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 Tuesday, April 11, 2017
From Adobe:
 
Camera Raw 9.10 is now available through the update mechanism in Photoshop CC and the Creative Cloud application.
 
The goal of this release is to provide additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Camera Raw.
 
New Camera Support in Camera Raw 9.10
 
  • Canon EOS M6
  • Canon EOS Digital Rebel T7i (EOS 800D, EOS Kiss X9i)
  • Canon EOS 77D (EOS 9000D)
  • Pentax KP
New Lens Profile Support in Camera Raw 9.10
 
MountName
AppleOOWA 15mm Wide-Angle Lens for iPhone 6 (JPEG only)
AppleOOWA 15mm Wide-Angle Lens for iPhone 6s (DNG+JPEG)
AppleOOWA 75mm Telephoto Lens for iPhone 6 (JPEG only)
AppleOOWA 75mm Telephoto Lens for iPhone 6s (DNG+JPEG)
Canon EFSIGMA 100-400mm F5-6.3 DG OS HSM C017
Canon EFSIGMA 135mm F1.8 DG HSM A017
Canon EFTokina AT-X 24-70mm F2.8 PRO FX (IF)
Canon EF-SCanon EF-S 18-55mm f/3.5-5.6 IS II
Canon EF-STokina AT-X 14-20mm F2 PRO DX (IF)
Minolta SRMinolta MC ROKKOR-PF 85mm F1.7
Minolta SRMinolta MD ROKKOR-X 85mm F2
Nikon FSamyang 12mm f/2.8 ED AS NCS Fisheye
Nikon FSIGMA 135mm F1.8 DG HSM A017
Nikon FTokina AT-X 14-20mm F2 PRO DX (IF)
Nikon FTokina AT-X 24-70mm F2.8 PRO FX (IF)
Leica MVoigtlander VM HELIAR-HYPER WIDE 10mm F5.6
Leica MVoigtlander VM ULTRA WIDE-HELIAR 12mm F5.6 III
Leica M39FED Industar-61 52mm f/2.8
M42Helios MC 44-3 58mm F2
SigmaSIGMA 135mm F1.8 DG HSM A017
Sony FESony FE 85mm F1.8
Sony FESony FE 100mm F2.8 STF GM OSS

Customer reported issues resolved
 
  • Fixed an issue where Hasselblad H6D-50c files that won’t load in Camera Raw.
  • Added Camera Matching color profiles for the Panasonic FZ1000, Panasonic GH4, and Panasonic LX100 cameras.
  • Fixed a bug where we see unexpected behavior change: Local exposure + negative Clarity.
Installation Instructions
 
Camera Raw 9.10 – Please select Help>Updates to use the update mechanism in the Creative Cloud app.
 
Please note – If you have trouble updating to the latest Camera Raw update via the Creative Cloud application, please refer to the following plugin installation:
 
http://helpx.adobe.com/x-productkb/multi/camera-raw-plug-in-installer.html
 
DNG Converter 9.10 download links: Win | macOS
 
B&H carries Adobe Photography Plan subscriptions.
Post Date: 4/11/2017 10:23:38 AM CT   Posted By: Sean
If you currently have a Rebel/***D or **D series camera, the Canon EOS 6D and EOS 7D Mark II will likely be considered prime upgrade candidates as you look to expand your imaging capabilities. As such, let's take a look at these two DSLR bodies to see which upgrade option may be right for your needs.
 
First, let's take a quick look at the EOS 6D's benefits over the 7D Mark II:
 
  • Full frame sensor capable of cleaner imagery at higher ISOs
  • Larger ISO range: Auto (100-25600), 100-25600, L: 50, H1: 51200, H2: 102400 vs. Auto (100-16000), 100-16000, H1: 25600, H2: 51200
  • Built-in Wi-Fi
  • Higher battery life: Approx. 1090 (at 23°C, AE 50%, FE 50%) vs. 670
  • Slightly smaller/lighter: 5.7 x 4.4 x 2.8" (144.5 x 110.5 x 71.2mm), 26.6 oz (755g) vs. 5.85 x 4.43 x 3.08" (148.6 x 112.4 x 78.2mm), 32.10 oz (910g)
Now let's check out the EOS 7D Mark II's benefits over the 6D:
 
  • Compatability with EF-S lenses
  • Dual Pixel CMOS AF Sensor
  • Pop-up master flash vs. No flash
  • Headphone socket vs. None
  • Multi-controller joystick & AF area selector vs. None
  • More powerful image processing: Dual DIGIC 6 vs. DIGIC 5+
  • More advanced AF system: 65-point all cross-type AF (f/2.8 dual cross-type AF point at center) vs. 11 points (f/5.6 cross type at center, extra sensitivity at f/2.8)
  • More advanced metering system: 252 zone Dual Layer SPC vs. 63 zone Dual Layer SPC
  • More sensitive metering range: EV 0 – 20 (at 73°F/23°C and ISO 100) vs. EV 1 – 20
  • Faster continuous shooting and larger buffer: Max 10 fps (infinite JPEG, 31 RAW) vs. 4.5 fps (1250 JPEG, 17 RAW)
  • Faster max. shutter speed: 1/8000 sec. vs. 1/4000
  • Larger viewfinder coverage: 100% vs. 97%
  • More movie encoding options: .MOV & .MP4 (max. 1920 x 1080 [59.94, 50 fps] inter-frame) vs. .MOV (max. 1920 x 1080 [29.97, 25 fps] intra or inter frame), no .MP4 option
  • Faster Interface: SuperSpeed USB 3.0 vs. Hi-Speed USB 2.0
  • Dual Memory Cards: CompactFlash (UDMA 7 compatible) & SD/SDHC/SDXC (UHS-I) vs. SD/SDHC/SDXC (UHS-I) only
At the heart of it, you're looking at a comparison between Canon's low-end, budget conscious full-frame camera and their high-end, top-of-the-line APS-C model. Based on Canon's historical naming conventions, the camera bodies' names suggest the the EOS 6D is placed just above the 7D Mark II in the lineup spectrum, but that's simply a sensor-based categorization. Otherwise, as is clearly evident, the 7D Mark II provides a significant superset of features over 6D.
 
There are two key differentiators that usually appear in our camera comparisons – resolution and price – which remain unlisted above. In this case, these attributes fail to be differentiating factors between these particular cameras. Both DSLRs feature the same 20.2 MP resolution (although the 6D's sensor is larger, providing a larger pixel pitch) and both are priced similarly (the 7D II's MSRP is $100.00 USD higher, although instant and/or mail-in rebates can level out pricing).
 
Who should opt for the EOS 6D?
 
If you are looking for the absolute best image quality, especially at higher ISOs, you will certainly benefit from the 6D's full frame sensor. If who want a true 35mm angle of view from Canon's EF, TS-E & MP-E lenses, the choice is easy – get the 6D. If you want built-in Wi-Fi, the EOS 7D Mark II doesn't have it; the 6D does. The 6D makes for an excellent dedicated studio/portraiture body. Although the 6D is slightly smaller and lighter than the 7D II, I wouldn't necessarily consider it compelling differentiator between the two bodies.
 
Who should opt for the EOS 7D Mark II?
 
With a myriad of features not included in the EOS 6D, the 7D Mark II could be considered the jack-of-all-trades in this comparison. And if you're upgrading from another APS-C body, the 7D II allows for a seamless transition because of its compatibility with designed-for-crop-sensor, EF-S lenses, while still being compatible with EF, TS-E & MP-E lenses.
 
If you shoot sports or wildlife, you'll love the 7D II's advanced AF system and substantially faster 10 fps burst rate. If you're interested in filmmaking with your DSLR, the 7D II's expanded movie options, headphone socket and excellent Dual Pixel CMOS AF – allowing for superb focus tracking in movie mode – are huge benefits.
 
Aside from the advanced AF system, faster burst rate and impressive movie options, the 7D II's dual memory card slots is another feature that I consider to be a significant benefit over the 6D. The extra memory card slot provides the benefit of redundancy should a memory card become corrupted (or otherwise unavailable due to forgetfulness). If redundancy is not needed, the extra memory card slot can provide up to twice the storage available for use. And if the benefits of redundant/more storage are deemed unnecessary, you can always throw a Canon W-E1 Wireless Adapter in the SD card slot for the benefits it provides.
 
Summary
 
As is typical of Canon DSLRs, each of these cameras can easily be utilized to create stunning imagery. Your personal priorities and intended subject matter will ultimately determine which of these bodies is the best investment for capitalizing on your photographic opportunities. Hopefully, the comparison above has provided some insight into which of these bodies is the right addition for your camera kit. If not, check out Bryan's full reviews for more in-depth information on these (and many more) cameras.
Posted to: Canon News
Post Date: 4/11/2017 7:45:06 AM CT   Posted By: Sean
by Sean Setters
 
I've been very interested in lightning photography for past several years. My original lightning trigger – the Vello FreeWave Stryker Lightning & Motion Trigger – was destroyed by a set of AAs that ruptured and corroded the battery compartment. While the Vello FreeWave Stryker worked as advertised in very dark conditions, dialing in the correct sensitivity was difficult and you couldn't use it effectively in even dimly lit overcast conditions. With my first lightning trigger irreparable (at least by me), I began looking for a more full featured trigger.
 
Not long after the Vello trigger bit the dust, I picked up the Miops Camera Trigger. After more than a year with the device, I've come to realize just how awesome this little trigger is. Following are three reasons why I love the Miops Camera Trigger.
 
Lightning Over Savannah, GA June 28, 2016

1. It saves wear and tear on the camera's shutter.
 
Of course, this benefit is true of all lightning camera triggers to a certain degree, but I find the Miops' sensitivity settings to be very easy to dial into a "perfect" setting for whatever situation presents itself in front of my camera, whether I'm photographing in very dark conditions or comparatively bright ones. The ability to finely tune the trigger means that the camera only triggers when lightning occurs. Contrast this with the technique of triggering your camera via an intervalometer where your camera fires endlessly whether there is lightning or not, and you'll quickly realize that a 1-hour storm translates into a lot of wear and tear on your shutter mechanism. Not only does the lightning trigger significantly reduce the wear on your camera, but it also saves you considerable amount of time in post processing as you don't have to wade through a mountain of images to find the candidates where lightning occurred.
 
Cannon Firing at Fort Pulaski Miops Camera Trigger

2. It's not just a lightning trigger.
 
Even though I purchased the Miops trigger primarily for photographing lightning, I love the fact that it features multiple kinds of triggering. In addition to lightning, the device can trigger your camera based on sound or laser catalysts. And on top of that, the Miops trigger can even serve as an intervalometer or a Bluetooth/smartphone remote trigger. In fact, I used the device to photograph a cannon firing demonstration (seen above) by remotely triggering my EOS 5D Mark III in continuous burst mode from a vantage point where spectators were not allowed (with prior permission, of course).
 
Miops Camera Trigger Li-Ion Battery

3. The internal battery is excellent.
 
To be perfectly frank, I wasn't sure I'd like the internal, rechargeable battery feature of the Miops trigger. I envisioned the battery running out at exactly the wrong time with no way to quickly replace the battery (or batteries) for uninterrupted operation. However, I've only charged the device twice in the year that I've had it and its battery indicator has never dropped below full power (after the initial charge, I recharged it once around the 6 month point just as a precaution). The device uses so little power that its relatively large internal battery seems to last forever. Of course, given enough time or enough usage, the battery will be exhausted, but... considering its performance, I'm happy to throw it on the charger once or twice a year. And if you're really concerned, you can purchase an additional rechargeable lithium-ion battery from Miops and keep a separately charged one in your bag or, alternately, use an USB battery pack to power the device while in-use.
 


About the Featured Image
 
Ever since creating the composite image of a lightning storm over River Street, I envisioned a tighter framed depiction of Savannah City Hall's gold dome with lightning in the frame. However, the biggest problem with the tighter framing is that the lightning would have to occur within a much smaller portion of sky in order to fall within the required field of view. While the perfect placement of a lightning bolt seemed unlikely, I thought it was worth an effort.
 
With a lightning storm forecast for the evening of April 5, I headed across the Savannah River to International Trade and Convention Center, the same spot I photographed the lightning composite of River Street. The great thing about this location is that it has a canopy covered side which has a great view of River Street on the opposite bank. This time around I used an EF 70-200mm f/2.8L IS USM affixed to a 5D Mark III, the Miops trigger and an OP/TECH USA 8" Small Rain Sleeve and pointed the tripod-mounted rig at Savannah City Hall on the other side of the river. Using a focal length of 140mm allowed for the City Hall gold dome to be the prominent feature in the frame while [hopefully] giving me enough buffer around it to capture a lightning bolt.
 
After setting my exposure values (f/5, 1 sec, ISO 200), I sat down in a spot shielded by a canopy and alternated between watching the storm and reading articles on my smartphone. One of the great things about this type of photography is the automation; once everything was in place, it just became a waiting game.
 
While waiting for a fortuitous bolt, a riverboat which tours the Savannah River, the Georgia Queen, parked just under the City Hall dome right along River Street. The bright lights of the riverboat helped balance out the frame by adding some interest to the otherwise dimly lit River Street below City Hall.
 
After about an hour (and only 4 minutes after the Georgia Queen settled into place), I had the shot I was looking for. As it turns out, I was reading articles on my smartphone when this particular strike took place and I had no idea I had captured the image I set out to get. I packed up about 30 minutes later a bit disappointed thinking I was going home empty handed. It wasn't until I was reviewing the images later that evening that I realized I had been successful in achieving my goal of a photographing a lightning strike near the golden-capped landmark.
Post Date: 4/11/2017 7:00:42 AM CT   Posted By: Sean
Amazon is featuring select Sandisk memory products as a Gold Box Deal of the Day.
 
Discounted Products Include
 
  • SDXC & MicroSDXC Memory Cards
  • USB Flash Drives
  • Solid State Drives (Portable & Internal)
Post Date: 4/11/2017 6:29:28 AM CT   Posted By: Sean
 Monday, April 10, 2017
Just posted: Tamron 70-200mm f/2.8 Di VC USD G2 Lens Review.
 
Tamron has delivered impressively with this G2.
 
The Tamron 70-200mm f/2.8 Di VC USD G2 Lens is in stock at B&H | Amazon |Adorama (B&H and Adorama are shipping after the holiday break).
Post Date: 4/10/2017 8:27:36 AM CT   Posted By: Bryan
Amazon has the AmazonBasics Carbon Fiber Monopod available for $59.49. Regularly $69.99.
 
Product Highlights
 
  • Monopod made of lightweight 8X carbon fiber designed for stabilizing SLR, compact, and action cameras; convenient carrying bag included
  • Ultra compact—weighs only 0.95 pounds; measures 17.5 to 61 inches long (fully extended)
  • Supports loads up to 22 pounds; reversible 1/4”-20 and 3/8"-16 screw on the mounting plate
  • 5 extendable sections with rubber twist locks for securely adjusting height
  • Wrist strap and comfortable hand grip; rubber feet with screw-in spike for added stability
  • Backed by an AmazonBasics 1-Year Limited Warranty
Post Date: 4/10/2017 6:31:00 AM CT   Posted By: Sean
B&H has the Dracast LED1000 Silver Series Foldable Bi-Color LED Light available for $449.95 with next day delivery. Regularly $1,149.95.
 
Included Free: Dracast Camlux Pro Bi-Color On-Camera Light ($89.95 value)
 
Note: Any orders placed now will be processed after B&H reopens at 9am on Wed April 19.
 
Product Highlights
 
  • 1000 LEDs with CRI of >95
  • Color Temperature: 3200-5600K
  • Beam Angle: 45°
  • Dimming from 0-100%
  • Folded Size: 9.1 x 7.8 x 1.4"
  • Extended Size: 9.1 x 15.7 x 0.7"
  • Physical Dimming Dial; Aluminum Chassis
  • Power Draw: 58W
  • V-Mount Battery Plate & AC Adapter
  • Center Mount Yoke and Carrying Case
B&H has the Manfrotto XPRO Over 4-Section Aluminum Monopod available for $69.88 with free expedited shipping. Regularly $99.88.
 
Product Highlights
 
  • Load Capacity: 17.6 lb
  • Max Height: 70.87"
  • Closed Length: 22.4"
  • Sections: 4
  • Weight: 1.65 lb
  • Aluminum Construction
  • Rubber Grip, Wrist Strap
  • Flip-Lock Leg Sections
Note: Any orders placed now will be processed after B&H reopens at 9am on Wed April 19.
Post Date: 4/10/2017 6:06:14 AM CT   Posted By: Sean
 Saturday, April 8, 2017
From the Federal Aviation Administration:
 
The Federal Aviation Administration (FAA) has established airspace restrictions over 133 military facilities to address national security concerns about unauthorized drone operations. The specific restricted locations are detailed in a Notice to Airmen (NOTAM) – UAS NOTAM FDC 7/7137, and may be viewed online via an interactive map here.
 
The Agency is using its existing authority under Title 14 of the Code of Federal Regulations (14 CFR) § 99.7 – Special Security Instructions – to establish these restrictions. The relief provided under § 99.7 is limited to requests from the Department of Defense and U.S. federal security and intelligence agencies based on national security interests.
 
U.S. military facilities are considered “sensitive” as they are vital to the nation’s security. The FAA and the Department of Defense have agreed to restrict drone flights up to 400 feet within the facility’s lateral boundaries. There are only a few exceptions that permit drone flights within these restrictions, and they must be coordinated with the individual facility and/or the FAA. The restrictions are effective on April 14, 2017.
 
Operators who violate the airspace restrictions may be subject to enforcement action, including potential civil penalties and criminal charges.
 
For more information about these restrictions, including frequently asked questions, please visit the FAA’s UAS website.
Category: FAA News
Post Date: 4/8/2017 10:53:06 AM CT   Posted By: Sean
 Friday, April 7, 2017
A macro lens is a lens that specifically allows you to focus extremely close to a subject so that it appears large in the viewfinder (and in the final image). "True" macro lenses are able to project subjects onto the camera's sensor life-sized at a 1:1 reproduction ratio resulting in a 1.0x MM (Maximum Magnification) at the lens' MFD (Minimum Focus Distance, measured from the subject to the sensor), meaning that a 0.6" (15mm) long subject would be projected 0.6" (15mm) long onto the sensor. While that doesn't sound like a big deal, keep in mind that a subject measuring only 1.4 x .9" (36.0 x 24.0mm) will completely fill the frame of a full frame DSLR. When viewed on a large display, tiny details in your subjects become conspicuous features while using true macro lenses.
 
A select few macro lenses actually exceed life-sized reproduction (the Canon MP-E 65mm 1-5x Macro is a notable example) for the ultimate in close-up DSLR photography. Besides true macros, lenses featuring a MM between 0.50x and 1.0x can also be considered macro lenses as they permit significantly closer focus than typical lenses provide.
 
Macro lenses come in a variety of focal lengths from wide-angle to telephoto. The important thing to keep in mind is that the lens' focal length will determine your field of view, working distance available and background blur capable when photographing your subject. For instance, the Canon EF-S 35mm f/2.8 Macro IS STM features a 35mm focal length (as the name implies) and produces 1.0x magnification at its MFD of 5.1" (130mm). In contrast, the Canon EF 180mm f/3.5L Macro USM produces the same magnification with a subject placed 18.9" (480mm) from the sensor. The extra working distance provided by longer focal length macro lenses can be very beneficial if photographing skittish subjects such as insects. Longer focal lengths also produce a more pronounced background blur which can be great for showcasing your subject through isolation.
 
Focal Length Background Blur

On that note, let's consider the many common uses for macro lenses. Typical macro subjects include the aforementioned insects, flowers, jewelry (especially engagement and/or wedding rings), coins, and everyday small objects. If your subject isn't necessarily small, you can focus on the small details of a larger subject to create intriguing macro imagery.
 
Rose Macro 2015

Now that you know more about macro lenses, you may consider adding one to your kit. And on that note, checking out our Macro Lens Recommendations will help you find the right macro lens for you.
 
Now get out there and enjoy shooting our big world full of small things!
Post Date: 4/7/2017 10:23:23 AM CT   Posted By: Sean
Image quality (results from 3 cameras), vignetting, flare and distortion test results along with specs, measurements, standard product images and eye candy have been added to the Tamron 70-200mm f/2.8 Di VC USD G2 Lens page.
 
The Tamron 70-200mm f/2.8 Di VC USD G2 Lens is in stock at B&H (Nikon mount coming soon).
Post Date: 4/7/2017 7:59:52 AM CT   Posted By: Bryan
B&H has the MXL 870 Studio Condenser Microphone available for $59.95 with free shipping. Regularly $199.95.
 
Product Highlights
 
  • Large-Diaphragm Condenser
  • FET Preamp in Capsule
  • Designed for Vocals and Instruments
  • Cardioid Polar Pattern
  • Includes Shockmount
Post Date: 4/7/2017 6:02:15 AM CT   Posted By: Sean
B&H has the Prolite Bouncer available for $9.95 with free shipping. Regularly $29.95.
 
Instead of permanently attaching hook & loop fasteners to affix this to your flash, you may prefer to usa a cinch strap instead. [Sean]
 
Product Highlights
 
  • Fits Most On-Camera Flash Units
  • Redirects and Softens Light
  • Minimal Light Loss
  • Attaches via Hook-and-Loop Fasteners
  • No Exposure Compensation Necessary
Post Date: 4/7/2017 5:18:32 AM CT   Posted By: Sean
 Thursday, April 6, 2017
B&H has the Sigma 135mm f/1.8 DG HSM Art Lens for Canon in stock with free expedited shipping.
Post Date: 4/6/2017 4:22:54 PM CT   Posted By: Sean
Through midnight tonight Eastern Time, B&H has the Dracast LED500 Silver Series Bi-Color LED Light (V-Mount or NP-F) available for $199.95 with free shipping. Regularly $534.95.
 
Product Highlights
 
  • 3200-5600K Variable Color Temperature
  • 10 x 10.4 x 1.8", Weighs 2 lb
  • 45-Degree Beam Angle
  • AC or DC Operation
  • 100-0% Dimming
  • CRI: 95
  • 100-240 VAC Power Adapter Included
  • Carry Case
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