Lightroom CC 2015.6 and Lightroom 6.6 are now available. The goal of this release is to provide additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Lightroom. This release also includes a new Guided Upright feature for Creative Cloud members.
Thank you for all your feedback and passion for Lightroom.
Introducing Guided Upright
We included Upright as a tool that helped Lightroom customers easily straighten images, fix horizons, and reduce or eliminate the keystone effect in buildings. Upright works well when there are prominent vertical and horizontal lines. Not all images contain prominent lines, limiting the effectiveness of Upright.
Starting with Lightroom CC 2015.6, Guided Upright allows you to provide ‘hints’ that enable Upright to work its magic. You draw the vertical and horizontal lines directly on the image and Upright will automatically transform the image. Here’s how to get started.
Select an image and click on the Develop Module.
Enable Lens Profile Corrections. Upright works better with Lens Profile Corrections.
Notice that there is a new “Transform” Panel. Transform includes both Upright and the manual perspective correction sliders together in a convenient place.
Within Transform, click on the “Guided” button.
Draw 2-4 guides on the image. Upright will transform the image once you draw at least 2 guides.
Fine tune the results (if needed) with the manual transform slides, including the new X and Y transform sliders. They can be used for repositioning/moving the image within the canvas after applying strong perspective corrections to choose which part of the (warped, non-rectangular) image to show within the rectangular canvas.
Also please note that Lightroom CC 2015.6/6.6 also includes camera matching color profiles for the Pentax 645Z, Pentax K-1, and Pentax K-3 II cameras.
Additional Updates in Lightroom CC 2015.6 / 6.6
Merge to Panorama and HDR now works with Smart Previews. Previously, Lightroom required the use of original images for the Merge to Panorama or HDR features.
The Preferences -> Lightroom mobile section now contains a “Pending Sync Activity” section. This area is useful for helping identify any potential issues related to image sync across the Lightroom family of applications (desktop, mobile and web).
Tethered Camera Support for the following cameras:
Canon EOS-1D X Mark II
Canon EOS 80D
Canon EOS 1300D / Canon Rebel T6
New Lens Profile Support in Lightroom CC 2015.6 / 6.6*
Canon EF-S 18-135mm f/3.5-5.6 IS USM
Canon EF 100-400mm f/4.5-5.6L IS II USM +1.4x
Canon EF 100-400mm f/4.5-5.6L IS II USM +2.0x
TAMRON SP 85mm F1.8 Di VC USD F016E
TAMRON SP 90mm F2.8 Di MACRO VC USD F017E
Rokinon 10mm f/2.8 ED AS NCS CS
Samyang 8mm f/3.5 UMC Fish-Eye CS II
Samyang 10mm f/2.8 ED AS NCS CS
Samyang 100mm f/2.8 ED UMC MACRO
Samyang 135mm f/2 ED UMC
PHANTOM 4 FC330 (RAW + JPEG)
TAMRON SP 85mm F1.8 Di VC USD F016N
TAMRON SP 90mm F2.8 Di MACRO VC USD F017N
Nikon COOLPIX B700
* The list has been filtered to only display Canon, Nikon and DJI compatible lenses. The full list can be found here.
Customer reported issues resolved
The “As Shot” White Balance showed different values when using the Adobe Standard color profile and other camera matching color profiles. Please note that this only occurred with the Canon EOS IDx MKII, Canon EOS 80D, and Canon EOS Rebel T6 cameras
Error: “The file appears to be damaged” When opening a Pano merge result from HDR merge sources
DNG Flat Field plug-in would not work if the source image contained GPS metadata
Added support for automatic lens profile corrections for Tokina and Tamron lenses on Canon and Nikon camera bodies
Exif version info is removed while exporting
Unable to export user-created / custom Develop presets. Please note that this only occurred on Mac
Unable to create panoramas using Smart Previews when originals are unavailable or offline
Tethered shooting with Canon 5D did not work on MacOS 10.11 El Capitan
Unable to see the New Folder preview inside the Destination panel within the Import Dialog
“Print to File” feature does not work if the default filename was changed by the customer. Please note that this only occurred on Mac OSX 10.11.3
Removing Virtual Copy Smart Preview also deleted original’s smart preview
Older files expanded using the Recover Edges plug-in fail to merge with “Unknown Errors”
Scrollbars missing from book module. Please note that this only occurred on Windows
Lightroom would crash when using tethered shooting with certain Canon camera models
Removing face tags causes photos to get stuck in “To Be Republished” state when using Publish Service Plugins such as Smugmug
Inconsistent dialog behavior when using full-screen mode in Mac OSX 10.11
Text overlays within the Slideshow Module appeared fuzzy
Please select Help > Updates to use the update mechanism in the Creative Cloud app.
We have released the most well thought-out, comfortable, and protective backpack for users of DJI Inspire or other similarly sized quadcopters. The Helipak for DJI Inspire easily holds a DJI Inspire (parked with gimbal and rotors detached), Zenmuse gimbal with 3 lenses, 6x batteries, 2x controllers, 2 x 8” tablets, lots of extra propellers, and a 17” laptop and charger
Movable dividers allow users to customize the fit of their gear in this fully featured backpack. The contoured tuck-away harness with lumbar support, cut-away air-channel, the adjustable sternum strap, and the removable padded waistbelt allow for extreme comfort while trekking into remote areas or simply pulling it from the car.
ADDITIONAL KEY FEATURES
Large front pocket fits auxiliary items for the day’s outing: light jacket, 17” laptop pocket or a large tablet
Internal see-through mesh pockets for small accessories: propellers, screwdriver, cables, etc.
Deluxe organizer for smart phone, wallet, pens, keys, business cards, etc.
Water bottle pocket on side
Height adjustable sternum strap
Elastic pockets on shoulder straps for phone, energy bar, etc.
Robust handles on three sides ensure rapid and easy retrieval from airline overhead bins, car trunks, etc.
Seam-sealed rain cover helps to protect gear and stows away inside backpack when not in use
Exterior: For superior water-resistance, all exterior fabric has a durable water-repellant (DWR) coating, plus the underside of the fabric has a polyurethane coating. It also has YKK RC Fuse (abrasion-resistant) zippers, 1680D ballistic nylon bottom panel, 600D polyester, 420D velocity nylon, 3D air mesh, ultra-stretch pockets, Y-buckles, antique finish metal hardware, nylon webbing, and 3-ply bonded nylon thread.
Exterior Dimensions: 19.3” W x 24” H x 9.4” D (49 × 61 × 24cm) Interior Dimensions: 17.3” W x 21.7” H x 7.9” D (44 × 55 × 20cm) Laptop Compartment: 12.6” W x 16.9” H x 1.2” D (32 × 43 × 3cm) Weight (with all accessories): 8.5 lbs. (3.9 kg)
London, UK, 6th June 2016: Nikon UK today announces the appointment of two new photographers to its Ambassador line-up, Richard Peters and Helen Sloan.
Richard Peters is an award winning wildlife photographer with a wealth of experience in his field. Richard recently completed and published an e-book documenting his back garden safari project, an inspiring series of wildlife imagery captured in his back garden.
Helen Sloan is a film and TV stills photographer who most notably works on the popular HBO series Game of Thrones, capturing character stills from the set and plenty of behind the scenes action.
The Nikon Ambassador initiative was introduced in 2013 to celebrate class-leading photographers working in specific fields of photography, whilst inspiring people to pick up their camera and reach their creative potential. The Ambassadors work with Nikon on a range of activities, from seminars at key events to social media and PR campaigns.
Richard and Helen join current Nikon Ambassadors to complete this year’s line-up: David Yarrow – fine art wildlife photographer known for capturing the beauty of the planet’s remote landscapes and endangered animals, Jeremy Walker - award-winning professional photographer specialising in landscape and location photography and Leon Neal - news photographer with a wealth of experience and a staff photographer for AFP News.
Nikon would like to thank photographers Bob Martin and Kate Hopewell-Smith for their excellent work and support over the past two years as we continue to work with them as part of Nikon’s prestigious Ambassador Alumni.
Jeremy Gilbert, Group Marketing Manager, at Nikon UK says: “We are delighted to announce the appointment of Richard Peters and Helen Sloan to our Ambassador scheme. Since the launch of the Ambassador scheme in 2013 we have seen some amazing talent in our line-up and it continues to go from strength to strength. Through the ambassadors we are able to engage with our customers but most importantly, encourage enthusiasts to take a step up with their photography.”
He adds: “The scheme has allowed us to formally acknowledge some of the country’s leading photographers in their fields and collaborate with them creatively to inspire and engage budding photographers.”
IMPORTANT: Firmware updates cannot be performed if Enable is currently selected for Network > Network connection in the SETUP MENU. Select Disable for Network connection before proceeding.
Changes from “C” Firmware Version 1.30 to 1.31
Fixed an issue that occurred with WR-R10 wireless remote controller firmware version 3.00. In rare cases, the camera would fail to display the number of exposures remaining or would take about a minute to power down when the WR-R10 was connected.
DxO PRIME 2016 noise reduction technology and automated spot weighted corrections are indispensable tools for photographers
PARIS & SAN FRANCISCO—June 1, 2016—DxO, a world leader in digital imaging technologies, announces the immediate availability of DxO OpticsPro 11, a major update to its award-winning photo software for Mac and PC. DxO OpticsPro 11 introduces important enhancements to DxO PRIME, the industry-standard for noise reduction, and new automated tools, such as spot weighted correction, auto microcontrast and auto red-eye that leverage face detection to help bring out the subtle nuances in images — all in just a few clicks and regardless of the original shooting
DxO PRIME 2016, better and faster DxO OpticsPro 11 features DxO’s proprietary DxO PRIME 2016 noise reduction, which enables photographers to salvage noisy photos thought previously unusable. With DxO OpticsPro 11, photographers can capture new images at an even higher ISO by using a new version of PRIME that is better and faster than ever. DxO PRIME 2016 better preserves bokehs and smooth transitions, retains more details, and more faithfully preserves colors in dark areas, and it does this all automatically by reading each camera’s precise calibration data. And through an intense effort to adapt and optimize this technology, DxO PRIME 2016 is now able to process RAW files up to 4x faster than before — in fact, the higher the ISO, the bigger the benefit of processing time.
“The new DxO PRIME noise reduction is nothing short of amazing,” said professional photographer Mike Mezeul, “it gives me the ability to capture images at incredibly high ISOs and still render out incredibly rich, detailed, and noise-free images.”
Automated Spot Weighted Corrections The image scientists at DxO have designed a new enhancement to DxO OpticsPro’s Smart Lighting tool that uses face detection to apply an intelligent tone map on the entire image, to better extend the dynamic range, add fill light, and improve contrast while optimizing illumination on faces. The result is genuine spot processing—after capture—with the very same results as spot metering typically provides in camera, but with the added benefit of fine-tuning flexibility.
“The image scientists at DxO have done it again,” said Camilla Ferrari, professional photographer and DxO ambassador, “by using face detection, the new spot weighted correction is able to apply even a very strong level of Smart Lighting, while keeping the people in my images looking much more natural and pleasing to my eye.”
Other enhanced tools, including new full screen mode DxO OpticsPro 11 also adds a number of other useful tools for photographers, including an auto microcontrast mode that enhances image content while taking care to preserve faces and keep noise under control. The selective tone control produces more natural results, efficiently recovering information in shadows and highlights while avoiding flattening midtones, and there’s also a new tool that uses face and eye detection to automatically apply red eye correction, even as a batch process on multiple photos. In addition, a brand new full screen viewer removes distracting clutter so you can focus more on selecting, rejecting and rating your images, while using new shortcuts designed to help speed up the culling process.
Even more cameras supported Without any user intervention (apart from simply viewing your image) DxO OpticsPro will read the metadata in your photo, and prompt you to download the appropriate camera/lens module. With that module, OpticsPro automatically and intelligently applies corrections such as distortion, chromatic aberration, vignetting, and lens softness. And with this latest release, DxO OpticsPro 11 adds support for a number of new cameras, including Nikon’s new flagship D5, bringing the total number of supported camera/lens combinations to well over 28,000!
Pricing & Availability The ESSENTIAL and ELITE editions of DxO OpticsPro 11 for Mac and Windows are immediately available at photo resellers at a special discount through June 30, 2016.
I've always wanted to photograph butterflies, but my lack of patience and my general inability to find them meant that butterflies were never a subject featured in my portfolio.
However, while traveling through New England last week, I stopped by the Magic Wings Butterfly Conservatory and Gardens in South Deerfield, MA. I quickly realized that visiting a butterfly conservatory was the perfect way to quickly gain experience with butterfly photography and bolster my portfolio with images of the beautifully-winged creatures.
The Magic Wings Conservatory is an 8,000 square foot facility housing roughly 4,000 butterflies featuring several dozen individual species (the exact number of species depends on the season). The admission fee for visiting the conservatory is $14.00 and is good for an entire day of re-entry (the admission fee for children is less). Note that this particular facility does not allow tripods or monopods to be used in its conservatory.
It's actually quite difficult to aptly describe the experience of walking into a beautiful garden inhabited by thousands of butterflies of all shapes and sizes, as words like "amazing" and "dream-like" don't seem to really do it justice. But if you have the chance to experience it, as a photographer or simply a curious visitor, don't miss out on the opportunity.
From a photography perspective, a butterfly conservatory gives you ample opportunities to create beautiful and inspiring butterfly images. The experience and images gained from photographing butterflies in a conservatory would likely require years to garner in the wild, allowing you to easily bolstering your portfolio in a single afternoon.
You might think that photographing butterflies in captivity is much like photographing wildlife in zoos (which can be difficult if trying to eliminate man-made elements in your frame), but because butterflies are so small and backgrounds (and any man-made elements within those backgrounds) can easily be thrown well out of focus, images captured in a conservatory will likely be indistinguishable from those captured in the wild.
For my trip to the Magic Wings Conservatory, I used a Canon EOS 7D Mark II with an EF 100mm f/2.8 USM Macro. In this case, I chose the 7D Mark II over the 5D Mark III because I had forgotten to pack my BlackRapid Strap (which can be conveniently switched between bodies) and the neck strap that Bryan had loaned me was already attached to the 7D II. The EF 100mm f/2.8L IS USM would have been a better lens for this particular endeavor, but... I originally invested in the non-L version of the macro because I rarely shoot macros handheld (and IS would have certainly come in handy here). Another item I wish I had packed for my trip was the RoundFlash Magnetic Ringflash Adapter, but when packing I did not envision needing the rather highly-specialized light modifier for the trip. Other lighting options well-suited for this type of photography include the Canon Macro Twin Lite MT-24EX and MR-14EX II Macro Ring Lite.
The conservatory I visited featured nicely diffused light thanks to the water vapor adorned the inside of the large windows. But "nicely diffused" doesn't necessarily mean "plentiful," even when bright sunlight is hitting the building. One particular issue with lighting is that butterflies often like to attach themselves to the underside of leaves or to the top of leaves with additional leaves shading them. The great thing about a conservatory is that your chances of catching a butterfly in great light is extremely high, so a small amount of patience goes a long way.
For the photos accompanying this afticle, I was using an f/3.2 or f/3.5 aperture in Av mode with an ISO of 1000 or 1250 to obtain shutter speeds that were fast enough to counteract camera shake and freeze movement. Images were post-processed in Lightroom CC.
Word of warning: If you open your camera bag to change lenses or retrieve gear, be sure that there are no stowaways when you exit the facility. I checked myself thoroughly before leaving the facility to make sure that there were no butterflies attached to my clothing. However, as I proceeded to detach the lens from my camera and put both items in my camera bag, a butterfly flew out of my Lowepro NovaSport 35L AW. I had to [sheepishly] alert the staff to the butterfly escapee.
Are you excited to gain lots of experience in butterfly photography? There are plenty of butterfly conservatories in North America. Here are just a few I found: