Photoshop CC & Lightroom 5) available for $9.99/mo (with 1 year commitment) with no previous ownership requirements.
I've been a Photoshop Photography Program member since September and really enjoy it. I believe it's an excellent value at $9.99 per month. Time is running out on this deal so take advantage of it while you can. [Sean]
Roger over at LensRentals has a bit of a problem. He will soon have so much data (thanks to LensRentals' new optical bench) that he doesn't know what to do with it. Excel experts, he needs your help to present the data in a logical, concise and easy-to-understand way.
Here are the details: Platinum Medal Prize: $500
To win the Platinum Prize you must write a program or macro that fulfills my wild fantasy – Aaron spends hours collecting data on dozens of lenses, then I push a computer button and beautiful, logical graphs are generated that are easy to follow, present the data and variation, and offers an easy way to compare different types of lenses. I will be a bit flexible on what constitutes pushing a button, but if it takes me hours, it’s not winning. Gold Medal Prize: We will do the lens test of your choice (within limits of our mounts for the optical bench and lens availability) and a $100 rental credit
So if you’ve always wanted a comparison between the Canon 18-55 IS kit lens and the Olympus 16-50, or just want your ownt lenses tested, here’s your chance. To win the Gold Medal Prize you develop a fairly simple way to create logical, easy to understand graphs that demonstrate the variation of copies for each type of lens, and offers an easy way to compare different types of lenses. Bronze Medal Prize: Our undying gratitude and we’ll test 2 of your lenses on our optical bench and provide you printouts.
To win the Bronze Medal you simply have to demonstrate a graphing method that presents the average (mean) results for multiple copies of a lens in a way that’s easy to follow and understand. If we use your graph methods, you win a Bronze Medal.
If you're interested in participating, head on over the the LensRentals website
to learn more.
Through May 31 (or until inventory is exhausted), B&H
has Adobe Photoshop Elements 12
available for $64.00 with free expedited shipping. Regularly $89.00.