After shooting the headshots with the black background, Kim had what she had asked for. But the last time I was on stage, I was captivated by some of the set pieces being prepared for the upcoming play. I had imagined using the lounge chair as a prop and the understated, yet beautiful wallpaper as a backdrop. And I couldn't get that idea out of my head. So after we wrapped up the headshots Kim had asked for, I suggested we take a few more minutes and try something completely different. I explained to her what I was thinking and she readily agreed to extend our session a little longer. She decided a change of clothes might work better for the new setup, and I agreed.
Setting up the shot (seen at the top of this post) took 5 - 10 minutes. I used nearly the same lights and light modifiers that I had used in the previous setup, so it was merely a matter of moving around some furniture, a few light stands and my tripod.
It only took a few shots to dial everything in. And after that, we captured some of the best images of the day. No, they weren't the images Kim had asked for – but she liked them even better (as did I).
So what did I take away from this experience? When clients hires you, they may have a set of guidelines (or restrictions) for you to follow in order to achieve specific goals. And there's nothing wrong with that. You have to give the client what they need.
But many times it's difficult to create the image that's in someone else's head, no matter how well they communicate it to you. So you do your best to give the client what they've asked for.
It may sound obvious, but here's something to keep in mind – anyone who hires you was likely impressed with the work you've already created. So if a shot really inspires you, it will likely inspire your client as well – so try to devote a few minutes to getting the shot you want to get, even if it's not a part of your agreed shot list. And then maybe both of you can walk away from the table getting more than you bargained for (in a good way).
|Size||Orig. Price||Sale Price|
|Refurbished Item||Orig Price||Savings||Sale Price|
|Canon EF 17-40 f/4 L USM||100.80||571.19|
|Canon EF 24-70mm f/4 L IS USM||179.88||1,019.32|
|Canon EF 24-105mm f/4 L IS USM||137.88||781.32|
|Canon EF 28-135mm f/3.5-5.6 IS USM||115.20||268.79|
|Canon EF 70-200mm f/4 L IS USM||161.88||917.32|
|Canon EF 70-300mm f/4.5-5.6 DO IS USM||167.88||951.32|
|Canon EF 70-300mm f/4-5.6 IS USM||156.00||363.99|
|Canon EF 75-300mm f/4-5.6 III USM||28.20||159.79|
|Canon EF 75-300mm f/4-5.6 III||48.00||111.99|
|Canon EF 20mm f/2.8 USM||64.80||367.19|
|Canon EF 28mm f/1.8 USM||61.20||346.79|
|Canon EF 28mm f/2.8 IS USM||66.00||373.99|
|Canon EF 40mm f/2.8 STM||48.00||111.99|
|Canon EF 50mm f/1.4 USM||48.00||271.99|
|Canon EF 50mm f/2.5 Compact Macro||36.00||203.99|
|Canon EF 100mm f/2 USM||60.00||339.99|
|Canon EF 100mm f/2.8 Macro USM||72.00||407.99|
|Canon EF-S 10-22mm f/3.5-4.5 USM||78.00||441.99|
|Canon EF-S 15-85mm f/3.5-5.6 IS USM||96.00||543.99|
|Canon EF-S 18-135mm f/3.5-5.6 IS STM||66.00||373.99|
|Canon EF-S 18-135mm f/3.5-5.6 IS||120.00||279.99|
|Canon EF-S 18-200mm f/3.5-5.6 IS||84.00||475.99|
|Canon EF-S 55-250mm f/4-5.6 IS II||120.00||120.00|
|Canon EF-S 55-250mm f/3.5-5.6 IS STM||42.00||237.99|
|Canon EF-S 60mm f/2.8 Macro USM||56.40||319.59|
|Canon Speedlite 430EX II||36.00||203.99|
|Canon Speedlite 320EX||30.00||169.99|
|Canon Speedlite 270EX II||20.40||115.59|
|Canon Speedlite 90EX||18.00||101.99|
"Digital Photo Professional (DPP) version 4.0 is the latest release of Canon’s free RAW image management and editing software, and this incarnation is heralded as the first major update since the software was launched. Canon has responded to feedback from Digital Photo Professional users and incorporated feature requests and suggestions into version 4.0 to create a better looking package that offers a smoother, faster workflow. In this article CPN writer George Cairns examines how DPP 4.0 is better equipped to support your photographic workflow – as you import, browse and develop large numbers of RAW images – and investigates new features, such as the ability to make selective hue, saturation and luminance adjustments for eight colour gamuts."
Read the entire article on the Canon Professional Network.
Check out SwivelCard's Kickstarter Page for full details.
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