New Updates Include Canon Log3 for the EOS C300 Mark II Camera and Support of ARRI Log C and Metadata for Canon’s DP-V2410 4K Reference Display
MELVILLE, N.Y., April 13, 2016 - Canon U.S.A., Inc., a leader in digital imaging solutions, today announced firmware updates to several products being showcased at NAB 2016. These firmware updates support a number of feature updates for users including improvement of workflow, ease of use, focusing and lens corrections, color space, and creative flexibility for products in the Cinema EOS, HD Video, and 4K Reference Display lines.
Firmware updates are as follows:
The EOS C300 Mark II Digital Cinema Camera updates will allow various functions such as shooting in new Canon Log3, viewfinder magnification during recording, focus guide with EF Cinema Prime lenses, Push Auto Iris and Zoom function on the grip joystick with New COMPACT-SERVO and CINE-SERVO series lenses, Canon Dual Pixel CMOS AF (DAF) with COMPACT-SERVO 18-80mm and CINE-SERVO 17-120mm lenses, ACES 1.0 output, peripheral illumination correction updates and overall image improvements such as noise level reduction in low-light for Canon Log2.
The EOS C100 Mark II Digital Cinema Camera update will allow various functions such as Push Auto Iris and Zoom function on the grip joystick with the new COMPACT-SERVO and CINE-SERVO series lenses, Canon DAF with COMPACT-SERVO 18-80mm and CINE-SERVO 17-120mm lenses, and peripheral illumination correction updates and selectable disabling of the microphone.
The DP-V2410 4K Reference Display firmware will be updated to support ARRI Log C and ARRI metadata; improve display contrast and dynamic range; add support for Canon Log3 and Hybrid Log Gamma; and display of SMPTE 2084 input signal on the waveform monitor.
The DP-V3010 4K Reference Display firmware will be updated to improve display contrast and dynamic range; add support for Canon Log3 and Hybrid Log Gamma; and display of SMPTE 2084 input signal on the waveform monitor.
The CINE-SERVO 17-120mm Lens will be updated to be compatible with Canon’s DAF function in the EOS C300 Mark II and EOS C100 Mark II Cameras.
The update for the ME20F-SH Camera will include lens support for an additional 19 EF and CINE lenses allowing for more creative choices in a wider variety of shooting applications including television and film production.
The XA35 and XA30 Professional Camcorders and VIXIA HF G40 Camcorder updates include a new file format making it easier to integrate into third party software systems that are used for athletic coaching applications.
The firmware updates for the XF305 and XF300 Professional Camcorders include new shooting modes allowing for greater creative flexibility, Wide DR Gamma (600 percent) Mode, Highlight Priority Mode, and Signal/Noise priority mode.
The XC10 4K Camcorder firmware will be updated to include a new file format MP4 in HD mode (35 Mbps only), improved AF speed, and shutter speed options for flicker reduction.
To see these products mentioned above at NAB 2016, visit Canon U.S.A., Inc. in the Central Hall, Booth C4325. Follow Canon throughout the show on Instagram at @CanonUSA and Twitter at @CanonUSApro. To learn more about the firmware updates and their availability, please visit www.usa.canon.com/internet/portal/us/home/explore/firmware-updates.
Featuring Canon’s Dual Pixel Autofocus and ISO Ranges up to 204,800, this Modular Affordable Camera is Compatible with Canon’s EF, EF-S and CINE-SERVO lenses
MELVILLE, N.Y., April 13, 2016 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the latest addition to the Company’s line of multi-purpose modular cameras, the new ME200S-SH. Compact and versatile, the camera supports a broad range of uses, including cinema, television production, live sports, law enforcement, house of worship and special uses, such as weather monitoring, night shooting, event installs and point of view applications. This 8.2 megapixel Super 35mm compact box camera features both high sensitivity and a cinema look for high-quality image capture. Canon’s Dual Pixel CMOS autofocus (DAF) technology provides ME200S-SH camera users with a range of focusing options when using compatible Canon EF lenses and CINE-SERVO lenses.
“Much like the ME20F-SH multi-purpose camera that Canon launched in 2015, the new ME200S-SH multi-purpose camera is so small and compact it can easily fit into tight spaces,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “As indicated in the name, we anticipate users will implement this camera in an extensive variety of ways, from uniquely angled shots for HD sports broadcasting or traffic and weather reporting, to cinematic production or surveillance of public spaces, even applications we haven’t yet thought of. We are very excited to see how the capabilities of this camera inspire image creators.”
Canon’s new multi-purpose ME200S-SH camera’s compact, modular body design allows for easy custom configurations for diverse usage scenarios such as:
Live HD - 1920x1080 / 60p, 50p output, Dual Pixel CMOS AF and Remote (RC-V100) enable HD Live use for HD studios as well as sporting events. Thanks to its compact size, this camera can be placed in unique creative spaces such as the top of a basketball hoop. Genlock functionality is standard for this multi-purpose camera use.
Production - Remote manual control of focus, iris, auto exposure (AE) and ND filters is available with the optional Canon RC-V100 controller, benefitting a range of users from meteorologists looking to get distinctive images of severe weather conditions to concert venues looking to add creative low-light imagery or cinematic shallow depth of field to their offerings.
Security Surveillance - Infrared shooting and ISO 204,800 allow for surveillance of buildings, borders, airports, and harbors. Remote control capability and Auto Exposure allow the ME200S-SH camera to be easily incorporated into these constantly evolving and potentially unmanned environments.
The ME200S-SH camera includes both Canon Log and Wide DR Gamma providing users the high- dynamic range and the ability to choose their post-production strategy. Users can experience high-quality imagery whether they are doing a full post-production grade or making quick onsite corrections.
In addition, the ME200S-SH camera employs Canon’s EF Mount (Cinema Lock Type) providing shooters with the ability to use a diverse array of compatible Canon EF interchangeable lens, CINE-SERVO lenses, newly announced COMPACT-SERVO lens and a select Canon Broadcast HD lenses by utilizing a third party mount converter. The Cine Lock feature allows users to easily mount the lens without having to rotate it into the mount.
The ME200S-SH camera features 3G/HD-SDI and HDMI output terminals that enable users to output video via a single cable to a variety of peripheral equipment, including external recorders and monitors. A 12-pin lens jack is provided to enable communication with the drive unit of select CINE-SERVO and broadcast lenses. Equipped with a f2.5mm stereo mini-jack and a round eight-pin jack for RS-422, the multi-purpose camera is capable of connecting with Canon’s optional RC-V100 Remote Controller. Furthermore, a 3.5mm stereo mini-jack allows the camera to connect to a microphone or other external audio equipment.
Pricing and Availability
The ME200S-SH multi-purpose camera is scheduled to be available in August 2016 for a suggested list price of $5,999. In addition, optional accessories which include the RC-V100 Remote Control, RS-422 eight-pin remote cables and TB-1 Tripod Base are currently available for a suggested list price of $2999, $249 (10m cable) or $999 (100m cable) and $35 respectively.
New Lens Features 4K Optical Performance, Enhanced Servo Drive Unit, Image Stabilization* and Autofocus* Functions- Ideal for ENG, Documentary, and Budding Filmmakers
MELVILLE, N.Y., April 13, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce today the new Compact-Servo 18-80mm Zoom Lens (model name CN-E18-80mm T4.4L IS KAS S), a compact and lightweight 4K-ready lens constructed for optimal mobility. A bridge between traditional Canon EF photography lenses and CN-E cinema lenses, the COMPACT-SERVO 18-80mm can be ideal for filmmakers and documentary shooters who want the control and quality of cinema optics with the lightweight, compact design and features of photography lenses. The first in a new class of Canon lenses, the COMPACT-SERVO 18-80mm Zoom Lens is a cinema-style lens that includes a newly developed servo drive unit as a standard feature. Additionally, the lens incorporates Image Stabilization* and Autofocus* functionality, two extremely useful features not commonly found in cinema lenses, but which are ubiquitous in photography lenses. The lens also provides high image quality that supports 4K image productions and was designed to be able to be utilized in a variety of shooting styles including, hand-held, shoulder mounted, and tripod mounted.
“The new COMPACT-SERVO 18-80mm Zoom Lens ushers in a new class of optics for Canon. Featuring the outstanding build-quality and excellent optical performance professionals have come to expect from Canon, this new lens provides videographers with an affordable and versatile option when stepping up from EF lenses,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “We are excited about the new form factor this lens takes on and can’t wait to see how the imaging community utilizes it.”
Covering the commonly used focal length range of 18mm to 80mm, this new Zoom Lens combines the functionality of Canon EF lenses with the precision and cinematic look of Canon Cinema lenses. The new COMPACT-SERVO 18-80mm Zoom Lens is 4K-ready and features auto focus and optical image stabilization with compatible camera models only, resulting in high-resolution imagery, with the ability to assist filmmakers in capturing the shot they envisioned. Compatible with EF- mount Super 35mm large-format cameras, the lens maintains brightness across the entire focal range at T4.4 (equal to F4.0). For added convenience, videographers can control many of the features of the lens in a variety of ways through the EF-mount communication, including Dual Pixel CMOS AF, push auto iris, record start and stop and remote lens control via the camera with an optional remote control, compensation for chromatic aberration (when paired with the EOS C300 Mark II Cinema Camera), metadata acquisition, and selection of T-number display. The COMPACT-SERVO 18-80mm Zoom Lens features a nine-blade iris aperture diaphragm to help give footage a truly artistic and beautiful look and feel, providing the much desired “bokeh” effect in the out-of-focus areas. For improved operability, focus breathing has been greatly reduced due to the three group inner focusing system.
The lens comes equipped with a newly developed Servo Drive Unit, which provides seamless switching between servo and manual modes, allowing videographers motorized control of focus, zoom, and iris settings. The Servo Drive Unit is compatible with broadcast style industry-standard lens controllers including Canon’s ZSD-300D or FPD-400D. To further enhance ease-of-use for ENG and “run-and-gun” style shooters, Canon has developed an optional grip accessory specifically designed for the new lens, the ZSG-C10. The grip accessory connects to the camera through a 20-pin cable, allowing a variety of lens functions to be controlled from the grip, including zooming via a zoom rocker switch, one-shot AF and the starting and stopping of a recording. When the lens and grip are being used with the EOS C100 Mark II or EOS C300 Mark II Cinema Cameras, users will also have the ability to control the zoom and iris from the camera’s grip unit.
The Canon COMPACT-SERVO 18-80mm Zoom Lens and ZSG-C10 accessory grip are scheduled to be available later in 2016 for an estimated retail price of $5,500 and $499 respectively.**
Virtual Reality, Character Animation, Sound Innovation Comes To Creative Cloud
SAN JOSE, Calif. — April 13, 2016 — The way consumers access and view content has undergone sweeping changes. Media and entertainment companies, along with creative professionals, are under increasing pressure to find new ways to create, deliver and monetize content. They must also adapt to rapidly evolving technology advancements, including high-resolution capture, new delivery formats and virtual reality to name a few. Also, enterprises are dealing with an explosion of content demands from constituencies and need to integrate high-impact content types, like video, into their communications strategies.
Ahead of the National Association of Broadcasters (NAB) Show next week, Adobe (Nasdaq:ADBE) has revealed new features across its Creative Cloud tools for video editing, motion graphics, audio and collaboration. Media and entertainment companies are combining these advanced content creation capabilities with Adobe Primetime to help deliver TV and video content across screens. With Adobe’s digital marketing tools TV networks and pay-TV providers can drive viewer acquisition, engagement and monetization as audiences embrace “over the top” (OTT) content via connected devices such as Apple TV, Sony PlayStation, Roku and Microsoft Xbox. At NAB, Adobe will demonstrate the updated tools and new workflows at booth #SL3910, South Hall (lower) in the Las Vegas Convention Center and at over 120 partner booths from April 18-21.
Adobe Creative Cloud video tools are becoming the go-to source for film editors of both award-winning Hollywood and indie films. The most recent example is Deadpool, the 20th Century FOX blockbuster which shattered box office records. The post-production team from Deadpool will discuss their state-of-the-art workflows and why they chose Adobe Premiere Pro CC in a Creative Master Series panel at NAB on April 19 from 4:15–5 p.m. PT.
Upcoming productions using Premiere Pro CC include Mindhunter, David Fincher’s new series for Netflix, and 6 Below directed by Scott Waugh and starring Josh Hartnett, which is currently shooting in 6K RED and will be edited natively in Premiere Pro.
Creative Cloud video tools are also powering a new generation of content delivered via social channels like YouTube, Facebook and Instagram.
"The videos we make at RocketJump are pure entertainment,” said Freddie Wong, Founder of RocketJump, the hybrid studio/production company behind the popular RocketJump YouTube channel with nearly 8 million subscribers and 1.3 billion views. “We've been users of Adobe's Creative Cloud for years and love the new features coming soon. In addition to editing native footage in Premiere Pro and creating awesome visual effects in After Effects, we use Photoshop for graphics, Audition to sweeten audio, Media Encoder to export content, and now Creative Cloud Libraries to share assets.”
Immerse Yourself In Creativity
Adobe continues to deliver technology that opens unimagined creative opportunities for video and film production, and now, immersive experiences. In the next release of Creative Cloud – available in early summer – Premiere Pro CC will add new virtual reality capabilities, including “field of view” mode for spherical stitched media. In addition, thanks to Adobe Stock integration into CC apps, customers are already experiencing productivity increases of 10 times, when adding stock content into creative projects, including video*. In the upcoming release, Adobe Stock will have enhanced connections with CC apps and new workflows will enable Adobe Bridge and Lightroom users to contribute to the Adobe Stock marketplace directly from within the application.
Other feature highlights coming soon to Creative Cloud include:
Edit immediately during ingest allows Premiere Pro CC users to get straight to work, while importing their video and audio files in the background.
Powerful proxy workflows in Premiere Pro CC and Adobe Media Encoder CC enable users to easily work with heavy 8K, HDR and HFR media, so editors can switch between native and proxy formats freely – even on lightweight machines.
Enhanced Lumetri Color tools within Premiere Pro CC adds HSL Secondaries to expand the editor’s toolkit for making color correction and adjustment easier for all filmmakers.
New video and audio preview engine in After Effects CC delivers superior playback of cached frames for a smooth experience.
Easier and more efficient Character Animator includes a simplified puppet creation process that enables users to easily tag puppet layers easily and record multiple takes of a character’s movement. Users can animate puppets to respond to motion and trigger animation accordingly.
New Essential Sound panel in Audition CC enables anyone to mix audio content for professional results.
Quickly find Adobe Stock assets with new filtered search in Creative Cloud Libraries. Licensed assets in your library are now badged for easy identification, videos are displayed with duration and format information, and saved videos are linked to video previews on the Adobe Stock site.
“There’s rapid change happening in the digital landscape with video now the fastest growing media type across social media platforms and OTT shaking up broadcast and film,” said Bryan Lamkin, executive vice president and general manager, Digital Media at Adobe. “Adobe is transforming the industry with Creative Cloud and Primetime by helping customers create beautiful content to engage viewers and technologies that monetize content that audiences care about.”
Pricing and Availability
At NAB, Adobe is previewing the next major updates to Creative Cloud. These updates are expected to ship in the coming months. The company is offering Adobe Creative Cloud for U.S. $49.99 a month.
Legendary photographer Vincent Laforet sits down with us to share his thoughts on aerial photography, and what he's learned along the way. Through the years, Laforet has been at the forefront of commercial photography, and his daring aerial work is the subject of his new book, AIR.
PORTLAND, OR–(Marketwired – Apr 12, 2016) – Lensbaby, makers of award-winning creative effects lenses, optics and accessories, today announced the availability of the Twist 60 lens. Twist 60 helps creative photographers find their visual voice by seeing the world differently.
This metal-bodied non-tilting 60mm f/2.5 lens with gold anodized accents creates powerful portraits, spotlighting subjects by freeing them from their background and surrounding them with swirly blur and enhanced vignette. The brighter the aperture, the greater the swirl and the greater the vignette.
“Twist 60 embodies our love of old lenses and their unique ways of helping photographers discover creative possibilities,” said Craig Strong, Lensbaby Co-Founder & Chief Creative Officer. “True to an 1840 design by Joseph Petzval, this lens reveals striking separation between subjects and their background, a quality that modern lens designs lack.”
Twist 60 Lens specs:
12 blade f/2.5-22 aperture
60mm focal length
Twisty, swirly blur
Recommended for use on full frame cameras
Available in Canon EF, Nikon F, and Sony E mounts
4 elements in 3 groups
Filter threads: 46mm
Black anodized body with gold anodized aperture ring
Minimum focus distance – 18?
Twist 60 lens retails for $279.95 and is available via pre-order beginning April 12, 2016 (shipping May 5th, 2016). Twist 60 Optic will also be sold separately for use with other Lensbaby Optic Swap System-compatible lenses. It retails for $179.95. For best results, when using it in a tilting Lensbaby such as the Composer Pro, photographers should shoot with Twist 60 pointed straight ahead. Lensbaby products are available at B&H, Adorama, and from select specialty photo stores worldwide.
Go on a journey to the frozen north with wildlife photographer Vincent Munier. Spotlighting foxes, wolves, hares, owls, and even a polar bear, these photographs capture the beauty of the Arctic. Check out Munier's book Arctique to see more of the images.
The Short Film Showcase spotlights exceptional short videos created by filmmakers from around the web and selected by National Geographic editors. We look for work that affirms National Geographic's mission of inspiring people to care about the planet. The filmmakers created the content presented, and the opinions expressed are their own, not those of the National Geographic Society.
SHENZHEN, China, April 8, 2016 – DJI, the world's leading commercial drone manufacturer, Friday launched a new social platform called "DJI+ Discover."
Users can access DJI+ Discover via an iOS or Android app. The mobile app connects people socially and professionally by enabling drone-pilots and drone enthusiasts to start conversations and meet up while also functioning as a professional marketplace for aerial service providers and potential clients. Further, the app is a gateway to the broader DJI community, including an integrated version of the DJI Forum, the DJI online store, SkyPixel, upcoming DJI events and more.
"Drone pilots like to get together to fly, learn from each other and share experiences with like-minded people. In the same way, people want an easy way to find trustworthy professional aerial service providers nearby," said Paul Guo, Director of E-Commerce at DJI. "DJI+ Discover lets people in the same area connect socially and professionally in a way that will bind the drone community even tighter together."
The app is easy to use and divided into four sections: Nearby Search, Experience, Store and Forum. Users sign up by registering an email address. Their profile can be linked to an existing DJI account. The app is open to anyone - from those curious about the technology without any previous experience to professional service providers.
Nearby Search shows social and professional users nearby, as well as flying hotspots and geo-tagged photos from SkyPixel.
The Nearby Search section is separated for social and professional users. The platform offers social users a way to connect, chat and meet. In a similar way, professional users can introduce their offer and services and connect with new clients. Users of professional services can write reviews directly on service providers' profiles.
The Experience section guides users to nearby stores, and official DJI events. Other interactive features will be posted in this section.
The Store section takes users directly to DJI's online store.
DJI's official Forum is directly integrated in the DJI+ Discover app, making it easier for people to discuss, share best practices and get tips directly through their mobile phone.
The app can be downloaded for free on this link. The app is currently available in the U.S., the UK, Germany, Spain and Australia.
Not long ago, Canon released Digital Photo Professional 4.4.0 along with several other updated programs bundled in the EOS 80D EOS Digital Solution Disk Download. Now Canon is offering newer versions of DPP, EOS Utility and Picture Style Editor (with EOS 1D X Mark II & EF-S 18-135 IS USM support) as invidual downloads.
Digital Photo Professional 4.4.3
Changes for Digital Photo Professional 4.4.30 for Windows:
Newly supported PowerShot G7 X Mark II, EOS-1D X Mark II, EOS Kiss X80 / EOS REBEL T6 / EOS 1300D, EOS 80D, EOS Kiss X4 / EOS REBLE T2i / EOS 550D, EOS Kiss X3 / EOS REBEL T1i / EOS 500D, EOS Kiss X2 / EOS DIGITAL REBEL XSi / EOS 450D, EOS Kiss F / EOS DIGITAL REBEL XS / EOS 1000D, EOS 50D, EOS-1Ds Mark III, EOS-1D Mark III, PowerShot G16, PowerShot S120, PowerShot G1 X.
Supports EF-S18-135mm f/3.5-5.6 IS USM.
EOS Utility 3.4.30
Changes for EOS Utility 3.4.30 for Windows:
Supports EOS-1D X Mark II, EOS Kiss X80 / EOS REBEL T6 / EOS 1300D, EOS 80D.
Supports EF-S18-135mm f/3.5-5.6 IS USM.
Picture Style Editor 1.16.30
Changes for Picture Style Editor 1.16.30 Updater for Windows:
Supports PowerShot G7 X Mark II, EOS-1D X Mark II, EOS Kiss X80 / EOS REBEL T6 / EOS 1300D, EOS 80D.
A notice regarding compatibility issue with the EOS 80D and availability of firmware update service
Dear users and potential purchasers of Tamron interchangeable lenses for Canon.
Thank you for using Tamron products.
We wish to notify you that the AF functions of the following interchangeable lenses for Canon, which have been produced before May 11st, 2015 and have not updated firmware when there were the firmware update service announcements below, do not function in Live View mode when used on the EOS 80D which went on sale on March 25th, 2016 in Japan.
*Please see the below links for the previous firmware update service announcements regarding the EOS Rebel T6s/EOS 760D (EOS 8000D) / the EOS Rebel T6i/ EOS 750D (EOS Kiss X8i), the EOS 5Ds / the EOS 5DsR, and the firmware update service for SP 150-600mm F/5-6.3 Di VC USD (Model A011) for panning shot.
Light rays are fun to create, and can make a big difference in your photos! Learn how to identify the best place to put light rays and how to create them using a brush tool and a radial blur filter.
Use the Radial Filter to Create Light Rays
It is important that light rays come from a light source. Start by identifying the light source in an image, then duplicate the background layer.
Next, convert the duplicate to a smart object, this will make it possible to use a smart filter. Smart filters can be changed at any time, making them easier to work with than regular filters.
Go to 'filter - blur - radial blur' and choose 'zoom'. Next change the zoom level of the blur, anything over 90 should be good. Choose a blur center and hit 'ok'.
Chances are, the blur center you chose isn't perfectly in place. To adjust the blur center, double click on the smart filter and move the blur center. Repeat until you nail the center of the light source.
Now that the blur is set in place, it is time to make the light rays. Create a new layer and use the brush tool to paint daubs of white around the light source. Press CMD+F to apply the radial blur filter to the paint daubs, stretching them into light rays. Paint and blur until the light rays look perfect!