There are few landscape photography locations more popular than Oxbow Bend, near Moran in Grand Teton National Park. This location is especially favored during the week or two in late summer when the aspen trees take on their brilliant fall colors. However, on a calm morning with interesting clouds in the sky, those colors are just icing on the cake.
When the wind dies down, most often early and late in the day, the Oxbow Bend area of the Snake River becomes glassy and only the jumping fish and feeding ducks remain to mar the mirror-like surface of the water. The highlight of this location is Mount Moran along with the other nearby mountain peaks and a telephoto lens best emphasizes distant mountains. I took a few telephoto pics here, but ... I couldn't resist framing the scene wider, including the reflections of the photogenic clouds present on this great morning.
I always say that a great landscape scene can be made greater by reflecting it and I think this theory holds true at Oxbow Bend. Within this theory, vertically centering the top edge of a large reflecting surface (such as a body of water) usually works very well.
Even though there are many dozens of photographers targeting Oxbow Bend at sunrise, there is plenty of room for everyone to find a good shooting location. Schedule your presence here for mid-late September (this image was captured on the 19th) if you want the yellow aspens in your frame.
I'll likely feel compelled to share a few more images captured at this location on this morning.
A larger version of this image is available on SmugMug, Flickr, Google+, Facebook and 500px. If reading from a news feed reader, click through to see the framed image.
I tend to not get overly excited about new releases. The last few years have seen a lot of incremental upgrades that rarely blow me away. Usually, I end up thinking the new version of whatever is better than the last version. Not “rush out to the store and buy it” better, but “consider upgrading if you use it a lot” better.
Canon, though, (and Sigma) have hit some real home runs with optics lately, so I was a bit excited when Canon decided to upgrade one of their weaker lenses, the 16-35mm f/2.8, to a Mark III version. And if you don’t want to read the article I’ll summarize: rush out to the store and buy it.
You can read the entire article on the LensRentals Blog. For a more thorough look at the Canon EF 16-35mm f/2.8L III USM, check out this handy resource.
Use the KeyMission 360/170 Utility to copy to your computer, view, and edit beautiful spherical 360° panoramas and 170° wide-angle shots taken with Nikon’s KeyMission cameras. You can choose the angle when viewing spherical 360° content shot with the KeyMission 360 and export the footage to create new movies, export cropped images, add simple effects and background tracks, and create movies for upload to YouTube. You can also change settings for cameras connected via USB.
In yet another ambitious project, photographer Benjamin Von Wong and his team trek miles through a wasteland to find active lava surface flows for his shaman shoot bringing awareness to climate change.
Cine High Speed Zoom 18-35mm T2 and 50-100mm T2 lenses begin shipping on December 9 for a retail price of $3999.00 USD
New York, NY – October 20, 2016 – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessory manufacturer, announced today that the Cine High Speed Zoom 18-35mm T2 and 50-100mm T2 lenses will begin shipping on December 9, 2016 for a retail price of $3999.00 USD. Born from the new Sigma Cine family of products, the High Speed Zoom lenses leverage the outstanding optical design of the company’s world-renowned Global Vision still photography lenses. Combined with the 100% new mechanical lens body design, the Cine lenses meet needs of advanced 6k and 8k cinema production with the core optical quality DNA that has defined the Sigma benchmark of imaging excellence.
See the Sigma Cine Family of Products at PDN/PPE 2016 Expo Demonstrated for the first time to the public in the United States, attendees to the 2016 PDN PhotoPlus International Conference + Expo (PPE), held at the Javits Convention Center in New York City from October 20-22, 2016, can see first-hand the new Sigma Cine family of lenses:
Cine High Speed Zoom Line - 18-35mm T2 and 50-100mm T2 The high speed zoom line, which is compatible with the Super35 image size standard, offers the constant aperture of T2 throughout the zoom range with superior optical performance that is capable of high-resolution 6K-8K shooting. Delivering the highest image quality in its class, the High Speed Zoom is ergonomically compact and designed for E, EF and PL camera system mounts.
Cine FF Zoom Line - 24-35mm T2.2 FF Compatible with a full-frame image sensor, the FF Zoom’s outstanding optical performance also supports 6K-8K shooting. Because so few lenses cater to the requirements of the latest digital cinema cameras’ image sensors, this line provides a rare option for cinematographers. The FF Zoom is designed for E and EF camera system mounts.
Cine FF High Speed Prime Line - 20mm T1.5 FF, 24mm T1.5 FF, 35mm T1.5 FF, 50mm T1.5 FF and 85mm T1.5 FF The Cine High Speed Prime lineup features lenses ranging from 20mm to 85mm, with all five touting an aperture of T1.5. Highly compact and compatible with full-frame sensors, these lenses offer superior resolution. They bring a consistent level of light to the production, offering greater consistency to any film’s color, contrast and overall look before it enters post-production. The FF High Speed Prime line is designed for E, EF and PL camera system mounts.