has the Hoya 82mm Variable Density Filter
available for $89.95 with free expedited shipping. Regularly $124.95. Product Highlights
- Variable 0.45-2.7 Neutral Density Filter
- Reduce Exposure by 1.5-9 Stops
- Darkens Entire Image
- Greater Control Over Exposure Settings
by Sean Setters
At about 3:30am this past Friday, I awoke from a sound sleep but had no idea why. Through the tiny slit in my eyelids I thought I detected a flash of light from the window behind my head. It didn't seem very bright and I thought to myself, "Was that lightning or am I dreaming?"
After waiting a few seconds to hear the tell-tale sounds of thunder, I laid my head back down. A few seconds later, though, I finally heard the faint sounds of distant thunder.
Wanting to try out my Vello FreeWave Stryker Lightning & Motion Trigger
, I groggily rose from the bed, put on clothes and packed my camera gear. In 15 minutes I was standing on the town square after a very short drive.
I originally purchased the Vello FreeWave Stryker Lightning & Motion Trigger just before Christmas of last year. As winter is not known for producing thunder storms, I had only been able to use the device once a couple of weeks ago since acquring it. While testing the device for the first time, I thought about how cool it would be to capture lightning over one of my town's most famous landmarks, the historic county courthouse.
To get the shot, I positioned myself under the awning of a building across the street. I used my 5D Mark III
and a Canon TS-E 24mm f/3.5L (precursor to the TS-E 24mm f/3.5L II
) so that I could keep the perspective of the building clean while also capturing a good portion of the sky (shifting the lens upward).
I adjusted the Vello trigger's sensitivity to the point at which it was triggered by the ambient street lights and then backed off the sensitivity just slightly. It took me a few test shots to nail down my exposure settings (adjusting aperture and ISO to properly expose for the lightning and shutter speed to properly expose for the buildings), but I finally worked it out.
After about 30-40 minutes there was a break in the rain where lightning was striking within the camera's field of view. I captured lightning bolts in three different images, and this one captured at 4:07am was the best of the bunch. The camera also triggered when lightning flashed outside the camera's field of view, but those images simply showed a brightened sky.
After about an hour and a half of shooting (well after getting this shot), I went home and immediately edited the image and posted it to Facebook where it blew up in popularity, easily besting any other image I've ever posted to social media. It was shared by the official Facebook page of our county (where it has garnered over 1,400 likes and almost 200 shares this weekend) as well as being shared on the Facebook pages of our town mayor and a local radio DJ.
Unfortunately, I was quite tired when originally editing and posting the image and didn't notice how warm I left the image's color balance. I cooled down the color balance (but still left it slightly warm) in the image uploaded to Flickr
Could I have captured this image without the lightning trigger? Of course. To do so, I would have needed to continuously fire the camera in interval mode (either using an intervelometer or simply pushing the shutter button every time an exposure ended), but using the dedicated lightning trigger made the process much easier. The lightning trigger was also handy when trying to find the right exposure variables (as the camera wasn't continuously firing, camera settings could be adjusted as normal). Also, using the trigger meant that I didn't have to wade through hundreds of images to find the ones where lightning actually struck. Misc. Takeaways
- When posting images to social media, timing is important. As I posted the image soon after getting home, the morning lighting storm was still fresh in everyone's mind (many people woke up to the storm), so the image was even more relevant.
- Even though I was shooting beneath an awning, a lens hood (which I forgot to bring) would have helped protect the lens's front element from raindrops blown by the wind. The image above shows evidence of rain being on the front element.
- An image that has nothing to do with your bread-and-butter, money-making photography (for me – portraiture, architecture and advertising) can actually help you get business. A former headshot client of mine contacted me later that day to congratulate me on the image and then requested a quote for portrait-based advertising images for his company. The proceeds from that job alone would easily cover half the investment in an EOS 5Ds. Aside from that, I've also had requests for print purchases of the image.
You can see a larger version of the image on Flickr
. EXIF Info:
Canon EOS 5D Mark III
Canon TS-E 24mm f/3.5L Tilt-Shift
24mm, f/8, 10 sec, ISO 100