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 Monday, August 22, 2016
Getting both of these lenses is of course ideal (and very highly recommended), but what if your budget allows for only one? Which one should you get? On the surface, the Canon EF 70-200mm f/2.8L IS II USM Lens and the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens are quite different in their specs, but with the addition of the Canon EF 2x III Extender creating a 140-400mm f/5.6 IS lens from the 70-200 whenever desired, these two options quickly become rather close in primary specs.
In making this decision, the first question to ask is: "How important is a wide aperture to you?" If you are shooting action in low light, especially indoors, the f/2.8 aperture is going to be very important. If you need the maximum background blur in the 70-200mm focal length range, the f/2.8 lens is the better choice. If you simply need the 70-100mm focal length range, the 70-200 is the right choice as the 100-400 can't do that.
While the focal length range should play strongly into the decision making process, the 2x extender evens out the playing field between these two lenses. One of the first concerns I have when adding an extender is the impact to image sharpness.
Overall, these lenses are both so sharp that image sharpness is not a significant differentiator over the native focal length range overlap. The 70-200 of course needs help from an extender to cover the 200-400mm comparable range. Adding a 1.4x extender to a great zoom lens will cause relatively minor impact to image sharpness, but a 2x extender generally produces a noticeable contrast and resolution impact and that is the case here. The 70-200 performs quite well with the 2x, but the difference in across-the-frame sharpness is noticeable with the 100-400 showing a moderately strong advantage in the 400mm comparison. AF performance/speed also takes a bit of a hit with this extender in place.
These two lenses are quite similar in size, weight and price ... until the 2x extender is added to the equation. The 2x adds 2" (50mm) to the length, 12 oz (340g) to the weight and roughly 20% to the cost.
Thus, if the longer focal lengths are going to see significant use, the 100-400 L II has the overall advantage including smaller size, lighter weight, lower price, better AF performance and better image quality. Applications I commonly use the 100-400 L II for include wildlife, landscapes and big-field daytime outdoor sports photography.
When the wider aperture is needed and/or the 70-200mm focal length range is preferred, the 70-200mm f/2.8L IS II is my preference. This lens is an excellent choice for portraits, indoor events (including weddings), indoor sports, and many more similar uses. When longer-than-200mm focal lengths are needed only infrequently, adding the 2x to the 70-200mm lens can get the job done.
Again, the ideal Canon kit will have both of these lenses in it, but for those that must choose between the two, there is usually a best choice.
B&H has the 70-200mm f/2.8L IS II Lens ($100.00 instant rebate), 100-400mm f/4.5-5.6L IS II Lens ($200.00 instant rebate) and 2x III Extender in stock (with 4% rewards).
From Datacolor:
Lawrenceville, NJ – August 16, 2016 – Datacolor, a global leader in color management solutions, today announced the release of Spyder5CAPTURE PRO, the next generation of its popular color calibration solutions for photographers, designers and imaging professionals. Spyder5CAPTURE PRO features all the essential products needed to manage color from image capture to post production, including SpyderLENSCAL, SpyderCHECKR, SpyderCUBE, and Spyder5ELITE.
  • SpyderLENSCAL allows users to calibrate camera and lens combinations, resulting in accurate auto-focus.
  • SpyderCHECKR and SpyderCUBE provide the user with reference tools to allow control of contrast, white balance and color when editing images.
  • Spyder5ELITE calibrates displays to an industry standard, ensuring that on-screen colors of images are accurate and match photo prints every time.
“We know how important color accuracy is for photographers, but we also know it can be time-consuming.” said Heath Barber, Imaging Market Manager, Datacolor. “Spyder5CAPTURE PRO reduces editing time by providing users with a fast and seamless workflow from capture to post-production by combining our leading color management tools in one convenient and cost-effective package.”
The new Spyder5CAPTURE PRO offers a bundled product savings of over 30 percent. For a limited time, Datacolor and participating photography resellers are offering Spyder5CAPTURE PRO at an introductory price of $269.99 if purchased by 9/30/2016. After 9/30/2016, Spyder5CAPTURE PRO will retail for $369.99.
B&H carries Datacolor Spyder5CAPTURE PRO.
Posted to: Canon News,
Category: Datacolor News
Post Date: 8/22/2016 5:25:06 AM CT   Posted By: Sean
 Friday, August 19, 2016
One relatively common question we get is, "Should I get the Canon EF 100mm f/2.8L Macro IS USM or EF 100mm f/2.8 Macro USM lens? Is the 100L worth the extra cost?" And those are certainly good questions. Of course there are comparable third party options to consider, but for the purposes of this post we'll be looking at the two 100mm Canon models typically considered.
Both lenses feature the same focal length, the same maximum aperture, offer 1:1 macro focusing capability and feature very similar image quality. While the 100L barely edges out the non-L in sharpness at wider apertures and the non-L is better with flare, I wouldn't consider image quality to be a differentiating factor between the two lenses. However, there are a couple of key differences between the lenses that aid in differentiation.
Probably the biggest advantage of the EF 100mm f/2.8L Macro IS USM is its Hybrid Image Stabilization. Hybrid IS corrects for both angular and shift movements and allows for roughly 2-stops of correction at 1:1 focusing distances and up to 4-stops of correction at longer focusing distances. If you plan on using your macro lens handheld in the field, the L-series lens – with its HIS, great build quality and weather sealing – will be your best choice. The value of image stabilization for handheld macros cannot be understated; it's hugely beneficial. And considering that the 100L is only about 50% more than its non-L counterpart (in the US, without rebates), many photographers will find the pro-grade lens's benefits worth the investment. Being one of Canon's least expensive L-series lenses means that this lens is often a photographer's first introduction into Canon's premium lens lineup.
For those who prefer using a tripod when photographing macro subjects, and who do not need weather-sealing, the EF 100mm f/2.8 Macro USM provides L-series image quality at a more wallet-friendly price. I [Sean] personally opted for purchasing the EF 100mm f/2.8 Macro USM for my own personal use and I have rarely regretted it. However, I rarely shoot macros handheld. Instead, I typically prefer to capture macros under very controlled circumstances employing a solid support system [tripod] and strobes (whether indoors or outdoors). Under those studio or studio-like conditions, the benefits of the 100L are mitigated if not entirely moot.
In summary, if you plan on shooting macros handheld and/or need weather sealing, get the EF 100mm f/2.8L Macro IS USM. Otherwise, save some money and enjoy similar IQ with the EF 100mm f/2.8 Macro USM.
B&H carries the Canon EF 100mm f/2.8L Macro IS USM and EF 100mm f/2.8 Macro USM lenses.
Posted to: Canon News
Post Date: 8/19/2016 8:28:39 AM CT   Posted By: Sean

From the B&H YouTube Channel:
Speedliting expert Syl Arena was one of the first photographers to test the new Canon 430EX III-RT and he came away impressed. In his presentation, Syl shares his insights and tips about the Canon 430EX III-RT and how he creates amazing shots with Canon Speedlites.
Note: The video above is the event's highlight reel. You can find the full video here.
Want more info? Check out Bryan's full review of the Canon Speedlite 430EX III-RT.
B&H carries the Canon Speedlite 430EX III-RT.
Posted to: Canon News,
Post Date: 8/19/2016 8:07:39 AM CT   Posted By: Sean
Posted to: Canon News
Post Date: 8/19/2016 8:02:04 AM CT   Posted By: Bryan

From Canon Australia:
LEAP is all about taking your creativity and photography further, and the only way to do that is to keep capturing images that are unlike anything you’ve shot before.
So for the month of September, we’re going to give you as much inspiration as you can handle. With a new brief every day, the last thing you’ll need to ask is “what should I shoot”? #taketheleap
Learn more at:
Posted to: Canon News,
Post Date: 8/19/2016 7:30:30 AM CT   Posted By: Sean

From the Adobe Photoshop Lightroom YouTube Channel:
Lightroom tips and tricks in 60 seconds or less from longtime Lightroom team member Benjamin Warde.
B&H carries Adobe Photography Plan subscriptions.
Posted to: Canon News,
Post Date: 8/19/2016 4:42:30 AM CT   Posted By: Sean
 Thursday, August 18, 2016
I have long admired images of Lake Moraine in The Valley of the Ten Peaks, Banff National Park (Alberta, Canada), especially those taken from the Rockpile. While huge numbers of great images have been captured here, none of them were captured by me. That is, none until recently.
The Rockpile (ascended via the Rockpile Trail) is a foreground-rich location overlooking an amazing turquoise glacier-fed lake that, when the wind is not blowing, reflects the close, steep, craggy, with-character mountains beyond it. I was blessed to spend 3 very early mornings at this location (and would return in a heartbeat). One quickly forgets the 3:00-4:15 AM alarms (followed by 11:30 PM bedtimes) when reviewing Moraine Lake images.
For this composition, I moved in close to a carefully-selected large rock. This rock, with plenty of leading lines, appears to fit into the edge of the mountain reflections like a puzzle piece, with even the notches appearing to align with reflected peaks. With the large mountain weighing heavily on the top left of the image, the large foreground rock is positioned proportionally higher on the right to, along with the shaded trees, aid in the overall image balance. Required for this perspective, and not visible in this image, are the tripod feet (and me) precariously positioned on the top edge of several different rocks.
With the mountain peaks being directly hit with sunlight and the dark evergreens being in deep shade, the dynamic range in this scene was extreme. Thus, I was shooting bracketed exposures. A camera's built-in HDR feature is a good way to capture bracketed exposures, but ... I didn't want the in-camera-generated JPG image and didn't want to wait for that composited image to be created.
My favorite method of shooting bracketed exposures is via the camera's AEB (Auto Exposure Bracketing) feature. Simply select the number of bracketed images desired and the desired exposure difference between them. Each image captured in succession, up to the selected number of bracketed frames, will have a different exposure (ideally for landscapes, the shutter speed is varied), insuring that all parts of the scene are adequately exposed in at least one of the frames.
To speed up the capture, select and use the camera's high frame rate (burst) mode. When the sun is rising, speed matters for HDR captures (this is a manual HDR image). The line between sun and shade moves quickly and ... that line becomes hard to composite if time lapses between captures. With AEB selected, a high speed burst will stop after the selected number of AEB frames.
I usually have MLU (Mirror Lockup) enabled when photographing landscapes, avoiding any possible vibration caused by the mirror raising. However, using MLU adds a short, but undesired, delay between the frames captured in an AEB burst. There is a better way: Live View is another method of achieving MLU. By using a remote release with Live View and high frame rate (burst) mode selected, one press of the remote shutter release (pressing and locking the release button down for long exposure brackets) captures the set number of frames in very fast succession (without the mirror moving).
Depending on the Lake Moraine scene and scenario, I was shooting 5 or 7 frames varied by 2/3 or 1 stop. From most sets, I deleted all except 3 or 4 images with the exposure variations needed remaining available. This image was created from three exposures.
Due to packing restrictions, I nearly left the Canon EF 11-24mm f/4L USM Lens at home. Upon arriving at Moraine Lake, I was SOOO thankful that I had it with me. Aside from using the Canon EF 16-35mm f/4L IS USM Lens on a second camera and tripod setup some of the time, the 11-24 was the only lens I needed at this location. And, it performed extremely well as did the Canon EOS 5Ds R camera I used behind it.
A larger version of this image is available on Flickr, Google+, Facebook and 500px. If reading from a news feed reader, click through to see the framed image. If you find these tips useful, please share them in your circle of friends!
Posted to: Canon News,
Post Date: 8/18/2016 9:12:43 AM CT   Posted By: Bryan
From the Canon Professional Network:
Photographer, conservationist, activist and Canon Master Michael ‘Nick’ Nichols, bowed out from National Geographic in suitably impressive style this year. His final photo essay – a grand finale involving teamwork, logistical hurdles and the occasional stray bear – was perhaps his biggest career challenge yet, as he reveals to CPN Editor David Corfield...
See the entire article on the Canon Professional Network.
Posted to: Canon News
Post Date: 8/18/2016 5:16:48 AM CT   Posted By: Sean
 Wednesday, August 17, 2016
Santa Rosa, Calif. – A revolution in backpack design when it first released, Think Tank’s Shape Shifter expanded and contracted to hold gripped camera bodies and a laptop. In response to input from professional photographers, Think Tank has released the Shape Shifter in three new configurations. The Shape Shifter 15 V2.0 is designed to hold a 15” laptop and the Shape Shifter 17 is designed to hold a 17” laptop. The Naked Shape Shifter allows photographers to attach Skin Pouches or Lens Changers inside to create a totally customized modular backpack.
“While traveling or on location, the Shape Shifter V2.0 lets photographers adjust their backpack to fit their workflow,” said Doug Murdoch, Think Tank’s CEO and lead designer. “The Shape Shifters compress to three inches in depth when gear is removed, allowing photographers to have their gear at the ready while maintaining a slimmer profile when maneuvering through crowds.”
Key Features
Shape Shifter 15 & 17 V2.0
  • A great travel bag with extra space to fit a jacket, food, or additional gear
  • Tripod attachment on front of bag keeps tripod weight centered and allows access to gear without detaching the tripod
  • Easily accessible, plush pocket fits smartphones with displays up to 5.5”
  • Roller handle pass-through sleeve to attach to rolling luggage
  • Detachable water bottle pouch
  • Pro Speed Belt or Thin Skin Belt (sold separately) can be attached
  • Contoured shoulder harness with air channel for all body types
  • YKK RC-Fuse zippers with lockable sliders (lock not included)
  • Upper front pocket with organizer for accessories
  • Lower front pocket with zippered pocket for accessories
  • Removable waist belt
  • Shoulder harness pockets, D-Rings, and sternum strap
  • Seam-sealed rain cover included
Gear Capacity
Shape Shifter 15 V2.0 Gear Capacity
  • Holds a 15” laptop, tablet up to a 12” or 13”, plus one DSLR (gripped or un-gripped) and three lenses (detached) and personal items
Shape Shifter 17 V2.0 Gear Capacity
  • Holds a 17” laptop, tablet up to a 12” or 13”, plus one to two DSLRs (gripped or un-gripped) and three to four lenses (detached) and personal items
Naked Shape Shifter 17 V2.0 Gear Capacity
  • Holds a 17” laptop, tablet up to a 12” or 13”, plus four to seven modular pouches or lens changers and personal items
Exterior: For superior water-resistance, all exterior fabric has a durable water-repellant (DWR) coating, plus the underside of the fabric has a polyurethane coating. The bag also has 600D twill, YKK RC zippers, 320g dry-flow airmesh, nylon webbing, 3-ply bonded nylon thread.
Interior: Removable closed-cell foam dividers, polyurethane backed liner and dividers, 200D polyester, laminated non-woven backed nylex liner, 2x polyurethane coated nylon 190T seam-sealed taffeta rain cover, 3-ply bonded nylon thread.
Shape Shifter 15 V2.0
  • Exterior Dimensions When Expanded: 18.9” H x 12” W x 7” D” (48 x 30.5 x 18 cm)
  • Exterior Dimensions When Compressed: 18.9” H x 12” W x 3” D (48 x 30.5 x 8 cm)
  • Laptop Compartment Dimensions: 16.8” H x 11.4” W x 1.5” D (42.7 x 29 x 4 cm)
  • Tablet Compartment: 9.4” W x 12.2” H x 0.6” D (24 x 31 x 1.5 cm)
  • Smart Phone/Glasses Pocket: 6.7” W x 4.5” H x 1.6” D (17 x 11.5 x 2 cm)
  • Weight (with all accessories): 4.3 lbs. (2 kg)
Shape Shifter 17 V2.0
  • Exterior Dimensions When Expanded: 20” H x 12.5” W x 7” D” (51 x 32 x 18 cm)
  • Exterior Dimensions When Compressed: 20” H x 12.5 W” x 3” D (51 x 32 x 8 cm)
  • Laptop Compartment Dimensions: 19” H x 12” W x 1.5” D (48 x 30.5 x 4 cm)
  • Tablet Compartment: 10.2” W x 12.2” H x 0.6” D (26 x 31 x 1.5 cm)
  • Smart Phone/Glasses Pocket: 7.1” W x 4.7” H x 1.6” D (18 x 12 x 2 cm)
  • Weight (with all accessories): 4.6 lbs. (2.1kg)
Naked Shape Shifter 17 V2.0
  • Exterior Dimensions When Expanded: 20” H x 12.5” W x 7” D” (51 x 32 x 18 cm)
  • Exterior Dimensions When Compressed: 20” H x 12.5 W” x 3” D (51 x 32 x 8 cm)
  • Laptop Compartment Dimensions: 19” H x 12” W x 1.5” D (48 x 30.5 x 4 cm)
  • Tablet Compartment: 10.2” W x 12.2” H x 0.6” D (26 x 31 x 1.5 cm)
  • Smart Phone/Glasses Pocket: 7.1” W x 4.7” H x 1.6” D (18 x 12 x 2 cm)
  • Weight (with all accessories): 3.8 lbs. (1.7 kg)
Think Tank Photo has the newly announced bags in stock.
Posted to: Canon News,
Post Date: 8/17/2016 2:43:17 PM CT   Posted By: Sean
Image quality results from the Nikon D810 have been added to the Nikon 200-500mm f/5.6E AF-S VR Lens page.
This lens has rapidly become a very popular one with wildlife and sports being its most frequent subjects.
The Nikon 200-500mm VR vs. 80-400mm VR II lens comparison is the first I wanted to see.
B&H has the Nikon 200-500mm f/5.6E AF-S VR Lens in stock with a 4% reward.
Posted to: Nikon News
Post Date: 8/17/2016 8:59:21 AM CT   Posted By: Bryan
Roger Cicala of LensRentals recently tested the following lenses on their Olaf Optical Testing bench to see how they compare to one another at 400mm:
  • Canon EF 400mm f/2.8L IS II USM
  • Canon EF 400mm f/4 DO IS II USM
  • Canon EF 300mm f/2.8L IS II USM + 1.4x Extender III (actual focal length = 420mm)
  • Canon EF 100-400mm f/4.5-5.6L IS II USM
  • Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR
  • Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR
  • Tamron SP 150-600mm f/5-6.3 Di VC USD
  • Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary
Want to know which lens(es) came out on top? Check out the LensRentals Blog post to find out.
Want more information? We have full reviews of all the Canon-compatible lenses Roger tested.
Posted to: Canon News,
Post Date: 8/17/2016 9:00:18 AM CT   Posted By: Sean
Nikon has just udpated several programs as a result of the D3400's announcement. You can find the details below.
Capture NX-D 1.4.2
Changes from Version 1.4.1 to 1.4.2
  • Added support for the D3400 and COOLPIX W100.
  • Fixed the following issues:
    • Capture NX-D would show images marked with a label or rating in ViewNX-i as having been edited.
    • Photos taken with the D500 would be converted to gray images if Convert Files was used after Fisheye was applied.
    • Images modified and saved in other format in Capture NX-D after labels had been applied in ViewNX-i could not be opened in Capture NX 2.
Download: Capture NX-D 1.4.2

ViewNX-i 1.2.3
Changes from Version 1.2.2 to 1.2.3
  • Added support for the D3400 and COOLPIX W100.
  • A Close Filmstrip option is now available in the Viewer Settings for Image Viewer and Full Screen modes.
  • You can now make playback controls always visible during movie playback.
  • Fixed an issue that caused the lens type for pictures taken with type E lenses mounted on the D4S or earlier Nikon D-SLR cameras to be listed as type G in the camera info display.
  • A Movies item has been added to the Options menu giving you the option of selecting Favor frame rate.
Download: ViewNX-i 1.2.3

Picture Control Utility 2.2.1
Changes from Version 2.2.0 to 2.2.1
  • NEF (RAW) photos taken with the D3400 can now be used as preview images.
  • Scales can now be displayed on sliders at all times.
Download: Picture Control Utility 2.2.1

NEF Codec 1.29.0
What’s New with Version 1.29.0
  • Added support for NEF (RAW) images created with the D3400.
Download: NEF Codec 1.29.0
Posted to: Nikon News
Post Date: 8/17/2016 6:37:28 AM CT   Posted By: Sean
From Nikon USA:
Share the Moments That Matter: Easily Capture Stunning Images of What You Love with the New Lightweight Nikon D3400
Alongside the New Nikon D3400, Nikon Releases the Compact AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR, AF-P DX NIKKOR 18-55mm f/3.5-5.6G, AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED Lenses to Capture Life in Amazing Quality
August 17, 2016 – MELVILLE, NY – Today, Nikon unveiled the compact yet powerful Nikon D3400, an entry-level DSLR that enables users to capture and share amazing images easier than ever before. The new D3400 provides a simple and seamless way to share stellar images from nearly anywhere through Nikon SnapBridge(1). Through always-on Bluetooth Low Energy (BLE) technology(2), Nikon SnapBridge allows photographers to transfer images from the camera to a compatible smart device. For those looking to learn more about photography, the D3400 also features Nikon’s acclaimed Guide Mode, which provides step-by-step assistance when adjusting camera settings to help individuals learn how to capture the best photos possible.
Nikon also announced four exciting lightweight lens options which are ideal companions for the new D3400, helping budding photographers easily build an all-in-one camera kit(3). The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G, are versatile zoom lenses for everyday shooting, while the new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED are compact telephoto options for capturing action from afar. Great for travel, these new portable lenses provide fast, smooth and quiet autofocus operation and help users capture life as it unfolds with stunning clarity and detail.
“Featuring a variety of user-friendly features like Nikon SnapBridge, the new D3400 gives those new to DSLR photography the opportunity to proudly capture what they love and easily share with friends and family,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “The introduction of the new series of NIKKOR lenses demonstrate Nikon’s commitment to providing affordable and versatile lens options to DX-format DSLR photographers looking to capture their own unique perspective of the world.”
Seamlessly Share Life’s Passions
Transferring photos from the Nikon D3400 is a snap, as the camera makes it easier than ever to share photos wirelessly through Nikon SnapBridge. Using Bluetooth Low Energy (BLE), SnapBridge creates a connection between a camera and a compatible smart device, making it possible to seamlessly upload amazing images. Once paired, the D3400 will remain connected to the smart device and transfer photos automatically, without the need to re-connect the devices each time. Those that want to send photos from their child’s graduation or a gorgeous sunset can either set all images to automatically download as they are captured, or tag individual images for transfer in-camera. Nikon SnapBridge users can also access Nikon Image Space(4), a free online image sharing and storage service.
Easily Capture Vibrant Photos with Stunning Detail
Life is full of memories that are meant to be captured with rich, vivid image quality, and the Nikon D3400 makes it easy with the high-speed performance and low-light ability that only a DSLR can deliver. The Nikon D3400 features a high-resolution 24.2-megapixel CMOS sensor to help capture images that photographers love, even in tough lighting scenarios. Nikon’s EXPEED 4 image processing engine offers improved image quality at high ISOs, enhanced auto white balance performance for true colors, faster processing speeds and improved battery life. Whether shooting stylish candids or beautiful landscapes while on vacation, the Nikon D3400 is ready to help deliver magnificent stills and impressive Full HD video.
The Nikon D3400 is loaded with high performance features that help capture images in a variety of shooting situations, including a broad ISO range from 100-25,600, which helps to produce top-quality photos and videos with low noise. This enhanced ISO range makes it easy to capture sharp photos in low-light settings, such as indoor sports, stage performances or festivities that last into the night. An 11-point Autofocus System keeps pace to help create sharp images, whether capturing a backyard soccer game or the most rambunctious toddler. Additionally, the Nikon D3400 is capable of fast continuous shooting at up to 5 frames-per-second (fps), helping to ensure that fleeting moments or precious expressions are not missed. All of these features are incorporated into an extremely compact, lightweight and versatile camera body, ideal for a fast-paced on-the-go lifestyle, and small enough to bring on any family vacation.
For first-time DSLR users, the D3400 features Nikon’s Guide Mode, an intuitive and informative mode that helps develop photography skills and showcases the best camera settings for any scene. By simply turning the top Command Dial to this mode, users are prompted with a full range of capture options, and the camera guides them through various settings to create the desired image. Additionally, in-camera Scene Modes are an easy way to snap great pictures, without the need to adjust numerous settings. For even more creative shooting options, fun effects modes such as Silhouette and Miniature Photography help photographers make images that define their distinct style. When the moment calls for HD video, the D3400 offers Full HD 1080p video recording capability at the press of a button to tell any story with amazing sharpness and clarity.
Capturing the World Through a NIKKOR Lens
Nikon has also announced two new lightweight zoom lenses, the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G. The ideal companion for DX-format DSLR cameras like the new D3400, these lenses are equipped with Nikon’s Stepping Motor technology for quick, smooth and quiet autofocus. Designated AF-P NIKKOR, these new lenses provide faster and smoother AF speed during live view (contrast-detection AF) and allow for whisper-quiet operation during video recording to minimize camera noise. The Vibration Reduction (VR) technology of the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR offers up to four stops of image stabilization*, helping users capture flawless, blur-free images in challenging light or when handheld.
Affordable Telephoto Lenses Offer Endless Photography Possibilities
The new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED are telephoto zoom lenses that provide further reach when users need it most. They are also equipped with a Stepping Motor that helps achieve quick, smooth and quiet autofocus. The adoption of this technology also reduces the overall size and weight of the lens, making it easy to carry on a family vacation or a trip to the zoo. The new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR also features Nikon’s Vibration Reduction (VR) technology, offering up to four stops of image stabilization*, helping to create sharp images in challenging light, such as an indoor gymnasium or a dusk soccer game.
Pricing and Availability
The Nikon D3400 kitted with the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR will be available in early September 2016 for a suggested retail price (SRP) of $649.95**. The D3400 will also be available in a two-lens kit option, including the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED, for $999.95** SRP. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR (SRP, $249.95**), AF-P DX NIKKOR 18-55mm f/3.5-5.6G (SRP $199.95**), AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR (SRP, $399.95**) and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED (SRP $349.95**) will all be available around the same time and will be sold separately.
B&H has the following available for preorder
Posted to: Nikon News
Post Date: 8/17/2016 6:14:20 AM CT   Posted By: Sean
 Tuesday, August 16, 2016
Posted to: Canon News
Post Date: 8/16/2016 10:36:53 AM CT   Posted By: Sean
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