Verizon has agreed to purchase Yahoo for the paltry sum of $4.83 billion. Considering that Microsoft offered to buy Yahoo only 8 years ago for a cool $45 billion, "paltry sum" seems like a fair descriptor even if Yahoo's glory days seem far behind them.
Included in the purchase – and of special interest to our site visitors – is Flickr, the still-popular photo sharing site. While Flickr may not be the juggernaut it once was, it's a service that I still personally enjoy using on a daily basis.
Even though I have many photo sharing accounts (500px, SmugMug, Google Photos, Instagram, etc), Flickr continues to be the one I like best. It's simple to use and there are wonderful groups who enjoy aiding in one's growth in photography. And even though Flickr has seemed neglected at times over the last few years, it has steadily improved (for the most part), regaining some relevance in the process (in my opinion, of course).
However, Verizon's takeover of Flickr gives me pause. I doubt Flickr is highly profitable in its current form, so I'm concerned about what changes Verizon might bring about to better capitalize on their investment.
Ads everywhere? A higher price for Pro Accounts? Disk quota limitations placed on all members? A complete liquidation assets or shutting it down entirely? Your guess is as good as mine.
Only time will tell if I am needlessly worried or hopelessly spinning my wheels with a photo sharing service that's seen its last hurrah.
Shine is great on silver and gold but not so much on your portrait subjects face. It is not too difficult to fix oily skin in Photoshop. Stay tuned and I’ll show you a super quick retouching tip to eliminate shiny skin or oily skin in both Photoshop and Lightroom.
Note: For about $100.00 more, you can get the bi-color (Daylight/Tungsten) version of this LED light. I purchased two of the bi-color led panels for a recent video project and came away very impressed by the quality and versatility of the lights. [Sean]
When planning their next IMAX 3D film ‘A Beautiful Planet’ about the International Space Station, Director Toni Myers and Cinematographer James Neihouse soon realised they would have to make the move from film to digital. Since their last Space Station film together in 2002, the Space Shuttle had been withdrawn from service, removing the option to shift weighty film canisters in and out of orbit. CPN writer James Morris asked Neihouse how the 4K quality of Canon’s EOS C500 and EOS-1D C digital cinema cameras helped reveal space in all its three dimensional glory...
There is no question that this one is 5Ds R-ready. The 200 f/2.8 II is a great lens and you are probably not going to be surprised by the excellent results it delivers in front of the 5Ds R. Results with extenders are included as usual. The sharpness of this lens is especially impressive considering its price.
London, UK, 22 July 2016 – Canon Europe will be demonstrating its full range of professional imaging products at IBC 2016, the leading global tradeshow for the media and broadcast industry in Amsterdam, Netherlands. Having exhibited at IBC for more than three decades, Canon will display its latest industry-leading innovations – the range will include professional cameras, broadcast live streaming, reference displays and in excess of 100 lenses.
The Canon stand will provide visitors with the opportunity to get hands-on with Canon’s Full HD, 4K and HDR products, through a variety of end-to-end workflow scenarios – from shooting experiences, to review and editing processes, including innovative low-light and long distance live shooting demos.
Since its inception in 2011, Canon’s Cinema EOS range has been instrumental in transforming the professional video industry – with a range of innovations, including Dual Pixel CMOS AF for effective autofocus, leading sensor technology and advances in resolution. In April 2016, Canon saw the family of Cinema EOS products expand further with the launch of the versatile ME200S-SH, a compact professional multi-purpose video camera, and CN-E18-80mm T4.4 L IS, a compact cinema EOS lens with cine-servo style functionality. Both will be on display for touch and try, for the first time in Europe.
“The recently announced ITU HDR TV standard reaffirms the importance of both HDR and 4K for the future viewing experience, at Canon we continue to listen to our customers when developing the product range to ensure our innovations meet their needs,” said Kieran Magee, Director Professional Imaging, Canon Europe. “We understand that content providers and creators demand quality products that will deliver the creative vision in HDR and 4K. At IBC 2016, we’ll display our largest range of 4K HDR products to-date.”
At the show, broadcast and cinematography professionals will be able to get hands-on with Canon’s full range of 4K, Full HD and HDR products including the prestigious Cinema EOS Range, stunning reference display units and broadcast solutions. Visitors can experience the full power of the company’s optics portfolio, with Canon’s extensive range of lenses, from broadcast to cinema and EF lenses.
Canon’s IBC stand can be found at Hall 12, stand D60.