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 Wednesday, May 11, 2016
From SanDisk:
 
MILPITAS, Calif. - May 10, 2016 - SanDisk Corporation (NASDAQ: SNDK) today announced that the Ministry of Commerce of China (“MOFCOM”) has approved the acquisition of SanDisk by Western Digital Technologies, Inc., a wholly-owned subsidiary of Western Digital Corporation (NASDAQ: WDC).
 
All necessary regulatory approvals for the acquisition have now been received and the transaction is expected to close on Thursday, May 12, 2016. SanDisk stockholders previously voted to approve the transaction at a special meeting of stockholders held on March 15, 2016.
 
“We are pleased that the final regulatory approval has been received and we can now proceed with the planned combination with Western Digital,” said Sanjay Mehrotra, president and chief executive officer, SanDisk. “We thank our stakeholders for their support of this transaction and look forward to contributing to the success of Western Digital as it transforms into the leading storage solutions company.”
Posted to: Canon News,
Post Date: 5/11/2016 6:09:44 AM CT   Posted By: Sean
Accessorize this Spring with the Canon Speedlite 600EX II-RT Flash and Canon EF-M 28mm f/3.5 Macro IS STM Lens with Built-in Macro Lites and Image Stabilizer
 
MELVILLE, N.Y., May 11, 2016 –Spring is all about having the right look and Canon U.S.A., Inc., a leader in digital imaging solutions, is giving photographers of all levels two new options that can improve their creativity and versatility; the Canon Speedlite 600EX II-RT flash and the Canon EF-M 28mm f/3.5 Macro IS STM lens.
 
Photographers looking to take rapid-fire flash images will appreciate the improved recycling time in the new Canon Speedlite-600EX II-RT flash. Those looking to explore the world of macro photography will appreciate the stylish compact look of the new Canon EF-M 28mm f/3.5 Macro IS STM lens, the first EF-M Macro Lens for the Canon EOS M Camera System, which features Image Stabilization and a pair of built-in miniature Macro Lites to enhance image quality during close-up photography.
 
The Canon Speedlite 600EX II-RT Flash Offers Improved Continuous Flash Firing and More
The Speedlite 600EX II-RT flash is compatible with most EOS cameras. It replaces Canon’s top-of-the-line Speedlite 600EX-RT, and improves continuous flash firing by approximately 1.1 to 1.5 times when using AA batteries and up to two times when adding the new optional Compact Battery Pack CP-E4N.
 
Additional Speedlite 600EX II-RT flash features include:
 
  • Zoom flash head covers wide focal length range of 20–200mm; maximum guide number is 197 ft./60m at ISO 100, making Speedlite 600EX II-RT flash the most powerful flash unit in the EOS system.
  • Wireless flash shooting support is available for both radio and optical transmission with compatible Canon Speedlites, offering users greater functional range when using flash.
  • Multiple flash system support allows control of up to five groups of compatible Canon Speedlites.
  • Dust- and water-resistant body for reliable operation in harsh environments.
  • Flash-readiness indicator on the display panel, simplified button and dial operation and variable manual flash output.
  • New, specially designed accessories supplied include a built-in bounce adapter, plus SCF-E3 hard-type color filter sets, and a soft case. The new Compact Battery Pack CP-E4N is available as an optional accessory for faster recycling time and more flashes per charge.
  • Illuminated dot matrix LCD panel for enhanced display information, including flash mode and usable distance ranges plus C.Fn (Custom Function) and P.Fn (Personal Function) settings.
First Macro Lens in the Canon EF-M lens series
Photographers looking for a compact, lightweight macro lens should look no further than the Canon EF-M 28mm f/3.5 Macro IS STM lens, the first Canon Macro Lens specifically designed for the EOS M Camera System.
 
The new lens features a pair of built-in miniature Macro Lite electronic flash units that illuminate close-up subjects as needed, helping to freeze movement, enhance color accuracy and provide a better sense of depth and dimension. Two curved flash units surround the front element of the lens, with the ability to illuminate both simultaneously, or one at a time. Users are also able to adjust the brightness of the Macro Lites between “bright” and “dim” settings.
 
The standard focusing range of the Canon EF-M 28mm f/3.5 Macro IS STM lens extends from infinity to life-size (1 time). Additionally, a Super Macro Mode allows shooting at even higher magnifications up to 1.2 times. This feature allows you to capture smaller details that really make your subjects stand out against the background.
 
Additional features of the Canon EF-M 28mm f/3.5 Macro IS STM lens include:
 
  • Hybrid IS, the same feature as found on Canon EF 100mm f/2.8L Macro IS USM Lens, helps reduce camera shake for enjoyable handheld photography.
  • Stepping motor (lead screw-type STM) helps provide smooth and quiet focusing operation when taking photos, and near-silence when shooting videos.
  • One UD lens and two aspherical lenses** help deliver outstanding image quality at all distance settings by reducing chromatic and spherical aberrations.
  • Angle of view similar to a 45mm standard lens (35mm equivalent) provides flexible image capture of various subjects and scenes at macro distances and beyond.
  • Tapered lens top shape makes it easy to capture high-quality images at close range without casting shadows.
The Canon Speedlite 600EX II-RT electronic flash unit is scheduled to be available through authorized Canon dealers in June 2016 for an estimated retail price of $579.99. Canon’s EF-M 28mm f/3.5 Macro IS STM lens is scheduled to be available through authorized Canon dealers in June for an estimated retail price of $299.99.
 
B&H has the Canon Speedlite 600EX II-RT, CP-E4N Compact Battery Pack and the EF-M 28mm f/3.5 Macro IS STM available for preorder.
Posted to: Canon News
Post Date: 5/11/2016 12:02:14 AM CT   Posted By: Sean
Latest Canon PowerShot Digital Camera Provides Impressive Image Quality and Zoom Range in a Compact Size
 
MELVILLE, N.Y., May 11, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, introduced today the new Canon PowerShot SX620 HS digital camera - ideal for individuals looking for a convenient, easy-to-carry compact digital camera capable of producing high-quality photos and videos. This new camera boasts a 20.2 Megapixel* CMOS imaging sensor and a powerful 25X Optical Zoom lens (25-625mm equivalent) in a form factor that will easily fit in a pocket or purse, making it an ideal camera for those passionate about photography to capture gorgeous imagery no matter where they are.
 
The camera’s built-in wireless capabilities make it convenient to share images and videos on the go, and its powerful 25X optical zoom lens makes it ideal for those wanting to zoom in and out of the action. The Canon PowerShot SX620 HS digital camera is a great companion for those looking to visually document their daily adventures and easily share their experiences as they explore new places and do new things.
 
As the successor to Canon’s PowerShot SX610 HS digital compact camera, the Canon PowerShot SX620 HS digital camera also features:
 
  • An Intelligent Image Stabilizer (IS) that helps optimize image stabilization for virtually shake-free images in a variety of shooting conditions
  • Built-in Wi-Fi** and Near Field Communication (NFC)*** to allow for easy sharing and transferring of images and videos to a personal computer or other compatible devices such as the Canon Connect Station CS 100
  • 20.2 megapixel* CMOS sensor with DIGIC 4+ Image Processor to help deliver stunning image quality, even in low light
  • The ability to capture spectacular 1080p Full HD video
  • Large 3.0-inch (approximately 922,000 dots) LCD to allow for easy viewing, even from a wide angle
  • Hybrid Auto mode that allows for recording up to four seconds of video before each image that is captured, then automatically combines each clip and still into a quick video recap of the day
  • Smart AUTO mode which intelligently selects the proper settings for the camera based on pre-defined shooting situations to help create the best possible image
  • Creative Shot mode that uses composition, color and lighting from an original image to create unique images with an artistic flair
  • An Auto Zoom feature that, when enabled, makes the camera automatically zoom in on subjects and help keep them in focus
Canon’s PowerShot SX620 HS digital camera, available in black, red and silver, is scheduled to be available in May 2016 for an estimated retail price of $279.99.
 
B&H has the Canon PowerShot SX620 HS Digital Camera available for preorder.
Posted to: Canon News
Post Date: 5/11/2016 12:01:32 AM CT   Posted By: Sean
 Tuesday, May 10, 2016
With 9 students planning to arrive for prom pictures within a short period of time, I had to be ready. The entire week preceding the big day was extra cloudy with lots of rain. The forecast for the Saturday afternoon shoot was calling for clouds with a 30% chance of light rain. Clouds would be perfect for afternoon outdoor lighting, the grass was very green and the new spring leaves on the trees were a great color for a background, but that chance of rain required a studio setup be on standby.
 
White matches everything, so ... I went with white this year.
 
Setting up for a high key white background is not hard nor is it expensive. If shooting partial body portraits, a white wall, white reflector or white foam core can work well as the background. For full body portraits, rolled paper is often the best option and it works great. Savage Widetone Seamless Paper Background is what I use.
 
To hold the rolled paper in place, a background stand (I have Impact and Manfrotto brands) is needed. The rolled paper slides onto the top bar of the background stand and rolls out onto the floor to the front (get another person to hold the background stand up while unrolling the paper as the stand could easily tip over during this step). I gaffer tape the paper to the floor to keep it from rolling back up and clamp the roll of paper to the top bar to keep it from further unrolling.
 
High Key Lighting Setup
 
More complicated than the background setup is the lighting and the balancing of the lights. I typically start my light balancing setup with the camera exposure settings. With powerful strobes in use, I have a lot of flexibility even at the lowest noise ISO setting of 100. With the EOS 1D X Mark II and similar-resolution full frame cameras, I generally start with f/11. This aperture gives me a lot of depth of field, keeping much or all of the subject in focus along with room for error (it is rare to get an out of focus portrait at f/11) without compromising image sharpness to diffraction. Note that, when using a solid-colored background such as rolled paper, there is little benefit to blurring the background via a wide aperture. A 1/160 shutter speed is about as fast as I trust the PocketWizards to trigger the first strobe and for the rest to optically trigger while the shutter is fully open, so that is what I go with. The f/11, 1/160 and ISO 100 combination is generally enough to overwhelm any ambient light present.
 
For lighting with consistent requirements, manual flash settings are ideal and ... the only option I have with my Elinchrom Digital Style studio monolights (Elinchrom ELC Pro HD Flash Heads are the current models).
 
For the high key background, I place a softbox-fitted strobe on each side of the paper with the power set high enough to blow out the background in the selected exposure (but not higher than necessary as flare could become an issue). I was tempted to place a 4x8' piece of clear Plexiglas on the floor under the subject to better reflect the bright background, but ... I feared that the parade of subjects flowing through my studio would not be kind to this relatively-expensive piece of plastic's useful lifespan.
 
To keep the background reflection from strongly influencing the lighting on the subject (a wrapping light the softens the transition from subject to the background), the subject should be positioned well in front of the background. The subject to background distance was about 10' (3m) in this example.
 
Prom is all about the dress (or tux) and a 54" octagonal softbox angled just slightly downward and directly at the subject from camera-left created an even light emphasizing the dresses. This light was adjusted to the output needed for proper dress brightness with care taken to not overexpose the dress as reducing brightness during post processing can reduce the background's whiteness. A 24x24" softbox on a Manfrotto boom was positioned above the subject to light their head with the appropriate brightness setting used for that.
 
While it takes multiple lights to effectively create a high key effect and light the subject, the light sources do not have to be studio strobes. I have done the same many times with Speedlites and constant lights, can also be utilized. And, the background does not have to be pure white as long as your background lights are bright enough to make whatever color is available bright enough. I've even shot high key corporate portraits using a light-colored wallpaper background. Hit it with enough light and it turns white.
 
Umbrellas can be used in place of softboxes.
 
By the time my first subject arrived (my own daughter was first and about 1 hour late), the day was bright, sunny and unfavorable for lighting in my preferred outdoor locations. It didn't take much thought to know that the indoor option was best.
 
With the lighting and camera settings all dialed in before any subjects arrived, I was able to take lots of photos in a short/compressed amount of time.
 
The Canon EF 70-200mm f/2.8L IS II USM Lens is an excellent portrait lens and 70mm is just wide enough for comfortably shooting full length portraits in my studio space. The just-arrived Canon EOS 1D X Mark II was my camera choice for this shoot. This scenario was a walk in the park for this camera.
 
A larger version of this image is available on Flickr, Google+, Facebook and 500px. If reading from a news feed reader, click through to see the framed image. Please share these tips with your circle of friends!
 
Have any questions? Ask!
 
Camera and Lens Settings
80mm  f/11.0  1/160s
ISO 100
3648 x 5472px
Posted to: Canon News,
Post Date: 5/10/2016 11:13:39 AM CT   Posted By: Bryan

 
From the National Geographic YouTube Channel:
 
German artist Thorsten Brinkmann is a self-proclaimed serial collector. He works primarily with items from resale shops and junkyards, incorporating the found objects into his photography and site-specific installations. Wearing a trash can for a helmet and a fabric scrap for a vest, he is suddenly transformed into a seemingly noble character that mimics the style of paintings done by the old masters. In this short from Walley Films, watch how Brinkmann creates these whimsical self-portraits for his latest show at the Rice University Art Gallery in Houston, Texas.
Posted to: Canon News,
Post Date: 5/10/2016 10:38:51 AM CT   Posted By: Sean
Due to a trademark issue (with Foveon), Breakthrough Photography has renamed their "X3" to line "X4". While the change means nothing to the quality of the product, it could cause confusion if you were looking for the older product name as it no longer exists.
 
In regards to the quality of these products, it is very high. Breakthrough Photography X4 ND Filters are what I use. Read the 10 Stop Neutral Density (Black) Filter Review. Then go get creative.
 
B&H has Breakthrough Photography X4 10-Stop ND Filters in stock.
Posted to: Canon News,
Post Date: 5/10/2016 10:17:17 AM CT   Posted By: Bryan
 Monday, May 9, 2016
ISO Noise and resolution test results have been added to the Canon EOS 1D X Mark II Review page.
 
Here are some comparisons (initialized at ISO 3200):
 
Canon EOS 1D X Mark II compared to the 1D X
Canon EOS 1D X Mark II compared to the 1D Mark IV
Canon EOS 1D X Mark II compared to the 5D Mark III
Canon EOS 1D X Mark II compared to the 5Ds R downsized
Canon EOS 1D X Mark II compared to the 7D Mark II
Canon EOS 1D X Mark II compared to the 1D Mark III
Canon EOS 1D X Mark II compared to the 1Ds Mark III
 
I'll further explain and add commentary to the entire 15 sets (13 samples each) of results soon.
 
I'm totally loving this camera so far. I have photographed a couple of soccer games (including one under the lights) and a round of prom pictures with the 1D X II and very much look forward to a full sports schedule week ahead of me for further testing.
 
B&H has the Canon EOS 1D X Mark II available for preorder. Order the Premium Kit ($300 value for no extra cost at the moment).
 
Retailers with 1D X II Premium Kit In Stock
Canon Store | Adorama | Focus Camera
Posted to: Canon News
Post Date: 5/9/2016 9:31:19 AM CT   Posted By: Bryan
From Nikon:
 
Changes from ViewNX-i Version 1.2.0 to 1.2.1
 
  • Added support for the COOLPIX B500 and A300.
  • Added support for MP4 movies.
  • Added ranges to the sliders in the Adjustments/Metadata palette.
  • The sliders in the Adjustments/Metadata palette can now be reset by clicking the mark that indicates the default position.
Download: Nikon ViewNX-i v.1.2.1
 


Changes from Capture NX-D Version 1.4.0 / 1.4.0a to 1.4.1
 
  • Added support for the COOLPIX B500 and A300.
  • Added a View menu to Preferences for a custom grid display.
  • Added perspective control to the Straighten tool.
  • Sliders now show increments at all times.
  • Fixed an issue that caused blurring when Noise Reduction > Better Quality 2013 was applied to NEF (RAW) photos taken with the D610.
Download: Nikon Capture NX-D 1.4.1
Posted to: Nikon News
Post Date: 5/9/2016 5:27:00 AM CT   Posted By: Sean
 Friday, May 6, 2016

 
From the B&H YouTube Channel:
 
Watch hours become seconds through the power of timelapse! In this video, Chase from Zacuto explains the fundamental techniques along with several important things to consider when shooting timelapses.
Posted to: Canon News,
Post Date: 5/6/2016 6:44:00 AM CT   Posted By: Sean
 Thursday, May 5, 2016
I drove to the UPS shipping terminal first thing this morning to pick up my 1D X Mark II body just arriving from B&H. I couldn't wait to get my hands on it and, with an under-the-lights soccer game on my schedule for this evening, I chose to not wait for the brown truck to arrive late this afternoon (and risk it not arriving in time). Hearing the sound of this camera is always good for a smile and I put it in front of the mic for a first test.

Canon rates the 1D X Mark II buffer depth at up to 170 RAW images, with the highest number requiring a CFast 2.0 Memory Card. CFast cards were a new requirement for my kit and Transcend was anxious for me to try out one of their CFX650 256GB CFast 2.0 Memory Cards (Max. Read/Write Speed: 510/370 MB/s) in this camera. I didn't have to think too long to accept that offer and, while I have yet to use another card in this camera, I can tell you that this one and the 1D X Mark II perform very impressively together.

With the Transcend card installed, the 1D X Mark II captured an incredible 14 frames per second until I got bored holding the shutter release down over 6 minutes later. The 14 fps converts to 840 fpm and, in 6:01.35, I had a VERY impressive 5,068 RAW images on the CFast card. With this card installed, the camera never filled its buffer. And, the sound is, as expected, awesome:

Canon EOS 1D X Mark II Burst Mode
Canon EOS 1D X Mark II Burst Mode Extended Version (the full 6 minutes)

Here is a burst rate comparison between the 1D X Mark II and several other current or recent models:

Burst Comparison: 80D, 7D Mark II, 1D X Mark II and 1D X

The fine print: the test camera was configured to use ISO 100, a 1/8000 shutter speed (no waiting for the shutter operation), a wide open aperture (no time lost due to aperture blades closing) and manual focus (no focus lock delay). The lens cap remained on (insuring a black file and the smallest file size) and a freshly-formatted fast memory card was loaded. Camera sounds were recorded using a Tascam DR-07mkII Portable Digital Audio Recorder with record levels set to 50% at -12db gain and positioned 1" behind the rear LCD.

Completing the full 1D X review is of course a high priority for me – I'll have much more to share in the near future. Check out the Canon EOS 1D X Mark II page for more information.
 
B&H has the Canon EOS 1D X Mark II available for preorder.
 
Retailers with 1D X II Premium Kit In Stock
Adorama | Focus Camera

Posted to: Canon News
Post Date: 5/5/2016 11:24:12 AM CT   Posted By: Bryan
by Sean Setters
 
While recently planning a trip to Wichita, KS to visit friends, my goal was to pack as light as possible to avoid checked baggage fees. The trip was not planned with photography being a high priority, however, I wanted to take a decently capable kit with me in case photographic opportunities arose.
 
On that note, Delta allows one personal item and one carry-on bag for free. My work laptop bag filled the "personal item" allotment. As such, my Lowepro Nova Sport 35L AW became a dual service bag in that it not only carried my camera gear but my clothes as well.
 
Unfortunately, that led to compromises as I couldn't take as much camera gear as I'm used to having available and I had to be very selective in the clothes that I packed.
 
Having never been to Wichita, I wasn't quite sure what kinds of photographic opportunities to expect. Therefore, I decided to structure my kit to be as versatile as possible while remaining [relatively] small in footprint.
 
Clothes aside, here's the gear I packed into the Lowepro Nova Sport 35L AW:
 
I choose to bring the 7D II instead of my 5D III because the crop sensor camera allowed me to pack a wide range of focal lengths in a smaller amount of space compared to a full-frame compatible set of lenses (not to mention the weight savings over similarly-capable full-frame lenses). As this wasn't a photo-centric trip, I decided not to pack an LC-E6 battery charger (assuming I wouldn't exhaust two LP-E6s in three days).
 
Here were my thoughts behind the gear choices:
 
  • The EF-S 10-18 IS STM would fulfill my wide-angle lens needs; the EF-S 55-250 IS STM would cover telephoto needs.
  • The EF-S 24 STM and 40 STM pancakes would be perfect for shooting video while adding very little weight/bulk to the kit. The 40mm lens would also fill a gap in my uncovered focal range and could serve as a decent, loosely framed portrait lens with a 64mm full-frame equivalent focal length.
  • The Sigma 24mm f/1.4 Art would serve as my indoor, low-light lens. I anticipated that we would be spending a decent amount of time in our friends' apartment hanging out and catching up (we don't see them often).
  • The 580EX flash would allow me to augment the light in a scene if needed. Bounce flash can produce very flattering light in indoor settings (assuming you have neutral-colored walls/ceilings to work with). And with the 7D II's pop-up flash acting as a master flash, I could even use the flash off-camera if needed. Including flash gels would also allow me to change the color of the flash's light to more closely match the ambient.
  • I opted to bring the tiny Feisol Mini Tripod so that I'd have some type of support solution in the kit. I envisioned using it for group photos or possibly lightning shots (when combined with the Miops Camera Trigger).
The Canon EF-S 55-250mm IS STM proved especially useful on a visit to the Sedgwick County Zoo because of its small size, long focal range and effective IS.
 
Giraffe Mane at Sedgwick County Zoo

Bird at Sedgwick County Zoo

Galapagos Tortoise at Sedgwick County Zoo

The EF-S 55-250 IS STM also proved useful in another way. Having not anticipated the need for a macro lens, I hadn't packed one. However, as our friends were recently engaged, I was asked to capture a shot of the engagement ring. Being engaged to a railroad rail quality engineer, the happy bride-to-be wanted to incorporate the railroad into the shot.
 
Luckily, we found an abandoned pile of railroad spikes about 20 feet away from a portion of track at a long-abandoned railway station. Without a macro lens at hand, I used the 55-250mm lens to create the image below.
 
Engagement Ring on Railroad Spikes

And here are a few images I captured using other lenses in the kit:
 
Trees Beginning to Bloom Wichita KS

Buildings Wichita KS

Museum of World Treasures Wichita KS Portrait

Museum of World Treasures Wichita KS

Overall, the gear worked well for the trip and was not a burden to travel with. I used everything except the Miops trigger (no lightning on the trip) and I was able to capture images in a variety of situations. And for what it's worth, my most-used lens on the trip – the Canon EF-S 55-250mm f/4.5-5.6 IS STM – is currently on sale at the Canon Refurbished Store for a ridiculously low price.
Posted to: Canon News,
Post Date: 5/5/2016 9:05:15 AM CT   Posted By: Sean
 Wednesday, May 4, 2016
B&H has the DJI Phantom 4 Quadcopter in stock with free expedited shipping.
 
Product Highlights
 
  • Gimbal-Stabilized 4K / 12MP Camera
  • Visual Sensor for Obstacle Avoidance
  • Streamlined Shell / Magnesium Unibody
  • Top Speed of 44.7mph in Sport Mode
  • Maximum Control Range of 3.1 Miles
  • Visual Tracking of Moving Subject
  • Up to 32.8' Vision Positioning Altitude
  • TapFly - Fly With a Tap of the Finger
  • Avoids Obstacles When Returning Home
  • Up to 28 Minutes Flying Time
Posted to: Canon News,
Post Date: 5/4/2016 2:29:15 PM CT   Posted By: Sean
B&H has the Nikon D5 (Dual CF) DSLR Camera in stock with free expedited shipping.
 
The dual XQD version is available for preorder.
Posted to: Nikon News
Post Date: 5/4/2016 2:22:30 PM CT   Posted By: Sean
As has become my habit when setting up a new DSLR, I recorded my setup steps for the recently-received Canon EOS Rebel T6. Following are the 24 steps I took to make an out-of-the-box Rebel T6 ready for use.
 
  1. Open the box, find the battery and charger and plug it in. The battery likely comes partially charged, but it is nice to start out with a fully charged battery.
  2. While the battery is charging, unpack the other items you want from the box.
  3. Download the Canon Solution Disk software from Canon's website and install on your computer to get support for the latest camera(s). Canon Digital Photo Pro (DPP), EOS Utility, Photostitch and Lens Registration Utility are the options I manually include in the install.
  4. Attach the neck strap.
  5. Insert the battery (after charging completes – if you can wait that long).
  6. Power the camera on.
  7. The date and time setup screen will show at startup the first time. Use the Rear Control dial and the Set button to update this information.
  8. Insert a memory card (don't forget to format the card via the tools menu option before taking pictures).
  9. Set the camera's mode to Av, Tv or M (some modes provide only a small subset of available menu options).
  10. Scroll through all of the menu tabs to configure the cameras as follows:
  11. Shooting Menu, Tab 1: Image quality: "RAW"
  12. Shooting Menu, Tab 1: Beep: Disable
  13. Shooting Menu, Tab 1: Release without card: Disable/off (I highly recommend this setting)
  14. Shooting Menu, Tab 1: Image review: 4 sec.
  15. Shooting Menu, Tab 1: Peripheral illumination correction: disabled
  16. Shooting Menu, Tab 2: Picture Style: Neutral with Sharpness Strength set to "1" (Note: the low contrast "Neutral" picture style provides a histogram on the back of the camera that most-accurately shows me blown highlights and blocked shadows on the camera LCD. I usually change the Picture Style to "Standard" in DPP after capture.)
  17. Shooting Menu, Tab 1: ISO Auto: 6400
  18. Shooting Menu, Tab 1: Grid display: Grid 1 (3x3)
  19. Playback Menu, Tab 2: Histogram disp: RGB (I want to monitor all three color channels for blown or blocked pixels)
  20. Tools Menu, Tab 1: Auto rotate: On/Computer only (this provides the largest playback image size on the camera LCD)
  21. Tools Menu, Tab 3: C.Fn I: Exposure: ISO Expansion: On
  22. Tools Menu, Tab 3: Long exposure noise reduction: I usually have this option set to "Auto", but my choice varies for the situation.
  23. Tools Menu, Tab 3: High ISO speed noise reduction: Off (noise reduction is destructive to images details - I prefer to add NR sparingly in post)
  24. My Menu: Register the following options: Long exposure noise reduction, Format card, Date/Time/Zone (great for monitoring what time it is), Sensor cleaning (Clean manually), Expo.comp./AEB (back up near the top of the list)
I of course make other menu and setting changes based on current shooting scenarios, but this list covers my initial camera setup process.
 
To copy this configuration would mean that you intend to shoot similar to how I shoot - including shooting in RAW-only format. While my setup works great for me, your best use of this list may be for tweaking your own setup.
 
If you can't remember your own menu setup parameters, keeping an up-to-date list such as this one is a good idea. Anytime your camera goes in for a service visit, the camera will be returned in a reset-to-factory state (unless you request otherwise). Your list will insure that you do not miss an important setting when putting the camera back into service.
 
More Information
 
Canon EOS Rebel T6
Posted to: Canon News
Post Date: 5/4/2016 10:33:32 AM CT   Posted By: Bryan
The Canon Store has the EOS 1D X Mark II Premium Kit in stock.
 
Retailers with 1D X II Premium Kit In Stock
Canon Store | Adorama | Focus Camera
Posted to: Canon News
Post Date: 5/4/2016 9:32:10 AM CT   Posted By: Sean
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