Phase One released Capture One 9.3 – the third major update for Capture One 9.
The previous 9.2 update released two months ago delivered new file handling features. The new Capture One 9.3 is about under the hood improvements and bug fixes. It also brings a calibration feature for owners of Eizo displays and profiles for 11 new cameras including the new Canon 5D Mk IV, Fujifilm X-T2 and X-E2s.
Here is a detailed overview of all the new features of Capture One 9.3.
Eizo Monitor Calibration
Eizo monitors are designed for professional photography. They are known for great display quality and color accuracy.
The CG Series of Eizo monitors have a built-in SelfCalibration sensor. With this sensor, you can calibrate the monitor without the need of a third-party calibration device. The new feature of Capture One 9.3 allows to start a calibrating process right from Capture One settings menu. It’s a quite useful addon for professionals who are supposed to regularly recalibrate working displays.
CG248 (UHD 4K)
CG318 (DCI 4K)
In Capture One 9.3 developers updated how the application would handle metadata information and exchange it with XMP sidecars. They have also fixed a number of existing bugs.
Visually everything works like it has before: you can adjust Metadata preferences in Capture One settings. But now it should work faster and be more reliable.
The same under the hood update was delivered to Recipes in Capture One 9.3 to improve a stability of processing.
In Capture One 9.3 you would not find any new tools for editing, but it is an important update to improve Capture One stability and is definitely recommended to install.
New Cameras Support
Canon 5D Mk IV
Panasonic G7 Mk II
New Lenses Support
Schneider Kreuznach LS 45mm f/3.5
Schneider Kreuznach LS 150mm f/2.8
Canon EF 14mm f/2.8 II USM
Canon EF 180mm f/3.5L Macro USM
Canon EF 200mm f/2L IS USM
Canon EF 28mm f/2.8 IS USM
Canon EF 300mm f/2.8L IS II USM
Canon EF 50mm f/1.8 STM
Canon EF 50mm f/2.5 Compact Macro
Canon EF 70-200mm f/2.8L USM
Canon EF-M15-45mm f/3.5-6.3 IS STM
Carl Zeiss Vario-Sonnar T* 16-35 mm F2.8 ZA SSM II
Carl Zeiss Vario-Sonnar T* 24–70 mm F2.8 ZA SSM II
Carl Zeiss Vario-Tessar T* FE 24-70 mm F4 ZA OSS
Nikon AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR
Olympus M.ZUIKO DIGITAL ED 14-150mm 1:4.0-5.6 II
Sony 1.4x Teleconverter
Sony 2x Teleconverter
Zeiss Planar T* FE 50mm F1.4 ZA
Bug fixes: Mac
Fixed a settings migration issue that could cause some loss of information
Fixed an issue causing local adjustment masks not to be persisted properly
Allow negative increments for the capture counter
Fixed an issue causing image settings to be ignored when importing images with existing adjustments
Fixed an issue causing certain lens correction profiles not to be applied properly
Fixed some strings for the Italian localization
Fixed crashes with certain shortcuts
Fixed a crash related to the camera tool properties
Fixed a minor memory leak
Various other minor fixes and improvements
Bug fixes: Win
Sometimes the wrong ICC profile was applied and the image would look pale until restart of Capture One
Fixed issue where certain lens metadata was ignored
Fixed issue where you couldn’t import keywords from a Capture One Session
Sometimes the browser wouldn’t list incoming files when in “list mode”
When dragging a file from Media Pro to Capture One some custom metadata would be lost
BlackRapid are proud to announce their new range of camera straps BlackRapid Several years of development, innovation and customer interaction have culminated in the new BlackRapid Breathe range of camera straps that have been designed to deliver a higher level of comfort and performance.
A new shoulder pad design allows for a better weight distribution and strap position across the body, and also features a removable underarm stabilising strap.
The new shoulder pad also features an ‘airmesh’ grip layer, that fixes the strap’s position on the shoulder more firmly, and increased ventilation that means you can wear the strap for extended periods without compromising on comfort.
In addition to the newly designed shoulder pad, the Breathe range also features:
Duraflex Buckles: lighter than previous designs with enhanced strength
Hypalon hook up points: offering increased strength and reduced weight
Springloaded bumper locks: faster and easier to operate than previous models
The new Breathe models will debut at Photokina this week and will be available on September 20, 2016 at retailers everywhere. Founder and photographer Ron Henry is excited about launching the fresh new lineup at Photokina 2016. " We've made some changes that I think people will get excited about." He added, "If you haven’t yet, we know that once you try on one of our straps you’ll see why we've become the leader in the Slingstrap market today."
With a flash duration as fast as 1/80,000 of a second, and the power to generate a huge amount of light in a very short time, you can now freeze everything from a water splash to a waterfall perfectly.
Ever since the release of the Pro-1 in 1968 Profoto has created game changing flashes for the world’s best photographers. Today everything is about to change again with the launch of the Profoto Pro-10. This studio generator will open doors to creative possibilities that until now – were simply out of reach.
To say it’s fast is an understatement with breathtaking flash durations up to 1/80,000 of a second. But what really sets the Pro-10 apart is that it’s the perfect fusion of speed and power – 2400Ws of power to be exact. The light output it generates is truly enormous and it provides a shorter flash duration than any other flash across the entire power range. This dramatically increases the scale of what you can shoot and freeze, every-thing from a water splash to a waterfall are perfectly frozen in time.
Recycling time is equally impressive. The Pro-10 can easily match the fastest cameras even when the light output is set high, making it easier to capture the perfect moment by shooting in bursts. Combine all of that with TTL and Profoto’s patented High-Speed Sync (HSS) technology, and you have a flash that is capable of handling any and all lighting challenges. Power however, is nothing without control. And with the Pro-10 the controls are typically intuitive with three large rubberized dials and a huge hi-resolution display, so it’s easy to see, feel and hear every change in the flash settings. As a result the photographer’s attention is exactly where it should be – focused on creating a great image.
The power range is an impressive 11 f-stop, making the minimum light output a mere thousandth of that at full power. And the power can be controlled minutely in 1/10 f-stop increments with remarkable power and color temperature consistency from shot to shot.
The fact that the Profoto Studio Generators are available at 80% of the world’s rental studios is a testament to their uncompromising engineering and craftsmanship. But with the Pro-10, Profoto upped the ante considerably.
During development the Pro-10 was heated, beaten and stressed like never before – it is truly built like a tank. Combined with the Profoto promise of continuous software upgrades, it will still be enabling the world’s best photographers to unleash their creativity decades ahead.
Because ultimately the Profoto Pro-10 is so much more than the world’s fastest studio flash – it’s your imagination set free. It’s the speed to exceed.
The Adobe DNG Converter is a free utility that enables you to easily convert camera-specific raw files from more than 600 cameras to the more universal DNG raw format.
Digital Negative was developed to address the lack of an open standard for the proprietary and unique raw files created by each digital camera. DNG allows photographers to archive their raw camera files in a single format for easy cataloging and access in the future. With the format specification freely available, any developer can build software that supports and takes advantage of DNG. For more information, visit the Digital Negative page.
Support for the following cameras has been added. Visit the Camera Raw page for a complete list of supported cameras.
Sigma Adds the 85mm F1.4 DG HSM Art, 12-24mm F4 DG HSM Art, and 500mm F4 DG OS HSM Sport Lenses to Its Global Vision Line
Outstanding optical performance, ultra-wide zoom range, and versatile flagship sports lens headline the Sigma line-up at Photokina 2016
Cologne, Germany – September 19, 2016 – Sigma Corporation of America, a leading camera, DSLR lens, flash and accessories manufacturer, unveiled its new 85mm F1.4 DG HSM Art, 12-24mm F4 DG HSM Art and 500mm F4 DG OS HSM Sport Global Vision lenses at the Photokina 2016 event (hall 4.2, stands B020, B028 and C029).
“We are thrilled to announce three state-of-the-art additions to the Global Vision line. The Sigma 85mm 1.4 Art has been a highly requested lens and we are very confident those customers who have been waiting for us to deliver this lens will be more than pleased with the superior optical performance and zero compromise,” states Mark Amir-Hamzeh, president of Sigma Corporation of America. “In addition, the re-engineered 12-24mm F4 and highly competitive 500mm F4 Sport lens both embody the world-class performance our Global Vision lenses are known for. We look forward to seeing the incredible images our customers will create using these new Sigma lenses.”
Sigma 85mm F1.4 DG HSM Art – The Ultimate Portrait Lens
Delivering the ultimate in creative expression, the new Sigma 85mm F1.4 Art lens is engineered to support the highest resolution sensors on the market with an exceptional degree of sharpness. The high-performance optical system is purpose-built by Sigma R&D to produce the attractive bokeh effect sought after by discerning photographers. The lens’ advanced architecture features two SLD (special low dispersion) glass elements and one glass element with a high rate of anomalous partial dispersion and refraction. A re-engineered AF system brings 1.3X the torque of its predecessor, while other features such as a full-time manual focus override have been added, which can be controlled when the focus ring is rotated, even during continuous AF.
The Sigma 85mm F1.4 DG HSM Art lens supports Canon, Nikon and Sigma mounts. The Nikon mounts feature a brand new electromagnetic diaphragm.
The Sigma 85mm F1.4 Art lens will be available in late October and retails for a recommended street price of $1199.00 USD.
Sigma 12-24mm F4 DG HSM Art Ultra-Wide Angle Zoom for the Era of Ultra-High Resolution Digital Cameras
Boasting the renowned Global Vision image quality from center to edge, the new Sigma 12-24mm F4 features the largest aspherical glass mold in the industry, offering photographers an ultra-wide angle zoom with virtually no distortion, flare or ghosting. Encompassing the long history of Sigma wide angle lens development expertise, the new 12-24mm F4 performance highlights include constant F4 brightness and the brand new Sigma AF system with 1.3X torque boost. The 12-24mm F4 features lens elements made with FLD (“F” Low Dispersion) glass, which is equivalent to calcium fluorite in performance. Combined with an optimized power distribution, the result is outstanding image quality from center to edges. With a minimum focus distance of 9.4 inches at 24mm, photographers can compose incredible close-up shots with expansive backgrounds.
The all new Sigma 12-24mm F4 DG HSM Art lens supports Canon, Nikon and Sigma mounts. The Nikon mounts feature the brand new electromagnetic diaphragm.
The Sigma 12-24mm F4 Art lens will be available in late October and retails for a recommended street price of $1599.00 USD.
Sigma 500mm F4 DG OS HSM Sport Lens - Pro Fast-Aperture Prime Super Telephoto
The flagship Sigma super telephoto 500mm F4 Sport lens incorporates the very latest in Sigma optical technology and innovation. Designed for the professional sports and wildlife shooter, the ultra-durable lens features magnesium alloy components, a carbon fiber hood, a water and oil resistant front element, and is dust and splash proof. The 500mm F4 features a drop-in rear filter slot for polarizers, UV and other critical filters. To help prevent damage during shooting and maintenance, the lens is also compatible with the exclusive SIGMA Protector LPT-11 (sold separately).
The lens incorporates two FLD and one SLD glass elements, while the optimized power distribution helps minimize spherical aberration and axial chromatic aberration. The optical system also effectively minimizes transverse chromatic aberration, which can affect the edges of the shots taken in the telephoto range. In addition, image quality remains exceptional when the lens is used with a Sigma Telephoto Converter (sold separately).
Other key performance features include Sigma's two-mode Optical Stabilizer for enhanced performance when shooting handheld for still subjects or panning and tracking for moving subjects. There is also a customizable AF "return" function for setting the focus position of one's choice and returning to that preset distance. The all new Sigma 500mm F4 supports Canon, Nikon and Sigma mounts. The Nikon mounts feature the brand new electromagnetic diaphragm. The Sigma 500mm F4 Sport lens, in Canon and Sigma mounts, will be available in late October. The Nikon mount will be available in late November. The 500mm F4 will retail for a recommended street price of $5999.00 USD.
All Sigma Global Vision lenses, including the new 85mm F1.4 DG HSM Art, 12-24mm F4 DG HSM Art, and 500mm F4 DG OS HSM Global Vision lenses, can be updated with the latest lens firmware from a workstation or laptop using the Sigma Optimization Pro software and Sigma USB Dock (sold separately).
The SIGMA Corporation is pleased to announce the SIGMA 12-24mm F4 DG HSM | Art, an ultra-wide-angle zoom for DSLRs with full-frame sensors. This new lens offers an optimal package of center-to-edge image quality, minimized distortion, and a minimal focusing distance.
To achieve these qualities without compromise, the SIGMA 12-24mm F4 DG HSM | Art incorporates the latest lens design, advanced materials such as low-dispersion glass and cutting-edge large-diameter molded glass aspherical lens processing methods.
Release date and price: TBD Accessories: Case Corresponding AF mounts: SIGMA, Canon and Nikon
SIGMA 85mm F1.4 DG HSM | Art
The SIGMA Corporation is pleased to announce the ultimate lens for portraits, the SIGMA 85mm F1.4 DG HSM | Art which offers outstanding resolution with minimized chromatic aberrations.
Outstanding resolution and the attractive bokeh effect that large-diameter lenses offer. Fulfilling the exacting standards of the Art line, the SIGMA 85mm F1.4 DG HSM | Art delivers both of these elements at the highest level. The bokeh effect is so precise, you can focus on the pupil of the subject’s eye while blurring the eyelashes. Adding to the effect, the area in focus is extremely high-resolution while the bokeh area is very attractive in appearance. The SIGMA 85mm F1.4 DG HSM | Art incorporates 14 lens elements in 12 groups, a remarkable structure that helps the lens deliver ultra-high-resolution. This lens is therefore an excellent match for full-frame DSLRs offering 50-megapixel or higher resolution.
Release date and price: TBD Accessories: Case, Hood (LH927-02) Corresponding AF mounts: SIGMA, Canon and Nikon
SIGMA 500mm F4 DG OS HSM | Sports
The SIGMA Corporation is pleased to announce the flagship lens of the Sports line, SIGMA 500mm F4 DG OS HSM | Sports which has both outstanding functionality for challenging shoots and top-level optical performance.
The SIGMA 500mm F4 DG OS HSM | Sports incorporates SIGMA’s latest technologies and delivers a full range of advanced features and functions: enhanced dust- and splash-proof construction, Optical Stabilizer (OS) system, SIGMA Tele Converter compatibility, AF function switch, SIGMA’s latest-generation Hyper Sonic Motor (HSM), and more. Combining top-level optical performance with functionality for challenging shoots, the flagship lens of the Sports line, SIGMA 500mm F4 DG OS HSM | Sports sets a new standard for high-performance telephoto lenses.
Release date and price: TBD Accessories: Case, Hood (LH1388-01),WR Protector,Lens is equipped with fixed tripod socket. Corresponding AF mounts: SIGMA, Canon and Nikon
A vlog is really a video-based blog and can be about anything. Like a written blog, it contains the ideas, activities and opinions of a particular person or people. It can be an edited version of their daily lives, a combination of commentary and gameplay (some of the most successful vloggers in the world are gamers), or a more focused “show” that teaches others certain techniques such as how to do makeup, exercise, brew beer or in my vlog, the craft of video production and filmmaking.
In 2008, I started theC47 as an educational brand that was focused on teaching the craft of video production and filmmaking. I recently launched a new weekly vlog called “Random Acts Of…” on theC47’s YouTube channel. Basically, it covers Random Acts Of… Lighting, Composition, Camera Movement, Lighting Control, Gear and anything else that interests me as a producer, DP and all around tinkerer.
You shouldn’t start a vlog with the intention of making lots of money. It can help people build their brands, but it’s the passion for the subject matter and a commitment to creating ongoing content that are key – and the one thing many successful vloggers seem to have in common. If the content they create is interesting, and it is posted regularly (generally daily or at least weekly), they can find an audience over time.
The New Nikon KeyMission 360, KeyMission 170, and KeyMission 80 Enable Storytellers and Adventurers to Break Traditional Boundaries and Tell Stories Through Captivating Content
COLOGNE, GERMANY – Today, Nikon Inc. announced the new line of KeyMission action cameras that encourages users to discover, capture and share their personal missions from an entirely new perspective. Rooted in Nikon’s legendary excellence in imaging innovation, this new camera lineup offers users a hands-free way to push the limits and document their adventures through high-quality immersive video that puts the viewer in the middle of the action. Previewed at CES 2016, the rugged KeyMission 360 is the first Nikon camera capable of full 360° video in 4K UHD, providing users a unique way to create engaging content like never before. Also introduced today is the new Nikon KeyMission 170, an adventure-ready camera capable of amazing stills and 4K UHD video at a wide-angle point of view, as well as Nikon’s KeyMission 80, a compact and lightweight camera for capturing the spontaneous moments of everyday life.
Nikon’s KeyMission line is based on the belief that life is about discovering new people, new places, new knowledge and new purpose – that each individual is on a journey to find their personal mission that brings out the best version of oneself. The world is a better place when we experience and share our adventures, our stories and our loves; The KeyMission line provides a new way of seeing and sharing these missions with the world.
“The KeyMission series introduces amazing new tools for everyday storytellers eager to find and pursue their personal missions while sharing their loves with the world,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “History is full of stories told from behind the camera – the KeyMission 360, KeyMission 170 and KeyMission 80 will challenge tradition and invite users to embark on a journey to share their missions from entirely new, immersive perspectives.”
Nikon KeyMission 360 – Fulfill your mission in full, immersive 360° video
Challenging the traditional boundaries of content capture, the Nikon KeyMission 360 gives storytellers the ability to explore, experience and share their missions like never before. The entire environment becomes one’s canvas, with Full 360° video ready to preserve an immersive chronicle of the moments that matter. Whether capturing a first skydiving experience, preserving an epic underwater adventure or immortalizing a child’s first birthday party, the KeyMission 360 allows users to see the world differently and easily share what they love.
Capture amazingly sharp, true 360° video in 4K UHD at 24p [3840 x 2160]1 or Full HD (1080p) that puts the viewer at the center of your journey
Two f/2.0 lenses and two 20-megapixel CMOS sensors combine to create stunning videos and photos without blind spots2
Automatic in-camera stitching cuts down on the previously daunting editing process while eliminating the need for multiple cameras or specialized, expensive rigs, making it easy to share on supported 360° content platforms
Customize videos with shooting modes like Superlapse, Time-Lapse or Loop Movies that help provide unique perspectives of any story - or capture 360°, 30-megapixel still images
An in-camera stereo microphone helps provide crisp and clear accompanying audio, while Electronic Vibration Reduction (VR) is available after-capture to help steady playback
Extremely compact and waterproof (98 ft.), shockproof (6.6 ft.) and freezeproof (14° F) rugged design, no housing required, helps ensure you are ready to fulfill your mission, wherever the journey takes you
Share completely stitched, immersive content in full 360° from either a compatible smart device or desktop computer:
The new Nikon SnapBridge 360/170 app3 for iOS and Android devices4 allows users to access camera settings, simple editing functions or live view and share content directly
For more advanced editing functions, the KeyMission 360/170 Utility program for PC and Mac users opens up a new world of editing options for more discerning visual storytellers
Included alongside the camera are a variety of accessories and mounting solutions that will help visualize a variety of activities, including a Base Mount Adapter, two Base Mounts, Silicone Jacket for added grip and protection, two lens protectors and a cardboard-style head mounted display that, alongside a compatible smartphone, allows for fully immersive playback
The KeyMission 360 uses a standard 1/4 in. tripod socket to which a variety of different mounts and accessories can be used with the included base adapter. It is also compatible with an optional remote control
Nikon KeyMission 170 – Experience life’s missions from a true POV experience
In a visual world where we learn through both our own personal experience and the shared experiences of others, the Nikon KeyMission 170 lets users tell stories from an individual’s point of view. It’s easier than ever to relive life’s adventures in fantastic quality, and transport the viewer right into the action to enjoy the moment as if they were there. Tethered to a surfboard or mounted to a backpack on the family hike, the KeyMission 170 helps bring any incredible journey to life.
A super-wide 170° angle-of-view, f/2.8 lens and 8.3-megapixel CMOS sensor combine to capture brilliant 4K UHD or 1080p Full HD video
Creative tools help users create unique and engaging content for sharing, including Highlight Tagging which helps create a highlight reel montage of the user’s favorite content, slow motion movies, Time-Lapse and Loop Recording
Capture high-quality still images during video recording, while in-camera Electronic Vibration Reduction (VR) (1080p HD) helps minimize camera shake
The compact and rugged KeyMission 170 is waterproof (33 ft.), shockproof (6.6 ft.) and freezeproof (14° F) without a housing, always ready for your next adventure
The camera sports a rear LCD that helps frame shots in live view, play back video and change settings with ease
Users can utilize the Nikon SnapBridge 360/170 application for simple editing, framing and sharing, while the KeyMission 360/170 Utility program for PC or Mac offers more advanced editing capabilities
The camera features a standard 1/4 in. tripod socket which alongside the supplied base mount adapter, connects to all other KeyMission accessories
The KeyMission 170 also comes with a remote control accessory, useful for stopping and starting recording or creating tags while capturing exciting new content
Optional Waterproof Housing available to extend underwater performance to 131 ft.
Nikon KeyMission 80 – Live your mission and let the camera do the rest
Life is full of spontaneous moments, and the wearable Nikon KeyMission 80 is always ready to capture life’s everyday adventures, making sure you enjoy the moment while the camera takes care of saving the memory. Whether conquering your next hike, exploring the streets of Rome or simply playing catch in the backyard, the KeyMission 80 is there to easily and effectively capture your mission.
Using the camera’s Time-Lapse recording and interval timer functions will allow users to chronicle life’s journeys with hassle-free high-quality stills or Full HD 1080/30p video
Beautiful stills and video are made possible utilizing a 12-megapixel CMOS sensor and 25mm (80° angle-of-view) f/2.0 lens
A secondary front-facing 5-megapixel camera with a 22mm (90° angle-of-view), f/2.2 lens helps users seamlessly snap selfies on the go
Small, rugged and lightweight, the KeyMission 80 is ready to capture fleeting shots at a moment’s notice. Easy to use one-handed, it turns on immediately after being unclipped from its camera holder ensuring users don’t miss out on their next precious memory
Waterproof (3.2 ft.), shockproof (6 ft.) and freezeproof (14° F), the KeyMission 80 will go with you almost anywhere
Versatile 1.75-inch touch LCD display lets users easily change settings, frame shots or play back captured content
Use Nikon’s SnapBridge app for seamlessly sharing via Bluetooth5 or Wi-Fi6
KeyMission Mounts and Accessories
Introduced alongside Nikon’s KeyMission line of action cameras are numerous optional mounts and accessories that will help users creatively capture unique content from a variety of different perspectives. Available accessories include:
Compatible with all KeyMission Cameras – KeyMission Tripod7, KeyMission Extension Arm7, KeyMission System Case (soft case for accessories and cameras), KeyMission Hard Case (hard case for accessories and cameras)
Compatible with KeyMission 360 and 170 – Remote Control Accessory (supplied with KeyMission 170), Helmet Strap, Wrist Mount, Handlebar Mount, Chest Mount, Surfboard Mount, Backpack Mount, Suction Cup Mount, Handy Grip
Compatible with KeyMission 170 – Waterproof Case (extends underwater performance to 131 ft.)
Compatible with KeyMission 80 – Tripod Adapter
Price and Availability
The new Nikon KeyMission products will be available starting in October 2016. The KeyMission 360, KeyMission 170 and KeyMission 80 will be available for suggested retail prices (SRP) of $499.95, $399.95 and $279.95, respectively. Accompanying mounts and accessories, the Nikon SnapBridge 360/170 application and KeyMission 360/170 Utility program for PC will also be available starting in October 2016
Not long ago I was walking down a street near my home when an abandoned, overgrown lot grabbed my attention. While the lot wasn't what I would call "scenic" with its fallen branches and litter, the tall weeds in the middle of the lot intrigued me. A short time later I was contacted by a model wanting some images to add to her portfolio and I she liked my suggestion of using an overgrown lot for our backdrop.
As I mentioned, the vacant lot on the whole did not look very good. As such, I decided to use two techniques to minimize the impact of the shooting location and draw focus to the tall weeds which I really liked: a long focal length and a wide aperture.
I had originally planned on using the Canon EF 85mm f/1.2L II USM, a very wide (f/1.2 - f/1.8) aperture and a 4-stop neutral density filter (to allow me to achieve a shutter speed below the 5D III's max flash sync speed) for the shoot. Unfortunately, I had temporarily misplaced my 4-stop ND filter. Without a 4-stop ND filter at hand, I decided to use the EF 70-200mm f/2.8L IS USM (predecessor to version II) paired with a 2-stop ND filter instead.
My inability to find the 4-stop ND filter actually turned out to be a blessing in disguise. The 85L II has a field of view (FOV) of roughly 28° while the 70-200L IS has a FOV of 12° at 200mm. The smaller field of view meant that I could capture a smaller slice of the background in each frame. And when coupled with a wide f/2.8 aperture (with background elements a decent distance from my subject), the background became a creamy blur of color which didn't include recognizable [distracting] elements. Another benefit of the 70-200mm lens in this particular case was an increased working distance (with similar framing) that allowed me more opportunities to capture blurred foreground elements as well.
Expand your video and filmmaking experiences with XEEN cinema lenses. With a T2.6 and outstanding optical performance for 4K+, focus on the Mise-en-scène of the images you want to create.
XEEN lenses feature declicked gear rings in identical locations, so that changing lenses is no longer a hassle. Mounts are interchangeable, meaning each lens can be used on a variety of cameras. The XEEN series aims to delivers unparalleled performance with affordability to satisfy the needs of videographers and filmmakers, regardless of the situation or equipment.
Ultra Wide Angle in 106.9°
Designed for Films – 114mm Front Size, High-durability, FFG, Declicked aperture
This article is the second of a two-part article on Photographing People and their Pets for the Advanced Amateur or Aspiring Pet Photographer. You can read part one here.
The following info is a list of tools and techniques that might be difficult to find elsewhere. In the nearly 30 years of specializing in photographing people and their pets, I’ve not seen a printed list or series of videos that cover this particular material. And even if you could find some of this information as it pertains to photographing animals, it wouldn’t be a matter of who’s right or wrong, but whether or not you consider using the following tools to develop the suggested techniques. If you do, you’ll be well on your way to creating not only sellable images, but images of style and distinction you can be proud of... and images your clients will treasure for a lifetime!
A 24mm f/1.4 prime lens is equally at home in a wedding photographer's gear bag as it is perched upon a tripod and pointed up toward the night sky. It's an excellent lens for indoor events (like parties) where ambient light is low.
For those looking to invest in a 24mm f/1.4 prime for Canon DSLRs, two candidates likely to be considered are the Canon EF 24mm f/1.4L II USM and Sigma 24mm f/1.4 DG HSM Art lenses. Today, we're going to see how these lenses compare to one another so that you can make the right investment for your needs.
First, let's first look at image quality. At f/1.4, the Canon 24L II is sharp in the center but the mid-frame and corners are noticeably softer. The Sigma 24 Art trails the Canon in center sharpness wide open, but it features a more even sharpness across the entire frame which results in the mid-frame and corners being sharper than the Canon. By f/2, the difference between the two lenses in the center is negligible but the Sigma is still clearly sharper in the corners.
Both lenses feature similar size and weight and accept 77mm front filters. If weather sealing is a high priority, the Canon 24L II is the lens you want. Otherwise, let's look at some other differentiating factors.
As usual with third party lenses, you can expect the Sigma 24 Art to focus less consistently compared to the Canon. Live View focusing can be used to increase focus accuracy (as the actual sensor data is being used for focusing), but Live View focusing may not be suitable in some situations.
However, in this particular case, a 24mm lens' relatively short focal length helps mitigate focus inaccuracies to some degree as depth of field (DOF) is derived from the relationship between sensor size, focal length, aperture and distance to subject. Let me share an example.
With a subject positioned 5 feet away while using a full-frame camera with a 50mm focal length and an f/1.4 aperture, the in-focus DOF would be about 3 inches (7.62 cm). If using a 24mm focal length under the same circumstances, DOF would increase to 1.12 feet (34.14 cm).
Of course subject framing would not be the same with different focal lengths being used, but suffice it to say that shorter focal lengths will give you more DOF at typical working distances.
As is typical of Canon vs. third-party lens comparisons, one big differentiating factor is price. Right now the Sigma 24 Art is only 55% the cost of the Canon counterpart. This represents a significant savings that could easily be applied to other lenses or desired accessories.
To summarize, if you need weather sealing and consistent AF, the Canon 24L II is the best 24mm f/1.4 lens to add to your kit. Otherwise, the Sigma makes a strong case for saving a decent amount of cash while investing in your 24mm prime.